Search Results for 'cannot'

— If you have an idea, then tell it quick, said Akita, this place gives me the creeps.
— Remember how Kay’s having this nice werewolf form in his shape-shifting bag of tricks?
— Yes, but he cannot really hold it for very long… Wouldn’t be easier if you just teleport us or something?
— Well, the thing is, yes, that would work for us, but that would take too long to teach you, not to say the parents. We can’t really count on their cooperation for now… and it’s perhaps better that way, because I’m not sure they would really believe they can do it anyway.
— So the real question is, Kay interrupted, how do we move quickly with two stoned weights?
— Exactly. My suggestion is that we combine our energies. I must say I’m quite fond of the werewolf outfit, it’s brawny and forces respect, and besides, you and Akita know how to operate it.
— I think I get your point. So how do we do?
— Just let Kay merge with you, and I’ll facilitate the anchoring, said Araili.

Kay started to swirl around Akita in a swoosh of air, while Araili faded into the background to become a force-field around them, getting tighter and tighter, until all three were a ball of light and poofed back in the form of a twelve-feet tall impressive werelynx.

GRRRREAT, growled Akayli the beast. Let’s move on.

Baring his claws, he delicately tore off the mummifying silky threads to unwrap the two parents, and taking each of them under the hairy soft grey arms, sprung out of the nest to the forest in quick bounces.

The glowing light was showing a familiar face…

— So the boy is wavering?
— Yes. He is uncertain of the path… Does seem to have difficulty to trust his calling and take responsibilities being the owner of…
— He’ll do that. We can’t let him run away from it, nor afford the time of little vacationing. Did you secure the item?
— Yes. But you know it is worthless unless willingly handed over by the previous owner, right?
— Certainly. But I feel he’ll soon wish it back.
— I have words of cankerous corruption, endemic to where he was sent.
— Precisely.

Glasgow, Scotland, February 25 ^th 2068, Wrick Fundation

— So Cuthbert has refused?
— Yes. With his sister busy with her first-born, she can’t take on that much responsibility either.
— This is most regrettable. Lord Wrick’s will was perfectly clear though. Should none of the twins accept running his empire, all of its wealth would be used for humanitarian projects of the Fundation.

A week before, Orkney Islands

— Cuthbert, you must accept.
— Please, don’t wear yourself out Pope. Your body is weak.

Cuthbert’s face was drenched by emotion. Despite his small frame and his scrawny body, Lord Hilarion Wrick’s strong will was still present, as if etched on his face by all the years of reign. He wouldn’t take a “no” for answer, even now he was dying, just as he had never accepted it in his nearly 120 years of existence.

— Cuthbert, listen to me. All this time you and your sister have spent at the Manor, all of the time I spent with you, this was not meant for naught, you know that. I was not some old decrepit rag of an elder waiting for his death cushioned between the laughters of his great-grand children. I noticed how you and your sister handled at an early age what I have been showing to you. The books,… the mummy even. This was only a test. What I had not found in Sean, nor in his son, I found out in you and your sister. Mind you, it took me that long, but it was worth the wait, and I know how to be patient.
— You’re repeating yourself Pope, I know this story. I am very grateful for all that you did, all the knowledge I owe to you, but I can’t accept. It’s just… too much! I just want to spend these moments with you.
— You just cannot whine throughout all of your existence Cuthbert. You chose to be born here, at this moment, in that family. There is no point in refusing what you have placed on your path.
— I’m not whining! It’s just that… I just want a normal life! answered Cuthbert vehemently
— Very well then. The face on the Lord was resolute despite his writhing in pain. You will have to see how much life is nothing meant to be normal. In the meantime, I would appreciate your letting me die alone.

tjmarshall57: hahahaha as if it’s not bad enough with the weeding, now poor girl has blotches all over her face!
tjmarshall57: wedding not weeding
tjmarshall57: do russian wear velis?
tjmarshall57: veils
tjmarshall57: hhhm, blessing by a shaman, plaiting together of the couples hair….(is Becky still blad?)
tjmarshall57: The biggest concern at the wedding is to have enough liquor. A Russian Wedding is an event where everybody must be drunk. No one will be surprised if people drink themselves to unconscious on the wedding – and many do.
tjmarshall57: well, that will appeal to Sean
tjmarshall57: You are probably surprised to find out that a Russian wedding lasts for 2 days!! (Well, at least. Some weddings last as long as a week, and this is something to be proud of and remember for years: it means the couple had enough liquor to go on and on, and enough devoted friends to stay.)
tjmarshall57: The Russian church ceremony is colorful and solemn but the complete traditional ceremony is very long, and as guests and the couple have to stand during the ceremony (there are no benches in Russian churches at all; people must stand during all church services), faints are not rare.
tjmarshall57: right, so a fair amount of fainting and drunkeness then
tjmarshall57: Then the witnesses continue running the wedding, reading jokes and poems, and sometimes asking the new couple questions to make fun of them.
tjmarshall57: Franci will you be my witness, you’d be perfect
tjmarshall57: “Za molodykh!” (“For the newlywed!”)
tjmarshall57: Traditionally money is considered as the best gift, and is given in an envelope. Some time after the beginning of the reception when people start to become drunk the witnesses will ask everybody to give their gifts and one of the witnesses will collect envelopes from the rest of the guests with a tray.
tjmarshall57: Then people have time to dance. First dance is opened by the new couple. After the music starts, there is no exact script anymore, and witnesses can relax a little. They still occasionally announce a toast but do not entertain the guests with jokes and poems; guests by this time are already having lots of fun and are able to entertain themselves.

Movements become quite hectic; some people go out “to refresh”, and at some moment in this movement the bride gets… “stolen”! She disappears, and when the groom starts looking for her, he is faced with a request for a ransom. Usually it’s his buddies who “steal” the bride. A more or less short wrangle about the amount, and he can have his new wife back. But he must watch out – the bride sometimes may be stolen a few times!

tjmarshall57: right, so we have drunkeness, fainting, jokes, poems and insults, and theft and abduction
tjmarshall57: Then there are the bride’s friends – they steal the bride’s shoe. The groom must pay ransom for the shoe too – the guests enjoy watching wrangles.
tjmarshall57: Often guests leave the wedding in such a condition that they cannot remember what happened. If this was the case with the majority of guests, then the wedding was a huge success
tjmarshall57: AHA! This is the key! I will write about it after the wedding, when nobody can remeber anything about it
tjmarshall57: Day two of the wedding:After the meal the bride must “clean” the floor in the room. The fun part is that guests are allowed to mess as much as they want while she is cleaning
tjmarshall57:
tjmarshall57: another part for you!
tjmarshall57: guests on a Russian wedding enjoy it much more than the newlywed couple who are all the time made fools of.
tjmarshall57: The most popular period for wedding ceremonies in Russia was between the Christmas and Shrovetide (a week before the spring fast). This period was called the wedding period.
tjmarshall57: well, the timing is right
tjmarshall57: One of the many superstitions still prevailing among the peasant population of Russia is that, on the occasion of a marriage, the happiness of the newly-married couple is not assured unless the parents of the contracting parties are soaked with water from head to foot. When a marriage takes place in summer this is easily accomplished by ducking the fathers and mothers in the nearest river, but in winter they are laid on the ground and rolled in the snow.
tjmarshall57: who are the parents?
tjmarshall57: Among the Koraks of Siberia a young man seeks for a maiden with considerable dowry in the form of rein-deer
tjmarshall57: oh, well we can have psychoactive reindeer pies, anyway
tjmarshall57: Kovalevsky has well shown that many of the marriage customs of this country are survivals from a primitive and prehistoric age when the woman ruled the household and had more than one husband.
tjmarshall57: hhmmmm
tjmarshall57: it all points to a distant age when the matriarchal system prevailed, and the brother was his sister’s guardian. In Little Russia the brother’s sword is decked with the red berries of the rowan tree, red being the emblem of maidenhood.
tjmarshall57: red fruit sync!
tjmarshall57: no wonder I threw the cherries away!
tjmarshall57: ahahahahha!
franci_free: oh hrllo
franci_free: goodness
franci_free: will need to read back
tjmarshall57: hahahah oh there you are
franci_free: well what a complicated theme
tjmarshall57: haahah well
franci_free: you will have to write about the wedding
tjmarshall57: the key to the whole thing is that everyone was so drunk that nobody can remeber any of it aftrwards
franci_free: hahahah
franci_free: great!
tjmarshall57: thats my angle, I think
franci_free:
tjmarshall57: and s few things fit perfectly
tjmarshall57: the red fruit
tjmarshall57: the time of year
tjmarshall57: the drunkeness, Sean will love that
franci_free: the splotches?
tjmarshall57: well, nobody will remeber that
tjmarshall57: afterwards

And another snippet about crystal skulls…..

“….if you wish to project
your mentality and blend your consciousness with the idea of the
consciousness of the civilization that has created it, so that you may
in a sense, follow them, you will have to form a blending with all of
yourself. That is, let us say, the safeguard, the lock and the key. In
that an individual who cannot come to terms with the blending of all
portions of their personality will not be able to enter the door.”

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

— The legend of Mævel — (Part VII)

Today was the Day of the Forgotten. Mævel had slept well, nestled into the soft and warm depth of her dreams, her head resting on the short blue fur of the fox.
In sharp contrast with the lovely night, she awoke strangely irritated. Even the birds songs were like noise to her ears, and every sound of the forest she heard with acute intensity and a sense of being submerged by many sensory inputs.
Hopefully, the blue fox voice was still very comforting, and she started to wonder how they could come across a Forgotten One in need.

— I think I know where we can find some Forgotten One in need.
— Where? asked Mævel

The fox paused, then answered her question:
— Near your human parents’ home.

Mævel was surprised. She trusted the fox, and never had really questioned him, because more than that she trusted her own feelings, but now her feelings were telling her that there was something the fox had not told her. Or had told her partially. She was silent, pondering the unseen implications.

— Mæ, I’ll try my best to answer your questions, but remember I cannot tell you everything. I can help you remember some things, but there are things that my curse does not allow me to reveal. You have to find them by your own, in order to free us…
— Free us? I thought you were the one Cursed?…
— Yes I am, and…
— How do you know my parent’s home? How much do you know about me?
— I know you since you are a baby actually. And even before…
— Before? I don’t understand a thing… I feel there are some unseen links, that I cannot decipher, yet they are so close to…
— You’re right, there are links, links that are important, and that I cannot reveal.
— Why can’t you reveal them?
— Let’s go to your human parent’s home…
— Why do you always say my human parents?

The fox blew in front of him, creating a wobbling sound into the air in the form of a ring large enough for them to go through it. And he hopped inside, disappearing in mid-air.

Mævel was perplexed, but did not hesitate. She hopped too into the watery ring in front of her and found herself falling into a void, to reemerge on a bed of dry leaves in front of her parent’s home. Blohmrik the blue fox was seated in front of her, observing a shadowy form at a distance in front of them.

— Is that the Forgotten One we will help?
— Yes.
— Why do you need me? You could help her, couldn’t you?
— She wouldn’t see me, Forgotten Ones are usually obsessed by a few people, those who they feel can remember them, and don’t usually see other people. Their perception is quite different than ours.
— Hang on a minute… Why do you think she will see me?

Mævel looked into the eyes of the fox, and she knew.

— We are linked.

It was more an affirmation than a question.
Mævel wondered who that shadowy figure was. When she focused on her, the form was getting more solid, and she could catch glimpses of how she looked like. And she was surprised. She was about her age, with long blond hair as hers.
Mævel’s voice was broken:
— My parents had told me I was about to die when I was a baby, then by a sort of miracle, I became healthy… Was that true?… I mean… Was that a gentle way of telling me that I had a twin who died or…
— No, Mæ. She is not you. She is not linked to you by blood. You can talk to her, she will listen to you.

So Mævel went to see the shadowy figure. She had stopped wandering and trying to find an opening around the house, for there were none for spirits: all openings were locked by stripes of red cloth hung onto the doors and windows.
Mævel felt the pain of the Forgotten One as she approached her.

— Who are you? she suddenly asked Mævel, raising her head at her approach.
— I am Mævel.
— Mævel… It means marvel of Maÿ… I was born in Maÿ…
— What are you doing here?
— This is my parents’ home.
— How is that possible?
— Twenty one year ago, I was taken away from them, given to Shaint Lejüs in place of a fairy princess. But Shaint Lejüs was no fool, he had sent his apprentice to spy on the fairy king.
— Blohmrik?!
— Yes, Blohmrik… But Blohmrik disobeyed the Elder God, and when he saw the exchange that was about to happen, he let it happen. He wanted to protect the fairy princess from his master. Because Shaint Lejüs wanted the princess as a bride. Ahahaha, how disappointed Lejüs was when he saw that I could not perform the most basic magic spells. I was good at nothing, so he let me go wandering into his Realm. He’d just thought the half-fairy princess had inherited no magic from her father.
— How do you know all that?

— I told her, the blue fox said. I was hoping to bring her relief. But she started to look for her parents, and Lejüs discovered the truth… Because she was not looking for a fairy king. She was heading here, year after year.
— That’s the reason of your curse, is it?
— Yes. She can’t see me because I was Forgotten too, in that form of a blue fox. But as Forgotten Ones don’t forget, I didn’t forget. I couldn’t tell her, because she couldn’t see me.
— So, I am that fairy princess you are talking about… that strange idea was starting to dawn on Mævel.
— Yes. When Lejüs discovered who you were, he wasn’t interested in you any longer, because he thought your magical potential had been irremediably damaged by all those years spent in human company.

— Who are you talking to? the shadowy figure asked, bemused.
— Blohmrik, he is here. But it’s untrue, Mævel said, there is magic in me.
— Yes there is, answered the blue fox, and you can undo what has been done with it.

Mævel remembered the useless key she had manifested when she had tried to go out of her human parents’ house. She had not even looked at it closely.

— You can manifest it again Mæ, said the fox. It is with you. You are its lock.

And no sooner had Mævel thought of the big rusted key, than it appeared in her hand again. But this time the rust on it was crackled, and it started to disintegrate, and a brilliant shiny metal started to show beneath it.

Scratching what was left of the rust, Mævel started to look at the beautiful key, it was shaped as a musical note, and it had some word written on it, in an ancient language she didn’t know how to read. But she knew the sound when she ran her finger on the surface of the word.

« Araoni »

That was her. She was remembering, and everything started to change.

The wedding of the God Blohmrik, son of Mirÿnda, Goddess of Mirth and of Bälias, God of the Sparkles with Araoni, daughter of the Fairy Queen Theÿa and the Fairy King Aldurion was pronounced on a bright day of Maÿ, in a beautiful orchard in the presence of Araoni’s human parents and sisters and brothers.

Even Lejüs had been invited, even though he would have preferred to be Forgotten…

And so my story ends… said Captain Bone to Tomkin.

— And was the shadow remembered by her true parents? had asked Tomkin.
— Oh, yes she was… Of course. She just didn’t want to steal the limelight from Mævel, you see. Her parents were happy of course to find back their true daughter.
— You didn’t tell me the name of the true daughter, did you?
— No, I didn’t, said Captain Bone with a wink.

This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

Quintin: Your story was great!

Fiona: Thank you So was yours.

Have you written any more since I last looked at the story?

Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

Fiona: no, wrap it up if you feel.

I have drawn what I wanted. I will go and blow up the cave if we don’t finish it

Quintin: Ahahaha! Don’t restrict yourself

Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture

Fiona: The endearing dragons…

Quintin: Yeah…

But I had strictly no idea about the rest. It was just a bet, on luck…

That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

Fiona: And did she have any impression of what form that could take? Like books, or games or what…

Quintin: No, it was much more “real” in fact…

Fiona: you know like the card-captor game which I suppose is interactive, so real

Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

Fiona: So a little bit like I have done with the story, to resolve something

Quintin: yeah, exactly, or with your paintings

Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

Quintin: Yeah, people can unleash their imagination.

And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

Fiona: such as? eggsamples?

Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

Fiona: Yeah, I told you I did, but you just said some riddle!

Quintin: Did I? That’s not like me

Fiona: Ahahhaha! It is you to the core

Quintin: LOL, damn me!

Fiona: Well, that is a bit strong, but …

Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there

Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

Quintin: Ahahaha, the story has a willing of its own too…

Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

Quintin: And actually, I don’t think everyone will be interested in dragons…

Fiona: How does a dragon help one learn magic powers?

Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

Fiona: And how having a baby dragon could help unleash our magic powers then?

Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

Fiona: I am not sure if i have dark corners

Quintin: it was a metaphor

Fiona: ahahahhahahahahahah

Fiona: I know, so was mine

Quintin: ahahahahah

Fiona: I was thinking I feel really accepting of myself

Quintin: Yeah, that’s the point in the little adventure before you meet it.

You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

Fiona: Well I think it sounds scarey now, what if no dragon picked me…

Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

Fiona: True.

Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

Fiona: Ahahahaha yes

Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

Quintin: Of course, you know

Fiona: That I related most to the figure of blue hat… and big feet

Quintin: Ahahaha, stomping on the poor key-fish

Fiona: Nearly…

Quintin: Have to go now, thank you for this enjoyable conversation

Fiona: See you!

The quiet voice of Leörmn, who was not only shaping the cave but also aware of the living creatures in it, upon feeling the trouble of the poor flattened glukenitch, mentally told it not to worry.

Glukenitches were slimy wet creatures fearing light, and thus kept most of their time living underground. They lived in colonies generated from a single individual, and they shared the same mind. It was thus quite easy to communicate with all of them at the same time, and that often proved quite useful, for people not at ease with teleportation, as glukenitches, despite their not very engaging looks, were most helpful creatures.

They especially liked the cave where Malvina had settled down, because there was this moisture and steam coming from the hot springs which allowed them to live a relatively peaceful life. They used to eat almost everything, not too regarding as to the nature of the things they consumed, and were quite useful recyclers of garbage. Their droppings had a bluish halo to them, which made the inside of the tunnels glow with them until they had completely dried up, and coalesced into a glassy substance.

That is, until Leörmn had it all changed again.

So Leörmn was quite fond of these creatures as they were of a great help to keep the natural balance of the cave.

Don’t worry he told the glukenitch mind, gripshawks are not as carefree as they seem; most of them are simply known for their dreadful sense of direction, and also at times for their limited attention span…

Oh yes, answered the mind now I understand, this one buggered off without any notice… Could have asked for directions, but we guess it would have been useless anyway… Perhaps this one thought I would eat it. As if we were such undiscerning creatures…

As the adage goes, “Not even the Elders could know what’s in the mind of a gripshawk”… answered Leörmn enigmatically…

You know, added the mind, without meaning to be disrespectful, it’s twice now we’ve got people falling inside this hole… Perhaps for your next transmugrification you’ll like to block it. At least, the first one, that boy, was much more polite and engaging, but you know, we cannot have all the Worlds move in here as if it were Shaint Lejüs Festival…