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In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
Topic: Yuki’s Livrary
These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.
Note: for the reader not familiar with all the names here is a quick reminder:
- Araili > Yann, Írtak, Sam, Jacob …
- Armelle > Fiona, Arona, Tina, Qixi …
- Rafaela > Dory, Illi, Becky, Rodney …
- Yuki > Quintin, Al, Janice …
September 12 th, 2007
Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.
I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…
September 13 th
Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
This first comment seems very promising.Right now, it feels easy and fun.
Quintin seems to think that everything is very straightforward.
The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
But the thing is, that he missed the point in thinking one World is more “real” than the other.
We’ll be having some fun soon…First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
We will appeal to his imagination.
It seems he has heard the suggestion.September 14 th
For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.
But as I expected, some challenges seem to appear already.
Is it raining or not in that world?
The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
How will it unfold?
Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…September 15 th
Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.
Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin
Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.
September 16 th
Halcyons days…
My dear friend Archie is answering some of Quintin and Yann’s questions.
Something starts to dawn on Quintin. But his mind is on other matters.He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.
September 18 th
Quintin has been drawing some of the characters of the story. It’s interesting.
He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.Characters drawn:
- Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
- Malika, Quintin, Yann, Fiona and Dory
Interestingly, Fiona resolves her issues in her cave.
Dory too, but she did not need the cave to do this.September 21 st
For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
Quintin will soon realize that he himself is doing this constantly, though he does not register it.But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!
Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.Of course, some things still matter, and one of the point of the story is also to discover these.
September 22 nd
Quintin has been drawing new characters.
Characters drawn:
- Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
- Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
- Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter
A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
She had at first thought they were whiskers, which was not Quintin’s intent…September 23 rd
Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.
Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.
Up to now, here are the names he could find:
- North: the Icy Lands, and Dragon Cemeteries
- Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
- Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators. - South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.
When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.
In reply to: Circle of Eights, Stories
Oörlaith heard the sound of a barking dog not far from her rookery. They were back with his master, and she knew at once their mission was complete.
A few months ago she had met a strange man, he told her he was called Leonard, and the funny black dog that was following him everywhere was called Moufle. An ancient word for mitten… Well she didn’t ask why he’d call him like that, the dog was so hairy…
Leonard was a lonely traveller, quite ancient as she could feel, but she wasn’t able to know his actual age. And there were some other weird feelings when she was focusing on his energy tone, something to do with time itself.
When she first met him she knew he was the one she was looking for for ages. It’s been such a long time she hadn’t heard from her sisters. Oörlaith’d been having these dreams since they chose different direction many years ago, Malvina and Roselÿn, her precious ones. It wasn’t necessary for her then to keep objective contact with them through the glubolín.
One year ago, the dreams stopped abruptly, and she tried several methods to reach her sisters. None of them with success. All her attempts failed, and she thought first she had lost her own power, but she knew one can not loose power of self, just forget it or create it on purpose. She realized then it was time to recreate these links more objectively.
She couldn’t find her glubolín though. And Leonard arrived. Fortunately enough he had news from some strange events occurring in the land where she knew Malvina had settled her rookery. Was she still here with Leörmn?
Yann had been feeling many impulses to draw scenes from his dreams and from the story they were creating with Quintin, Fiona, and Truth. It was an urge from inside and last night he had a very intense dream activity, most of which he couldn’t remember, it was more like a big forum with many different personalities all exchanging experiences and exploring new avenues.
He was also attracted by old stories he was writing when he was a student, the one involving Georges and Salome, it seemed to him they had taken a life of their own now, and they felt very powerful, and most of all, they felt like really having fun.
One of the drawing that was intriguing him was one that represented a sign of sort, in grayish sparkly clouds. He had given the pic a strange title, Oorlath. Yann had connected the name to an individual and was surprised when Quintin told him about a princess named Oörlaith. He was wondering who she was…
She still had no face when he thought of her… maybe she was hidden for the moment… and he had the strangest thought that she knew Leonard, the man he’d been drawing with his black hairy dog.
Haha, he had felt her smile.
Chiara was looking for the boy she’d met last time in her dreams. Maybe he could give her some berries again, they were really tasty and fluberrish.
But she’s been looking for him for so long she wonder if she could find the way again…
Where she was now felt different. The light? The air? She took a deep breathe and just sat down on the grassy land. She had a quick thought that the land were more rocky than grassy a few seconds ago, but as she was feeling the grass under her hands, she dismissed the thought.
She was hearing birds singing, it was quite funny the way they were bounding from one sound to the other and she could understand what they were saying, much gossips and a few compliments for a new mother
nothing really important to her. She Jibbled.Lying down on the mossy land, she was looking… mossy? wasn’t it grassy? Now it’s mossy… hope that wouldn’t become mothy
She was looking the clouds, some were grayishly sparkling, she was enjoying it…
“Are you looking for something” a voice said.
Chiara quickly sat up and gazed at the fat lady who was standing before her.
“Hahahaha, you found me at least my dear” laughed the woman.
“My name is Roselÿn, and you are Chiara, aren’t you?”
The little girl was gaping at Roselÿn… how could she possibly know her name?
“I feel I know you :yahoo_thinking:” she said dreamily.
“You make me feel like when I’m with my uncle Yann, and… there’s something else… oh!?”
In reply to: Circle of Eights, Stories
Fiona woke suddenly from a dream. In her dream she had been communicating with her online friends, through drawings and messages. She had been trying so hard to convey something, and the more she tried to say it, the more distant they felt to her.
She had woken feeling saddened. Her energy was greatly disturbed, and, unable to get back to sleep straight away, she meditated. She felt herself connect with the energy of a Snowy Owl, who invited her wordlessly to ask her questions. The Owl’s eyes seemed to have such a depth of wisdom and kindness, and no sooner had her thoughts begun to ask their questions, than she would feel the Owl’s answer merge with her own knowing.
She felt herself being able to say without words what she had tried so hard in her dream to convey, and understanding there was no need for any effort, she felt greatly comforted, and peaceful sleep swept over her again.
In reply to: Circle of Eights, Stories
India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.
Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.
India Louise looked up from her drawing.
What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.
It is beautiful India Louise.
What did the letter say Grandpa. Why is it making you so sad?
It is just an old letter, India Louise.
Yes it looks very old. Was it bad news?
Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse
The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.
He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.
Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.
Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.
He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.
The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.
As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.
Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.
In reply to: Circle of Eights, Stories
When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.
— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest… — Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?
Tina was taken aback…
— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway? — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?
Quintin had answered distractedly, as he was engrossed by his last painting…
Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.
She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…
— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…Wow he had thought, she can really see.
Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.
The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…
— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).
Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.
Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.
The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…
Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.
Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.
She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…
She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.
When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.
Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.
This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.
She started to move again, de-focusing, past the lazy honey drops.
The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.
In reply to: Circle of Eights, Stories
Yann have been working on the drawing sporadically, several subject were coming to his mind at the same time and he wanted to treat them all… All what he could do for the moment was just draw some sketches of all that… there was that scene with his niece and the dragon-boy, and that other scene where he could see that man on a dinosaur-like mount…
At times he could also feel the gentle energy of his dear friend Amanda. He’d wanted to meet her in Vienna in June, but unfortunately she couldn’t attend the meeting. She was participating in his current exploration of art. It was like he could feel many energies from different people and different beings and he could choose to express them as he wanted.
Some could be translated just in movement, like just drawing lines and create a harmonious disposition and interactions between them, suggesting other lines that weren’t fully expressed or weren’t expressed at all.
Some others could be translated as colors and shades, contrast and iridescence… possibilities were infinite.
He was wondering how he could introduce the gentle energy of his friend, but maybe it had already been incorporated.
Salome was feeling a draw to the cave…
She was focusing her energy slightly differently now, in order to manifest in this dimension an aspect of herself.
In reply to: Circle of Eights, Stories
A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.
Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.
— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.A silence was on the scene.
At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.
Somewhere in Malvina’s cave.
Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.
She asked Leörmn to come.
Quintin’s bedroom.
[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.
Leörmn came almost instantly, appearing in a puff of teal smoke.
Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.
— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina… Leörmn had now finished assembling the magical artifact.
— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see… — sabulmantium !
Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.
— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say. Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.
In reply to: Circle of Eights, Stories
Speaking of dreams, Quintin suddenly remembered he had dreamed of a woman detective, by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials.
Strangely enough, he felt the woman detective was linked to the story, and was in fact Dory. He could feel the other participants were people closely related to the woman too…
He didn’t really expect Dory would be giving him her two pence on this quaint dream…
—
Actually, thinking of Dory made Quintin remember a notepad photocopy that she had sent him last year when she had been in Madagascar for the first time, visiting some local caves. He never actually gave much thought to these funny drawings, but now they seemed to have some kind of interesting connection to all of this…In reply to: Circle of Eights, Stories
By the time Illi had finished reading the newspaper article she felt thoroughly confused. Mechanically she folded the newspaper neatly and then lit a cigarette, resting her elbows on the breakfast table and her chin in her hands. She gazed through the ribbons of blue smoke and the dust drifting through the sunbeams, wondering if she was dreaming, dead, or alive. It was becoming so hard to tell the difference.
Oh well, I’ll think about it later, she thought, and mentally popped it into her clue and riddle box. Her mind wandered back to the story she’d just been reading, and the charming illustrations. The drawing of the young man in the white robe had seemed familiar, and she liked his name too…Sanso, The Wanderer.
As she imagined him, she felt herself lurch ever so slightly sideways, and as she did, the image in her mind of Sanso became suddenly life-like…incredibly so! He was looking at her in astonishment, and taking a step backwards, saying Lordy! not another one appearing out of thin air!
Illi looked around and found herself not in the sunny breakfast room but in a sandy cave, with a little girl in a wooly jumper, a young man in a white robe holding a large rusty key, and a parrot.
Suddenly Illi didn’t care anymore whether she was alive or dead, dreaming or awake. This was beginning to look like fun.
In reply to: Circle of Eights, Stories
Of all the eggs Malvina had been collecting since the beginning of her settling down in the cave with Leörmn, only one had been producing a baby dragon, till now.
She had nicknamed her Buckberry, because the little one seemed so fond of the buckberries that grew at the entrance of the cave.
Buckberries were a variety of wild big electric blue-vermilion reddish berries, and were known to have thwarted all attempts to be grown in gardens. In a legendary past, a famous king of the near Kingdoms named Hadraz the Third was said to have been loving these fruits so much that he had spent torrents of gold in trying to have them farmed in the precious glasshouses of his realm. All the attempts of the most knowledgeable Master Farmers had been amounting to nilch.
This habit of Buckberry, for one moment had been making Malvina anxious of him revealing the location of their safe haven. As she could and would not prevent him to go in search for them, she created some powerful spells to hide him, at least from people to whom the little dragon had not revealed his true name first.
That had caused some stir from some people who where adventuring near the cave to pick up some of the juicy fruits that could be easily spotted from the plains, as they noticed a heavy breath and * munch * sound around the bushes, that moved like shaken down by a powerful ghost.
Thus has begun the trail of rumours saying that the cave was haunted.
All in all, Malvina was not so displeased that there were only a few eggs hatching at a time, as the young dragons were very lively, much more so than the older ones who kept most of their time sleeping, or more aptly put, dreaming.
Dragons had no need for training in a sense, as they were aware of their abilities, and Buckberry, even being so young could just have been moving away and started his own adventure, but something was compelling him to stay in the cave.
He had chosen a different form from that of Leörmn, and it was indicating he would not have the same intent. As he would continue to grow, he would probably be a very powerful dragon, shaped for flight and discoveries in the farthest boundaries of the Worlds. At times, Leörmn even doubted he would be fit for a human partner, as he had only managed to scare the few humans he had encountered…
After all, it was not necessary, though dragons could draw a lot from such a partnership.
Dragons were not always welcome, as they were feared for their might, and could not always easily explain what they were doing, as most of their movements were in the Unseen.
In that, only Ragmók, the old speech of the dragons could be used to properly explain these movements. Ragmók was not really a speech, in the human sense, as it could also be spoken through gestures or singing or drawing. But it was the very essence of Magix.
When a dragon and a human bonded, they shared their languages in a communion of their spirits, and the chosen human could delve easily into the Unseen, while providing to the chosen dragon an ease of movement into the Seen.
In reply to: Circle of Eights, Stories
This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…
Quintin: Your story was great!
Fiona: Thank you
So was yours.Have you written any more since I last looked at the story?
Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…
Fiona: no, wrap it up if you feel.
I have drawn what I wanted. I will go and blow up the cave if we don’t finish it
Quintin: Ahahaha! Don’t restrict yourself
Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?
Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture
Fiona: The endearing dragons…
Quintin: Yeah…
But I had strictly no idea about the rest. It was just a bet, on luck…
That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…
Fiona: And did she have any impression of what form that could take? Like books, or games or what…
Quintin: No, it was much more “real” in fact…
Fiona: you know like the card-captor game which I suppose is interactive, so real
Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”
Fiona: So a little bit like I have done with the story, to resolve something
Quintin: yeah, exactly, or with your paintings
Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…
Quintin: Yeah, people can unleash their imagination.
And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…
Fiona: such as? eggsamples?
Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?
Fiona: Yeah, I told you I did, but you just said some riddle!
Quintin: Did I? That’s not like me
Fiona: Ahahhaha! It is you to the core
Quintin: LOL, damn me!
Fiona: Well, that is a bit strong, but …
Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)
Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate
Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…
Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there
Quintin: Ahahah, no, they will not be allocated, they will choose their own partners
Fiona: Ahahaha, one minute you say it is my story! And now you are back in control
Quintin: Ahahaha, the story has a willing of its own too…
Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…
Quintin: And actually, I don’t think everyone will be interested in dragons…
Fiona: How does a dragon help one learn magic powers?
Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.
Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.
Fiona: And how having a baby dragon could help unleash our magic powers then?
Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…
Fiona: I am not sure if i have dark corners
Quintin: it was a metaphor
Fiona: ahahahhahahahahahah
Fiona: I know, so was mine
Quintin: ahahahahah
Fiona: I was thinking I feel really accepting of myself
Quintin: Yeah, that’s the point in the little adventure before you meet it.
You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.
Fiona: Well I think it sounds scarey now, what if no dragon picked me…
Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…
Fiona: True.
Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.
Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture
Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!
Fiona: Ahahahaha yes
Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way
Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.
Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture
Fiona: Yeah, I know… That’s what I said to you with the playfulness picture
Quintin: Of course, you know
Fiona: That I related most to the figure of blue hat… and big feet
Quintin: Ahahaha, stomping on the poor key-fish
Fiona: Nearly…
Quintin: Have to go now, thank you for this enjoyable conversation
Fiona: See you!
In reply to: Circle of Eights, Stories
Fiona realised she had run out of catfood as her black cat Ivy leapt up on the desk and began talking and rubbing against her face. Ivy was a very determined cat, and life would be unpleasant till this little issue was resolved. Maybe she should get some eggs too, all morning eggs had been coming to her attention for some reason. She wasn’t hungry right now, but maybe would be later.
Dory was often saying how her animals reflected something that was going on in her life, at the moment it was the need to focus on herself more. Fiona wondered what Ivy reflected. She had never had a cat more persistent in getting it’s own way. Or more talkative. That doesn’t really sound much like me, Fiona reflected, but it did feel like there was something there she wasn’t quite getting.
The other funny thing Fiona noticed was that she kept drawing the music card. She had a box of Angel cards her friend gave her, and had been fiddling with them. Three times the music card had fallen out from the pack. “The angels guide you to immerse yourself in beautiful music”, hmmm she thought to herself, beautiful music … maybe that will drown Ivy out …
In reply to: Circle of Eights, Stories
Arona was lost. She had been lost for quite some time now and had got over the initial surprise this realisation had given her. It was not very often now that she questioned her decision to leave the others. She had tired of their endless journeying, always in circles, always moving and yet never seeming to move beyond the confines of the small village.
One day she told them she was leaving. She wasn’t even sure if they heard her but still she set off, wearing her heavy black cape and carrying a small bag of her most treasured possessions.
Arona had not been sure of the cape, it was so heavy, yet she feared the cold nights and loved the security of it’s warmth. It had been a gift from her parents, a long time ago, when she was just a child. Wear this cape and one day it will bring you happiness, her mother had said.
Her mother said many odd things and had left on a journey of her own a many years ago, so Arona had never really been able to find out what she meant. Magically the cape had grown with her body, moulding itself to her.
The worst of the winter cold was over now and Arona found the cape almost unbearably heavy at times, yet she could not quite bring herself to leave it behind. Sometimes she would take it off, relishing in the lightness and feeling the warmth of the sun on her body. She always put it back on though, just in case she needed it one day.
Arona pulled out a well worn map from her bag. The map had been a gift from a travelling wizard who visited the village a few years ago. Arona had given him food and shelter and he repaid her kindness with the map. He seemed to think it was quite generous of him and Arona had thanked him politely. To be honest it was not really much use to her as she had no sense of direction, not even knowing which way north was, and not knowing where she was going anyway. She preferred just to follow whichever way seemed lightest at the time. But it was handy having the map because when she met others on the journey who asked her where she was going, she would wave her map at them. It made her look good, she thought, and saved her from too many questions.
That day as she sat on a rock pretending to ponder her map she became aware of a faint sound of music in the distance. She had not heard music for such a long time. Once on her journey she had passed a wandering minstrel and begged him to play for her so that she could dance. In exchange she had lent him her cloak for a while to keep him warm.
She felt the music beckoning her.
Fiona loved Quintin’s drawings. They had a feel of magic and lightness and she was entranced by them. They were like the children’s films she had been watching lately, with many layers to them and touching something inside her mind, a distant memory which felt strangely close.
Her own drawings felt heavy to her, and she had made a decision not to paint again unless she felt inspired. She did not really understand inspiration, only knew that she was tired of trying so hard.
