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  • #1309

    In reply to: Yuki’s Livrary

    ÉricÉric
    Keymaster

      October 12 th

      Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
      Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
      And so it is.

      October 16 th

      My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…

      “I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]

      #258
      F LoveF Love
      Participant

        India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

        Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

        India Louise looked up from her drawing.

        What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

        It is beautiful India Louise.

        What did the letter say Grandpa. Why is it making you so sad?

        It is just an old letter, India Louise.

        Yes it looks very old. Was it bad news?

        Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

        The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

        He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

        Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

        Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

        He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

        The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

        As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

        Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

        #257

        When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

        — I saw him too, she said to her brother.
        — I don’t want to see him again, these books are scarey.
        — It’s intriguing, I want to know more, India Louise said, egging on him.
        — When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
        — He has found a friend to help him cross the Dark Forest to the traveling portal.
        — A friend?
        — Yes, a friend. She’s special.
        — Tell me more…
        — She’s a white unicorn, only him can see her.
        — Wow…
        — She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

        :fleuron:

        — Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

        Tina was taken aback…

        — Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
        — Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

        :fleuron:

        — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

        Quintin had answered distractedly, as he was engrossed by his last painting…

        Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

        She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

        Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
        — Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
        Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
        There are some that are being shone to me on the bottom of the ocean floor.
        What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

        Wow he had thought, she can really see.

        :fleuron:

        Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

        The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

        — Will you stop being so buffoonish! raved Tina again.
        — Perhaps I should let someone else continue then? said Albert.
        — Well, that’s entertaining, replied Becky mechanically.
        — OK. I’ll jump in, said Samuel, with a wide grin.

        It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

        Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

        :fleuron:

        Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

        The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

        :fleuron:

        Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

        Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

        She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

        She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

        When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

        Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

        This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

        She started to move again, de-focusing, past the lazy honey drops.

        The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

        #248

        New York, October, 4 th 2033

        Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

        (click for article)

        :fleuron:

        Dublin, October 5 th 2033

        Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

        That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

        He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

        He was pleased to read from her, and wanted to enjoy it fully.

        So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

        Dear Sean, Becky was writing

        I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

        I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

        I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

        In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

        Love,

        Becky.

        :fleuron:

        Orkney Islands, October 4 th, 2057

        This year again, Sean Doran had not answered his father’s calls.

        This September 23 th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

        Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

        Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

        #234
        TracyTracy
        Participant

          Becky noticed the round jars of coloured sand on the shelf as she went to look for some chocolate. She hadn’t known why at the time, but she’d followed the impulse to bring a little sand home with her from special places, usually scooped up quickly and a bit furtively in the clear plastic wrapper of a cigarette packet. They were all lined up in little round jars from a disused yogurt making machine in front of her unused cookbooks on the kitchen shelf.

          #224

          Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

          Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

          Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

          — And how can I be of assistance, dear little one?

          — Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
          — Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
          — Well, let me think.

          India Louise took a moment, and asked again

          — For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
          — Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

          Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

          — Areas of consciousness?

          — Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

          — And Illi? Who is she?
          — This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
          — Mmmm, this is quite intricate…
          — Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
          — Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
          — These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

          Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

          — Thank you Grandad, it’s becoming a bit less confusing.
          — Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

          #210
          ÉricÉric
          Keymaster

            Today, which was the day of the autumn equinox, had been a bright day over the Orkney Islands, quite unusual for this time of the year.

            Nanny Gibbon had been taking the twins for a walk into the nearby woods of the domain, were they could enjoy the wood dewberries that were ripe and delicious at this season. The twins loved picking them directly on the thorny bushes and eating them until their hands were full of the dark stains left by the sweet juice of the fruits.

            They knew that Nanny Gibbon would pick enough to make some delicious jam, perhaps to accompany some of her famous sweet pumpkin pies.

            When they came back to the Manor, they were exhausted by the afternoon spent in the lovely sunlight. After having washed their hands thoroughly, they didn’t really care for anything else but some sleep.

            But as they moved inside the corridors, Cuthbert noticed he had carelessly left opened his bedroom’s door, and a prick of fear for the precious books had him immediately rush to the room.

            And Cuthbert gasped in horror as he saw his book flown open on the floor, and the old grumpy cat Manfred, asleep on top of one of the blank pages.

            Manfred had the nasty habit of clawing everything, especially the huge soft armchair of Lord Wrick, but his antics were elegantly accepted by the old gaunt Lord.

            When he heard Cuthbert enter the room, the old fluffy cat raised an inquisitive eyebrow and moved very slowly and deliberately out of the book pages, only to reveal the immaculate pages, as whole as if the book had been brand new.

            Cuthbert was thrilled with joy. Manfred had not done anything to the precious book. He would have stroked the cat with gratitude, but the creature had moved out of the room very swiftly for its old age, in a haughty look of total disregard for the little boy.

            At least the book was intact. But what if… Cuthbert wondered… He started to look at the page, and new images started to form before his eyes…

            #201
            TracyTracy
            Participant

              The parcel contained two books, one for each of the twins. The books were large and heavy and bound in tooled Moroccan leather. There were blank pages where the illustrations should have been, but the twins had such vivid imaginations that they created the pictures as they heard the story. Sometimes it almost seemed as if they could enter the page, and roam around in it, until Grandad or nanny turned to the next page, and then the wonderful potential of the next blank space beckoned.

              #188

              This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

              Quintin: Your story was great!

              Fiona: Thank you :) So was yours.

              Have you written any more since I last looked at the story?

              Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

              Fiona: no, wrap it up if you feel.

              I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

              Quintin: Ahahaha! Don’t restrict yourself ;)

              Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

              Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

              Fiona: The endearing dragons…

              Quintin: Yeah…

              But I had strictly no idea about the rest. It was just a bet, on luck…

              That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

              Fiona: And did she have any impression of what form that could take? Like books, or games or what…

              Quintin: No, it was much more “real” in fact…

              Fiona: you know like the card-captor game which I suppose is interactive, so real

              Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

              Fiona: So a little bit like I have done with the story, to resolve something

              Quintin: yeah, exactly, or with your paintings

              Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

              Quintin: Yeah, people can unleash their imagination.

              And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

              Fiona: such as? eggsamples?

              Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

              Fiona: Yeah, I told you I did, but you just said some riddle!

              Quintin: Did I? That’s not like me ;)

              Fiona: Ahahhaha! It is you to the core

              Quintin: LOL, damn me!

              Fiona: Well, that is a bit strong, but …

              Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

              Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

              Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

              Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

              Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

              Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

              Quintin: Ahahaha, the story has a willing of its own too…

              Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

              Quintin: And actually, I don’t think everyone will be interested in dragons…

              Fiona: How does a dragon help one learn magic powers?

              Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

              Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

              Fiona: And how having a baby dragon could help unleash our magic powers then?

              Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

              Fiona: I am not sure if i have dark corners ;)

              Quintin: it was a metaphor :D

              Fiona: ahahahhahahahahahah

              Fiona: I know, so was mine :D

              Quintin: ahahahahah

              Fiona: I was thinking I feel really accepting of myself

              Quintin: Yeah, that’s the point in the little adventure before you meet it.

              You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

              Fiona: Well I think it sounds scarey now, what if no dragon picked me…

              Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

              Fiona: True.

              Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

              Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

              Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

              Fiona: Ahahahaha yes

              Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

              Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

              Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

              Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

              Quintin: Of course, you know :)

              Fiona: That I related most to the figure of blue hat… and big feet

              Quintin: Ahahaha, stomping on the poor key-fish

              Fiona: Nearly…

              Quintin: Have to go now, thank you for this enjoyable conversation

              Fiona: See you! :)

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