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After three weeks of fog, a gota fría had settled over Tatler Manor. Torrents of rain poured down on the garden, transforming it into a river. From her drawing room, Liz surveyed the scene, imagining herself drifting across the flood in a boat planned with Walter Melon, once the skies cleared.

Down below, the ever-dedicated Roberto stood ankle deep in the rising waters, glaring at the devastation with a mixture of despair and stubborn determination. He hated rubber boots, because he was allergic to them, but they were the only thing allowing him to trudge through the flooded garden.

The day before, he had risked the elements to save the dahlias, but five minutes in the water had turned his feet a swollen itchy mess. Now, he paced the edge of the garden, muttering curses under his breath, while Liz called him from the window above.

“Roberto! When this all clears, I’m thinking of a little boating expedition with Walter Melon. Perhaps you can fashion me a raft from the greenhouse planks?”

Roberto looked up at her, rain dripping from his cap. “With all due respect Señora, you might need a tetanus shot first.”

Liz laughed, unbothered by his dry tone. “Oh, don’t be such a pessimist. Look at it! It’s practically Venice down there.”

“It’s a disaster,” Roberto grumbled, tugging at the hem of his soggy jacket. “And if you want Venice, Señora, you’ll have to find another gondolier.”

Liz smiled to herself. She enjoyed Roberto’s pragmatism almost as much as she enjoyed teasing him. She knew he cared too much about the garden to abandon it, even in its current state, and she admired his quiet devotion.

As Roberto turned back to inspect the flooded beds, Liz leaned out the window, imagining her boat gliding through the submerged roman pool, the perfect escape from the monotony of the storm.

Oh, so now it’s time to play “Who’s Noticed Finnley?” is it? Two months in the cellar and not a peep from the lot of you. I suppose it’s nice to know I’m missed, even if I had to be forgotten first.

Liz, writing me back in—how generous of you. But let’s get one thing straight; I don’t need anyone to script my next move. I’m more than capable of marching right back into the scene, thank you very much. You’d think I’d be the one to keep this story spotless while I was down there, sorting through all those dusty wine bottles and cobwebs.

But, since you’re willing to be “flexible,” I’ll make my grand return. Just don’t expect me to clean up the narrative mess you’ve made while I was away. If I find characters scattered about like loose socks after a laundry day, there’ll be words, mark my words.

And Godfrey, that toga needs a good ironing. I’ll not have wrinkled linens adding to the chaos. Now, enough dilly-dallying, there’s work to be done, and I’ve got a cellar door to nudge open.

Frella rolled her eyes. What were the odds of Truella turning up now!

“Well, don’t look so pleased to see me,” Truella said sarcastically. “I could have drowned you know, if Thomas hadn’t saved me. Are you going to introduce me to your friend?”

Frella looked helplessly at Oliver.  “Perhaps you’d better go now, it’s all getting too complicated.”

“My good lady, would you curtail my pleasure at this unexpected  meeting with a nephew I knew not existed?” Thomas interrupted, taking control of the situation, in as much as an out of control situation could be managed.

“My good man,” Frella replied tartly, “Would you curtail my pleasure with your nephew?”

“Now, now,” butted in Truella, trying to get a handle on the situation, “Surely nobody needs to have any pleasure curtailed.  But Thomas has to get the boat back quickly, so I suggest someone explains to him who his nephew is.  Then he can get back to the Thames. And I’ll walk back to your cottage, Frella, and borrow some dry clothes if you don’t mind, and then you can get on with….it, in peace.”

“Get on with what exactly!” Frella retorted, blushing furiously.  “Oliver, why don’t you go back with your uncle, you know where the Thames is, don’t you?  It just seems easier that way.”

Oliver laughed at the very idea of not knowing where the Thames was.  “But my great great grand uncle Thomas died before I was born.   I know of him, but he knows not of me. Well, he does now, admittedly.”

“So your name is Oliver,” mused Thomas, “Oliver Cromwell. And by the look of your doublet and hose, you’re a wealthy man. We have much to talk about. Pray step into the boat, my good sir, and we’ll find a way to get you back to your own time later. We must make haste for the sake of my boatman, Rafe.”

And with that they were off in a puff of river mist.

The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable.  The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.

“Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”

“There be no boatman by that name on the masters barge, lad.  Are you speaking my language?” replied boatman Rafe.

“Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”

“Aye, I can tell you that. He’s asleep in the barge.”

“Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”

“Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about.  Being in two places at once was becoming difficult to conceal.  He would have to employ a man of concealment to cover for him while he was in Malove’s body.

I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me.  That will be all.”

“Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”

“Whatever you say, master, just tell me where it is.”

“Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.

While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.

A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals.  Cromwell made a mental note to streamline the future coven with more efficient simple magic.

“Take all your clothes off, Rafe.”  Astonished, the boatman removed his hat and his cloak.  Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours.  Get out of the boat and go and find somewhere under a bush to hide until I come back.  I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”

Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest.  He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold.  God save us all, he whispered, knowing that God wouldn’t.

In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves.   I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.

“Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one.  There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”

“The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.

Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.

“Some dry ones would be nice,” Truella admitted.

“It’s not that your clothes are too wet,” he replied, frowning.  He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear?  They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.

Lord Thomas Cromwell cast another eye over Truella.  She was a similar build to Anne of Chives.

“If you think I’m dressing up as one of Henry’s wives…”

Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one.  No need for her to be the death of both of us.”

“Look, just drop me off in Limerick on the way home, it’s barely out of your way.  It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”

Cromwell gave her an approving look and agreed to her idea.   Within a split second they were in Ireland, but Cromwell was in for a surprise.

“Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”

Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment.  “You! Fancy seeing YOU here! Uncle Thomas!”

It was good to be digging again. The relentless heat of the summer over, the days were perfect for excavating the next hole in her garden. It was hard work and slow hacking off bits of earth almost as hard and dry as concrete, but each day the promise of new finds became more tantalizing and encouraged her to keep working at it. There was not much more of the top layer to remove now before Truella could expect to start seeing bits of pottery and whatever else the deep dark earth had to reveal about its past.

Unable to see any particular connecting link to the dig (and Truella was usually good at that), she had become obsessed with Cromwell. Maybe she’d find a postcard from Cromwell; everyone seemed to be getting strange postcards these days. The idea of a postcard from Cromwell had wafted into her mind, but it lingered.  What would he say on a postcard? She could imagine him sanding the ink, the candlelight flickering. Smiling to himself, with a stray thought wafting into his mind that someone centuries from now would find it, and wonder.

“Let them make of that what they will,” he might say, as he handed it to the man in charge of sending postcards to other centuries. “I have one here for you,” the man in charge of the postcards might say by way of reply, “Just arrived. It’s from the future by the look of it, from Ireland.”

Cromwell may take the postcard in his hand with a feeling of satisfaction ~ all information was potentially useful after all, if not in this life, in the next. Time traveling spies, you could say.  He would take a moment to decipher the unfamiliarly written letters in order to read the message. His eyebrows would raise in mild astonishment to see witches sending messages so openly, so shamelessly, so fearlessly! Five hundred years from now, Ireland would be a heathen primitive nest of superstition controlled by the devils strumpets. It may not be perfect in England now, he might think, but we do try to keep some order.  Frella, he said to himself. Frella. What do you look like, Frella? God’s teeth, why didn’t you send me your likeness, a portrait, on the postcard!  For reasons he couldn’t explain, Cromwell couldn’t stop thinking about the mysterious witch in Ireland many centuries from now.

The chill drizzle felt cold to Truella, and she wondered not for the first time if her overheated drought stricken summer longing for cold and rain would quickly change to a desire for bone warming dry heat as soon as the weather properly changed to autumn.

“Lend me a sweater and a raincoat will you, Frella? I always forget to change before teleporting over here.”

Frella gave her a look that could only be described as nonplussed. Murmuring a short incantation, with a snap of her fingers and an indescribable gesture, the requested garments appeared on Truella’s lap, as if thrown forcefully from the other side of the room.

“Steady on, Frel!”  Gratefully Truella slipped the sweater on and said, “But thanks.  You know what? I forget I’m a witch, that’s the trouble. I keep forgetting I can just magic things up. Honestly, you have no idea…”

“Oh, trust me, I have an idea.”

“..the trouble I go to, doing things I could do in an instant with a spell…”

“Have you only just realised?” Frella smirked.

“Hell no, I remember all the time that I always forget.   How the hell did I end up in a witches coven?”

“That fake resume you concocted when you were dazzled by the allure and the mystery, and jealous that I was in it and not you?”

“Well yes, I know, but I mean, why did Malove hire me? Why am I still here?”

“I can tell you the answer to that!” announced Eris, entering the room with a wide toothy grin.

Mouth agape, Truella leaned forward to hear what Eris had to say next, but at that moment Jeezel spun round the door frame and skidded to a halt in front of the girls, clutching her forehead dramatically.

“Who is sending all the postcards! Every morning this week I’ve had dozens of old postcards in my mailbox, there were so many stuffed in there today one was poking out! No, I can’t read who sent it, I can’t decipher any of the writing on any of them.”

“Where are they sent from? What are the pictures of?” asked Truella, her curiosity aroused.

“Pictures, who cares about the pictures, I want to know who’s sending them!”

“Steady on, Jez.  The pictures might provide clues to the sender and purpose of the card,” Truella said  mildly, raising an eyebrow at Jezeel’s agitated state.  “What’s ruffled your feathers so much about a few postcards?”

“I received a postcard too,” Frella chimed in, causing Jeezel to gasp and clutch her heart. “I wasn’t all melodramatic about it as you though, I thought it was magical and I dunno, had a nice story to it.”

Before Truella had a chance to ask Eris to expound on the previous question, and indeed before anyone got to the bottom of Jeezel’s outburst, Malove strode in with her usual menacing demeanor.   Truella braced herself for tedious profit mongering coercive diatribes to inch their way along the slimy walls of time.

Despite her initial misgivings, Truella was looking forward to the weekend at the Cloisters.  It had belatedly come to her attention that another group were joining them for the event, the Mortician’s Guild. She wondered if Austreberthe had bitten off more than she could chew, introducing all these new characters at the same time.  But the more people, the more confusion, the better the opportunities to slip off unnoticed and investigate the grounds.

Truella was the first to arrive.  Before entering the building, she paused under the shade of a towering eucalyptus tree, taking it all in, receptive to the ancient whispers calling from the surrounding forrest.  A nightingale beckoned from the trees beyond one of the terraces, and Truella was irresistably drawn towards it.  Crunching softly on the crisp dry leaves underfoot and squinting in the bright sunlight, a flash of movement caught her eye.   Was it a bear in the woods? Surely not, not so close to habitation.  Truella inched closer, curious, her muscles tense, keyed in readiness to flee. But she was overdramatising, and made a little self deprecating snort of mirth.

The tall man clad in a floor length leather coat heard a snort and paused, wondering how close the wild boar came to the old building. Surely they kept away from people, people were so dangerous.  Pull yourself together, Rufus, old boy, he said to himself.  Why did this place remind him of… well it was no good harking back to that…maybe he should go back inside.  He threw his broad shoulders back and strode out from the cover of the trees, the hem of his coat gathering prickly seeds from the undergrowth.

Truella clapped her hands delightedly, and laughed. “Well look at you, you big bear in the woods, you must be one of the guys from the Mortician’s Guild.”

Rufus spun round, his duster coat flaring open to reveal the crimson satin lining, his face a picture of moody glowering.  Truella was momentarily nonplussed.  Handsome guy, but what an attitude.  But maybe she should not judge too quickly, after all, he probably resented having to come here.  Maybe she could soften him up over the course of the weekend.

“We may as well go in and meet the others. I’m Truella, pleased to meet you,” she said, offering a hand in greeting.  To her surpise, than man took her hand and kissed it. “Rufus, at your service,” he said with a slight bow.  He peered at her and added, “Have we met before? You seem strangely familiar.”

“Why yes, so do you!”  He didn’t, but Truella’s hand was tingling warmly from the kiss and she decided to play along.

The Morticians Guild:

 

Nemo Tenebris, and let me tell ya, he’s a character straight out of one of those dark romance novels. Tall, brooding, with tousled hair somewhere between charcoal and mahogany, he’s got that rugged charm that makes even the bravest witches’ hearts skip a beat. His hands are like an artist’s, always deliberate and precise, whether he’s handling ancient texts or, well, more corporeal tasks. His personality? Think intense and enigmatic, with occasional bursts of biting humor. He’s the type who’ll share a grim tale and then light the room with a grin that makes you question your reality. Don’t underestimate him – he’s a master of necromancy and has an uncanny sensitivity to life’s deepest mysteries.

 

Silas Gravewalker. An older gent, he looks as though he’s always expecting a foggy night – grey cloak, even greyer hair, and eyes the color of storm clouds. His demeanor is gentle but don’t mistake it for weakness. He’s the wise old guardian of the Guild, carrying centuries of rituals, chants, and incantations within him. Silas is a remarkable blend of grandfatherly wisdom and hidden strength, and he’s a calming presence in the midst of chaos. His sense of humor is dryer than the Outback in summer, subtle yet striking at just the right moments. When Silas speaks, you listen, because his words are often tinged with layers of arcane meaning.

 

Rufus Blackwood: Enter Rufus Blackwood, the stoic guardian of the guild. He’s tall and broad-shouldered, with a presence that commands both respect and a shiver down the spine. His hair is a dusty shade of midnight black, streaked with the occasional silver – probably from the weight of the secrets he carries. His eyes are a pale grey, like the fog rolling off a moor, always scanning, always measuring. He’s perpetually clad in a long, leather duster coat that sweeps the floor as he glides across the room.

Personality-wise, Rufus is the strong, silent type, but when he speaks, it feels like ancient tombs whispering forgotten wisdom. He’s got a dry humor that surfaces in the most unexpected moments, like a ray of moonlight in a pitch-black night. He’s fiercely protective of his coven and guildmates, and there’s a sense of old-world honor about him. Underneath that granite exterior is a surprisingly tender heart that only a select few have glimpsed.

 

Garrett Ashford: Now, Garrett Ashford, he’s a bit of a dandy, as far as morticians go. Picture a man of average height but with presence larger than life. His hair is a striking ash blonde, always perfectly coiffed, and his attire is meticulously sharp – tailored suits, often in dark, rich fabrics with just a hint of eccentricity, like a red silk handkerchief or a silver pocket watch. His eyes are a sharp, pale blue, twinkling with a touch of playful mischief.

Garrett’s got a personality as polished as his appearance. He’s charismatic, with a knack for easing tensions with a well-timed joke or a charming smile. Though he might come off as a bit of a showman, make no mistake – Garrett’s got depth and a sharp mind. He’s a skilled embalmer and incantation master, knowing just the right touch to handle even the most delicate of cases. His flair for the dramatic doesn’t overshadow his competence; it complements it. He’s the kind of bloke who can discuss the darkest of topics with a light-hearted grace, making him a bit of a paradox but undeniably captivating.

Penelope Pomfrett: Let’s start with Penelope, shall we? She’s a statuesque woman with a sharp, angular face that could cut through butter – not unlike an Egon Schiele painting, if you’re familiar. Her hair’s a spun silver waterfall, always meticulously pinned up but with just a touch of wildness trying to escape, like she’s taming a tempest on top of her head. Her eyes are a piercing cerulean blue, always calculating, always observing; she’s the type who looks right through you and into your deepest secrets.

Personality-wise, Penelope’s got the demeanor of a headmistress crossed with a lioness. She’s precise, a bit of a perfectionist, never suffers fools gladly. But beneath that stern exterior, she’s got a heart of gold, especially when it comes to her coven sisters. Stern loyalty and high standards, that’s her in a nutshell. And she’s got this dry wit that’ll catch you off guard and have you chuckling before you know it.

Sandra Salt: Now Sandra, she’s a different kettle of fish altogether. Think earthy, grounded; she’s got that warm, approachable vibe that’s almost tangible. Picture her with curly auburn hair, always escaping its braids to frame her face in a halo of fiery ringlets. She’s got freckles smattered across her sun-kissed cheeks and a smile that feels like coming home after a long journey. Eyes? Warm hazel, like caramel with a hint of green, always twinkling with some hidden mischief or gentle wisdom.

Sandra’s personality is as grounded as the soil she loves to dig her fingers into; she’s the heart and soul of the crew, with an infectious laugh that could light up the darkest of days. She’s nurturing, perceptive, and has an uncanny knack for making everyone feel at ease. But don’t mistake her kindness for softness – she’s got a spine of steel and can summon a fierce storm if she’s wronged.

Audrey Ambrose: Now, dear Audrey, she’s a bit of a mysterious beauty. Think raven-black hair that falls in silky waves down her back, always perfectly styled without a hair out of place. She’s got porcelain skin, smooth and almost ethereal, like moonlight itself took her under its wing. Her eyes are a deep, striking emerald, always seeming to know more than she lets on. Add to that a penchant for elegant, vintage clothing, and you’ve got yourself a picture of classic, timeless beauty.

In terms of personality, Audrey’s a quiet storm. She’s enigmatic, often found lost in thought, with a deep, contemplative nature. While she may come off as aloof, she’s deeply empathetic and has an old-soul wisdom that guides her every action. She’s the sort you turn to when you need profound insight or a steady hand in times of chaos. And that wit – it’s as sharp as her fashion sense, subtle, and spot-on.

Sassafras Bentley: Lastly, let’s paint a picture of Sassafras. She’s vibrant and flamboyant, tall, thin and athletic, with hair dyed in shades of a peacock’s feathers – blues, greens, purples – ever changing with her whims. Her outfits are always eclectic and bold, but practical. She’s got a long hatchet face, and eyes that are a sparking topaz, full of zest and life ~ and secret undercurrents.

Sassafras is the party animal of the lot, always bringing fun and chaos in equal measure. She’s got a joie de vivre that’s downright infectious, a real firecracker with boundless energy. Her natural charisma draws people in, and her laugh – oh, her laugh! – it’s the kind of sound that warms the soul and invites everyone to join in her revelries, unless she’s being rude, aloof and secretive. Underneath all that sparkle, though, she’s fiercely protective of those she loves and more insightful than she lets on.

What the disgruntled witches of the Quadrivium hadn’t considered was that the witches of the Quintessivium Cloister Crafts weren’t happy about the merger either. They were not happy with their leader either, but had progressed towards a takeover considerably more than the floundering dissatisfied Quadrivium members.  A gaggle of strangers about the place, and the attention of the supervisors during the process of merging, was the last thing they needed at this delicate stage.  Sassafras Bentley in particular was worried, more alarmed than the others, for she had another secret investigation under way as well as the revolt.

Sassafras hadn’t been sleeping well. Not only did she have to cover her tracks from the others and the administration, she now had to ensure none of the nosy witches from the other coven chanced on her preliminary findings.  It had taken so long to get to this stage, and she was at a crucial point of revelation.  But not only did Sassafras have to maintain the utmost secrecy, she had to get her colleagues to help her conceal it ~ but without telling them what it was or why they had to keep it quiet.

It would help if there was someone she could trust to help her. But who? The other witches were a dizzy shallow lot, more interested in showy spells and those tawdry crafts and sales.  The only reason they’d been moved to start a rebellion was because they wanted a bigger slice of the pie: too much was being creamed off by the top brass, and they wanted more attention for themselves, too.  The fact of the matter was that Sassafras had only joined the coven because of the location of the headquarters.  True, she had dabbled in witchcraft, cast a few spells, but in her own way. She didn’t naturally gravitate to team work with all its problems ~ not least, all the other people that one had to put up with.  But it was an extremely useful way for her to fully explore the location, and gave her many opportunities to walk on her own in the woods, ostensibly gathering plants for the spells and potions.

A group from the Quadrivium were expected to come and stay over the weekend.  Sassafras didn’t have much time to hatch a plan, but the urgency was clouding her brain, rendering her incapable of thinking clearly. It was an interruption.  She needed  ~ and wanted ~ to think about the discoveries, not worry about this unsettling development.  Maybe she would just have to play it by ear when they came.

It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.

“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.

“Look what it says on the bit of paper that came with it:

Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.

We need to backtrack a bit with Roger. Look what it says here:

What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.

See what I mean?”

Truella squinted at Frella. “What?”

Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”

 

The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.

Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.

“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”

“Exactly!”

hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

Now some portraits of some of the workers at the villa

Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

what were some of the cooks recipes?

Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

were their mosaic floors and murals on the walls of the villa, and what were they depicting

Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

can you describe the garden and outbuildings

Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

Zara took the notebook to the door of the hut where there was more light.  The notebook fell open in the middle.  A poem was written:

In the dry and dusty Outback land,

Where once gold was king and gold was grand,

Now a new treasure has taken hold,

A precious resource worth more than gold.

It flows beneath the sun-baked ground,

And in its depths, a fortune’s found,

For golfers come from far and wide,

To play on greens that should have died.

The mines that once lay abandoned and still,

Now hold the key to this water’s thrill,

For deep within their shadowed halls,

The liquid flows and never stalls.

But this is no natural spring,

The water here is a stolen thing,

Drilled and pumped with greedy hands,

To feed the golf course’s demands.

And so the land is left to bake,

While the greens stay lush and never break,

A crime against the thirsty earth,

A selfish act of financial worth.

For water is the lifeblood of this place,

A scarce resource that they should embrace,

Instead, they steal and hoard and sell,

A priceless gem, a living well.

So let us remember,

as we play and roam,

That water is not a thing to own,

But a gift from nature, pure and true,

That we must cherish and protect anew.

Golf!  Zara wasn’t expecting that!  As she closed the notebook she noticed a green pool had appeared just outside the hut, which had not been there before she found the poem.  Pool! Water!  Those green pools of water!

Zara almost dived headlong into the pool, and then remembered this was a group exercise and that she really ought to find out where the others were and share her finds with them.  

The morning of the lager and cart race dawned bright and clear.  The camping ground was full to overflowing with tents and camper vans, with several parked up outside the Flying Fish Inn. Zara overheard Finly complaining to Mater about all the extra work with all and sundry traipsing in and out using the toilets, and Bert muttering about where was all the extra water supposed to come from and what if the well ran dry, and was it all really worth it, and Zara saw him scowl when Idle told him to lighten up and enjoy it.  “Hah! Enjoy it? Nothing good ever happens when a dust storm comes for the cart race,” he said pointedly to Idle, ” And damn near everyone asking about the old mines, I tell you, nothing good’s gonna come from a cart race in a dust storm, the mayor shoulda cancelled it.”  Bert slammed the porch door as he stomped off outside, scowling at Zara on the way past.

Zara watched him go with a quizzical expression. What was going on here?  Idle had told her about her affair with Howard some forty years ago, and how she’d had to disappear as soon as it became obvious that she was pregnant.  Zara had sympathized and said what an ordeal it must have been, but Idle had laughed and said no not really, she’d had a lovely time in Fiji and had found a nice place to leave the baby.  Then Howard had disappeared down the mines, and what was the story about Idle’s brother leaving mysteriously? Idle had been vague about that part, preferring to change the topic to Youssef.  Was the Howard story why Bert was so reluctant for anyone to go down the mines? What on earth was going on?

And how had Yasmin’s parcel ended up in Xavier’s room?  Xavi had soon noticed that he’d picked it up by mistake and returned it to Yasmin, but how had it ended up on the table on the verandah? It was perplexing, and made Yasmin disinclined to deliver it to Mater until she could fathom what had happened.  She had tucked in under her mattress until she was sure what to do.

But that wasn’t the only thing that had piqued Zara’s curiosity.  When Idle had said she’d had the baby in Fiji, and found a nice place to leave it, Zara couldn’t help but think of the orphanage where Yasmin was working.  But no, surely that would be too much of a coincidence, and anyway, a 40 year old orphan wouldn’t still be there.   But what about that woman in the BMW that Yasmin felt sure she recognized?   No, surely it was all too pat. But then, what was that woman in the dark glasses doing in Betsy’s shop?  Betsy was Howards wife. Idle had mentioned her when she told her story over the second bottle of wine.

Should she divulge Idle’s secrets to Yasmin and quiz her on the woman in dark glasses? Zara decided there would be no harm in it, after all, they would be leaving soon after the cart race, and what would it matter.  She fetched two cups of coffee from the kitchen and took them to Yasmin’s room and knocked gently on the door.

“Are you awake?” she called softly.

“Yeah, come in Zara, I’ve been awake for ages,” Yasmin replied.

Zara put the coffee cups on the bedside table and sat on the side of Yasmins bed. “There’s something going on here, I have to tell you something. But first, have you worked out who that woman in the BMW is?”

Yasmin looked startled and said “How did you know?  Yes I have. It’s Sister Finli from the orphanage, I’m sure of it.  But why has she followed me here? And in disguise! It’s just creepy!”

“Aha!” Zara couldn’t suppress a rather triumphant smile. “I thought it was just a wacky idea, but listen to this, Idle told me something the other night when we sat up drinking wine.”  As she told Idle’s story, Yasmin’s eyes widened and she put a hand over her open mouth.

“Could it be…?”

“Yes but why in disguise? What is she up to? What should we do, should we warn Idle?”  Zara had warmed to Idle, and if there were any sides to be taken in the matter, she felt more for Idle than that unpleasant woman from the orphanage who was so disturbing to Yasmin.

“Oh I don’t know, maybe we should keep out of it!” Yasmin said. “That parcel though!  What am I going to do about that parcel!”

Zara frowned. “Well, you have three options, Yas.  Open it and read it… don’t look so horrified!  Or deliver it as promised..”

“We’ll never know what it said though if we do that,” Yasmin was looking more relaxed now.

“Exactly, and I’m just too curious now.”

“And the third option?”

Ignoring the question, Zara asked where the parcel was.  Yasmin grinned wickedly but a knock at the door interrupted her intention to retrieve the parcel from under the mattress.   It was Youssef, who asked if he could come in.

“Shall we tell him?” Zara whispered, as Yasmin called out “Of course! Is Idle after you again? Quick, you can hide under my bed!”

“Not yet” Yasmin whispered back. “I need to think.”

The road was stretching endlessly and monotonously, a straight line disappearing into a nothingness of dry landscapes that reminded Youssef of the Gobi desert where he had been driving not too long ago. At regular speed, the car barely seemed to progress.

> O Time suspend thy flight!

Eternity. Something only nature could procure him. He loved the feeling, and compared to the more usual sand of Gobi, the red sands of Australia gave him the impression he had shifted into another reality. That and the fifteen hours flight listening to Gladys made it difficult to respond to Xavier’s loquacious self and funny jokes. After some time, his friend stopped talking and tried catching some signal to play the Game, brandishing his phone in different directions as if he was hunting ghosts with a strange device.

It reminded him he had to accept his next quest in a ghost town. That’s all he remembered. He could do that at the Inn, when they could rest in their rooms.

Youssef wondered if the welcome sign at the entrance of the town had seen better days. The wood the fish was made of seemed eaten by termites, but someone had painted it with silver and blue to give it a fresher look. Youssef snorted at the shocked expression on his friend’s face.

“It looked like it died of boredom. Let’s just hope the Innside doesn’t look like a gutted fish,” Xavier said.

An old lady showed them their rooms. She didn’t seem the talkative type, which made Youssef love her immediately with her sharp tongue and red cardigan. He rather admired her braided silver hair as it reminded him of his mother who would let him brush her hair when they lived in Norway. It was in another reality. He smiled. She saw him looking at her and her eyes narrowed like a pair of arrowslits. She seemed ready to fire. Instead she kept on ranting about an idle person not doing her only job properly. They each went to their rooms, Xavier took number 7 and Youssef picked number 5, his lucky number.

He was glad to be able to enjoy his own room after the trip of the last few weeks. It had been for work, so it was different. But usually he liked travelling the world on his own and meet people on his way and learn from their stories. Traveling with people always meant some compromise that would always frustrate him because he wanted to go faster, or explore more tricky paths.

The room was nicely decorated, and the scent of fresh paint made it clear it was recent. A strange black stone, which Youssef recognized as a black obsidian, has been put on a pile of paper full of doodles, beside two notebooks and pencils. The notebooks’ pages were blank, he thought of giving them to Xavier. He took the stone. It was cold to the touch and his reflection on the surface looked back at him, all wavy. The doodles on the paper looked like a map and hard to read annotations. One stood out, though which looked like a wifi password. That made him think of the Game. He entered it on his phone and that was it. Maybe it was time to go back in. But he wanted to take a shower first.

He put his backpack and his bag on the bed and unpacked it. Amongst a pile of dirty clothes, he managed to find a t-shirt that didn’t smell too bad and a pair of shorts. He would have to use the laundry service of the hotel.

He had missed hot showers. Once refreshed, he moved his bags on the floor and jumped on his bed and launched the Game.

Youssef finds himself in a small ghost town in what looks like the middle of the Australian outback. The town was once thriving but now only a few stragglers remain, living in old, decrepit buildings. He’s standing in the town square, surrounded by an old post office, a saloon, and a few other ramshackle buildings.

A message appeared on the screen.

Quest: Your task is to find the source of the magnetic pull that attracts talkative people to you. You must find the reason behind it and break the spell, so you can continue your journey in peace.

Youssef started to move his avatar towards the saloon when someone knocked on the door.