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(…)

The pigeons dove from the thirtieth floor’s balcony in an attempt to mimic the planes it had seen above, or maybe in an attempt to mimic the ultrabright advertisement that its mother’s mother had seen long ago. It had left an unalterable trace in that lineage’s DNA.

The pigeon that had seen at least one plane had been a pigeon, but when the pigeons dove and created a ripple, they didn’t leave a trace like the pigeons that had witnessed only the distant planes.

In the air, they were flying against the wind, while on ground they were falling along a riverbank.

“I guess they didn’t hear a loud noise because when they stopped for some distance they stopped and looked up, and what they saw looked as if they had died.”

In the future, those pigeons, who could remember the names of the buildings they had seen during the war, could join together and explore another world and its inhabitants were not like them.

On one of the banks of the river, a lone pigeon watched them from afar, and she looked at them with the calm of a mother on her child while saying,

“Please tell me something. If they are so brave, then tell me anything.”

She didn’t say any of the usual questions from a child, but she knew the answers in her

One spring day in 1822, so the story goes, Emerald Huntingford was walking the family dog on the extensive family estate, when the dog ran into a densely wooded area in hot pursuit of a rabbit. This was not uncommon, however on this occasion Emerald whistled and called but the dog did not return to her. She ran back to the house and shouted for her brother, Nigel, to help her find the it.

After several hours of frantic searching, for it was a much loved family pet, and just as they were beginning to despair, they heard whimpering coming from a hole in the ground. They cleared away the brush covering the entrance to the hole and saw it went some way into the ground and it was here the unfortunate dog had fallen. It was too deep for them to enter unaided, so while Emerald sat with the dog and called reassuringly down to it, Nigel ran for assistance. With the help of ropes and several strong farm workers, Nigel descended into the space. To his amazement, he found himself in a clay filled dome with shallow entrances going off to other underground galleries. At that time, with his focus on the injured dog, he had no inkling of the extent of it. It was later on, after they had time to explore, that the Huntingfords started to comprehend the amazing world which existed under their land.

Word spread, and they were offered a substantial amount of money by a mining company to mine the land. Locals, and others from further afield, wanted to visit the doline and many would try and do so, with or without seeking permission from the Huntingfords first. Some argued that if you don’t own the sky above your land, why should you have claim to the ground beneath?

The Huntingfords were wealthy and had no need or desire to sell the rights to their land. Eventually, their patience worn thin by the aggressive mining company and invasive tourists, they decided to defend their claim to the doline in court; a claim which they won. From that time on, as one generation of the family passed the secrets of the doline to another, guards were employed to keep watch over the entrance, that none may enter the underground world without the approval of the family.

And it seems none had, until now.

Glynis woke to the sound of wind and rain. Heavy still with sleep, she stared at the cracked and yellowed bedroom ceiling and noticed a large damp patch had formed where the thatched roof needed repairs. Drip by relentless drip, it was slowly but surely creating a puddle on the wooden floor below. Her lemon and puce floral window curtains billowed majestically into the room.

Strange, I must have left the sash open last night.

There was a loud crash in the kitchen.

Leaping out of bed with an agility which belied her sleepiness, Glynis rushed to investigate. A large ornately framed print of a bowl of fruit had fallen from its hanging place above the mantlepiece.

Glynis stared in amazement. She thought the dark renaissance colours of the painting were depressing but had found it too cumbersome to remove from the wall. Now, as if by magic, the picture lay shattered and defeated on the tiles below.

It took her a few seconds to take in that there was a small opening in the wall behind where the picture had hung.

Putting on her sturdy work boots and gloves she swept up the glass so she could safely approach the opening. It wasn’t that big, just a square which had been neatly cut into a wooden beam to form a hiding space. She peered inside the darkness of the cavity and then explored the interior with her hand.

Nothing!

She felt oddly disappointed and chastised herself, wondering what it was she had been expecting.

Anyway, at least I can get rid of that damned bowl of fruit now.

She carefully removed the rest of the glass and pulled the picture from its frame. Turning it over, Glynis discovered what she thought at first glance was an oil spill on the back, but after more careful inspection she realised it was a roughly drawn map.

Corrie’s findings from elsewhere:

“Mike wasn’t as courageous as his former self, the Baron. That new name had a cowardly undertone which wasn’t as enticing to craze and bravery as “The Baron”.

The idea of the looming limbo which had swallowed the man whole, and having to care for a little girl who surely shouldn’t be out there on her own at such an early hour of the day spelt in unequivocal letters “T-R-O-U-B-B-L-E” — ah, and that he was barely literate wasn’t an improvement on the character either.

Mike didn’t want to think to much. He could remember a past, maybe even a future, and be bound by them. As well, he probably had a family, and the mere though of it would be enough to conjure up a boring wife named Tina, and six or seven… he had to stop now. Self introspection wasn’t good for him, he would get lost in it in quicker and surer ways than if he’d run into that Limbo.

“Let me tell you something… Prune?… Prune is it?”
“I stop you right there, mister, we don’t have time for the “shouldn’t be here on your own” talk, there is a man to catch, and maybe more where he hides.”

“Little girl, this is not my battle, I know a lost cause when I see one. You look exhausted, and I told my wife I would be back with her bloody croissants before she wakes up. You can’t imagine the dragon she becomes if she doesn’t get her croissants and coffee when she wakes up. My pick-up is over there, I can offer you a lift.”

Prune made a frown and a annoyed pout. At her age, she surely should know better than pout. The thought of the dragon-wife made her smile though, she sounded just like Mater when she was out of vegemite and toasts.

Prune started to have a sense of when characters appearing in her life were just plot devices conjured out of thin air. Mike had potential, but somehow had just folded back into a self-imposed routine, and had become just a part of the story background. She’d better let him go until just finds a real character. She could start by doing a stake-out next to the strange glowing building near the frontier.

“It’s OK mister, you go back to your wife, I’ll wait a little longer at the border. Something tells me this story just got started.”

“Aunt Idle was craving for sweets again. She tip toed in the kitchen, she didn’t want to hear another lecture from Mater. It only took time from her indulging in her attachments. Her new yogiguru Togurt had told the flockus group that they had to indulge more. And she was determined to do so.
The kitchen was empty. A draft of cold air brushed her neck, or was it her neck brushing against the tiny molecules of R. She cackled inwardly, which almost made her choke on her breath. That was surely a strange experience, choking on something without substance. A first for her, if you know what I mean.

The shelves were closed with simple locks. She snorted. Mater would need more than that to put a stop to Idle’s cravings. She had watched a video on Wootube recently about how to unlock a lock. She would need pins. She rummaged through her dreadlocks, she was sure she had forgotten one or two in there when she began to forge the dreads. Very practicle for smuggling things.

It took her longer than she had thought, only increasing her craving for sweets.
There was only one jar. Certainly honey. Idle took the jar and turned it to see the sticker. It was written Termite Honey, Becky’s Farm in Mater’s ornate writing. Idle opened the jar. Essence of sweetness reached her nose and made her drool. She plunged her fingers into the white thick substance.”

“But wait! What is this?

Her greedy fingers had located something unexpected; something dense and uncompromising was lurking in her precious nectar. Carefully, she explored the edges of the object with her finger tips and then tugged. The object obligingly emerged, a gooey gelatinous blob.

Dido sponged off the honey allowing it to plunk on to the table top. It did not occur to her to clean it up. Indeed, she felt a wave of defiant pleasure.

The ants will love that, although I guess Mater won’t be so thrilled. Fussy old bat.
She licked her fingers then transferred her attention back to the job at hand. After a moment of indecision whilst her slightly disordered mind flicked through various possibilities, she managed to identify the object as a small plastic package secured with tape. Excited, and her ravenous hunger cravings temporarily stilled in the thrill of the moment, she began to pick at the edges of the tape.

Cocooned Inside the plastic was a piece of paper folded multiple times. Released from its plicature, the wrinkled and dog-eared paper revealed the following type written words:

food self herself next face write water truth religious behind mince salt words soon yourself hope nature keep wrong wonder noticed.”

““What a load of rubbish!” Idle exclaimed, disappointed that it wasn’t a more poetic message. She screwed up the scrap of crumpled paper, rolled it in the honey on the table, and threw it at the ceiling. It stuck, in the same way that cooked spaghetti sticks to the ceiling when you throw it to see if it’s done. She refocused on the honey and her hunger for sweetness, and sank her fingers back into the jar.”

“The paper fell from the ceiling on to Dido’s head. She was too busy stuffing herself full of honey to notice. In fact it was days before anyone noticed.”

“The honeyed ball of words had dislodged numerous strands of dried spaghetti, which nestled amongst Aunt Idle’s dreadlocks rather attractively, with the paper ball looking like a little hair bun.”

““Oh my god …. gross!“ cackled the cautacious Cackler.”

““Right, that does it! I’m moving the whole family back to the right story!” said Aunt Idle, invigorated and emboldened with the sweet energy of the honey. “Bloody cackling nonsense!””

“You’re lucky it wasn’t your hands,” said Tina. She had visited Quentin after Connie had left. Strange reporter that one. Kind of short sized with big eyes that never blinked. Tina snorted and dismissed the memory with a roll of her eyes, then looked at Quentin straight in the eyes, awaiting for his answer.

“What do you mean ?” asked Quentin. Tina didn’t expected the answer to be a question. She rolled her eyes as if Quentin had missed the obvious.

“The giant gouda ball, you’re lucky it didn’t roll on your hands.”

Quentin looked at Tina with a bit of concern in his eyes. She had been acting weird lately and making odd random connections between events and comments. He looked at his friend more closely. She had a bird nest on her head. With two eggs. It was a fake nest. He certainly hoped the eggs were too. He had no idea

“Anyway,” Tina said, “I won a trip to some island of the hidden people from the http://travellerofworlds.tp website. Wanna come with me, Quentin?”
He thought of his options. The most obvious response would be that he had no idea what a hidden people could be. If it was hidden it could very well be that it was hiddeous and needed to be hidden. On the other hand… Quentin looked at his other hand. It was empty.

“They say it’s on the rim of the realm,” added Tina as if she had read Quentin’s thought and need for a motive.
Now, he thought, the rim of the realm, that sounded quite an interesting unexplored territory to discover.
“When do we leave ? I need to ask Yannosh to pack my suitcase.”

But wait! What is this?

Her greedy fingers had located something unexpected; something dense and uncompromising was lurking in her precious nectar. Carefully, she explored the edges of the object with her finger tips and then tugged. The object obligingly emerged, a gooey gelatinous blob.

Dido sponged off the honey allowing it to plunk on to the table top. It did not occur to her to clean it up. Indeed, she felt a wave of defiant pleasure.

The ants will love that, although I guess Mater won’t be so thrilled. Fussy old bat.

She licked her fingers then transferred her attention back to the job at hand. After a moment of indecision whilst her slightly disordered mind flicked through various possibilities, she managed to identify the object as a small plastic package secured with tape. Excited, and her ravenous hunger cravings temporarily stilled in the thrill of the moment, she began to pick at the edges of the tape.

Cocooned Inside the plastic was a piece of paper folded multiple times. Released from its plicature, the wrinkled and dog-eared paper revealed the following type written words:

food self herself next face write water truth religious behind mince salt words soon yourself hope nature keep wrong wonder noticed.

red bag looking party
tried ancient wonder
met gloria
sometimes wait dark
herself key fresh explore
finly story heat comes check

Aunt Idle:

I noticed a change in Bert after the explosion. He seemed more reckless and carefree, more jovial, unlike his usual terse martyred demeanor. Curiosity got the better of me and I asked him about it, one day while we were in the garden picking tomatoes.

I had a sudden pang of guilt when he told me all about it because it rang a bell, a dim and distant bell, that I’d known about the bridge that he built but had forgotten all about it. Always so many other things to think about every day, and yet now, I wish I’d found the time to cross that bridge and explore the other side, or just sit there and think of nothing, and relax. But I didn’t, and now the bridge was gone.

After the explosion, people said it must have been an accident, some buried mining explosives set off by a wandering animal. I don’t know how many people knew about Bert’s bridge, but none seemed to recall it after the explosion. It was as if it had never existed.

It was a funny thing though, now that the bridge was gone, now I knew the story, I wanted to see what was on the other side. If I had to drive all the way up to the bridge in Ninetown to cross the river, then so be it.

Corrie:

I woke up this morning with an idea in my head, and I don’t know if I was dreaming about it or if it just popped in, in the brief moments between sleep and waking. I made a connection with the topic I was doing an anthropology report on, and something I’d forgotten. No, not forgotten, it wouldn’t be true to say I’d forgotten it as it was always there at the back of my mind niggling at me that there was more to it somehow, but I hadn’t made the connection so obviously with the current project.

My research was about disconnection, and the separation agenda of the American channeling dream. At first I felt driven to explore particular areas and then piece by piece the puzzle that had nagged at me for years ~ I say years, it felt like years, but maybe it wasn’t so long ~ started to fall into place.

At first when I woke up the idea of censorship was in my head and the idea to start a petition and public awareness campaign about certain channeled texts that were withheld from public viewing, despite repeated requests for them to be public along with all the other texts. But then it occurred to me that censorship and omission wasn’t always deliberate. I mean, not a conscious choice to keep information secret, but something else. Almost like a case of some information not being seen clearly through the filters, yet for some reason dismissed as not fitting, and pushed away, almost unconsciously, and suppressed.

The text was about disconnect mainly, and there was some stuff about Nazi’s although the part about animals was the part that had stuck in my head, probably because I felt more connected to animals than Nazi’s. There were more animals growing up here than Nazi’s after all, Nazi’s was only something I’d heard about. But then it occurred to me that I’d been hearing more and more about Neo Nazi’s, in Europe mainly, forming groups and having protests. So that got me wondering about that too.

Anyway, the disconnect part: it was the reaction on the American channeling forums to the Ferguson riots that started me on this project, and Aunt Idle was full of encouragement when I started to explain to her what I was noticing. She said she had noticed similar things in her remote viewing circle online. Everyone seems to think Aunt Idle is losing her marbles, but don’t you believe it. She seems vacant and scattered but that’s only because her mind is occupied elsewhere.

The gist of this suppressed text was extreme separation, but it was the part about using words to seem enlightened to hide extreme disconnect that seemed to fit my project.

I did have to chuckle though, I wondered if I was being a racist by calling Americans disconnected as if it was a racial characteristic. More of a cultural thing, I suppose, can one be called a culturalist as if it’s a bad thing? I don’t see how you can study anthropology without a certain degree of separating into cultural groups though, even if it is shift anthropology. I’ll think about that a bit more later.

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

silence explore connected anywhere
girls close field usually
loved form opening sea coast