Search Results for 'class'

Forums Search Search Results for 'class'

Viewing 20 results - 21 through 40 (of 955 total)
  • Author
    Search Results
  • #7837

    The village lay huddled before them, appearing like a mirage as they reached the top of the rise. Habitation always looks so picturesque when it’s been taken over by nature, Molly thought, by no means for the first time. Even before the collapse, she had penchant for overgrown abandoned ruins.  Vines and ivy rampaged gleefully over the houses, softening the hard outlines, and saplings reached for the sky through crumbling roofs.

    The survivors had stopped on the low hill to survey the scene, but soon they were rushing down towards the village to explore. As they came closer they could see all the cucumbers and courgettes dangling from the festoons of vines.  Molly had visions of cucumber sandwiches on delicate thin sliced white bread with a piping hot pot of tea.  But a waterey tasteless courgette soup will have to do, I suppose.

    It was mid afternoon but there was no debate about continuing the journey that day.  There were all the houses to search, and several shops, and more importantly, shelter for the night. The rain clouds were approaching from the east.

    The church was chosen as a base camp as it was spacious enough to accomodate them all and the roof was intact, all but for the collapsed wooden tower which would provide wood for a fire.  Lev and Luka set to work organising the space inside the church, supervised by Molly, Gregor and Petro, who wanted to rest. The others had dumped their bags and gone off to explore the buildings for supplies and forage in the overgrown gardens.

    Tundra, happy that for once the responsibility of finding food was shared with so many other people, indulged her curiosity to just snoop around aimlessly. Clambering over a crumbling wooden porch, she pushed open what remained of a peeling door and stepped carefully inside.  Venturing around the edges of the room, she peered at all the faded and warped framed photographs on the walls, portraits and family groups, wondering about the family who had lived here. There was a tray on a side table inscribed with Greetings from Niagara Falls! in a jolly cursive script, and an odd shaped rusting metal object with the words Souvenir de la tour Eiffel.

    Slowly Tundra toured the house, inspecting all the objects in the rooms.  Gingerly she made her way up the stairs, testing each riser before committing her weight to it.  In a small bedroom packed with decomposing plastic bags and cardboard boxes spilling their assorted contents, she came upon a pile of letters and postcards, yellowy and curling, with mouse nibbled edges.  Molly had told her about grandads postcard collection, but he’d taken it with him and she’d never seen them herself. I wonder what happened to that ship? Is my grandad still alive? Tundra sighed. Maybe he’ll come back one day.  And my dad.

    Tundra postcards

    Sitting on the floor, Tundra sorted out the intact postcards from the badly damaged ones.  She would take them with her to look at later, maybe ask the others what they knew of all the pictured places.

    #7833

    “We were heading that way anyway,” Molly informed the others.  She was  pleased with the decision to head towards Hungary, or what used to be known as Hungary.

    Slowly heading that way,” interjected Tundra.  “We spent years roaming around Ukraine and never saw a sign of survivors anywhere.”

    “And I wanted to go home,” continued Molly. “Or try to, anyway. I’m very old, you know,” she added, as if they might not have noticed.

    “I’ve never even been outside Ukraine,” said Yulia. “How exciting!”

    Anya gave her a withering look. “You can send some postcards,” she said which caused a general tittering about the absurdity of the idea.

    Yulia returned the look and said sharply, ” I plan to draw in my sketchbook all the new sights.”

    “While we’re foraging for food and building campfires and washing our knickers in streams?” snorted Finja.

    “Does anyone actually know where this city is that we’re heading for? And the way there?” asked Gregor, “Because if it’s any help,” he added, rummaging in his backpack, “I saved this.” Triumphantly we waved a battered old folded map.

    Gregor map

     

    It was the first time in years that anyone had paid the old man any attention. Mikhail, Anya and Jian rushed over to him, eager to have a look. As their hands reached for the fragile map, Gregor clapsed it close to his chest, savouring his moment of glory.

    “Ha!” he said, “Ha! Nobody wanted paper maps, but I knew it would come in handy one day!”

    “Well done, Gregor” Molly said loudly. “A man after my own heart! I also have a paper map!”  Tundra beamed happily at her great grandmother.

    An excited buzz of murmuring swept through the gathered group.

    “Ok, calm down everyone.” Anya stepped in to organise the situation. “Someone spread out a blanket. Let’s have a look at these maps ~ carefully! Stand back, everyone.”

    Reluctantly, Molly and Gregor handed the maps to Anya, allowing her to slowly open them and spread them out. The folds had worn away completely in parts. Pebbles were collected to hold down the corners and protect the delicate paper from the breeze.

    “Here, look” Mikhail pointed. “Here’s where we were at the asylum. Middle of nowhere. And here,” he pointed to a position slightly westwards, “Is where we are now.  As you can see, the Hungarian border is close.”

    “Where was that truck heading?” asked Vera.

    Mikhail frowned and pored over the map. “Eastwards is all we can say for sure. Probably in the direction of Mukachevo, but Molly and Tundra said there were no survivors there. We just don’t know.”

    “Yet,” added Jian, a man of few words.

    “And where are we aiming for?”  asked Finja.

    “Nyíregyháza,” replied Mikhail, pointing at the map. “Should take us three or four days. Maybe a bit longer,” he added, glancing at Molly and Gregor.

    “You’ll not outwalk Berlingo,” Molly snorted, “And I for one will be jolly glad to get back to some places that I can pronounce. And spell. Never did get a grip on that Cyrillic, I’d have been lost without Tundra.”  Tundra beamed again at her grandmother.  “And Hungarian names are only a tad better.”

    “I can help you there,” Petro spoke up for the first time.

    “You, help?” Anya said in astonishment, ” All you’ve ever done is complain!”

    “Nobody has ever needed me, that’s why. I’m Hungarian. Surprised, are you? Nobody ever wanted to know where I was from. Nobody ever wanted my help with anything.”

    “We’re all very glad you can help us now, Petro,” Molly said kindly, throwing a severe glance around the group.  Tundra beamed proudly at Molly again.

    “It’s an easy enough journey,” Petro addressed Molly directly, “Mostly agricultural plains. Well, they were agricultural anyway. Might be a good chance of feral chickens and self propagated crops, and the like.  Finding water shouldn’t be a problem either.  Used to be a lovely area,” Petro grew wistful. “I might go back to my village,” his voice trailed off as his mind returned to his childhood. “Never thought I’d ever see it again.”

    “Well never mind that now,” Anya butted in rudely, “We need to make a start.” She began to carefully fold up the maps.

    #7829
    ÉricÉric
    Keymaster

      Helix 25 – Investigation Breakdown: Suspects, Factions, and Ship’s Population

      To systematically investigate the murder(s) and the overarching mystery, let’s break down the known groups and individuals, their possible means to commit crimes, and their potential motivations.


      1. Ship Population & Structure

      Estimated Population of Helix 25

      • Originally a luxury cruise ship before the exodus.
      • Largest cruise ships built on Earth in 2025 carried ~5,000 people.
        Space travel, however, requires generations.
      • Estimated current ship population on Helix 25: Between 15,000 and 50,000, depending on deck expansion and growth of refugee populations over decades.
      • Possible Ship Propulsion:
        • Plasma-based propulsion (high-efficiency ion drives)
        • Slingshot navigation using gravity assists
        • Solar sails & charged particle fields
        • Current trajectory: Large elliptical orbit, akin to a comet.
          Estimated direction of the original space trek was still within Solar System, not beyond the Kuiper Belt (~30 astrological units) and programmed to return towards it point of origin.
          Due to the reprogramming by the refugees, it is not known if there has been significant alteration of the course – it should be known as the ship starts to reach the aphelion (farthest from the Sun) and either comes back towards it, or to a different course.
        • Question: Are they truly on a course out of the galaxy? Or is that just the story Synthia is feeding them?
          Is there a Promised Land beyond the Ark’s adventure?


      2. Breaking Down People & Factions

      To find the killer(s), conspiracies, and ship dynamics, here are some of factions, known individuals, and their possible means/motives.


      A. Upper Decks: The Elite & Decision-Makers

      • Defining Features:
        • Wealthy descendants of the original passengers. They have adopted names of stars as new family names, as if de-facto rulers of the relative segments of the space.
        • Have never known hardship like the Lower Decks.
        • Kept busy with social prestige, arts, and “meaningful” pursuits to prevent existential crisis.

      Key Individuals:

      1. Sue Forgelot

        • Means: Extensive social connections, influence, and hidden cybernetic enhancements.
        • Motive: Could be protecting something or someone—she knows too much about the ship’s past.
        • Secrets: Claims to have met the Captain. Likely lying… unless?
      2. Dr. Amara Voss

        • Means: Expert geneticist, access to data. Could tamper with DNA.
        • Motive: What if Herbert knew something about her old research? Did she kill to bury it?
      3. Ellis Marlowe (Retired Postman)

        • Means: None obvious. But as a former Earth liaison, he has archives and knowledge of what was left behind.
        • Motive: Unclear, but his son was the murder victim. His son was previously left on Earth, and seemed to have found a way onto Helix 25 (possibly through the refugee wave who took over the ship)
        • Question: Did he know Herbert’s real identity?
      4. Finkley (Upper Deck cleaner, informant)

        • Means: As a cleaner, has access everywhere.
        • Motive: None obvious, but cleaners notice everything.
        • Secret: She and Finja (on Earth) are telepathically linked. Could Finja have picked up something?
      5. The Three Old Ladies (Shar, Glo, Mavis)

        • Means: Absolutely none.
        • Motive: Probably just want more drama.
        • Accidental Detectives: They mix up stories but might have stumbled on actual facts.
      6. Trevor Pee Marshall (TP, AI detective)

        • Means: Can scan records, project into locations, analyze logic patterns.
        • Motive: Should have none—unless he’s been compromised as hinted by some of the remnants of old Muck & Lump tech into his program.

      B. Lower Decks: Workers, Engineers, Hidden Knowledge

      • Defining Features:
        • Unlike the Upper Decks, they work—mechanics, hydroponics, labor.
        • Self-sufficient, but cut off from decisions.
        • Some distrust Synthia, believing Helix 25 is off-course.

      Key Individuals:

      1. Luca Stroud (Engineer, Cybernetic Expert)

        • Means: Can tamper with ship’s security, medical implants, and life-support systems.
        • Motive: Possible sabotage, or he was helping Herbert with something.
        • Secret: Works in black-market tech modifications.
      2. Romualdo (Gardener, Archivist-in-the-Making)

        • Means: None obvious. Seem to lack the intelligence, but isn’t stupid.
        • Motive: None—but he lent Herbert a Liz Tattler book about genetic memories.
        • Question: What exactly did Herbert learn from his reading?
      3. Zoya Kade (Revolutionary Figure, Not Directly Involved)

        • Means: Strong ideological influence, but not an active conspirator.
        • Motive: None, but her teachings have created and fed factions.
      4. The Underground Movement

        • Means: They know ways around Synthia’s surveillance.
        • Motive: They believe the ship is on a suicide mission.
        • Question: Would they kill to prove it?

      C. The Hold: The Wild Cards & Forgotten Spaces

      • Defining Features:
        • Refugees who weren’t fully integrated.
        • Maintain autonomy, trade, and repair systems that the rest of the ship ignores.

      Key Individuals:

      1. Kai Nova (Pilot, Disillusioned)

        • Means: Can manually override ship systems… if Synthia lets him.
        • Motive: Suspects something’s off about the ship’s fuel levels.
      2. Cadet Taygeta (Sharp, Logical, Too Honest)

        • Means: No real power, but access to data.
        • Motive: Trying to figure out what Kai is hiding.

      D. AI & Non-Human Factors

      • Synthia (Central AI, Overseer of Helix 25)

        • Means: Controls everything.
        • Motive: Unclear, but her instructions are decades old.
        • Question: Does she even have free will?
      • The Captain (Nemo)

        • Means: Access to ship-wide controls. He is blending in the ship’s population but has special access.
        • Motive: Seems uncertain about his mission.
        • Secret: He might not be following Synthia’s orders anymore.

      3. Who Has the Means to Kill in Zero-G?

      The next murder happens in a zero-gravity sector. Likely methods:

      • Oxygen deprivation (tampered life-support, “accident”)
      • Drowning (hydro-lab “malfunction”)

      Likely Suspects for Next Murder

      Suspect Means to Kill in Zero-G Motive
      Luca Stroud Can tamper with tech Knows ship secrets
      Amara Voss Access to medical, genetic data Herbert was digging into past
      Underground Movement Can evade Synthia’s surveillance Wants to prove ship is doomed
      Synthia (or Rogue AI processes) Controls airflow, gravity, and safety protocols If she sees someone as a threat, can she remove them?
      The Captain (Nemo?) Has override authority Is he protecting secrets?

      4. Next Steps in the Investigation

      • Evie and Riven Re-interview Suspects. Who benefited from Herbert’s death?
      • Investigate the Flat-Earth Conspiracies. Who is spreading paranoia?
      • Check the Captain’s Logs. What does Nemo actually believe?
      • Stop the Next Murder. (Too late?)

      Final Question: Where Do We Start?

      1. Evie and Riven visit the Captain’s quarters? (If they find him…)
      2. Investigate the Zero-G Crime Scene? (Second body = New urgency)
      3. Confront one of the Underground Members? (Are they behind it?)

      Let’s pick a thread and dive back into the case!

      #7828

      Helix 25 – The Murder Board

      Evie sat cross-legged on the floor of her cramped workspace, staring at the scattered notes, datapads, and threads taped to the wall. Finding some yarn on the ship had not been as easy as she thought, but it was a nice touch she thought.

      The Murder Board, as Riven Holt had started calling it, was becoming an increasingly frustrating mess of unanswered questions.

      Riven stood nearby, arms crossed, with a an irritated skepticism. “Almost a week,” he muttered. “We’re no closer than when we started.”

      Evie exhaled sharply. “Then let’s go back to the basics.”

      She tapped the board, where the crime scene was crudely sketched. The Drying Machine. Granary. Jardenery. Blood that shouldn’t exist.

      She turned to Riven. “Alright, let’s list it out. Who are our suspects?”

      He looked at his notes, dejected for a moment; “too many, obviously.” Last census on the ship was not accurate by far, but by all AI’s accounts cross-referenced with Finkley’s bots data, they estimated the population to be between 15,000 and 50,000. Give or take.

      They couldn’t interview possibly all of them, all the more since there the interest in the murder had waned very rapidly. Apart from the occasional trio of nosy elderly ladies, the ship had returned mostly to the lull of the day-to-day routine.
      So they’d focused on a few, and hoped TP’s machine brain could see patterns where they couldn’t.

      1. First, the Obvious Candidates: People with Proximity to the Crime Scene
        Romualdo, the Gardener – Friendly, unassuming. He lends books, grows plants, and talks about Elizabeth Tattler novels. But Herbert visited him often. Why?
        Dr. Amara Voss – The geneticist. Her research proves the Crusader DNA link, but could she be hiding more? Despite being Evie’s godmother, she couldn’t be ruled out just yet.
        Sue Forgelot – The socialite with connections everywhere. She had eluded their request for interviews. —does she know more than she lets on?
        The Cleaning Staff – they had access everywhere. And the murder had a clean elegance to it…
      2. Second, The Wild Cards: People with Unknown Agendas
        The Lower Deck Engineers – Talented mechanic, with probable cybernetic knowledge, with probable access to unauthorized modifications. Could they kill for a reason, or for hire?
        Zoya Kade and her Followers – They believe Helix 25 is on a doomed course, manipulated by a long-dead tycoon’s plan. Would they kill to force exposure of an inconvenient truth?
        The Crew – Behind the sense of duty and polite smiles, could any of them be covering something up?
      3. Third, The AI Factor: Sentient or Insentient?
        Synthia, the AI – Controls the ship. Omnipresent. Can see everything, and yet… didn’t notice or report the murder. Too convenient.
        Other personal AIs – Like Trevor Pee’s programme, most had in-built mechanisms to make them incapable of lying or harming humans. But could one of their access be compromised?

      Riven frowned. “And what about Herbert himself? Who was he, really? He called himself Mr. Herbert, but the cat erm… Mandrake says that wasn’t his real name. If we figure out his past, maybe we find out why he was killed.”

      Evie rubbed her temples. “We also still don’t know how he was killed. The ship’s safety systems should have shut the machine down. But something altered how the system perceived him before he went in.”

      She gestured to another note. “And there’s still the genetic link. What was Herbert doing with Crusader DNA?”

      A heavy silence settled between them.

      Then TP’s voice chimed in. “Might I suggest an old detective’s trick? When stumped, return to who benefits.”

      Riven exhaled. “Fine. Who benefits from Herbert’s death?”

      Evie chewed the end of her stylus. “Depends. If it was personal, the killer is on this ship, and it’s someone who knew him. If it was bigger than Herbert, then we’re dealing with something… deeper.”

      TP hummed. “I do hate deeper mysteries. They tend to involve conspiracies, misplaced prophecies, and far too many secret societies.”

      Evie and Riven exchanged a glance.

      Riven sighed. “We need a break.”

      Evie scoffed. “Time means nothing here.”

      Riven gestured out the window. “Then let’s go see it. The Sun.”

      Helix 25 – The Sun-Gazing Chamber

      The Sun-Gazing Chamber was one of Helix 25’s more poetic and yet practical inventions —an optically and digitally-enhanced projection of the Sun, positioned at the ship’s perihelion. It was meant to provide a psychological tether, a sense of humanity’s connection to the prime provider of life as they drifted in the void of the Solar System.
      It was a beautifully designed setting where people would simply sit and relax, attuned to the shift of days and nights as if still on Earth. The primary setting had been voted to a massive 83.5% to be like in Hawai’i latitude and longitude, as its place was believed to be a reflection of Earth’s heart. That is was a State in the USA was a second thought of course.

      Evie sat on the observation bench, staring at the massive, golden sphere suspended in the darkness. “Do you think people back on Earth are still watching the sunrise?” she murmured.

      Riven was quiet for a moment. “If there’s anyone left.”

      Evie frowned. “If they are, I doubt they got much of a choice.”

      TP materialized beside them, adjusting his holographic tie. “Ah, the age-old existential debate: are we the lucky ones who left Earth, or the tragic fools who abandoned it?”

      Evie ignored him, glancing at the other ship residents in the chamber. Most people just sat quietly, basking in the light. But she caught snippets of whispers, doubt, something spreading through the ranks.

      “Some people think we’re not really where they say we are,” she muttered.

      Riven raised an eyebrow. “What, like conspiracy theories?”

      TP scoffed. “Oh, you mean the Flat-Earthers?” He tsked. “Who couldn’t jump on the Helix lifeboats for their lives, convinced as they were we couldn’t make it to the stars. They deserved what came to them. Next they’ll be saying Helix 25 never even launched and we’re all just trapped in a simulation of a luxury cruise.”

      Evie was shocked at Trevor Pee’s eructation and rubbed her face. “Damn Effin Muck tech, and those “Truth Control” rubbish datasets. I thought I’d thoroughly scrubbed all the old propaganda tech from the system.”

      “Ah,” TP said, “but conspiracies are like mold. Persistent. Annoying. Occasionally toxic.”

      Riven shook his head. “It’s nonsense. We’re moving. We’ve been moving for decades.”

      Evie didn’t look convinced. “Then why do we feel stuck?”

      A chime interrupted them.

      A voice, over the comms. Solar flare alert. 

      Evie stiffened.

      Then: Stay calm and return to your quarters until further notice.

      Evie raised an eyebrow. This was the first time something like that happened. She turned to Riven who was looking at his datapad who was flashing and buzzing.

      He said to her: “Stay quiet and come with me, a new death has been reported. Crazy coincidence. It’s just behind the Sun-Gazing chamber actually, in the Zero-G sector.”

      #7825

      “I didn’t much like where the world was heading anyway, Gregor,” Molly said, leaning towards the old man who was riding beside her. “Before it all ended I mean. All that techno feudalist stuff.  Once we got over the shock of it all, I’ll be honest, I rather liked it.  Oh not that everyone was dead, I don’t mean that,” she added. She didn’t want to give the impression that she was cold or ruthless. “But, you know, something had to happen to stop where that was going.”

      Gregor didn’t respond immediately.  He hadn’t thought about the old days for a long time, and long suppressed memories flooded his mind.  Eventually he replied, “If it hadn’t been for that plague, we’d have been exterminated, I reckon. Surplus to requirements, people like us.”

      Molly looked at him sharply. “Did you hear of extermination camps here? We’d started to hear about them before the plague. But there were so many problems with communication.  People started disappearing and it was impossible by then to find out what happened to them.”

      “I was one of the ones who disappeared,” Gregor said. “They summoned me for questioning about something I’d said on Folkback.  I told the wife not to worry, I’d be back soon when I’d explained to them, and she said to me to call in at the shop on the way home and get some milk and potatoes.”  A large tear rolled down the old mans leathery cheek. “I never saw her again.”

      Molly leaned over and compassionately gripped Gregors arm for a moment, and then steadied herself as Berlingo descended the last part of the hill before the track where the truck had been sighted.

      The group halted and gathered around the tyre tracks. They were easily visible going in both directions and a discussion ensued about which way to go: follow the truck, or retrace the trucks journey to see where it came from?

      “Down, Berlingo!” Molly instructed her horse. “I need to get off and find a bush. First time in years I’ve had to hide to have a pee!” she laughed, “There’s never been anyone around to see.”

      Molly took her time, relishing a few moments of solitude.  Suddenly being surrounded by people was a mixed blessing. It was stimulating and exciting, but also tiring and somewhat unsettling.  She closed her eyes and took a few deep breaths and calmed her mind.

      She returned to the group to a heated discussion on which way to go.  Jian was in favour of going in the direction of the city, which  appeared to be the direction the truck had come from.  Mikhail wanted to follow where the truck had gone.

      “If the truck came from the city, it means there is something in the city,” reasoned Jian.  “It could be heading anywhere, and there are no cities in the direction the truck went.”

      “There might not be any survivors in the city though,” Anya said, “And we know there’s at least one survivor IN the truck.”

      “We could split up into two groups,” suggested Tala, but this idea was unanimously rejected.

      “We have all the time in the world to go one way first, and the other way later,” Mikhail said. “I think we should head for the city first, and follow where the truck came from. Jian is right. And there’s more chance of finding something we can use in the city, than a wild goose chase to who knows where.”

      “More chance of finding some disinfectant in the city, too,” Finja added.

      Molly and Berlingo

      #7824
      Yurara FamelikiYurara Fameliki
      Participant

        Sharon, Gloria & Mavis

        The 3 elderly ladies are ready to investigate that murder mystery onboard Helix 25

        #7816
        ÉricÉric
        Keymaster

          Liz had, in her esteemed opinion, finally cracked the next great literary masterpiece.

          It had everything—forbidden romance, ancient mysteries, a dash of gratuitous betrayal, and a protagonist with just the right amount of brooding introspection to make him irresistible to at least two stunningly beautiful, completely unnecessary love interests.

          And, of course, there was a ghost. She would have preferred a mummy but it had been edited out one morning she woke up drooling on her work with little recollection of the night.

          Unfortunately, none of this mattered because Godfrey, her ever-exasperated editor, was staring at her manuscript with the same enthusiasm he reserved for peanut shells stuck in his teeth.

          “This—” he hesitated, massaging his temples, “—this is supposed to be about the Crusades.”

          Liz beamed. “It is! Historical and spicy. I expect an award.”

          Godfrey set down the pages and reached for his ever-dwindling bowl of peanuts. “Liz, for the love of all that is holy, why is the Templar knight taking off his armor every other page?”

          Liz gasped in indignation. “You wouldn’t understand, Godfrey. It’s symbolic. A shedding of the past! A rebirth of the soul!” She made an exaggerated sweeping motion, nearly knocking over her champagne flute.

          “Symbolic,” Godfrey repeated flatly, chewing another peanut. “He’s shirtless on page three, in a monastery.”

          Finnley, who had been dusting aggressively, made a sharp sniff. “Disgraceful.”

          Liz ignored her. “Oh please, Godfrey. You have no vision. Readers love a little intimacy in their historical fiction.”

          “The priest,” Godfrey said, voice rising, “is supposed to be celibate. You explicitly wrote that his vow was unbreakable.”

          Liz waved a dismissive hand. “Oh, I solved that. He forgets about it momentarily.”

          Godfrey choked on a peanut. Finnley paused mid-dust, staring at Liz in horror.

          Roberto, who had been watering the hydrangeas outside the window, suddenly leaned in. “Did I hear something about a forgetful priest?”

          “Not now, Roberto,” Liz said sharply.

          Finnley folded her arms. “And how, pray tell, does one simply forget their sacred vows?”

          Liz huffed. “The same way one forgets to clean behind the grandfather clock, I imagine.”

          Finnley turned an alarming shade of purple.

          Godfrey was still in disbelief. “And you’re telling me,” he said, flipping through the pages in growing horror, “that this man, Brother Edric, the holy warrior, somehow manages to fall in love with—who is this—” he squinted, “—Laetitia von Somethingorother?”

          Liz beamed. “Ah, yes. Laetitia! Mysterious, tragic, effortlessly seductive—”

          “She’s literally the most obvious spy I’ve ever read,” Godfrey groaned, rubbing his face.

          “She is not! She is enigmatic.”

          “She has a knife hidden in every scene.”

          “A woman should be prepared.”

          Godfrey took a deep breath and picked up another sheet. “Oh fantastic. There’s a secret baby now.”

          Liz nodded sagely. “Yes. I felt that revelation.”

          Finnley snorted. “Roberto also felt something last week, and it turned out to be food poisoning.”

          Roberto, still hovering at the window, nodded solemnly. “It was quite moving.”

          Godfrey set the papers down in defeat. “Liz. Please. I’m begging you. Just one novel—just one—where the historical accuracy lasts at least until page ten.”

          Liz tapped her chin. “You might have a point.”

          Godfrey perked up.

          Liz snapped her fingers. “I should move the shirtless scene to page two.”

          Godfrey’s head hit the table.

          Roberto clapped enthusiastically. “Genius! I shall fetch celebratory figs!”

          Finnley sighed dramatically, threw down her duster, and walked out of the room muttering about professional disgrace.

          Liz grinned, completely unfazed. “You know, Godfrey, I really don’t think you appreciate my artistic sacrifices.”

          Godfrey, face still buried in his arms, groaned, “Liz, I think Brother Edric’s celibacy lasted longer than my patience.”

          Liz threw a hand to her forehead theatrically. “Then it was simply not meant to be.”

          Roberto reappeared, beaming. “I found the figs.”

          Godfrey reached for another peanut.

          He was going to need a lot more of them.

          #7815
          Yurara FamelikiYurara Fameliki
          Participant

            Evie and Mandrake at Seren’s quarters

            Evie is looking at ancient history found in books of Liz Tattler, such precious knowledge not present in Synthia’s carefully curated records…

            Evie channels her own Finnley’s historical clean factuality to get a sense of the facts behind the Liz fiction… Mandrake provides snarky comments free of charge.

            #7806
            Yurara FamelikiYurara Fameliki
            Participant

              Earth Survivors Group

              Anya and Talya’s group of Earth Survivor

              Front: Tala, left: Tundra, back: Anya, Molly right: Mikhail & Gregor – others not shown…

              Tundra Marlowe

              Merdhyn Winstrom with Tuppence

              Merdhyn is shown in front of the wreckage of Helix 57’s orbit shuttle in the Black Sea coastal area. The rat Tuppence is perched on his shoulder.

              #7803
              Yurara FamelikiYurara Fameliki
              Participant

                Aboard Helix 25

                Sue Forgelot

                Luca Stroud

                #7794
                Yurara FamelikiYurara Fameliki
                Participant

                  Some pictures selections

                  Evie and TP Investigating the Drying Machine Crime Scene

                  A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.

                   

                  Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor

                  A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.

                   

                  Romualdo, the Gardener, Among the Bioluminescent Plants

                  A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.

                   

                  Finja and Finkley – A Telepathic Parallel Across Space

                  A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.

                  #7735

                  The “do not enter, crime scene” sticker haphazardly printed, was not even sealing the door. Amateur job, but of course, this was to be expected when such murder event had not been seen in a generation.

                  She entered surrepticiously, the door to the drying chamber slid shut with a hiss behind her, muffling the last of the frantic voices outside. Evie exhaled. She needed a moment. Just her, the crime scene, and—

                  A flicker of light.

                  “Ah-ha!” Trevor Pee Marshall, aka TP, materialized beside her, adjusting his holographic lapels with exaggerated precision. “What we have here, dear Evie, is a classic case of les morts très mystérieux.” His mustache twitched. “Or as my good friend Clouseau would say—‘Zis does not add up!’”

                  Evie rolled her eyes. “Less theatrics, more analysis, TP.”

                  Despite the few glitches, she was proud and eager to take her invention to a real-life trial run. Combining all the brilliant minds of enquêteur Jacques Clouseau, as well as the flair of Marshall Pee Stoll from the beloved Peaslanders children stories, TP was the help they needed to solve this.

                  “Ahem.” TP straightened, flickering momentarily before reappearing near the machine, peering inside with a magnifying glass he absolutely didn’t need.

                  Evie pulled up the logs. The AI had flagged the event—drying cycle activated at 0200 hours. Duration: excessive. But no shutdown? That was impossible.

                  TP let out a thoughtful “hmm.” Then, with the gravitas of a seasoned investigator, he declared, “Madame, I detect a most peculiar discrepancy.”

                  Evie looked up. “Go on.”

                  TP pivoted dramatically. “The AI should have stopped the cycle, yes? But what if… it never saw a problem?”

                  Evie frowned. That wasn’t how safety protocols worked. Unless—

                  She tapped rapidly through the logs. Her stomach dropped.

                  The system hadn’t flagged a human inside at all.

                  Someone had altered the ship’s perception of Mr. Herbert before he ever stepped into the machine.

                  Evie’s pulse quickened. This wasn’t just murder.

                  It was premeditated.

                  #7682

                  Matteo — Autumn 2023

                  The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

                  His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

                  “They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

                  His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

                  Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

                  A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

                  Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

                  “Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

                  The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

                  He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

                  Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

                  He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

                  Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

                  Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

                  Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

                  “Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

                  #7679
                  Yurara FamelikiYurara Fameliki
                  Participant
                    #7662

                    The Waking 

                    Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023
                    Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom
                    The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
                    “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.”
                    The Endless Chase
                    Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.
                    The Wandering Maze
                    Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”
                    The Woven Tapestry
                    Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.
                    The Scattered Grains
                    Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.
                    The Mandala of Light
                    Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

                    :fleuron2:

                    Dreamtime

                    It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

                    The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

                    The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

                    I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

                    The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

                    I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

                    I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

                    #7659
                    Jib
                    Participant

                      March 2024

                      The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

                      He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

                      “Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

                      As always, no hello, no question about his health or anything personal.

                      “I didn’t want it”, Lucien said, his voice calm only on the surface.

                      “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

                      “I already told you, it’s not what I want. I’ve made my decision.”

                      Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

                      Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

                      “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

                      Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

                      A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

                      “We’re never finished”, Lucien muttered as the line went dead.

                      Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

                      “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

                      The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

                      The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

                      The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

                      Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

                      He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

                      When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

                      The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

                      “What have we here?” He asked, his voice bordering on disdain.

                      Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

                      Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

                      The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

                      Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

                      “It’s personal”, he said, his voice low.

                      Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

                      Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

                      Lucien nodded towards the covered stack of canvases near the wall. “Done.”

                      “Good. They’ll come tomorrow and take the lot.”

                      Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

                      Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

                      He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

                      Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
                      He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

                      #7650
                      Yurara FamelikiYurara Fameliki
                      Participant

                        Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

                        :fleuron2:

                        Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

                        The Strange Couple: Éloïse and Monsieur Renard

                        Winter 2019: Paris, Just Before the Pandemic

                        The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

                        It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

                        First Impressions of Éloïse and Monsieur Renard

                        Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

                        “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

                        But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

                        Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

                        Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

                        Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

                        Darius’s Growing Involvement

                        Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

                        “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

                        “Connections to what?” she asked, her tone sharper than she intended.

                        “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

                        Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

                        The Séance

                        The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

                        Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

                        The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

                        Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

                        “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

                        The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

                        And then, the bell rang.

                        It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

                        “What the hell is that?” Lucien muttered, his eyes snapping open.

                        Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

                        Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

                        Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

                        The Fallout

                        The séance fractured the group.

                        • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
                        • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
                        • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
                        • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

                        Lingering Questions

                        1. What Happened to Darius with Éloïse and Renard?
                          • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
                        2. The Bell’s Role:
                          • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
                        3. Lucien’s Entanglement:
                          • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
                        4. Éloïse and Renard’s Motives:
                          • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

                        Impact on the Reunion

                        • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
                        • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
                        #7642
                        TracyTracy
                        Participant

                          It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

                          When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

                          Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

                          Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

                          It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

                          When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

                          Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

                          “And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

                          “It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

                          “That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

                          Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

                          “A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

                          “Once a lecturer, always a lecturer, eh?” Florian teased.

                          “Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

                          #7625
                          ÉricÉric
                          Keymaster

                            Characters list

                            Character / Personality TraitsConnection clues to Matteo

                            • Lucien
                              • The Artist
                              • Introspective, dreamy, quietly sarcastic
                              • A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
                              • Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
                            • Elara
                              • The Scientist
                              • Analytical, sharp, skeptical
                              • A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
                              • Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
                            • Darius
                              • The Explorer
                              • Bold, restless, deeply curious
                              • A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
                              • Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
                            • Amei
                              • The Storyteller
                              • Observant, wise, enigmatic
                              • A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
                              • Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.

                            • Matteo
                              • The Enigmatic Server
                              • Charismatic, cryptic, all-knowing
                              • A waiter with an uncanny awareness of the four friends, both individually and collectively.
                              • Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.

                            #7623

                            At the Café

                            The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.

                            Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.

                            The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.

                            “Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.

                            “Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.

                            Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”

                            “You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”

                            She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.

                            The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.

                            “Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.

                            “Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.

                            Lucien snorted. “Still paying for strangers’ stories, I see.”

                            “The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.

                            The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.

                            “You’re late,” Darius said, but his voice carried no accusation.

                            “Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”

                            Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”

                            “Not all of us live in Paris,” Elara said, with a glance at Lucien.

                            “Only some of us make better life choices,” Lucien replied dryly.

                            The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.

                             

                            :fleuron2:

                          Viewing 20 results - 21 through 40 (of 955 total)