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March 1, 2025 at 12:35 pm #7846
In reply to: The Last Cruise of Helix 25
Helix 25 — The Captain’s Awakening
The beacon’s pulse cut through the void like a sharpened arrowhead of ancient memory.
Far from Merdhyn’s remote island refuge, deep within the Hold’s bowels of Helix 25, something—someone—stirred.
Inside an unlisted cryo-chamber, the frozen stasis cracked. Veins of light slithered across the pod’s surface like Northern lights dancing on an old age screensaver. Systems whirred, data blipped and streamed in strings of unknown characters. The ship, Synthia, whispered in its infinite omniscience, but the moment was already beyond her control.
A breath. A slow, drawn-out breath.
The cryo-pod released its lock with a soft hiss, and through the dispersing mist, Veranassessee stepped forward— awakened.
She blinked once, twice, as her senses rushed back with the sudden sense of gravity’s return. It was not the disorienting shock of the newly thawed. No—this was a return long overdue. Her mind, trained to absorb and adapt, locked onto the now, cataloging every change, every discrepancy as her mind had remained awake during the whole session —equipoise and open, as a true master of her senses she was.
She was older than when she had first stepped inside. Older, but not old. Age, after all, was a trick of perception, and if anyone had mastered perception, it was her.
But now, crises called. Plural indeed. And she, once more, was called to carry out her divine duty, with skills forged in Earthly battles with mad scientists, genetically modified spiders bent on world domination, and otherworldly crystal skulls thiefs. That was far in her past. Since then, she’d used her skills in the private sector, climbing the ranks as her efficient cold-as-steel talents were recognized at every step. She was the true Captain. She had earned it. That was how Victor Holt fell in love. She hated that people could think it was depotism that gave her the title. If anything, she helped make Victor the man he was.
The ship thrummed beneath her bare feet. A subtle shift in the atmosphere. Something had changed since she last walked these halls, something was off. The ship’s course? Its command structure?
And, most importantly—
Who had sent the signal?Ellis Marlowe Sr. had moved swiftly for a man his age. It wasn’t that he feared the unknown. It wasn’t even the mystery of the murder that pushed him forward. It was something deeper, more personal.
The moment the solar flare alert had passed, whispers had spread—faint, half-muttered rumors that the Restricted Cryo-Chambers had been breached.
By the time he reached it, the pod was already empty.
The remnants of thawing frost still clung to the edges of the chamber. A faint imprint of a body, long at rest, now gone.
He swore under his breath, then turned to the ship’s log panel, reaching for a battered postcard. Scribbled on it were cheatcodes. His hands moved with a careful expertise of someone who had spent too many years filing things that others had forgotten. A postman he was, and registers he knew well.
Access Denied.
That wasn’t right. The codes should have given Ellis clearance for everything.
He scowled, adjusting his glasses. It was always the same names, always the same people tied to these inexplicable gaps in knowledge.
The Holts. The Forgelots. The Marlowes.
And now, an unlisted cryopod with no official records.Ellis exhaled slowly.
She was back. And with her, more history with this ship, like pieces of old broken potteries in an old dig would be unearthed.
He turned, already making his way toward the Murder Board.
Evie needed to see this.
The corridor stretched out before her, familiar in its dimensions yet strange in its silence. She had managed to switch the awkward hospital gown to a non-descript uniform that was hanging in the Hold.
How long have I been gone?
She exhaled. Irrelevant.
Her body moved with the precise economy of someone whose training never dulled. Her every motion were simple yet calculated, and her every breath controlled.
Unlike in the crypod, her mind started to bubbled with long forgotten emotions. It flickered over past decisions, past betrayals.
The name of her ex-husband settled into her consciousness. Once her greatest ally, then her most carefully avoided adversary.
And now?
Veranassessee smiled, stretching her limbs as though shrugging off the stiffness of years.
Outside, strange cries and howling in the corridors sounded like a mess was in progress. Who was in charge now? They were clearly doing a shit job.
Now, it was time to reclaim her ship.
She had questions.
And someone had better start providing answers.December 4, 2024 at 6:50 am #7639In reply to: Quintessence: A Portrait in Reverse
Work in Progress: Character Timelines and Events
Matteo
- November 2024 (Reunion):
- Newly employed at the Sarah Bernhardt Café, started after its reopening.
- Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
- Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
- Serves the group during the reunion, surprised to see all four together, though he knows them individually.
- Summer 2024 (Olympics):
- Working in a vineyard in southern France, nearing the end of the harvest season.
- Receives a call for a renovation job in Paris, which pulls him toward the city.
- Feels an intuitive connection to Paris, as if something is waiting for him there.
- Past Events (Implied):
- Matteo has a mysterious ability to sense patterns and connections in people’s lives.
- Has likely crossed paths with the group in unremarkable but meaningful ways before.
Darius
- November 2024 (Reunion):
- Arrives at the café, a wanderer who rarely stays in one place.
- Reflects on his time in India during the autumn and the philosophical journey it sparked.
- Brings with him an artifact that ties into his travels and personal story.
- Summer 2024 (Olympics):
- Living in Barcelona, sketching temples and engaging with a bohemian crowd.
- Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
- Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
- Past Events (Implied):
- Has a history of introducing enigmatic figures to the group, often leading to tension.
- His intense, nomadic lifestyle creates both fascination and distance between him and the others.
Elara
- November 2024 (Reunion):
- Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
- Still processing her mother’s passing and reflecting on their strained relationship.
- Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
- Summer 2024 (Olympics):
- (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
- Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
- Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
- Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
- Past Events (Implied):
- Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
- Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
- Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
- Values intellectual connections over emotional ones but is gradually learning to reconcile the two.
Lucien
- November 2024 (Reunion):
- Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
- In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
- Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
- Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
- Summer 2024 (Olympics):
- Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
- Reflects on his artistic block and the emotional weight of his distance from the group.
- Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
- Past Events (Implied):
- Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
- Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.
Amei
- November 2024 (Reunion):
- Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
- Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
- Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
- Summer 2024 (Olympics):
- Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
- Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
- Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
- Past Events (Implied):
Tabitha (Amei’s Daughter)
- November 2024:
- Summer 2024 (Olympics):
- Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
- Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
- Past Events (Implied):
- Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.
Key Threads and Patterns
- The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
- Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
- Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
November 25, 2024 at 9:40 pm #7615In reply to: The Incense of the Quadrivium’s Mystiques
The vine smothered statue proved to be the perfect place to hide behind to watch the events of the picnic unfolding. Cedric had been in a quiet turmoil of conflicting emotions, biting his bony knuckle to stop himself from uttering a sound as the extroadinary sequence of dramas and comedies played out before him.
He hadn’t expected to see Frella again. His mental confusion about his job as well as his troubling fixation on the witch had brought him to the brink of jacking it all in. Just leave everything, he told himself, Move away, get another job doing something else, something mundane and manual. And forget her. He’d almost made up his mind to do just that, and, feeling pleased and sure of himself for making the decision, tapped his device to locate and observe Frella one last time just to mentally say adieu, and to see her face again. And then quietly disappear.
When Cedric realized that the witches were going on holiday, and heard Truella saying that no spells were allowed, his heart leapt. If he was giving it all up and moving away anyway, why not have a holiday first? Why not go to Rome? I may not even bump into her, Rome’s as good as anywhere else. I deserve a holiday. And if I do bump into her, it will just be a holiday coincidence, and nothing at all to do with spells. Or work.
All pretence of not minding whether he saw Frella or not left his mind almost immediately, and he began to make arrangements. He didn’t want Frella to use spells, but it didn’t occur to him to wonder why he was still using the tricks of his job. It was easy to track them to Italy.
His disguise as a North African on the coach full of Italians had worked well, even sitting so close to Truella and Giovanni he hadn’t been recognized in his hooded djelaba, and had been able to hear most of their conversation. A quiet word and a large tip secured his trip with their tour guide.
The picnic started out normally enough. They each had a short wander around, and then sprawled on rugs and cushions by the whicker hampers of food and champage. Cedric lurked in the shadows of an arch, sometimes slinking to peer from behind a statue. The temptation to pick a posy of wildflowers to give to Frella was all but overwhelming, as he watched her sitting pensively. Silently sinking to his knees behind the marble bulk of Tiberius, Cedric plucked a daisy from the grass. And another.
When Cromwell appeared on the scene, Cedric, alarmed and almost angry at the intrusion, unwittingly crushed the flowers in his hand. He had no choice but to remain hidden and immobile as the scene rolled out.
As the day progressed, the mood changed and Cedric felt hopeful again. He even had to stifle a laugh as he watched them play cards. Watching Eris pour champage into everyone’s glasses reminded him that he hadn’t had a drink all day. He was parched. He had to make a decision. He wanted to sneak off quietly and call it a day, find a nice restaurant. A part of him wanted to be bold and openly seductive, to stride into the scene and charmingly state his intentions. But he had no opportunity to further consider the options.
“You!” In the moments Cedric taken his eyes off the picnic to ponder his dilemma, Frella has risen and was heading for a necessary bush to go behind. “You! Spying on me!”
“Who?” shouted Truella, “Cedric! What on earth is he doing here, we’re on holiday! Now stop spitting nails, Frella, and invite the man over for a drink!”
Cedric seized the moment.
November 6, 2024 at 9:05 pm #7586In reply to: The Incense of the Quadrivium’s Mystiques
Eris was looking at the moving sausages in the frying pan, like they were possessed with unexplainable energy.
She was not doing the cooking, but Thorsten had thought to send her a video for reasons known to him only. It was making her hungry now. Looking at the moon outside, she was again burning the midnight oil, lost in between bits of plots, vagrant duties and other’s dumped concerns. When did she get caught up in everyone’s mess, she wondered.
She would have tried the doppelganger spell to ease off the pressure by sending a body double to the needful —in most situations, that would do the trick perfectly well. How many times people were sitting in boring meetings nowadays, only present physically while their minds were wandering in other places. That wouldn’t be so different. But the spell came with a bad case of hangover, and last Truella used it was a keen reminder to use with caution.
So she still hadn’t find a way to navigate the demands pressed upon her; to be dependable for her coven, the headwitchstress and basically everyone else with needy emotions.
It was time to get back home. If any of them were left, sausages were waiting.
September 13, 2024 at 6:48 am #7550In reply to: The Incense of the Quadrivium’s Mystiques
The fair was in full swing, with vibrant tents and colourful stalls bursting with activity. The smell of freshly popped corn mingled with the fragrance of exotic spices and the occasional whiff of magical incense. Frella turned her attention back to setting up her own booth. Her thoughts were a swirl of anxiety and curiosity. Malové’s sudden appearance at the fair could not be a mere coincidence, especially given the recent disruptions in the coven.
Unbeknownst to Frella, Cedric Spellbind was nearby. His eyes, though hidden behind a pair of dark glasses, were fixated on Frella. He was torn between his duty to MAMA and his growing affection for her. He juggled his phone, checking missed calls and messages, while trying to keep a discreet distance. But he was drawn to her like moth to flame.
As Frella was adjusting her booth, she felt a sudden chill and turned to find herself face-to-face with Cedric. He quickly removed his glasses and their eyes met; Cedric’s heart skipped a beat.
Frella’s gaze was guarded. “Can I help you with something?” she asked, her tone icily polite.
Cedric, flustered, stammered, “I—uh—I’m just here to, um, look around. Your booth looks, uh, fascinating.”
Frella raised an eyebrow. “I see. Well, enjoy the fair.” She turned back to her preparations, but not before noticing a fleeting look of hurt in Cedric’s eyes.
Cedric moved away, wrestling with his conflicting emotions. He checked to make sure his tracker was working, which tracked not just Frella’s movements but those of her companions. He was determined to protect her from any potential threat, even if it meant risking his own standing with MAMA.
As the day progressed, the fair continued to buzz with magical energy and intrigue. Frella worked her booth, engaging with curious tourists, all suitably fascinated with the protective qualities of hinges. Suddenly, Frella’s attention was drawn away from her display by a burst of laughter and squeals coming from nearby. Curiosity piqued, she made her way toward the source of the commotion.
As she approached, she saw a crowd had gathered around a small, ornate tent. The tent’s entrance was framed by shimmering curtains, and an enchanting aroma of lavender and spices wafted through the air. Through the gaps in the curtains, Frella could see an array of magical trinkets and curiosities.Just as she was about to step closer, a peculiar sight caught her eye. Emerging from the tent was a girl wearing a rather large cloak and closely followed by a black cat. The girl looked bewildered, her wide eyes taking in the bustling fairground.
Frella, intrigued and somewhat amused, approached the girl. “Hello there! I couldn’t help but notice you seem a bit lost. Are you okay?”
The girl’s expression was a mix of confusion and wonder. “Oh, hello! I’m Arona, and this is Mandrake,” she said, bending down and patting the black cat, who gave a nonchalant twitch of his tail. “We were just trying to find the library in my time, and now we’re here. This isn’t a library by any chance?”
Frella raised her eyebrows. “A library? No, this is a fair—a magical fair, to be precise.”
Arona’s eyes widened further as she looked around again. “A fair? Well, it does explain the odd contraptions and the peculiar people. Anyway, that will teach me to use one of Sanso’s old time-travelling devices.”
Truella wandered over to join the conversation, her curiosity evident. “Time-travelling device? That sounds fascinating. How did you end up here?”
Arona looked sheepish. “I was trying to retrieve a rare book from a past century, and it seems I got my coordinates mixed up. Instead of the library, I ended up at this… um … delightful fair.”
Frella chuckled. “Well, don’t worry, we can help you get back on track. Maybe we can find someone who can help with your time-travelling predicament.”
Arona smiled, relieved. “Thank you! I really didn’t mean to intrude. And Mandrake here is quite good at keeping me company, but he’s not much help with directions.”
Mandrake rolled his eyes and turned away, his disinterest in the conversation evident.
As Frella and Truella led Arona to a quieter corner of the fair, Cedric Spellbind observed the scene with growing interest. His eyes were glued to Frella, but the appearance of the time-travelling girl and her cat added a new layer of intrigue. Cedric’s mission to spy on Frella had just taken an unexpected turn.
July 18, 2024 at 9:16 am #7534In reply to: The Incense of the Quadrivium’s Mystiques
Ms Nicraith Noble, the Mayor of Limerick taking a bath in the Shannon River with reporters had made the rounds of news in ways that were quite incomprehensible.
Obviously it was part of a media ploy to boost public attention for the incoming Roman Games.
“Did she require some anti-rash-and-boil spells?” Jeezel messaged on the network, worried about what such swimming stunt would do to her ravishing hair.
“Probably…” Eris responded in a terse manner “Don’t forget Austreberthe managed to get us to sponsor the event. She may have eased the deal with some goodies. Like anti-age spell too.”
Eris was glad Austreberthe had refocused the efforts towards the imminent launch of the Roman Games. Those mass events were key moments in the Coven’s seasonal activities, as they provided a bounty of emotions to refine and process for creation of their most epic incenses. The recent mass events had been too heavy on fear, anger and gloom-mongering, not the grade A quality they required.
Austreberthe had called all hands on deck to be ready for the event, having deemed the reconnaissance work in Spain’s cloisters sufficiently well under way to take a break from it. In truth, Eris suspected she’d started to receive the first invoices from the undertakers’ Guild and had realised it was a hefty cost for their consulting services.
On top of that, there was a recent case of the drunken sheep flu in Andalucia, some local variety of virus that got the cloister sisters fear for their elderly’s Mother Loreena’s health. Considering the gleeful vulture’s smiles of the Morticians in waiting, they had decided in agreement for an early dismiss into the Summer holidays retreats.
“More prayers, phew, glad they didn’t need us for that.” true to her swagger way, Truella had conceded and accepted to put a hold to her passionate researches —she’d managed to get their personal phone numbers too anyway.
“One week to the start of the Games then.” Eris sighed. The last stretch to summer holidays seemed to take forever.
June 20, 2024 at 9:52 am #7510In reply to: The Incense of the Quadrivium’s Mystiques
After everyone got the program for the six rituals, they dispersed. Jeezel observed groups reform and the whereabouts of people. Eris walked alone toward the dark corridors. Truella, Sandra and Sassafras went to the gardens. Rufus followed shortly after, his dark moody eyes showing intense reflections. Jeezel noticed that Bartolo from the convent had been observing the mortician and hurried to catch up with him. Mother Lorena stood as stern as ever in the center of the lobby. She kept cupping her hands around her ears to check if her earpieces were working. Which they weren’t from the irritated look on her face. Silas was in an animated discussion with Austreberthe and the remaining nuns were laughing heartily and running around as if they had overindulged in Sister Sassafras’ hallucinogenic mushroom canapés.
Jeezel decided to go back to the lounge and explore the antiques, maybe see if there were hidden passageways behind those tapestries. She found Garrett waiting for her in the corridor as if he knew what she intended to do. His deep blue eyes seemed to embrace her whole silhouette in a myriad of unspoken emotions, and when they settle on her emerald green eyes, a subtle grin showed his appreciation.
“Don’t look back,” he said, his voice a deep velvet baritone. “Old Silas and Austreberthe are looking at us with a very disapproving look.”
Jeezel couldn’t help but chuckle softly. “And what if they do? We’re not doing anything wrong.”
Garrett’s grin widened. He took a step closer, the scent of his cologne– a tantalizing mix of cedarwood and bergamot– mingling with the faint aroma of her own enchanting perfume.
“You intrigue me, Jeezel. More than the rituals, more than any relic or spell.”
Jeezel laughed heartily. Don’t they say keep your enemy close? I have questions for him. And I wouldn’t mind the company while I’m exploring the area? she thought.
“I was about to check for secret passages in the old lounge,” she said. “Would you join me?”
She let him take her hand and guide her toward the lounge. As they entered the heavy scent of aged wood and old books greeted them. Jeezel’s eyes darted to the tapestries lining the walls, each depicting scenes of ancient rituals and forgotten histories.
“Where do you think we should start?” Garrett asked, his deep voice barely above a whisper, adding to the mysterious ambiance of the room.
Jeezel tilted her head, considering the possibilities. “That one,” she said, pointing to a particularly intricate tapestry depicting a moonlit garden. “It looks like it could hide something.” She reached out to the fabric and pulled it aside, revealing a wooden door. She tensed when she noticed lingering traces of cedarwood and bergamot. “Or someone,” she added, turning toward him. “You’ve been here recently, have you not?”
“Direct as ever. Very well. I’m here to protect and help you. You need to be careful with Silas. He has hidden motives.”
Jeezel narrowed her eyes. “And why should I trust you?”
Garrett pulled out his crimson handkerchief from his pocket, revealing a symbol embroidered in gold. Her eyes widened as identical to the one on the key Malové had given her.
“How did you get that?” she asked.
“Malové entrusted me with this,” Garret explained, “to show her chosen allies. I was told to seek you out and offer you my assistance. This symbol matches the one on your key, doesn’t it?”
Jeezel felt the weight of the key in her purse. She hadn’t shown it to anyone, not even to her friends. She felt even more confused than before. It was possible that Silas would try to divert her attention from him if he was against the merger. And what better way to do than alert her to unknown enemies. The fact that Garrett knew about the key just added a layer of complexity to the situation, but also a layer of excitement. She wondered what game was being played here, and who were the true players.
“Alright, Garrett,” she said, her voice steadying as she added, “I’ll hear you out. But if you’re lying, you’ll regret it.”
He nodded. “Faire enough. Silas isn’t just interested in the failure of the merger; he’s got his own agenda. Something to do with ancient punic artifacts and power that could rival even the Crimson Opus. And he’s not the only one. There are some ancient Punic families that are looking for the same things.”
Jeezel’s heart skipped a beat. If Silas was after the same kind of power, it could jeopardize everything—the merger, her mission, and possibly the balance of power in their world. Jeezle felt she was in way over her head. She had to breathe and connect to her inner Queen’s innate knowledge in order to slide into her role of leader.
“Then, I accept your assistance,” she conceded with a slight node. “But this doesn’t mean I trust you, Garrett. You’ll have to prove your loyalty.”
Garrett folded the handkerchief back into his pocket. “I wouldn’t expect anything less. For now, let’s just say our interests align. And if we work together, we might just come out of this with everything we need—and more.”
“Then show me where this hidden door lead!”
April 17, 2024 at 8:09 pm #7434In reply to: The Incense of the Quadrivium’s Mystiques
Getting this out in the room did bring a tide of emotions; pent-up frustration, indignation, bits of bruised egoes, the whole spectrum. Truella’s tirade had managed to uncork a complete bundle of electricity in the atmosphere, but the genie had left the building.
Eris had suddenly felt like scrambling away, but had stayed along with spaced out Frigella and Jeezel as she’d felt a pang of responsibility.
Surprisingly, Malové had remained composed throughout the heated ensuing exchanges, trying to be constructive at every turn, and managing to conclude most of the debates —even when was not fully settled, and by far, a round of collected feedback afterwards, she’d clapped appreciatively saying. “Congratulations team, seeing how we are no longer covertly disagreeing behind everyone else’s back, I can see improvement in our functioning as a cohesive Coven. Believe it or not, being in a place to openly voice disagreement is a sign of progress, we’ve moved past the trust issues, into constructive conflict. There is still much to be done to commit, be accountable and focus on results together, but I feel we are on track to a brighter future, you’ve all done well.”
Back in her cottage in Finland, Eris was wondering “then why do I feel so bloody exhausted…”
She played back in her head some of the comments that Malové had shared in private after, when Eris had enquired if there would be some consequences for her witch’s friend actions. Once more, Malové has shown a unusual restraint that had put her worries at ease for now.
“Truella’s actions during the Adare Manor workshop presentation displayed boldness and conviction, two qualities that are essential for any individual, executive or otherwise, who wishes to effect change within an organization or a venture. Standing up for oneself is not only about self-assurance; it’s about ensuring that your voice and perspective are heard and considered.
However, the manner in which one stands up for oneself is crucial. Berating others, especially in a public forum such as a workshop presentation, can be counterproductive. It can create resistance and diminish the opportunity for constructive dialogue. While I understand her frustration, it is important to channel such energies towards a more strategic approach that fosters collaboration and leads to solutions.
As a leader, I advocate for clear communication and assertiveness, tempered with respect for all members of the coven. The success of our ventures, vaping or otherwise, depends on our ability to work cohesively towards our common goals. Truella’s passion is commendable, but it must be directed appropriately to benefit the coven and our business endeavors.”
She had asked Eris to convey the same to Truella. She’d made no promises —her friend was known to be more difficult to herd than cats. But with time, there would be a chance she would see reason.
Meanwhile, their sales targets had not gone away, and they had to keep the Quadrivium afloat. With Truella checking out of the game, and clearly not overly engaged on results, it fell onto the rest of the team to deliver.
A second session of workshop and celebration was planned in a month’s time in Spain with all top witches. With Eris’ last experience in Spain and her elephant head, she was starting to dread another mishap. Plus, she sighed when she looked at the invite. She would have to fetch a cocktail attire. A vacation was long overdue…
March 24, 2024 at 9:59 pm #7413In reply to: The Incense of the Quadrivium’s Mystiques
It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.
“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.
“Look what it says on the bit of paper that came with it:
Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.We need to backtrack a bit with Roger. Look what it says here:
What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.
See what I mean?”
Truella squinted at Frella. “What?”
Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”
The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”
“Exactly!”
February 11, 2024 at 10:32 am #7364In reply to: The Incense of the Quadrivium’s Mystiques
“Witches, assemble!” It was hard for Malové to forget the theatrics, even in presence of a limited number of persons.
The three witches had come in a hurry, summoned for some of them by a loud howler in the early light. Admittedly, Malové had to compensate for the usual tardiness of some, and her impeccable spells had been calling for the trio at just the right time for each to arrive precisely to the Quadrivium’s Headquarter in less than a minute’s space one from the other.
“Unbelievable” Frigella had muttered when she saw Truella already there.
“Hoy, don’t get your knickers in a twist Love, I’ve been called to that meeting only two days ago!”
Frigella didn’t have time to retort with a snark that she’d been summoned less than fifteen minutes before, as another popping sound and a flush indicated the arrival of Eris from the Quadrivium’s Emporium backdoor in the lady’s room.
“And where is Jeezel?” Truella wondered. “I haven’t seen her yet.”
“Oh, you know, there’s no accounting for wig time preparation even with Malové superb spells skills” Eris said pragmatically.
“I wouldn’t say that.” The voice of Malové, stern but not devoid of warmth, signaled the end of the chatty banter. “She was doing some chores for me, but she’ll be back in a second.” She clapped her hands elegantly, each hand barely touching the other, yet ripples of powerful energies resounded throughout the space.
The doors flung open, revealing Jeezel in a gorgeous golden fitting ensemble, the chiffon kerchief she had before to do her chores replaced by a subtly glittering tiara standing proud on the loveliest curly wig of luscious magpie dark hair reflecting a striking metallic blue in their shine.
Jeezel, who had been secretly crying over the punishment touched her cheeks for signs of blurred cracked mascara, but instead, she could feel her cheeks were delicately powdered, her eyes contoured to perfection.
“What?…” she for once couldn’t voice her emotions.
“Silly goose,” Malové smiled in a hard to decipher rictus. “You have forgotten the evil witch and the fairy godmother are all part of the same cabal. Now,” and she turned intently to the other assembled witches.
“Are we getting punished too?” Asked Truella who couldn’t refrain to hide her rebellious nature “I won’t…”
Before she could say more, Malové raised her hand and said “Enough with this punishment nonsense. Even that foul-mouthed Finnlee with her down-to-earth mores knows that there is nothing like a little cleaning to clear up the space.”
A sigh of relief from the four friends. So if punishment wasn’t in order, what was it about?
“So where was I? It’s going to get me a whole new comment to get to where I…” She started to get flustered with exasperation from all the interruptions. The four witches were silent except for long agitated side glances at each other.
That’s when the door bell started to ring relentlessly. She thought to let it pass, probably a delivery person for the staff. But it wasn’t stopping.
“What is it?” her voice as honey-coated as the raspy tongue of a feral hellcat.
“It’s Finnlee, M’am Witch, erm, HeadTwitch. I forgot my keys, open the door if you don’t want this place to go to more waste. Mark my words. So much staff has come and gone, it’s a miracle I’m still here with …”
Malové rolled her eyes, and flipped her hands in a savant motion, opening the gates remotely for the cursing cleaning lady. She was right, one couldn’t get the staff these days. And there was nothing like a good solid floor scrubbing, no magic involved but elbow grease. Magic rarely stuck enough, and honestly, it would be such a waste of energy.
January 28, 2024 at 10:54 am #7300Topic: The Incense of the Quadrivium’s Mystiques
in forum Yurara Fameliki’s StoriesSpring was upon them.
“Bloody too early, if you ask me” said Malové, the Head of the Coven of Mystiques, but just CEO of Quadrivium Emporium to the outside world.
“Meow.” Only the Coven’s familiar, a clichéd black cat dared to voice what seemed to have been the common thought. How tedious, so much spring cleaning of the collective energies to do, and almost 2 months ahead of schedule. Blame the telluric energies catch-up with the cosmic downpour of the world’s mind agitation. Or global warming, as it’s labelled nowadays.
“You know how it goes.” Malové continued. “We set the tone of the stories ahead. And it can only be done by actually writing it. Yeah, how exciting. Like conducting an orchestra in a zoo, there’s plenty of potential, but I guess we’ll have to work on our priorities.”
“Do you mean keeping the zoo’s hyenas from eating everybody else?” Frigella was not one to beat around the bush.
“Yeah, something like that. And you know how you control hyenas?”
The witches assembled looked at each other sideways.
“The Whale would tell you it’s a lovely story of shared resonance, forging bonds based on trust… But that’s a load of bollocks. Some emotions are only managed through stronger ones – so let’s do what we do best, get our Incense ready, and put some order in this bloody chaotic mess. Who wants to start?”
May 12, 2023 at 8:47 pm #7238In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
January 18, 2023 at 12:51 pm #6413In reply to: Orbs of Madjourneys
Zara was long overdue for some holiday time off from her job at the Bungwalley Valley animal rescue centre in New South Wales and the suggestion to meet her online friends at the intriguing sounding Flying Fish Inn to look for clues for their online game couldn’t have come at a better time. Lucky for her it wasn’t all that far, relatively speaking, although everything is far in Australia, it was closer than coming from Europe. Xavier would have a much longer trip. Zara wasn’t quite sure where exactly Yasmin was, but she knew it was somewhere in Asia. It depended on which refugee camp she was assigned to, and Zara had forgotten to ask her recently. All they had talked about was the new online game, and how confusing it all was.
The biggest mystery to Zara was why she was the leader in the game. She was always the one who was wandering off on side trips and forgetting what everyone else was up to. If the other game followers followed her lead there was no telling where they’d all end up!
“But it is just a game,” Pretty Girl, the rescue parrot interjected. Zara had known some talking parrots over the years, but never one quite like this one. Usually they repeated any nonsense that they’d heard but this one was different. She would miss it while she was away on holiday, and for a moment considered taking the talking parrot with her on the trip. If she did, she’d have to think about changing her name though, Pretty Girl wasn’t a great name but it was hard to keep thinking of names for all the rescue creatures.
After Zara had done the routine morning chores of feeding the various animals, changing the water bowls, and cleaning up the less pleasant aspects of the job, she sat down in the office room of the rescue centre with a cup of coffee and a sandwich. She was in good physical shape for 57, wiry and energetic, but her back ached at times and a sit down was welcome before the vet arrived to check on all the sick and wounded animals.
Pretty Girl flew over from the kennels, and perched outside the office room window. When the parrot had first been dropped off at the centre, they’d put her in a big cage, but in no uncertain terms Pretty Girl had told them she’d done nothing wrong and was wrongfully imprisoned and to release her at once. It was rather a shock to be addresssed by a parrot in such a way, and it was agreed between the staff and the vet to set her free and see what happened. And Pretty Girl had not flown away.
“Hey Pretty Girl, why don’t you give me some advice on this confusing new game I’m playing with my online friends?” Zara asked.
“Pretty Girl wants some of your tuna sandwich first,” replied the parrot. After Zara had obliged, the parrot continued at some surprising length.
“My advice would be to not worry too much about getting the small details right. The most important thing is to have fun and enjoy the creative process. Just give me a bit more tuna,” Pretty Girl said, before continuing.
“Remember that as a writer, you have the power to shape the story and the characters as you see fit. It’s okay to make mistakes, and it’s okay to not know everything. Allow yourself to be inspired by the world around you and let the story unfold naturally. Trust in your own creativity and don’t be afraid to take risks. And remember, it’s not the small details that make a story great, it’s the emotions and experiences that the characters go through that make it truly memorable. And always remember to feed the parrot.”
“Maybe I should take you on holiday with me after all,” Zara replied. “You really are an amazing bird, aren’t you?”
January 11, 2023 at 8:44 pm #6366In reply to: Train your subjective AI – text version
Asking the AI to expand on the glossary of the original Circle of Eights Story:
Locations
Malvina’s Cave: A dark and damp cave located in the heart of the Gripshawk mountains, known for its population of Glukenitch creatures.
Lan’ork: A vast and diverse continent known for its Eastern Lagunas, home to the Indogo flamingos. Dragon Head Peninsula: A rugged and mountainous region, home to the Langoat creatures and also known for its rich deposits of dragon ore.
Asgurdy: A sprawling desert region, known for its nomadic tribes who use Saurhse as mounts for transportation.
Golfindely: An idyllic coastal region known for its beautiful beaches and crystal clear waters, home to the Golfindel and Grake creatures.
Magical Schools
Dragonian Magic: A form of magic that is practiced by Dragonriders and Dragon tamers, which involves the manipulation of dragon energy and bonding with dragon companions.
Gripshawk Magic: A form of magic that is practiced by Gripshawks, which involves the manipulation of the natural elements and telepathic communication with other creatures.
Ugling Magic: A form of magic that is practiced by Uglings, which involves the use of charms, spells, and potions to manipulate the physical world.
Guilds
Dragon Riders Guild: A prestigious guild of dragon riders, responsible for maintaining peace and order in the world by using their dragon companions for protection and transportation.
Gripshawk Hunters Guild: A guild of skilled hunters who specialize in hunting and capturing exotic creatures for various purposes.
Ugling Alchemists Guild: A guild of alchemists and potion makers, who create various potions and elixirs for medicinal and magical purposes.
Organizations
The Order of the Buntifluën: A secret organization dedicated to the study and use of Buntifluën artefacts for the betterment of communication and understanding between sentient beings.
The Glubolín Network: A network of individuals who possess Glubolín devices, used for communication and sharing information across long distances.
The Sabulmantium Society: A society of scholars and adventurers who study the properties and uses of Sabulmantium devices for divination and navigation.
Here are a few new invented terms with their potential IPA pronunciations and definitions that would fit in this fantasy world:
Dragons:
Krynn [ ˈkrĭn ] : A subspecies of dragon known for its ability to control and manipulate time.
Creatures:
Kelpies [ ˈkĕl-pēz ] : Aquatic creatures resembling horses, known for their ability to shape-shift and lure unsuspecting victims into the water.
Magical Artefacts:
Dragonwhisper [ ˈdrā-gən-ˌhwis-pər ] : An ancient and powerful magical artifact, which allows the user to communicate and control dragons telepathically.
Necrotalisman [ ˈnĕk-rə-ˈtā-lĭz-mən ] : A magical artifact in the shape of a talisman that grants its wielder the ability to control and summon the dead.
Plants:
Blightthorn [ ˈblīt-ˌthôrn ] : A poisonous plant known for its dark purple flowers and thorny stem, its extract is used in dark magic
Faeleaf [ ˈfā-ˌlēf ] : A rare plant found in the deep forest known for its bright green leaves, its extract is used in healing potions
Locations:
The Shadowland [ ˈshā-dō-ˌland ] : A mysterious and dangerous land overrun by dark magic and controlled by Necromancers.
The Hidden Vale [ ˈhī-dən-ˈvāl ] : A secluded valley located deep in the mountains, home to the reclusive Faeleaf plants.
Organization:
The Necromancers’ Circle [ ˈnĕk-rə-ˈmän-sər-z-ˈsər-kəl ] : A secret organization of powerful necromancers who seek to expand their control over death and the dead.
Here are a few more invented terms with their potential IPA pronunciations and definitions that fit in this fantasy world, having less to do with necromancy, and more with various forms of consciousness or energy manipulation, magical or mythical creatures or species:
Creatures:
Eterneon [ ˈē-tər-ˈnē-ən ] : A species of winged creatures known for their ability to manipulate and harness the energy of the stars, they are highly sought after by astromancers and star-gazers.
Psicon [ ˈsī-ˌkän ] : A species of psychic creatures, known for their ability to read minds and influence emotions.
Magical Artefacts:
Energyshield [ ˈen-ər-jē-ˌshēld ] : A magical artifact that creates a protective barrier around the user, deflecting or absorbing any kind of energy-based attacks.
Empathstone [ ˈĕm-pāth-ˈstōn ] : A small, glowing stone which allows the user to sense and control the emotions of others.
Magical Schools:
Energyshaping [ ˈen-ər-jē-ˌshāp-ing ] : A school of magic that involves the manipulation and control of various forms of energy.
Empathymagic [ ˈĕm-pā-thē-ˈmaj-ik ] : A school of magic that involves the manipulation of emotions and the ability to sense the emotions of others.
Locations:
Eternity’s Edge [ ˈē-tər-nə-tēz-ˈēj] : A remote and mysterious cliff located high in the mountains, known for its strong emanations of star energy and rumored to be home to a hidden community of Eterneons.
Psicon’s Den [ ˈsī-kän-z-ˈdĕn] : A secret cave system located deep within the forest, it is said to be home to a colony of Psicon creatures.
Organizations:
The Energists Guild [ ˈen-ər-jist-z-ˈgild] : A powerful guild of magic users specializing in Energyshaping magic.
The Empath Council [ ˈĕm-pāth-ˈkoun-səl]: A secretive group of Empathymagic users, dedicated to the study and control of emotions.
December 6, 2022 at 2:17 pm #6350In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
January 7, 2020 at 2:10 pm #5357In reply to: Seven Twines and the Dragon Heartwoods
“Isn’t it a pretty loo?” Glynis was marveling at the marble work, and the exquisite boiseries. “Master Guilbert really outdid himself.” Fox opined.
The jinx on the cottage loo was finally lifted, and not before the hiemal cold had settled in, right before the Sol Invictus festivities.
Meanwhile, they’ve had occasional updates from Rukshan, who was exploring the Land of the Giants. He’d mentioned in his last telebat echoing that he’d found the elusive Master creator of Gorrash, and had hope for the dwarf. The magic binding the stones was strong he’s said, although some additional magic would help speed up the recovery process which otherwise would take probably centuries if not millennia.
Glynis had looked at the requirements; it only said
‘strong magic, born from pain, hardened in gems
– dissolve in pink clay, mix well and apply generously’.None of her magic had seemed to fit. Pain, she’d had plenty, but her magic was born from the water element, emotions, plants and potions. She went to the nearby Library, their restricted section of applied magic was scarce, nothing really applicable there. Honestly, if she’d known her whereabouts, it would have been a task better suited to Eleri. Her kind of area of expertise with concrete and iron work and stone paints was a bit more unpredictable though; it could end up do more damage to Gorrash’s continuity than else; she’d quickly put that impetuous idea to rest.
Glynis was still mulling over, thinking about finding a solution when she noticed a gaunt figure was at the door. It took her a few seconds to realize it wasn’t a stranger, but a familiar friend. Rukshan had returned, although verily worn down by his travails, with a full grown beard that gave him a seriouser look. Without thinking, she went to hug him. Such unusual display of affection did surprise the Fae who was beeming.
He smiled widely at Glynis and showed her an unusually large ampoule: “I’ve found the kind of magic our friend needs. These three Giant’s gallstones weren’t a picnic to obtain, I can tell you.”
“I can’t wait to hear all about this exciting story.” interrupted Eleri.
July 24, 2019 at 6:48 am #4718In reply to: Seven Twines and the Dragon Heartwoods
“Tsk tsk,” said Rukshan when he heard that the carpenter hadn’t done anything yet.
“At least the joiner came and fixed the mirror in the bathroom,” said Fox trying to sound positive.
They were in the kitchen and Glynis was brewing a chicken stew in Margorrit’s old purple clay pot.
Fox seemed distracted with saliva gathering at the corner of his mouth. Rukshan realised it was not the best of places to explain his plan with all the smells and spells of Glynis’ spices.
“Let’s go outside it’ll be best to tell you where we are going,” said Rukshan.
Fox nodded his consent with great effort.“If you go out, just tell Olli to bring in more dry wood for the stove,” said Glynis as they left.
They took the Troll’s path, a sandy track leading in the thick of the forest.
“Are you sure we’ll find him there?” asked Rukshan.
“Trust me,” said Fox pointing at his nose.
“I thought you had abandoned the shapeshifting and using your fox’s smelling sense?”
“Well if you want to know, Olli is quite predictable, he’s always at the Young Maid’s pond.“I realise I haven’t seen the lad in months,” said Rukshan.
Fox shrugged. “He’s grown up, like all kids do.”They arrived at the pond where Olli was sculpting a branch of wood in an undefinable shape. Rukshan had almost a shock when he saw how much little Olli had changed. He was different, almost another person physically. Taller and with a man’s body. It took the Fae some time when he had to tell himself that the person in front of him was the boy that had helped them in the mountain. But Rukshan was not the kind to show many emotions so he just said.
“You’ve grown boy.”
Olli shrugged and stopped what he was doing.
“I’ve heard so,” he said. “She wants more wood?”
“Yeah,” said Fox with a knowing grin.
“Okay.”
Olliver sighed and left with supple movements.When the young man was gone, Fox turned towards the Fae, whose eyes seemed lost in the misty mountains.
“So, what is the plan?”
“I’m thinking of a new plan that shall make use of everyone’s potential and save a young man from boredom.”July 17, 2019 at 8:27 am #4687In reply to: Newsreel from the Rim of the Realm
Ric was confused as to why he found himself flushed and vaguely excited by Bossy Mam’s sudden and attractive outburst.
He was so glad the two harpies were off to goat knows where, or they would have tortured him with no end of gossiping.Still troubled by the stirring of emotions, he looked around, and almost spilled the cup of over-infused lapsang souchong tea he had prepared. Miss Bossy was the only one to fancy the strong flavour in a way only a former chain smoker could.
Thankfully, she was still glaring at the window, and while he had no doubt he couldn’t hope to give her the slip for that sort of things, she probably had decided to just let it go.
He took the chance to run to the archives, and started to dig up all he could on the Doctor.
Sadly, the documents were few and sparse. Hilda and Connie were not known for their order in keeping records. Their notes looked more like herbariums from a botanist plagued with ADHD. But that probably meant there were lots of overlooked clues.He flipped through the dusty pages for a good hour, eyes wet with allergies, and he was about to bring Miss Bossy the sorry pile he had collected when a light bulb lit in his mind.
How could I miss it!
He’d never thought about it, but now, a lot of it started to make sense.
Thinking about how Miss Bossy would probably be pleased by the news, he started to become red again, and hyperventilate.
Calm down amigo, think about your abuela, and her awful tapas,… thaaat’s it. Crème d’anchovies with pickled strawberries… Jellyfish soufflés with poached snail eggs on rocket salad.
His mind was rapidly quite sober again.
Taking the pile of notes, he landed it messily on the desk, almost startling Miss Bossy.
“Sorry for the interruption, M’am, but I may have found something…”
“Fine, there’s no need for theatrics, spill it!” Miss Bossy was ever the no-nonsense straight-to-business personality. Some would have called her rude, but they were ignorants, and possibly all dead now.“There was a clue, hidden in the trail of Hilda’s collection. I’m not sure how we have missed it.”
“Ricardooo…” Miss Bossy’s voice was showing a soupçon of annoyance.
“Yes, pardon me, I’m digressing. Look! Right here!”
“What? How is it possible? Is that who I think it is?”
“I think so.”
They turned around to look across the hall at Sweet Sophie blissfully snoring.
“I think she was one of her first patient-slash-assistant.”
“How quaint. But, that explains a lot. Wait a minute. I thought none of his patients were ever found… alive?”
“Maybe she outsmarted him…”
They both weren’t too convinced about that. But they knew now old Sweet Sophie was probably unwittingly holding the key to the elusive Doctor.
October 30, 2018 at 8:39 am #4547In reply to: Seven Twines and the Dragon Heartwoods
Eleri nodded off to sleep after a warming bowl of Alexandria’s mushroom soup, followed by a large goblet of mulberry wine, and woke up to the warmth of the flickering fire her friend had lit while she’d been dozing. They sat in a companionable silence for awhile, and even the little dog was silent. Alexandria smiled encouragingly at Eleri, sensing that she had things on her mind that she wished to share.
“I had an idea, you see,” Eleri began, as Alexandria topped up her wine goblet, “To do something about Leroway. I fear it may be considered intrusive,” she said with a little frown, “but I expect it will be welcome notwithstanding. Drastic measures are called for.”
Alexandria nodded in agreement.
“The thing is, since I had this idea, I’ve remembered something that I’d forgotten. Hasamelis It’s all very well turning people into stone statues, but I must ensure they don’t reanimate, and there was the issue of the vengeful emotions on reanimation. Luckily that damn rampaging reanimated guy never caught up with me, and we don’t know where….”
“Oh but we do!” interrupted Alexandria.
“You do?” exclaimed Eleri. “Where is he?”
“He’s behind you!”
Eleri slopped wine all over her lap and she jumped up to look behind her. Sure enough, Hasamelis was lurking, thankfully immobile, in the dark corner of the room. Eleri looked at Alexandria enquiringly, “Is he..?”
“Oh yes, don’t worry. He’s quite rigid and immobile again. We found the spell you see, Yorath and I.” Eleri swallowed a frisson of jealousy as her friend continued, “ Yorath got a clue from you, when you brought the bones home. I provided the missing ingredient by accident, when I spelled Hasamelis wrong.” Alexandria chuckled merrily at the memory. “I jotted down Hamamelis instead and when Yorath saw it he said that was it, the missing ingredient: witch hazel! Witch hazel and ground bones to reverse a reanimation.”
“I say, well done!” Eleri was impressed. “But how did you administer it?” She could not imagine getting close enough to him, or him being amenable to ingest a potion.
“We ground the bones up and mixed them with distilled witch hazel and rolled them into little balls, and then catapulted them at him. I’m not very good with my aim, but Lobbocks was brilliant. We had to run like the blazes afterwards though, because it took some time to work, but Hasamelis did start to slow down after a couple of hours. He was heading this way, to your cottage, and eventually came to a standstill right here in this room. We managed to push him into that corner, out of the way.”
“I wonder..” Eleri was thinking. “If I immobilize Leroway into a statue..”
Alexandria gasped, and her hand flew to her mouth.
“If I turn Leroway into a statue, I don’t want him reanimating at all. I wonder if we incorporate the witch hazel and the ground bones into the elerium in the immobilizing process it will prevent any reanimation occurring in the first place?”
“I think you need to speak to Yorath,” suggested Alexandria. “But where is he?”
December 16, 2017 at 1:05 am #4402In reply to: Eight Turns of the Wheel
(With thanks to random story generator for this comment)
Albie looked at the soft feather in his hands and felt happy.
He walked over to the window and reflected on his silent surroundings. He had always loved haunting the village near the doline with its few, but faithful inhabitants. It was a place that encouraged his tendency to feel happiness.
Then he saw something in the distance, or rather someone. It was the figure of Ma. He felt his mood drop. Ma was ambitious and a mean-spirited bossy boots.
Albie gulped. He glanced at his own reflection. He was an impulsive, kind-hearted, beer drinker. His friends saw him as an amusing foolish clown. But he was kind-hearted and once, he had even brought a brave baby bird back from the brink of death.
But not even an impulsive person who had once brought a brave baby bird back from the brink of death, was prepared for what Ma had in store today.
The inclement brooding silence teased like a sitting praying mantis, making Albie anticipate the worst.
As Albie stepped outside and Ma came closer, he could see the mean glint in her eye.
Ma glared with all the wrath of 9 thoughtless hurt hippo. She said, in hushed tones, “I disown you and I want you to leave.”
Albie looked back, even more nervous and still fingering the soft feather. “Ma, please don’t boss me. I am going to the doline,” he replied.
They looked at each other with conflicted feelings, like two deep donkeys chatting at a very funny farewell.
Suddenly, Ma lunged forward and tried to punch Albie in the face. Quickly, Albie grabbed the soft feather and brought it down on Ma’s skull.
Ma’s skinny ear trembled and her short legs wobbled. She looked excited, her emotions raw like a rabblesnatching, rare rock.
Then she let out an agonising groan and collapsed onto the ground. Moments later Ma was dead.
Albie went back inside and had himself a cold beer.
- November 2024 (Reunion):
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Spring was upon them.
“Bloody too early, if you ask me” said Malové, the Head of the Coven of Mystiques, but just CEO of Quadrivium Emporium to the outside world.
“Meow.” Only the Coven’s familiar, a clichéd black cat dared to voice what seemed to have been the common thought. How tedious, so much spring cleaning of the collective energies to do, and almost 2 months ahead of schedule. Blame the telluric energies catch-up with the cosmic downpour of the world’s mind agitation. Or global warming, as it’s labelled nowadays.
“You know how it goes.” Malové continued. “We set the tone of the stories ahead. And it can only be done by actually writing it. Yeah, how exciting. Like conducting an orchestra in a zoo, there’s plenty of potential, but I guess we’ll have to work on our priorities.”
“Do you mean keeping the zoo’s hyenas from eating everybody else?” Frigella was not one to beat around the bush.
“Yeah, something like that. And you know how you control hyenas?”
The witches assembled looked at each other sideways.
“The Whale would tell you it’s a lovely story of shared resonance, forging bonds based on trust… But that’s a load of bollocks. Some emotions are only managed through stronger ones – so let’s do what we do best, get our Incense ready, and put some order in this bloody chaotic mess. Who wants to start?”