Search Results for 'exciting'

When Veranassessee entered the secret facility with Gloria and Sharon, her blood congealed in her veins.
Patient 4 had escaped the safety straitjacket and was holding the doctor at paper-clip point.
Patient 4, was one of the first six patients they’d treated on the island, an awful miscarriage… Of the six, all had developed strong reactions to the medication especially as they had not yet found the appropriate dosage for the blue spider venom. Some had developed extra appendices, most had been hideously disfigured, and all of them had gone bonkers.
“Four” was the last alive of them all, by an inexplicable combination of luck and genetics, and by far the most dangerous one. Apparently, apart from madness, the venom had gifted “Four” with supra-human velocity and strength. It was what had kept that mad doctor from “erasing” that mistake, so sure he could find some interesting way of making profit out of that prodigious lucky find.
But now that was compromising everything…

V’ass pushed the two chatty old ladies in a broom-closet behind with a wink Be right back ladies!

Sharon and Gloria giggled in the small room, wondering about the unexpected sense of hospitality of the people of that resort. All was so funny and exciting since they’d decided to come to that place.

— Four! Release the doc’!
— Don’t move an inch closer or I’ll kill him!
— You have nowhere to go Four, backups will be here any minute now…
— One second is all I need to snap his neck!
— No! Dr. Chris Bronklehampton was moaning
— You, stay still, the mummified Four snapped to the panting doctor.

Quicker than light, V’ass shot a powerful sedative into the arm of the mummy. Four winced, drawing the dart out of the arm, crushing the fluffy fletchings between the fingers. Quickly assessing chances to escape, Four sent the doctor flying at the other side of the room, in a powerful swing of the arm, and jumped through the window in a formidable sound of smashed glass, disappearing into the jungle.

— Chris! Are you alright? Nurse Bellamy was already caring for the fainted doctor.

November 9 ^th

For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.

It has prompted Yurick to remember something, which had lots of meaning to him.
Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
So he took it back home, where it was planted and still continues to grow at a rapid rate.

Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.

Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.

Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…

October 12 ^th

Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
And so it is.

October 16 ^th

My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…

“I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]