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Liz adjusted her reclining chair and lit another cigarette. Idly, she contemplated getting up to make another cup of tea, but was not thus far compelled to take the necessary action. There were advantages and disadvantages to locking the others in the cellar to work on her anthology. She had to make her own tea, it was true, but the unaccustomed peace was worth it ~ so far, anyway. Glancing out of the window, she noticed the lawns were in need of mowing and the herbaceous borders needed dead heading, but it was still green and pretty, if a trifle unkempt, and the birds still sang in the branches of the plum tree. “Blubbit, blubbit, blubbit,” they seemed to be calling, with the occasional “peakle!” shreik.

“Can’t get the staff to stick around and mow the grass these days,” the thought popped into her head, which reminded her of something else, something a wise man had once said about certain types of gardeners. “Great at planting the seeds, not so reliable about finishing the weeding, though.”

A loud rumble like approaching thunder roused Liz from her thoughtful reverie. She was hungry. “I wonder if Finnley had the decency to leave some Peasland soup in the freezer?”

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

Dispersee sat on a fallen tree trunk, lost in thought. A long walk in the woods had seemed just the ticket to release her from her turbulent thoughts, but alas, she had been unable to stop thinking about the ramifications of the new message from the popular ghost.

At first she had been delighted to see it. She had agreed with it. But then she wondered why. Because she already knew all this, and in fact, it was information that could so readily be gleaned by anyone at all simply by engaging ordinary common sense, and run of the mill human compassion. Nothing esoteric was needed. No enlightened messages from the great beyond. In fact, she had said the same as the ghost, and on many occasions. The truth of the matter was that one had to be dead these days to be heard. Nobody was interested in the wise words of the living anymore. It could almost be said that nobody was all that interested in living at all: everyone wanted to be in the future, or the past, or in some other dimension, or planet, or not even physically alive at all anywhere. The individuals in the ascension process were particularly infected with this strange disorder: many of the ordinary uninitiated public were already quite well aware of the contents of the message and were already actively engaged in the process. It was as if the interest in so called shifty matters was an obstacle, an ugly carbuncle over the heart.

Dispersee seriously wondered if the whole shift thing had been a good idea. She was beginning to doubt that it was. The alacrity with which people relied on messages from ghosts at the expense of exercising their own powers of deduction and intuition had caused the whole plan to do disastrously wrong. People didn’t even know how to behave like people anymore. Not only were they afraid of other people, afraid of their governments, afraid of their food, of the sun and the water and the very earth itself, they were afraid of their own human responses, or had forgotten them altogether.

Did it really need a ghost to advise people on media propaganda, and remind them to be compassionate to others who were on an incredible journey, an extraordinary movement during these times of change? And more to the point, did Dispersee need to be involved at all in this futile ascension malarkey?

“Are you following me, cousin ?” added Liz with a snort. “I never understood why you chose to hide yourself in that stinky town with your dead fishes. Maybe you are looking for a way out. There is nothing for you where I come from. I’ll never give you the teleportation ab-original codes.”
“Oh you never understood anything about me, or did you ?” said Mater, “You were too preoccupied by your followers. Is Big G still with you ? And that suspicious maid of yours. Is she still moulding dust critters ?”
“Dust critters ? What are you talking about?”
“What codes ?” asked Mater, squinting her eyes.
“Nothing,” said Liz, realizing she might have talked too much. But she couldn’t help it, her body was unable to contain all the words in her mind, they had to get out. She tightened her lips, trying to resist the outburst.
“What was that ?” asked Mater looking around, “did you hear that noise ?”
“Nope”, said Liz, “maybe an earthquake, or a storm approaching.” It had to get out one way or another she thought.
“Don’t talk nonsense with me, I tell you I heard something.”
Devan interrupted them. Liz looked at the young man, her cougar senses on alert.
“I got the paper”, he said.
Paper, with words.
“May I ?” she asked, showing the paper.
“Don’t try to seduce my boy”, said Mater, “I know you.”

“Al’s gone too far this time, Tina” Becky said, perusing the latest installment of the Reality Play. “He’s just adding old characters willy nilly now!”

Tina just looked at Becky for a moment before replying quietly, “Isn’t that the point?”

Gripping Tina’s shoulder firmly and giving her a little shake, Becky continued, “It’s getting serious, Tina, can’t you see the danger we’re in? Fictional characters are coming to life all over the planet, demanding birth certificates and passports and refugee status. Insisting on continuation, more detailed back stories; some are even demanding therapy for what the authors have put them through!”

Tina looked shocked. “Is it really as serious as that?” she asked. “I had heard about it, but, well, I didn’t like to think too much about it…” her voice trailed off, hoping that Becky would drop the subject so she didn’t have to think about it any more.

“It’s the Imagination Wave, Tina. We’ve never really understood Imagination or how to use it. During this wave, we’re going to find out, and it’s going to be messy, believe me! It’s not just the characters we’ve made up, it’s the land mass. Characters are looking for their lands, demanding compensation for missing islands…”

“What are we going to do?” Tina whispered dramatically. “We’ve been churning out characters and littering changed landscapes with them and then just leaving them stranded, for nine years!”

“And we can’t even get away from them all if we flew to Mars, either,” added Al, who had been eavesdropping from behind the door. He joined them and pulled up a chair. “Seriously, girls, we need a plan. This is our most important mission of all.”

“Should we kill them all off?” asked Becky, wincing as she said it. “I didn’t mean that!” she added hastily.

“Oh, you don’t want to do that!” Al replied quickly. “Some authors have done that and have been haunted by dead characters something awful! Dead characters are a worse nightmare than characters coming to life, believe me!”

“Well I didn’t really mean it,” Becky said sheepishly.

“Let’s ask Sam,” said Tina.

The blast ricocheted throughout the town. It set the dogs barking, chickens squalking and babies crying. Folks dropped what they were doing, in many cases literally: dishes and beer bottles crashed to the floor, as the towns people ran outside to find out what was going on, or ran for cover.

Bert, sitting on top of Plater’s Rock watching it all, slapped his thigh, whooped and then laughed until the tears ran like rain season creeks through the desert dry creases of his face. The unaccustomed unbridled mirth provoked a coughing fit: Bert balled up the phlegm that rose in his throat and catapulted gobs of it towards the creek below.

Well, that’s finally got that off my chest, he said to himself with another choking cackle.

The creek itself after the explosion was obscured from his sight by a thick pall of smoke, but the sputum projectiles were aimed with deadly accuracy at the bridge ~ or where the bridge had been.

There was no bridge there now though, not that anyone would have noticed its disappearance if he hadn’t made sure they did. Years he’d spent making that bridge, a bit at a time, with what he could find or chance upon, working on it as often as he had time for. He’d found what he could only describe as a “special place” over on the other side of the creek, it spoke to him and seemed to call on him to bring others. The only way to it from the town was to swim the creek, or drive almost 200 miles by road, via the closest bridge at Ninetown. So Bert decided to build a bridge across, so people could go back and forth with ease and enjoy the place on the other side.

Bert had finished the bridge three years ago during the dry season, and invited everyone over upon it’s completion. Four people turned up, even though he’d set up a picnic and brought coolboxes of champagne and beer, and a big bag of weed. Less than a dozen people used Bert’s bridge in the first two years, and he was the only one to cross over since the last dry season.

Finding the dynamite in the old mine shaft a few months back had given him the idea. An impulse had seized him after the unexpected encounter with Elizabeth. He blew the bridge up. It was over. He could breathe again.

When I left the Inn this morning, Mater seemed upset. I regularly kisses her on her forehead before going to the gas station, as I know it pisses her off, but today she seemed lost in her thoughts and she called me Fred. I don’t like it when she does that, it gives me the impression she’s losing it. I wonder who’s going to hold that crumbling place when she’s gone. Certainly not Dido, she can’t focus her mind on a project for more than a few minutes, and it usually does not pass the stage of smokey ideas. I see clearly her game, she’s messing around with Mater for God knows what twisted reasons. They never seemed to appreciate each others much, and I’ve only known them for eighteen years. Looking at how it didn’t evolve much during that time, I bet it had been like that for quite some time. Family relationships are boring, and usually quite messy.

Take Joe for example, he’s crazy. His father is crazy, and his grand-father well he spent so much time in the mines that his family didn’t really miss him when one of the tunnels collapsed while he was inside. They never found the body. The Mining company gave the family a ridiculously small amount of money as an indemnification. Joe’s father lost it in some fracking wallaby race. Bad luck had stuck to him his whole life. Jasper once told me to avoid him. I would have, even if it was not for my dead brother’s warning.

Joe’s working at the gas station with me. He had been working there since he was sixteen when the school told his parents it was a waste of time [for them] to try and teach him anything valuable. His father beat him to keep up the appearances, but they were glad they could put him to work to bring in some more money.

Joe is nuts, but he’s not dumb. He just likes to experiment. He must have a good star watching upon him, unlike his father, because each time he manages to make something explode or break in a real bad way, but he always gets out without a scratch. He’s excited, he’s finished working on his last project. He wants us to borrow a gas tank and go to his place after work. I’ve rarely seen him so excited. We’ll have to put off the hockey with Callum.

Working at the gas station was the only way I found to get away of that dead fish Inn. That and hockey.

Ever since Jasper died, I’ve tried to escape the stifling atmosphere of the family. I felt barely annoyed when mother left, I was already empty.
I tried to come back a few times, but it was too hard to look at the twin girls growing together, whereas I was denied this chance with my brother. Oh! I didn’t have anything against them, I would play the role of the caring and protective brother whenever necessary at school. But it was easier to stay outside and play hockey with my best buddies Joe and Callum.

When dad left, I felt betrayed. I still wonder why he didn’t take me with him on his adventures. Jasper says I’m better here at the moment. I don’t know what’s better, but that’s the only place I can be with no money and no education.

Corrie:

Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.

“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”

How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.

Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.

Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:

“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”

Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.

Sighing, I refocused on the article.

“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”

No mention of a room full of map covered mannequins in the Brundy place though.

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Unknown to the family, Bert is Abcynthia’s father. Her mother, now dead, had an affair with Bert, so when Abcynthias left the town to go to university, she thought that both her parents were dead. Some of the remaining old codgers had their suspicions, but it was a well kept secret ~ not least, because of Horace Hogg’s (Abby’s father) violent and unpredictable nature. Fred’s family, Idle and his mother, are new to the town, coming only because Fred married Abcynthia (from now on known for short as Abby because it’s a fucker to spell)
Abby’s mother, Hannah Hogg, died in somewhat suspicious circumstances shortly before the mines closed.

Lisa awoke first, sticky with sweat. Quietly, she jiggled her leg which was dead from lack of circulation, letting the others sleep. There may not be much time for rest, she reasoned, we know not what the next chapter will bring, or where it will lead. She closed her eyes again, and contemplated the feeling of restriction, thinking about other times when she had felt restricted or blocked.

There was that time when she joined the creative collaberative writing group many years ago, with the intention of developing a free flow of inspiration and imagination. Indeed that was what the advertising bumph had professed, that it was to assist people to release themselves from their writers blocks, unleash their imaginative potential, free their souls to express themselves unhindered by protocol or hidebound tradition. It had all seemed like just the ticket, just what she wanted, and she had dived into the project and gloried in the unexpected things that were born from simply letting the words flow. But then a strange thing started to happen. Every time she went to the class, her contributions were criticized, scoffed at for not following the plan, despite that there was no plan ~ no plan had been mentioned in the small print when she signed up, anyway. But other people had made plans for what she was to write, and it confused her greatly. It was troublesome because the more she enjoyed the process of writing itself, the more discouraging the group became with it’s constant criticisms of the right way to approach the process. Instead of promoting less restrictions, it was constantly advocating more restrictions, more rules to follow, endlessly complicating it all. What made it all the worse was that she so enjoyed it, looked forward to it, and benefited so much from it. Well, she had used the experience to practice not minding about other peoples opinions and to carry on regardless, not restricting herself to acquiesce to other peoples expectations, exploring her own stories and connecting links and layers with other stories ~ wasn’t that what life was all about? take what you want, and leave the rest? Steer your own ship?

Her meandering thoughts led her to the words of the old dead guru, Elbutt. Love doesn’t mean liking every comment, he had said, Love means knowing and appreciating the whole story, the whole scenario. It didn’t mean you had to find something likable about each and every role, but to acknowledge and appreciate the whole and that the roles that were played within it were a part of that whole, regardless of whether you liked them or not. That definition of love had made a great deal of sense to Lisa, who was not one to use the love word overmuch.

A cockroach climbing on her foot distracted Lisa from her thoughts, and she absentmindedly brushed it off. The cockroach was not deterred, and returned to climb on her foot repeatedly until Lisa suddenly remembered Pseu. The cockroach, once it was sure it had Lisa’s attention, scurried out into the courtyard adjoining the Processing department waiting room, stopping on a manhole cover, and then returning to Lisa’s foot, and then returning to the manhole cover.

“Are we to go down there?” whispered Lisa, pretending to cough as a guard walked past. The cockroach did a pirouette as if to confirm. Lisa furtively looked around. The guard had gone; it was time to wake Ivan and Fanella.