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Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

The sky was most unusual. Something definitely weird was happpening.

Yann was looking at a TV show in which a clown was trying to juggle with his clothes.

Yann switched off the tv set and chose to go the cat in her basket.

“There you are!”

“Absolutely Sir”.

“Good very Good.”

Taking deep puffs of his pipe, he looked like a botle green velvet sofa, and that, combined with the crazy Baron of the nearby village, was the surest way of being left alone.

“The curious police want to know the details?” asked the Baron

“Not really … well now you make me think of it .. I reckon a bit.”

“ahahahahaha!” the manic laughter was infectious. Strange bugs were dancing. little dark skinned performers, tickling like an army of ants.

Rather than laughing, he’d taken a moment to consider the options. Obviously he couldn’t refuse help as his business had recently been pregnant, giving birth to conjoined twins.

So to speak.

#87 Quintin had a woman near London ~ a strange small replicate, put here for gracious officials. Strangely linked to the story, was Dory. The other participants didn’t really expect this quaint dream…

Dory made Quintin in Madagascar for the first time. Funny, but now they seemed to connect to Arona. Malvina disappeared, and once again Arona found this quite irritating. She could barely remember the music.

Really, things are shifting. In the name of heaven use magic I Scream or something!

A Man emerged from Arona’s lap. This is great, more comfortable than the ground.

Oh cute, said Arona, a talking Man, love your cape by the way.

Arona stroked Man. It was all feeling heat and humidity… and especially her hunger. Man sighed in an eggs sort of a way. She exclaimed delightedly, hugging the Man.

[¹] Note from the editor: Man being a noble reader

~~~~

Dory was dry, with strange hard shoulders and face. Her shawl finally surfaced flapping in time to a cloud of dust.

PPFFT! I’m all on my own. Dory was momentarily speechless.

Unbeknown to the young Goldie, weeping at the Fluboat terminal in Gibbonsville….

(Ann had to laugh at the typo. She had just hard a joke about ‘catching swine flu’ being a code word for shagging a fat bird)

……there was another probable self of hers already at the Worserversity. Harvey Tater would recognise this other version of Goldie when he met her, and although he would be confused as to where she came from, or who she really was, or where he’d seen her before, he would sense a feeling of familiarity. By the same token, the Worserversity self of Goldie (who had been stolen by itinerant French potato pickers shortly after her birth, and renamed Pomme de L’Air) sensed the same feeling of recognition, but had no knowledge of her, er, roots, so to speak, or any of her other potatable selves.

“Hang on a minute Harvey,” said Lavender excitedly, “Ann is trying to telepathically communicate with me! …… Oh, she wants to know who YOU are!”

“What did you say?”

“The truth of course. I told her I have no idea. Why that rude tart! She says I have been bashing her … well, have I been bashing her do you think Harvey?”

Harvey looked thoughtful. “Well you were a bit I suppose. You called her tortured. That wasn’t very kind was it?”

“hmmmmph, torturous more like. Oh well fair point, but I did try praising her last novel over lunch, and she went all green in the face and said if I didn’t stop being so nice she would throw-up in her spaghetti! …. anyway who are you Harvey and how come we are living together?”

“No idea, who are you?”

“It is a bit of a mystery isn’t it … remember how we were best friends and you didn’t even know my name for years? How ODD!”

“That perhaps is your task” Virginia was whispering in Ann’s ear”…to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist’s way…”

“Did you catch that, Walter? ‘Not spun out in the traditional lengthy continous way’ she’s saying.”

“…but condensed and synthesized in the poet’s way—that is what we look to you to do now.”

“I didn’t know you channeled Virginia Woolf, Ann,” replied Walter. “Doesn’t mean she is necesarily right, though, notwithstanding.”

“I didn’t say she was ‘absolutely right’, Walter. I’m just pointing out what’s right for me.”

Walter popped another anchovy stuffed olive into his mouth.

Ann was having a nightmare. In her dream she was an olive in a catering sized saucepan of spaghetti. The oily sauce made it impossible for her, especially given her round shape and lack of useful appendages, to gain purchase on the slippery strands.

“Walter, I am so releived to see that you’ve finally seen how flimsy continuity really is,” Ann said, and flung her arms around him.

“Steady on!” he gasped, trying to extricate himself from her clutches.

Home made LSD was a bit tricky. Amaury Flipswitch had tested some in his last potion and now he was having difficulties focusing.
Speaking with Ann, he was seeing her blinking in and out with all the discrepancies in the communications that it could generate.

He didn’t know if she had heard his last answers to her questions… but whatever… he couldn’t hear her last question either.
‘Yes’ he answered.

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”