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In reply to: The Incense of the Quadrivium’s Mystiques
Getting this out in the room did bring a tide of emotions; pent-up frustration, indignation, bits of bruised egoes, the whole spectrum. Truella’s tirade had managed to uncork a complete bundle of electricity in the atmosphere, but the genie had left the building.
Eris had suddenly felt like scrambling away, but had stayed along with spaced out Frigella and Jeezel as she’d felt a pang of responsibility.
Surprisingly, Malové had remained composed throughout the heated ensuing exchanges, trying to be constructive at every turn, and managing to conclude most of the debates —even when was not fully settled, and by far, a round of collected feedback afterwards, she’d clapped appreciatively saying. “Congratulations team, seeing how we are no longer covertly disagreeing behind everyone else’s back, I can see improvement in our functioning as a cohesive Coven. Believe it or not, being in a place to openly voice disagreement is a sign of progress, we’ve moved past the trust issues, into constructive conflict. There is still much to be done to commit, be accountable and focus on results together, but I feel we are on track to a brighter future, you’ve all done well.”
Back in her cottage in Finland, Eris was wondering “then why do I feel so bloody exhausted…”
She played back in her head some of the comments that Malové had shared in private after, when Eris had enquired if there would be some consequences for her witch’s friend actions. Once more, Malové has shown a unusual restraint that had put her worries at ease for now.
“Truella’s actions during the Adare Manor workshop presentation displayed boldness and conviction, two qualities that are essential for any individual, executive or otherwise, who wishes to effect change within an organization or a venture. Standing up for oneself is not only about self-assurance; it’s about ensuring that your voice and perspective are heard and considered.
However, the manner in which one stands up for oneself is crucial. Berating others, especially in a public forum such as a workshop presentation, can be counterproductive. It can create resistance and diminish the opportunity for constructive dialogue. While I understand her frustration, it is important to channel such energies towards a more strategic approach that fosters collaboration and leads to solutions.
As a leader, I advocate for clear communication and assertiveness, tempered with respect for all members of the coven. The success of our ventures, vaping or otherwise, depends on our ability to work cohesively towards our common goals. Truella’s passion is commendable, but it must be directed appropriately to benefit the coven and our business endeavors.”
She had asked Eris to convey the same to Truella. She’d made no promises —her friend was known to be more difficult to herd than cats. But with time, there would be a chance she would see reason.
Meanwhile, their sales targets had not gone away, and they had to keep the Quadrivium afloat. With Truella checking out of the game, and clearly not overly engaged on results, it fell onto the rest of the team to deliver.
A second session of workshop and celebration was planned in a month’s time in Spain with all top witches. With Eris’ last experience in Spain and her elephant head, she was starting to dread another mishap. Plus, she sighed when she looked at the invite. She would have to fetch a cocktail attire. A vacation was long overdue…
In reply to: The Incense of the Quadrivium’s Mystiques
It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.
“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.
“Look what it says on the bit of paper that came with it:
Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.We need to backtrack a bit with Roger. Look what it says here:
What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.
See what I mean?”
Truella squinted at Frella. “What?”
Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”
The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”
“Exactly!”
In reply to: The Incense of the Quadrivium’s Mystiques
“Witches, assemble!” It was hard for Malové to forget the theatrics, even in presence of a limited number of persons.
The three witches had come in a hurry, summoned for some of them by a loud howler in the early light. Admittedly, Malové had to compensate for the usual tardiness of some, and her impeccable spells had been calling for the trio at just the right time for each to arrive precisely to the Quadrivium’s Headquarter in less than a minute’s space one from the other.
“Unbelievable” Frigella had muttered when she saw Truella already there.
“Hoy, don’t get your knickers in a twist Love, I’ve been called to that meeting only two days ago!”
Frigella didn’t have time to retort with a snark that she’d been summoned less than fifteen minutes before, as another popping sound and a flush indicated the arrival of Eris from the Quadrivium’s Emporium backdoor in the lady’s room.
“And where is Jeezel?” Truella wondered. “I haven’t seen her yet.”
“Oh, you know, there’s no accounting for wig time preparation even with Malové superb spells skills” Eris said pragmatically.
“I wouldn’t say that.” The voice of Malové, stern but not devoid of warmth, signaled the end of the chatty banter. “She was doing some chores for me, but she’ll be back in a second.” She clapped her hands elegantly, each hand barely touching the other, yet ripples of powerful energies resounded throughout the space.
The doors flung open, revealing Jeezel in a gorgeous golden fitting ensemble, the chiffon kerchief she had before to do her chores replaced by a subtly glittering tiara standing proud on the loveliest curly wig of luscious magpie dark hair reflecting a striking metallic blue in their shine.
Jeezel, who had been secretly crying over the punishment touched her cheeks for signs of blurred cracked mascara, but instead, she could feel her cheeks were delicately powdered, her eyes contoured to perfection.
“What?…” she for once couldn’t voice her emotions.
“Silly goose,” Malové smiled in a hard to decipher rictus. “You have forgotten the evil witch and the fairy godmother are all part of the same cabal. Now,” and she turned intently to the other assembled witches.
“Are we getting punished too?” Asked Truella who couldn’t refrain to hide her rebellious nature “I won’t…”
Before she could say more, Malové raised her hand and said “Enough with this punishment nonsense. Even that foul-mouthed Finnlee with her down-to-earth mores knows that there is nothing like a little cleaning to clear up the space.”
A sigh of relief from the four friends. So if punishment wasn’t in order, what was it about?
“So where was I? It’s going to get me a whole new comment to get to where I…” She started to get flustered with exasperation from all the interruptions. The four witches were silent except for long agitated side glances at each other.
That’s when the door bell started to ring relentlessly. She thought to let it pass, probably a delivery person for the staff. But it wasn’t stopping.
“What is it?” her voice as honey-coated as the raspy tongue of a feral hellcat.
“It’s Finnlee, M’am Witch, erm, HeadTwitch. I forgot my keys, open the door if you don’t want this place to go to more waste. Mark my words. So much staff has come and gone, it’s a miracle I’m still here with …”
Malové rolled her eyes, and flipped her hands in a savant motion, opening the gates remotely for the cursing cleaning lady. She was right, one couldn’t get the staff these days. And there was nothing like a good solid floor scrubbing, no magic involved but elbow grease. Magic rarely stuck enough, and honestly, it would be such a waste of energy.
Spring was upon them.
“Bloody too early, if you ask me” said Malové, the Head of the Coven of Mystiques, but just CEO of Quadrivium Emporium to the outside world.
“Meow.” Only the Coven’s familiar, a clichéd black cat dared to voice what seemed to have been the common thought. How tedious, so much spring cleaning of the collective energies to do, and almost 2 months ahead of schedule. Blame the telluric energies catch-up with the cosmic downpour of the world’s mind agitation. Or global warming, as it’s labelled nowadays.
“You know how it goes.” Malové continued. “We set the tone of the stories ahead. And it can only be done by actually writing it. Yeah, how exciting. Like conducting an orchestra in a zoo, there’s plenty of potential, but I guess we’ll have to work on our priorities.”
“Do you mean keeping the zoo’s hyenas from eating everybody else?” Frigella was not one to beat around the bush.
“Yeah, something like that. And you know how you control hyenas?”
The witches assembled looked at each other sideways.
“The Whale would tell you it’s a lovely story of shared resonance, forging bonds based on trust… But that’s a load of bollocks. Some emotions are only managed through stronger ones – so let’s do what we do best, get our Incense ready, and put some order in this bloody chaotic mess. Who wants to start?”
In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: Orbs of Madjourneys
Zara was long overdue for some holiday time off from her job at the Bungwalley Valley animal rescue centre in New South Wales and the suggestion to meet her online friends at the intriguing sounding Flying Fish Inn to look for clues for their online game couldn’t have come at a better time. Lucky for her it wasn’t all that far, relatively speaking, although everything is far in Australia, it was closer than coming from Europe. Xavier would have a much longer trip. Zara wasn’t quite sure where exactly Yasmin was, but she knew it was somewhere in Asia. It depended on which refugee camp she was assigned to, and Zara had forgotten to ask her recently. All they had talked about was the new online game, and how confusing it all was.
The biggest mystery to Zara was why she was the leader in the game. She was always the one who was wandering off on side trips and forgetting what everyone else was up to. If the other game followers followed her lead there was no telling where they’d all end up!
“But it is just a game,” Pretty Girl, the rescue parrot interjected. Zara had known some talking parrots over the years, but never one quite like this one. Usually they repeated any nonsense that they’d heard but this one was different. She would miss it while she was away on holiday, and for a moment considered taking the talking parrot with her on the trip. If she did, she’d have to think about changing her name though, Pretty Girl wasn’t a great name but it was hard to keep thinking of names for all the rescue creatures.
After Zara had done the routine morning chores of feeding the various animals, changing the water bowls, and cleaning up the less pleasant aspects of the job, she sat down in the office room of the rescue centre with a cup of coffee and a sandwich. She was in good physical shape for 57, wiry and energetic, but her back ached at times and a sit down was welcome before the vet arrived to check on all the sick and wounded animals.
Pretty Girl flew over from the kennels, and perched outside the office room window. When the parrot had first been dropped off at the centre, they’d put her in a big cage, but in no uncertain terms Pretty Girl had told them she’d done nothing wrong and was wrongfully imprisoned and to release her at once. It was rather a shock to be addresssed by a parrot in such a way, and it was agreed between the staff and the vet to set her free and see what happened. And Pretty Girl had not flown away.
“Hey Pretty Girl, why don’t you give me some advice on this confusing new game I’m playing with my online friends?” Zara asked.
“Pretty Girl wants some of your tuna sandwich first,” replied the parrot. After Zara had obliged, the parrot continued at some surprising length.
“My advice would be to not worry too much about getting the small details right. The most important thing is to have fun and enjoy the creative process. Just give me a bit more tuna,” Pretty Girl said, before continuing.
“Remember that as a writer, you have the power to shape the story and the characters as you see fit. It’s okay to make mistakes, and it’s okay to not know everything. Allow yourself to be inspired by the world around you and let the story unfold naturally. Trust in your own creativity and don’t be afraid to take risks. And remember, it’s not the small details that make a story great, it’s the emotions and experiences that the characters go through that make it truly memorable. And always remember to feed the parrot.”
“Maybe I should take you on holiday with me after all,” Zara replied. “You really are an amazing bird, aren’t you?”
In reply to: Train your subjective AI – text version
Asking the AI to expand on the glossary of the original Circle of Eights Story:
Locations
Malvina’s Cave: A dark and damp cave located in the heart of the Gripshawk mountains, known for its population of Glukenitch creatures.
Lan’ork: A vast and diverse continent known for its Eastern Lagunas, home to the Indogo flamingos. Dragon Head Peninsula: A rugged and mountainous region, home to the Langoat creatures and also known for its rich deposits of dragon ore.
Asgurdy: A sprawling desert region, known for its nomadic tribes who use Saurhse as mounts for transportation.
Golfindely: An idyllic coastal region known for its beautiful beaches and crystal clear waters, home to the Golfindel and Grake creatures.
Magical Schools
Dragonian Magic: A form of magic that is practiced by Dragonriders and Dragon tamers, which involves the manipulation of dragon energy and bonding with dragon companions.
Gripshawk Magic: A form of magic that is practiced by Gripshawks, which involves the manipulation of the natural elements and telepathic communication with other creatures.
Ugling Magic: A form of magic that is practiced by Uglings, which involves the use of charms, spells, and potions to manipulate the physical world.
Guilds
Dragon Riders Guild: A prestigious guild of dragon riders, responsible for maintaining peace and order in the world by using their dragon companions for protection and transportation.
Gripshawk Hunters Guild: A guild of skilled hunters who specialize in hunting and capturing exotic creatures for various purposes.
Ugling Alchemists Guild: A guild of alchemists and potion makers, who create various potions and elixirs for medicinal and magical purposes.
Organizations
The Order of the Buntifluën: A secret organization dedicated to the study and use of Buntifluën artefacts for the betterment of communication and understanding between sentient beings.
The Glubolín Network: A network of individuals who possess Glubolín devices, used for communication and sharing information across long distances.
The Sabulmantium Society: A society of scholars and adventurers who study the properties and uses of Sabulmantium devices for divination and navigation.
Here are a few new invented terms with their potential IPA pronunciations and definitions that would fit in this fantasy world:
Dragons:
Krynn [ ˈkrĭn ] : A subspecies of dragon known for its ability to control and manipulate time.
Creatures:
Kelpies [ ˈkĕl-pēz ] : Aquatic creatures resembling horses, known for their ability to shape-shift and lure unsuspecting victims into the water.
Magical Artefacts:
Dragonwhisper [ ˈdrā-gən-ˌhwis-pər ] : An ancient and powerful magical artifact, which allows the user to communicate and control dragons telepathically.
Necrotalisman [ ˈnĕk-rə-ˈtā-lĭz-mən ] : A magical artifact in the shape of a talisman that grants its wielder the ability to control and summon the dead.
Plants:
Blightthorn [ ˈblīt-ˌthôrn ] : A poisonous plant known for its dark purple flowers and thorny stem, its extract is used in dark magic
Faeleaf [ ˈfā-ˌlēf ] : A rare plant found in the deep forest known for its bright green leaves, its extract is used in healing potions
Locations:
The Shadowland [ ˈshā-dō-ˌland ] : A mysterious and dangerous land overrun by dark magic and controlled by Necromancers.
The Hidden Vale [ ˈhī-dən-ˈvāl ] : A secluded valley located deep in the mountains, home to the reclusive Faeleaf plants.
Organization:
The Necromancers’ Circle [ ˈnĕk-rə-ˈmän-sər-z-ˈsər-kəl ] : A secret organization of powerful necromancers who seek to expand their control over death and the dead.
Here are a few more invented terms with their potential IPA pronunciations and definitions that fit in this fantasy world, having less to do with necromancy, and more with various forms of consciousness or energy manipulation, magical or mythical creatures or species:
Creatures:
Eterneon [ ˈē-tər-ˈnē-ən ] : A species of winged creatures known for their ability to manipulate and harness the energy of the stars, they are highly sought after by astromancers and star-gazers.
Psicon [ ˈsī-ˌkän ] : A species of psychic creatures, known for their ability to read minds and influence emotions.
Magical Artefacts:
Energyshield [ ˈen-ər-jē-ˌshēld ] : A magical artifact that creates a protective barrier around the user, deflecting or absorbing any kind of energy-based attacks.
Empathstone [ ˈĕm-pāth-ˈstōn ] : A small, glowing stone which allows the user to sense and control the emotions of others.
Magical Schools:
Energyshaping [ ˈen-ər-jē-ˌshāp-ing ] : A school of magic that involves the manipulation and control of various forms of energy.
Empathymagic [ ˈĕm-pā-thē-ˈmaj-ik ] : A school of magic that involves the manipulation of emotions and the ability to sense the emotions of others.
Locations:
Eternity’s Edge [ ˈē-tər-nə-tēz-ˈēj] : A remote and mysterious cliff located high in the mountains, known for its strong emanations of star energy and rumored to be home to a hidden community of Eterneons.
Psicon’s Den [ ˈsī-kän-z-ˈdĕn] : A secret cave system located deep within the forest, it is said to be home to a colony of Psicon creatures.
Organizations:
The Energists Guild [ ˈen-ər-jist-z-ˈgild] : A powerful guild of magic users specializing in Energyshaping magic.
The Empath Council [ ˈĕm-pāth-ˈkoun-səl]: A secretive group of Empathymagic users, dedicated to the study and control of emotions.
In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
In reply to: Seven Twines and the Dragon Heartwoods
“Isn’t it a pretty loo?” Glynis was marveling at the marble work, and the exquisite boiseries. “Master Guilbert really outdid himself.” Fox opined.
The jinx on the cottage loo was finally lifted, and not before the hiemal cold had settled in, right before the Sol Invictus festivities.
Meanwhile, they’ve had occasional updates from Rukshan, who was exploring the Land of the Giants. He’d mentioned in his last telebat echoing that he’d found the elusive Master creator of Gorrash, and had hope for the dwarf. The magic binding the stones was strong he’s said, although some additional magic would help speed up the recovery process which otherwise would take probably centuries if not millennia.
Glynis had looked at the requirements; it only said
‘strong magic, born from pain, hardened in gems
– dissolve in pink clay, mix well and apply generously’.None of her magic had seemed to fit. Pain, she’d had plenty, but her magic was born from the water element, emotions, plants and potions. She went to the nearby Library, their restricted section of applied magic was scarce, nothing really applicable there. Honestly, if she’d known her whereabouts, it would have been a task better suited to Eleri. Her kind of area of expertise with concrete and iron work and stone paints was a bit more unpredictable though; it could end up do more damage to Gorrash’s continuity than else; she’d quickly put that impetuous idea to rest.
Glynis was still mulling over, thinking about finding a solution when she noticed a gaunt figure was at the door. It took her a few seconds to realize it wasn’t a stranger, but a familiar friend. Rukshan had returned, although verily worn down by his travails, with a full grown beard that gave him a seriouser look. Without thinking, she went to hug him. Such unusual display of affection did surprise the Fae who was beeming.
He smiled widely at Glynis and showed her an unusually large ampoule: “I’ve found the kind of magic our friend needs. These three Giant’s gallstones weren’t a picnic to obtain, I can tell you.”
“I can’t wait to hear all about this exciting story.” interrupted Eleri.
In reply to: Seven Twines and the Dragon Heartwoods
“Tsk tsk,” said Rukshan when he heard that the carpenter hadn’t done anything yet.
“At least the joiner came and fixed the mirror in the bathroom,” said Fox trying to sound positive.
They were in the kitchen and Glynis was brewing a chicken stew in Margorrit’s old purple clay pot.
Fox seemed distracted with saliva gathering at the corner of his mouth. Rukshan realised it was not the best of places to explain his plan with all the smells and spells of Glynis’ spices.
“Let’s go outside it’ll be best to tell you where we are going,” said Rukshan.
Fox nodded his consent with great effort.“If you go out, just tell Olli to bring in more dry wood for the stove,” said Glynis as they left.
They took the Troll’s path, a sandy track leading in the thick of the forest.
“Are you sure we’ll find him there?” asked Rukshan.
“Trust me,” said Fox pointing at his nose.
“I thought you had abandoned the shapeshifting and using your fox’s smelling sense?”
“Well if you want to know, Olli is quite predictable, he’s always at the Young Maid’s pond.“I realise I haven’t seen the lad in months,” said Rukshan.
Fox shrugged. “He’s grown up, like all kids do.”They arrived at the pond where Olli was sculpting a branch of wood in an undefinable shape. Rukshan had almost a shock when he saw how much little Olli had changed. He was different, almost another person physically. Taller and with a man’s body. It took the Fae some time when he had to tell himself that the person in front of him was the boy that had helped them in the mountain. But Rukshan was not the kind to show many emotions so he just said.
“You’ve grown boy.”
Olli shrugged and stopped what he was doing.
“I’ve heard so,” he said. “She wants more wood?”
“Yeah,” said Fox with a knowing grin.
“Okay.”
Olliver sighed and left with supple movements.When the young man was gone, Fox turned towards the Fae, whose eyes seemed lost in the misty mountains.
“So, what is the plan?”
“I’m thinking of a new plan that shall make use of everyone’s potential and save a young man from boredom.”In reply to: Newsreel from the Rim of the Realm
Ric was confused as to why he found himself flushed and vaguely excited by Bossy Mam’s sudden and attractive outburst.
He was so glad the two harpies were off to goat knows where, or they would have tortured him with no end of gossiping.Still troubled by the stirring of emotions, he looked around, and almost spilled the cup of over-infused lapsang souchong tea he had prepared. Miss Bossy was the only one to fancy the strong flavour in a way only a former chain smoker could.
Thankfully, she was still glaring at the window, and while he had no doubt he couldn’t hope to give her the slip for that sort of things, she probably had decided to just let it go.
He took the chance to run to the archives, and started to dig up all he could on the Doctor.
Sadly, the documents were few and sparse. Hilda and Connie were not known for their order in keeping records. Their notes looked more like herbariums from a botanist plagued with ADHD. But that probably meant there were lots of overlooked clues.He flipped through the dusty pages for a good hour, eyes wet with allergies, and he was about to bring Miss Bossy the sorry pile he had collected when a light bulb lit in his mind.
How could I miss it!
He’d never thought about it, but now, a lot of it started to make sense.
Thinking about how Miss Bossy would probably be pleased by the news, he started to become red again, and hyperventilate.
Calm down amigo, think about your abuela, and her awful tapas,… thaaat’s it. Crème d’anchovies with pickled strawberries… Jellyfish soufflés with poached snail eggs on rocket salad.
His mind was rapidly quite sober again.
Taking the pile of notes, he landed it messily on the desk, almost startling Miss Bossy.
“Sorry for the interruption, M’am, but I may have found something…”
“Fine, there’s no need for theatrics, spill it!” Miss Bossy was ever the no-nonsense straight-to-business personality. Some would have called her rude, but they were ignorants, and possibly all dead now.“There was a clue, hidden in the trail of Hilda’s collection. I’m not sure how we have missed it.”
“Ricardooo…” Miss Bossy’s voice was showing a soupçon of annoyance.
“Yes, pardon me, I’m digressing. Look! Right here!”
“What? How is it possible? Is that who I think it is?”
“I think so.”
They turned around to look across the hall at Sweet Sophie blissfully snoring.
“I think she was one of her first patient-slash-assistant.”
“How quaint. But, that explains a lot. Wait a minute. I thought none of his patients were ever found… alive?”
“Maybe she outsmarted him…”
They both weren’t too convinced about that. But they knew now old Sweet Sophie was probably unwittingly holding the key to the elusive Doctor.
In reply to: Seven Twines and the Dragon Heartwoods
Eleri nodded off to sleep after a warming bowl of Alexandria’s mushroom soup, followed by a large goblet of mulberry wine, and woke up to the warmth of the flickering fire her friend had lit while she’d been dozing. They sat in a companionable silence for awhile, and even the little dog was silent. Alexandria smiled encouragingly at Eleri, sensing that she had things on her mind that she wished to share.
“I had an idea, you see,” Eleri began, as Alexandria topped up her wine goblet, “To do something about Leroway. I fear it may be considered intrusive,” she said with a little frown, “but I expect it will be welcome notwithstanding. Drastic measures are called for.”
Alexandria nodded in agreement.
“The thing is, since I had this idea, I’ve remembered something that I’d forgotten. Hasamelis It’s all very well turning people into stone statues, but I must ensure they don’t reanimate, and there was the issue of the vengeful emotions on reanimation. Luckily that damn rampaging reanimated guy never caught up with me, and we don’t know where….”
“Oh but we do!” interrupted Alexandria.
“You do?” exclaimed Eleri. “Where is he?”
“He’s behind you!”
Eleri slopped wine all over her lap and she jumped up to look behind her. Sure enough, Hasamelis was lurking, thankfully immobile, in the dark corner of the room. Eleri looked at Alexandria enquiringly, “Is he..?”
“Oh yes, don’t worry. He’s quite rigid and immobile again. We found the spell you see, Yorath and I.” Eleri swallowed a frisson of jealousy as her friend continued, “ Yorath got a clue from you, when you brought the bones home. I provided the missing ingredient by accident, when I spelled Hasamelis wrong.” Alexandria chuckled merrily at the memory. “I jotted down Hamamelis instead and when Yorath saw it he said that was it, the missing ingredient: witch hazel! Witch hazel and ground bones to reverse a reanimation.”
“I say, well done!” Eleri was impressed. “But how did you administer it?” She could not imagine getting close enough to him, or him being amenable to ingest a potion.
“We ground the bones up and mixed them with distilled witch hazel and rolled them into little balls, and then catapulted them at him. I’m not very good with my aim, but Lobbocks was brilliant. We had to run like the blazes afterwards though, because it took some time to work, but Hasamelis did start to slow down after a couple of hours. He was heading this way, to your cottage, and eventually came to a standstill right here in this room. We managed to push him into that corner, out of the way.”
“I wonder..” Eleri was thinking. “If I immobilize Leroway into a statue..”
Alexandria gasped, and her hand flew to her mouth.
“If I turn Leroway into a statue, I don’t want him reanimating at all. I wonder if we incorporate the witch hazel and the ground bones into the elerium in the immobilizing process it will prevent any reanimation occurring in the first place?”
“I think you need to speak to Yorath,” suggested Alexandria. “But where is he?”
In reply to: Eight Turns of the Wheel
(With thanks to random story generator for this comment)
Albie looked at the soft feather in his hands and felt happy.
He walked over to the window and reflected on his silent surroundings. He had always loved haunting the village near the doline with its few, but faithful inhabitants. It was a place that encouraged his tendency to feel happiness.
Then he saw something in the distance, or rather someone. It was the figure of Ma. He felt his mood drop. Ma was ambitious and a mean-spirited bossy boots.
Albie gulped. He glanced at his own reflection. He was an impulsive, kind-hearted, beer drinker. His friends saw him as an amusing foolish clown. But he was kind-hearted and once, he had even brought a brave baby bird back from the brink of death.
But not even an impulsive person who had once brought a brave baby bird back from the brink of death, was prepared for what Ma had in store today.
The inclement brooding silence teased like a sitting praying mantis, making Albie anticipate the worst.
As Albie stepped outside and Ma came closer, he could see the mean glint in her eye.
Ma glared with all the wrath of 9 thoughtless hurt hippo. She said, in hushed tones, “I disown you and I want you to leave.”
Albie looked back, even more nervous and still fingering the soft feather. “Ma, please don’t boss me. I am going to the doline,” he replied.
They looked at each other with conflicted feelings, like two deep donkeys chatting at a very funny farewell.
Suddenly, Ma lunged forward and tried to punch Albie in the face. Quickly, Albie grabbed the soft feather and brought it down on Ma’s skull.
Ma’s skinny ear trembled and her short legs wobbled. She looked excited, her emotions raw like a rabblesnatching, rare rock.
Then she let out an agonising groan and collapsed onto the ground. Moments later Ma was dead.
Albie went back inside and had himself a cold beer.
In reply to: The Chronicles of the Flying Fish Inn
Inquisitive Bert
A Short Story
by trove flacy
Bert had always loved rambling Fish Inn with its boiled boarders. It was a place where he felt happiness.He was an inquisitive, depressed, tea drinker with skinny ears and tall sheep. His friends saw him as a moaning, mashed monster. Once, he had even saved a nasty old lady that was stuck in a drain. That’s the sort of man he was.
Bert walked over to the window and reflected on his brooding surroundings. The rain hammered like jumping dog.
Then he saw something in the distance, or rather someone. It was the figure of Mater . Mater was a bigoted flower with attractive ears.
Bert gulped. He was not prepared for Mater.
As Bert stepped outside and Mater came closer, he could see the lovely smile on her face.
Mater glared with all the wrath of 1553 honest hilarious hippo. She said, in hushed tones, “I hate you and I want information.”
Bert looked back, even more ecstatic and still fingering the new-fangled car. “Mater, I own the inn,” he replied.
They looked at each other with annoyed feelings, like two delicious, damaged donkey laughing at a very free house sale, which had piano music playing in the background and two sanguine uncles shouting to the beat.
Bert regarded Mater’s attractive ear. “I feel the same way!” revealed Bert with a delighted grin.
Mater looked puzzled, her emotions blushing like a loud, little letter box.
Then Mater came inside for a nice cup of tea.
THE END
In reply to: Newsreel from the Rim of the Realm
“She aint been right since she covered that emotion show thing, has she?” remarked Flanigan, pushing the broom along with his arthritic bony fingers, and jerking his head in Connie’s direction.
“Bloody ridiculous if you ask me, asking for trouble,” replied the young trainee janitor, Godwin. “I could have told her, it’ll come to no good tampering with mother natures emotions,” he added, wiping a tear from his eye.
“Steady on, what are you crying for? Pull yourself together, boy, and go and clean them toilets.”
Godwin gave Flanigan a withering look, and stomped off towards the lavatories, sniffing loudly.
In reply to: The Hosts of Mars
Commercial Spaceline MX757#33, Mars orbit
Finnley, the board computer of the mothership had started to wake up the suspended animated bodies in preparation for the landing as per its usual instructions.
The craft had arrived in vicinity of the planet just a day ago (counted in SET, or Standard Earth Time), and was in stationary orbit over the main settlement and de facto capital of Mars.
Smaller pods would be flown from there to land the various cargo and the travelling guests, as soon as they would have had time to acclimate.Everyone was becoming quite excited, and hungry as well, once the initial shock was passed. Finnley’s synthetic voice was as smooth and silky as the modelled butt of her twenty one robotic bodies.
All of her guests were accounted for. A large number of them were sent by a rich Covenant of Holy Elietics, which hoped to enlighten the natives.
A second group was sent by a mining corporation for prospecting purposes.
Finally, travelling in the economy section were a pair of winners from a worldwide raffle that sent people to a promised new life. It was believed to be largely a scam, but the one-trip tickets were valid. That was the only thing that was provided to the winners, the rest was up to them.Finnley had been craftily programmed to display a wide range of human emotions, although she didn’t really feel them as human did. If that were the case, she would have logged in her journal her feeling to be in a great hurry to get rid of all the now terribly noisy humanity in her ship.
In reply to: Shamanic Journey Achronicles
Soul loss and soul recovery
Whenever you are in a situation with intense pain, grief, loss, or intense joy, excitement, you may lose part of your soul, or vital energy, it’s also called dissociation by the psychologist. You usually do it to make it stop, or it is an automatic action to stop the intensity of what’s going on.
You separate yourself form an aspect of yourself, and you are not aware of it, most of the time. It can manifest as chronic fatigue, depression, feeling numb, addictive behavior, etc.
In order to get back this energy, you have to reclaim it. And as a shaman, you do it through the process of soul recovery. Today you’re going to learn how to do it.
It is relatively simple. First, you are going to go in the lower world, find your main power animal. Thank it again for all that it does for you and ask them if they are the one to help you in the process of soul recovery. If not, ask them to lead you to your soul recovery animal. When you get acquainted to this new animal, you can ask them their name, and how you can call them when you need them. Thank them for their help and presence with you.
When you do a soul recovery, you may not know what you are going to recover. You may not really know what you have lost, or you may not be aware of symptoms. Just tell your Soul Recovery Power animal (SRPA) that you want to recover a part of your soul that you are missing at the moment. They’ll guide you through the process. Follow them, trust them.
They may take you through different places or spaces and times to go find that lost soul piece. It may be from your childhood, from another life, or dream situations.
You are going to be presented to that piece of your soul and you have to ask them what happen. Most of the time they are frightened and don’t want to come back. You have to convince them, and ask them what you have to do to show them that you’ll not do the same “mistake” that make them leave in the first place. It may require you change something in your behavior, in your attitude toward certain things, it might be simple or huge. Depends on what you find. And it’s up to you to see if you’re up to the challenge.
you can also take some time with your power animals to get to know them better and learn from them.
If you don’t know how to manage the situation with the lost piece of soul, you can ask your soul recovery power animal to help you do the “negotiation” part
but you’ll have to do what’s required by the soul so that it comes back definitively sts
If you still have time, you can go on a second recovery.
And remember, this is not a race, take your time, don’t rush, enjoy the journey.Eric
Before the music starts, I have the feeling of “Nagini” my snake power animal: it’s looking patiently at me with golden eyes. I also get the first impression of a spirit panda as a soul retrieving power animal. There are two aspects of it, a docile and friendly one, and another more fearsome, they seem to shift depending on his mood. As the music starts, I sift through few fleeting impressions (one of a lemur), then some stronger.
The panda comes back but I also have other animals who seem to present themselves in order, as if in different directions, and I remember there are no rules as their number, so I let myself welcome them. The panda is on the right, it seems connected to childhood memories, (call it “Panda”) then, on middle right, there is a spider (“Anansi”), it connects to the jumping spiders I’ve seen a few times the past days, and
one this morning I put outside instead of letting it drown.Middle left, coming from above and perched on a tree, there is a firebird/phoenix (“Fawkes”). There is another one, I remember a bit later that appeared further left, as if from the direction behind me, it’s an ape (“Hanuman”).
The serpent circles around them. I have the impression I can choose any of them, and they will lead me to different realizations, and I have the impression of the buddhist emanations, where enlightened being manage to split themselves into many as one. So I decide to ride them all at once. Actually, I start with the first three ones, and as I ride on the land, I suddenly remember the ape which was very discrete initially,but seems to be willing to show me stuff too.
The land we ride into is dark, almost volcanic in nature, as if scorched. There are trails that spread to different directions, and each ride goes down one of them. There are various visions, moments and memories from the past connected with strong emotions.
At one end, there is a little boy that shoots magma out of his incandescent body. It irradiates the land through veins of lava, and as it cools down it darkens the land even more. He seems to be caught up in a circle of rage or fear, fear of never seeing the light again. I listen to him without words, and realize he’s afraid of letting go.
I’ll show him the light is covered by his own cinders, and he needs to cool down and let nature grow back again around him, and I’m showing him I’m willing to help. It seems to resolve as light opens in the sky, and a tree starts to grow again… At the end, I seem to connect the scene to certain memories.
There is another one that comes in, where the ape is doing a certain pose where it walks on its hands. The posture catches my attention, as if to remind me of something. I’m encouraged to turn around to see the world as it sees it. As I do it, the world changes and spins, and the music starts to indicate the end of the trip. I thank the animals and finish with the snake before leaving…
the end
well, it’s very condensed, there was lots happening
It’s like I was doing many stuff at the same timeFlove
(no recollection)Jib
I have difficulties stabilizing my attention first, there is this kind of veiled perception I’ve been having lately. As I call my power animal for soul recovery I have a strong impression of a bear and then a raven. There is a kind of snake too, and I also feel a wild boar. I refocus back on the whale and say I’ll come back later. The whale leads me in the depth of the earth to a magma chamber. It becomes scrambled again and I just take a moment to refocus on my penguin.
First soul recovery
I ask him to find the piece of soul that would be best for me to recover now, and we go fly above something. The penguin flies like a rocket, super fast. I soon find a kid feeling presence. I have no real visual, and I keep having visuals of lemur, or raccoon interfering.
Then I feel that the presence is also camouflaging behind projections to be left alone. He left me when I was little, around 8 because the world seemed to disappointing. I have some difficulties at first to convince him to come back with me, and I show him what I’m already doing that’s fun and that’s worth doing and exploring. After a while, he agrees and I feel a nice warm feeling inside my belly as he is reintegrating me. I thank him for coming back. The only thing I need to do is take the time to reassure myself when the world seems too dangerous.
Visiting the bear and the raven
Then I decide to go back visit the bear and the raven.
I’ve already seen them before and they seem to be there for me. There is an impression of power with the bear and also mother here for her kids. With the raven, it’s more a mystical stuff, and the power of observation and seeing through things.
I am offered a kind of raven skull symbol of power and energy manipulation staff or something like that. I take it and it feels quite powerful, I have the impression the energy or the “spirits” would follow it when I demand it. Like make blocked energy move.
Second soul recovery
I decide to do a second soul recovery and ask the whale to lead me. I have the impression of changing plane, the focus is different, I am more on the middle world, and we go somewhere icy like Antarctic. Maybe near a shipwreck. There is a man, depressed and gloomy. I begin to ask him why he’s here, but he seems to want to come back and don’t ask anything. I feel very warm and loving. The drums begin to beat the return and I thank everyone for participating and come back. Saying I’ll take time to assimilate.
Eric’s account remind me of a few stuff
that reminded me a few stuff too because at one time I had to follow a spider and with the raven I flew over a magma land and the raven became a phoenix to be able to fly because it was so hot
thanks I forgot thatTracy
went down the stone steps, the unicorns on the left looked up as I passed. Zebra joined me from the right, said thanks but forgot his name! Then a white bear joined me, said his name was Waldo (or at least that name would do for now, impression)
He was huge but was very light on his feet the whole time. Came to a tall tree with a single very red apple on it. The white bear scampered up the tree and I followed. Various other fruit but mainly the red apple stood out.
At the top of the tree leveled out to a large plaza with gameboard design, the white bear demonstrated frolicking from one part to another playfully leaping in lightness.
Flash to me as a small child being woken up in the night by concerned parents for nasty medicine for chicken pox.
Same house but in the field behind, me as a small child alone by the wigwam of sticks dad made, frowning, alone. Next door to the neighbours pond, frozen over. White bear kept dancing on the thin ice part that we didn’t skate on, huge heavy bear, such a light step didn’t break the ice
Zebra was hanging around incidentally, kept feeling reassuring warm breath and muzzle on my shoulder. Breathing restrictions started, left the pond, down a path in the woods, came to a fork. Went left ~ papers everywhere, letters, words, snowed under with words and letters, monkeys pulling sheafs and sheafs of letters and papers and words.
Then a school of tiny silver fishes swan inside me and started chomping at all the letters in my solar plexus and spewing out coloured threads and ribbons from my mouth.
Breathing difficult. (several times just sank into intense colours for awhile with no imagery, plenty purple and green). I started doing sort of swimming motions with my arms with the breathing and fishes, had a sudden blast of energy in the chest and then later a much stronger one just before the video ended.
I should add the impression of less thinking/intellectualizing, less buried under a mountain of words, in favour of more purely physical expressionIn reply to: The Time-Dragglers’ Extravaganzas
The room numbers were framed in a golden disc carved with what looked like zodiac animals and a circle of eights.
Linda observed the man walking in front of her. As soon as the effects of the lust gas had dissipated, she had been able to focus on something else than his butt. He’d been watching over his shoulder, and it was not to see if she was keeping with his pace. He had been frowning ever since she’d met him, and you could say his whole attitude exuded wariness. Despite her Happiness Training and the meditation practice at night with Sadie, she was beginning to feel some bowel tension. Not good for her digestion.
He stopped in front of room 57. He knocked, didn’t wait for an answer, instead used his magnetic key to open it, and entered. She followed. He looked one last time on both sides of the corridor, then locked the door.
They were in a big yellow lounge. Linda addressed a silent prayer to the Good Taste Goddess, sympathizing with the pain She must have endured each time an interior designer had expressed such lack of sobriety. It wasn’t just the color. The furniture seemed to come from Hart to Hart, except the sofa was in a dark yellow leather, and the cushions in a bright magenta.
“Wait here ‘till I call you”, he said. He left through a door on the right, taking his frown with him.
Linda heard him talk to someone in the other room, certainly a bedroom. A feminine voice answered him. They argued for some time. The woman was the last to speak. Then the silence.Linda hesitated to seat on a jumping armchair with yellow and brown stripes. It was as if every cell of her body, and even the molecules of her clothes were repelled by the choices of the interior designer. She would have sworn her platform shoes were trying to levitate from the carpet.
The man’s head appeared at the door.
“Come in, she’s ready to see you.”Linda could see emotions struggle on his face.
“But I warn you”, he said, his fists clenched, “she’s been sick since we have arrived. If my wife is tired, I’ll ask you to leave.”
“Oh!” Linda said.
In reply to: The Time-Dragglers’ Extravaganzas
With the aid of the holographic map, Irina, Mr R and little Greenie have been exploring the island.
The next day they found a crashed plane from Aeroflot, not very far from their own landing spot. It was half burried in the mud and covered in green mossy vegetation. The doors were open as an irresistible invitation to enter.“A surprise, Mr R. I thought that this place was on your map. If I remember well, it didn’t show such an object.”
“Forgive me, madam, indeed this plane wasn’t there when I triangulated the map I showed you.”
“You mean it’s fresh ?” Irina’s voice seemed to suddenly carry some interest. “Maybe we can find some survivors”, she added, already doubting it considering all the moss on teh metallic shell.
“I’m afraid we won’t, madam. I didn’t want to bother you with that little detail until I was sure. There are objects on this island that only appear after a certain date. Have you noticed it also happens with the vegetation and the insects ?”
Irina pouted, “I prefer leaving that to your expertise.”
“Of course, madam”, said the robot, affable. “The paradox is…”
“Another paradox ? How interesting.”
“…that it doesn’t seem to include us, or that little person.”
“Any idea what the implications are ?” Irina began to wonder if there was any danger of being stuck permanently on this island.
“I have several hypothesis”, he began, “The most probable is the lost room hypothesis. We arrived there through time space displacement and are not a natural part of this environment, hence we don’t change with its natural environment or inhabitants because we are not under it’s time sequence according to the Lehmon’s law.”Irina pouted. She looked at little greenie and thought of the implications about how their new friend arrived there. Whenre did she come from ? For her to be a bog mummy, she must have been there a long time. Or did she arrived already bogged ?
Something caught her attention about the plane and distracted her of further thinking about the subject of their continuity risk in this place. The logo of the plane looked not so oldish.
“Mr R. ? What do you think the date of the crash was ?”
“The plane was lost in 2112.”Without further thought about safety, she entered the plane, followed first by little Greenie as she have been calling her new protegee, and by the robot who despite still talking about technicalities of accidental space time crossing theory, had turned on his speleo lights.
Interestingly enough, Irina noted the clothes on the chairs or in the alleyways, here a pair of glasses, there a necklace, all layered as if the person wearing them had been puffed away.
“Well, well, what have we here ? The light Mr R, please,” said Irina with as much excitement as a snail. He obliged her with his usual professionalism, revealing a teal blue scarf with pistachio green spirals. She took the cloth and stretched it to have a better look. It was one of those artistic kind of hippy abstract patterns connecting you to the cosmos.
“I can’t think of anybody who would buy that thing, maybe she stole it from one of those duty free shops before they took off,” she said as petulantly as a pitfall trap.
“Come here little Greenie, it’s time to make you pretty.”Irina did not have the chance to play with dolls when she was a kid, she didn’t know if she had some psychological lack or a bad doyle dating from that unremembered period of her life. She had compensated by toying with real people, playing with their emotions and deeper needs, or what they thought they needed. She became an expert at manipulating others, which gave her her first job in insurances, and then in the secret services. But then, she dealt with adults, showing emotions, or a certain level of brain activity. She wasn’t used to children stored in bogs.
She tried to put the scarf on Greenie’s head, and to smile like she had seen people do in the movies. Although something unexpected happened. Greenie became suddenly distressed and agitated. Then, she punched Irina in the face and began to mumble incoherent things.
That child is stronger than I thought. And at the same time, she noticed a name in that gibberish. Didnt she just shout : “I frigging love you, Sadie Merrie.”“Her brainwave is showing unusual activity”, stated Mr R. “And my sensors indicate the presence has returned, with some friends. They just appeared outside of the plane.”
In reply to: The Time-Dragglers’ Extravaganzas
The boy was giving her a tour of the grounds in a monotonous voice.
“The hotel is actually divided in several pavilions, each representing a culture of the world and designated by a special name. The 888 pavilion was built according to the principles of Feng Shui in order to bring health and prosperity to the clients.”
And certainly money to the hotel, thought Linda Pol.
“The water spring represents the flow of energy. It is made in such a way that customers can hear a peaceful gurgle of water when they enter the building. It helps regulate the emotions and bring stability in life.”
Linda Pol couldn’t help but notice that it was also skillfully made so that the water was always returning towards the building. A sudden roar startled her. She was so engrossed in her Asian prejudices that she hadn’t seen the lions.
The boy, who had certainly planned that, recited his reassuring script to rich customers.
“These lions, one male and one female, are held in an invisible electro-magnetic cell, they can’t escape or harm you in any way. They are from the Asian species.”“You mean they are real ?” At first she had thought they were carefully made robots, holograms wouldn’t have done the trick in direct sunlight. But real lions ?
“Don’t tell me”, she continued, “they are here to shoo away the ill-intentioned.” For a moment, she had the impression that the eyes of the boy had shifted to an Asian breed.“Madame knows her Feng Shui”, said the boy with a fake smile.
Could he be a robot ? What the fuck, all her vanity wasted to a robot ? Where has gone that gorgeous boy who brought her the message ?
You’re paranoid, ma fille, said her mother’s voice.
