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  • #7711

    Matteo — December 2022

    Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”

    Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.

    At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.

    “It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”

    “New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”

    “And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
    “Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”

    “Let me see…”

    Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”

    Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.

    The app processed for a moment before responding in its overly chipper tone:
    “Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”

    Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”

    “Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”

    The app spun its virtual gears and spat out a more detailed suggestion.
    “Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.

    Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”

    “Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”

    Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”

    Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”

    Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”

    The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.

    “You think she’s got more work like that?” he asked, more to himself than to Juliette.

    Juliette handed him the phone. “You’re the one with the questions. Go ahead.”

    Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.

    The app processed again, and the next response was less clinical, more anecdotal.
    “Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”

    Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”

    “Maybe she’s your type,” Juliette teased, grinning.

    Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”

    The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.

    To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.

    Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.

    #7708

    Elara — Nov 2021: The End of Genealogix

    The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

    She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

    Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

    Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

    When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

    The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

    And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

    :fleuron2:

    She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

    Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

    Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

    As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

    Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

    By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

    Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

    It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

    :fleuron2:

    Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

    The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

    #7659
    Jib
    Participant

      March 2024

      The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

      He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

      Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

      As always, no hello, no question about his health or anything personal.

      “I didn’t want it”, Lucien said, his voice calm only on the surface.

      “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

      “I already told you, it’s not what I want. I’ve made my decision.”

      Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

      Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

      “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

      Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

      A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

      “We’re never finished”, Lucien muttered as the line went dead.

      Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

      “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

      The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

      The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

      The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

      Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

      He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

      When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

      The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

      “What have we here?” He asked, his voice bordering on disdain.

      Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

      Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

      The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

      Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

      “It’s personal”, he said, his voice low.

      Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

      Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

      Lucien nodded towards the covered stack of canvases near the wall. “Done.”

      “Good. They’ll come tomorrow and take the lot.”

      Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

      Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

      He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

      Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
      He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

      #7650
      Yurara FamelikiYurara Fameliki
      Participant

        Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

        :fleuron2:

        Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

        The Strange Couple: Éloïse and Monsieur Renard

        Winter 2019: Paris, Just Before the Pandemic

        The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

        It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

        First Impressions of Éloïse and Monsieur Renard

        Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

        “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

        But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

        Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

        Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

        Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

        Darius’s Growing Involvement

        Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

        “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

        “Connections to what?” she asked, her tone sharper than she intended.

        “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

        Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

        The Séance

        The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

        Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

        The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

        Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

        “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

        The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

        And then, the bell rang.

        It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

        “What the hell is that?” Lucien muttered, his eyes snapping open.

        Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

        Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

        Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

        The Fallout

        The séance fractured the group.

        • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
        • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
        • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
        • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

        Lingering Questions

        1. What Happened to Darius with Éloïse and Renard?
          • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
        2. The Bell’s Role:
          • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
        3. Lucien’s Entanglement:
          • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
        4. Éloïse and Renard’s Motives:
          • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

        Impact on the Reunion

        • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
        • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
        #7644

        From Decay to Birth: a Map of Paths and Connections

        7. Darius’s Encounter (November 2024)

        Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

        He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

        When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

         

        6. Matteo’s Discovery (near Avignon, Spring 2024)

        The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

        His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

        Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

        Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

        “It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

        Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

        The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

         

        5. From Hand to Hand (1995–2024)

        By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

        2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

        2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

        1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

        The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

         

        4. The Artist (1995)

        The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

        “I don’t map what is,” she once told a curious buyer. “I map what could be.”

        In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

         

        3. The Ink (1990s)

        The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

        From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

         

        2. The Paper (1980)

        The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

        By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

        The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

        This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

         

        1. The Seed (1950s)

        It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

        “Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

        Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

        #7642
        TracyTracy
        Participant

          It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

          When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

          Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

          Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

          It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

          When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

          Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

          “And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

          “It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

          “That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

          Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

          “A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

          “Once a lecturer, always a lecturer, eh?” Florian teased.

          “Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

          #7639
          ÉricÉric
          Keymaster

            Work in Progress: Character Timelines and Events

            Matteo

            • November 2024 (Reunion):
              • Newly employed at the Sarah Bernhardt Café, started after its reopening.
              • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
              • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
              • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
            • Summer 2024 (Olympics):
              • Working in a vineyard in southern France, nearing the end of the harvest season.
              • Receives a call for a renovation job in Paris, which pulls him toward the city.
              • Feels an intuitive connection to Paris, as if something is waiting for him there.
            • Past Events (Implied):
              • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
              • Has likely crossed paths with the group in unremarkable but meaningful ways before.

             

            Darius

            • November 2024 (Reunion):
              • Arrives at the café, a wanderer who rarely stays in one place.
              • Reflects on his time in India during the autumn and the philosophical journey it sparked.
              • Brings with him an artifact that ties into his travels and personal story.
            • Summer 2024 (Olympics):
              • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
              • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
              • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
            • Past Events (Implied):
              • Has a history of introducing enigmatic figures to the group, often leading to tension.
              • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

             

            Elara

            • November 2024 (Reunion):
              • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
              • Still processing her mother’s passing and reflecting on their strained relationship.
              • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
            • Summer 2024 (Olympics):
              • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
              • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
              • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
              • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
            • Past Events (Implied):
              • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
              • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
              • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
              • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

             

            Lucien

            • November 2024 (Reunion):
              • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
              • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
              • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
              • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
            • Summer 2024 (Olympics):
              • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
              • Reflects on his artistic block and the emotional weight of his distance from the group.
              • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
            • Past Events (Implied):
              • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
              • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

            Amei

             

            • November 2024 (Reunion):
              • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
              • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
              • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
            • Summer 2024 (Olympics):
              • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
              • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
              • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
            • Past Events (Implied):
              • The last group meeting five years ago left her with lingering emotional scars.
              • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

             

            Tabitha (Amei’s Daughter)

            • November 2024:
              • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
              • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
            • Summer 2024 (Olympics):
              • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
              • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
            • Past Events (Implied):
              • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

            Key Threads and Patterns

            • The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
            • Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
            • Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
            #7628
            F LoveF Love
            Participant

              The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.

              She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.

              Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey.  She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.

              At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.

              Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.

              Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.

              Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.

              The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.

              By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.

              #7625
              ÉricÉric
              Keymaster

                Characters list

                Character / Personality TraitsConnection clues to Matteo

                • Lucien
                  • The Artist
                  • Introspective, dreamy, quietly sarcastic
                  • A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
                  • Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
                • Elara
                  • The Scientist
                  • Analytical, sharp, skeptical
                  • A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
                  • Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
                • Darius
                  • The Explorer
                  • Bold, restless, deeply curious
                  • A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
                  • Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
                • Amei
                  • The Storyteller
                  • Observant, wise, enigmatic
                  • A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
                  • Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.

                • Matteo
                  • The Enigmatic Server
                  • Charismatic, cryptic, all-knowing
                  • A waiter with an uncanny awareness of the four friends, both individually and collectively.
                  • Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.

                #7618

                Matteo Appears

                Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.

                “Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.

                “Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”

                The group exchanged glances, each of them caught off-guard by the comment.

                “You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.

                “Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”

                “What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.

                Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.

                “You’ve never all been here before,” he said, a simple statement that landed like a challenge.

                “Wait,” Amei said, narrowing her eyes. “You know us?”

                “Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”

                “Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.

                Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”

                He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.

                “You’re being cryptic,” Elara said, her voice edged with suspicion.

                “It’s a talent,” Matteo replied smoothly.

                “Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”

                “Nor I,” Amei added, her voice soft but steady.

                Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”

                The words hung in the air, unsettling and oddly satisfying at once.

                “You’re saying we’ve met you before?” Elara asked.

                Matteo inclined his head. “In a manner of speaking.”

                “That doesn’t make sense,” Lucien said, his voice quiet but firm.

                “Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”

                A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.

                “It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”

                “For what?” Amei asked, her eyes narrowing.

                “For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.

                “Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.

                One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.

                “Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”

                And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.

                They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.

                “What the hell was that?” Darius asked finally, breaking the spell.

                “Does he seem… different to you?” Amei asked, her voice distant.

                “He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.

                “He remembered me,” Lucien said, almost to himself. “Something about absinthe.”

                “I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”

                “And he didn’t explain anything,” Darius added, shaking his head.

                “Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.

                They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.

                The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.

                And though none of them said it aloud, the thought was the same: What had happened before?

                :fleuron2:

                Quintessence: Reversing the Fifth

                #7614

                Frella opened her mouth to reply, but Eris clapped her hands, a mischievous grin spreading across her face.

                “Right, enough lounging. Let’s play a game—something to liven things up.”

                “What sort of game?” Truella asked, “Nothing that requires too much energy I trust?”

                “A card game.” Eris pulled a small leather pouch from her satchel. She gave it a shake, and a deck of cards flew out, shuffling mid-air before landing neatly in her hands.

                Malove smirked. “If it involves hexes, I’m in.”

                Eris began to deal the cards with a flourish. Each card shimmered, pulsing faintly with magic as it landed on the rug. “Think strategy, mischief, and a touch of divination. The goal? Outsmart your opponents while dodging whatever surprises the cards throw at you.”

                Frella propped herself up on one elbow, eyeing the cards warily. “Define ‘surprises.’”

                “Oh, you’ll see,” Eris said with a wink, placing the deck in the centre. “Rules are simple: draw a card, play your move, and handle the consequences. Last witch standing wins.”

                “Wins what?” Jeezel asked, lowering her camera.

                “The satisfaction of knowing you’re the most cunning witch here.”

                “Sounds like my kind of game,” Truella said, drawing the first card. She held it up to reveal a swirling vortex labelled Spell Swap. The card glowed briefly before zipping into Frella’s pile.

                Frella blinked. “What just happened?”

                “You’ve inherited Truella’s card,” Eris said with a grin. “And a touch of her personality for the next round.”

                Frella felt an odd surge of boldness, almost manic. “Alright, my turn!” she declared, her voice sharp and bossy and much louder than she had intended. She snatched a card marked Mystic Reveal and, with a theatrical flick of her hand, unleashed a shimmering projection of her week’s questionable decisions.

                “Oh, for heaven’s sake!” she cackled. “Why does everyone need to see this?”

                It wasn’t long before the game descended into chaos—spells flying, laughter erupting in snorts and shrieks. Eris croaked indignantly from her frog form while Jeezel gleefully documented the mayhem with her camera, which was now a cackling raven perched on her shoulder. Malove scowled beneath a scandalous projection of her own making, and Truella lounged, flicking daisies where her cigarette had been.

                Frella smiled, the madness finally something she could embrace. Winning didn’t matter. The chaos had its own pull—wild, reckless, and oddly exhilarating.

                #7590

                “Permission to speak, My Lady Malove?” Truella asked respectfully.  She was still wearing Frella’s raincoat of respect as it hadn’t stopped raining the whole time she’d been in Ireland, although the respectfulness was becoming tedious.   But she was inside the Quadrivium building now, facing her agitated boss. She shrugged the raincoat off and tossed it aside and squared her shoulders.

                “Speak!” Malove replied, rude and abrupt.

                “I say, would you like some new pyjamas by any chance? No, never mind that now.  Someone needs to say this to your face, as you haven’t figured it out for yourself yet.”

                Gasps of astonishment echoed around the great hall and the air quivered with tension.

                “You have been so obsessed with the fact sheets of the merge and the number crunching that you’ve been blind to a more significant merge.” Truella boldly held her hand up to silence Malove whose mouth was gaping open like a goldfish, or perhaps more like a carp.

                “No, you listen to me for once,” Truella almost quaked at her own impudence then, but caught the merest glimmer of amusement from the depths of Malove’s being, or rather the essence of Cromwell who was lodged there.

                Don’t you dare leave me now, Thomas, stay right there until I’ve finished or I’m toast.

                “You have been so outwardly focused that you’re not paying attention to your own self, or you’d have noticed.  Which just goes to show the immense efficiency and subtley of Cromwell’s merge tactics.  It would behoove you to admit that you needed direction, and to appreciate the help that has been provided for you.  You are not entirely yourself, or rather, you are entirely yourself, but at times lately you are more than that.”

                Taking a deep breath, Truella continued.  “At first it may be unsettling, but you must persevere and don’t fight it.  Accept that you needed help, give thanks that you received it, and work well with Cromwell’s suggestions.”

                “Saints preserve us,” whispered Malove, shocked to the core. “I don’t mean papish saints though,” she added hastily, unsure how to proceed.

                Truella laughed nervously, her courage suddenly evaporating. She felt a strong urge to flee.

                I asked you not to leave me alone with her!  

                #7580

                When Eris arrived at the meeting room, she overheard Malové requesting yet another of those delicious licorice spider. Jeezel sprang to her feet, flashing what looked like a welcoming gesture toward Eris, in fact asking to join her at the treats table.

                “She arrived so tense,” Jeezel said, seizing the bowl of licorice spiders. “I was worried she’d pick up that something was off, but the incense you prepared, combined with my sigils, worked like a charm.” She winked. “Now she’s as mellow as a sweet old grandma. And I must say she’s actually enjoying the party.”

                “I’m wondering if we didn’t went too far on the relaxing part,” Frella remarked as she joined her sisters at the treats table. “Malové just asked when we’re starting the karaoke.

                “Now, that is spooky,” Eris replied, smirking, “but I suppose it’s in keeping with today’s theme. I think the spell she’s under is reacting to our own enchantments. By the way, where is Truella?”

                Frella, sighed, slightly uneasy. “She mentioned a leak in the historic artifacts warehouse—or maybe a flood? Hard to tell with all the gurgling sounds in the background. Then the line cut off, and I haven’t been able to reach her since.”

                “I’m afraid we’ll have to start without her,” said Eris, a hint of concern in her voice. “Echo,” she said to her familiar who just appeared in a rainbow swirl at the mention of its name, “do whatever it takes to reach her, see if she needs our help. She still has with her an essential element for our spell.”

                Echo nodded before vanishing just as swiftly as it had arrived, leaving a trail of iridescent light in its wake.

                “It’s so beautiful,” said Malové, suddenly appearing behind them and startling the three witches. “I want one too. You’re naughty to leave me alone at the big table, as if I were being punished.” She pouted playfully, her eyes darting toward the array of treats and decorations that had caught her attention.

                Jeezel exchanged a quick, amused glance with Eris, who quickly composed herself. It was going to be one of those long meetings.

                #7578

                When Eris gave Jeezel carte blanche to decorate the meeting room, Frella and Truella looked at her as if she’d handed fireworks to a dragon. They protested immediately, arguing that giving Jeezel that much freedom was like inviting a storm draped in sequins and velvet. After all, Jeezel was a queen diva—a master of flair and excess, ready to transform any ordinary space into a grand stage for her dramatic vision. In their eyes, it would defeat the whole purpose! But Eris raised a firm hand, silencing her sister’s objections.

                “Let’s be honest, Malové is no ordinary witch,” she began, addressing Truella, Frella, and even Jeezel, who was still stung by her sisters’ criticism of her decorating skills. “We don’t know how many centuries that witch has been roaming the world, gathering knowledge and sharpening her mind. But what we do know is that she’d detect any concealing spell in a heartbeat.”

                “Yeah, you’re right,” Truella agreed. “I think that’s the smell…”

                “You mean based on your last potion experiment?” snorted Frella.

                “Girls, focus,” Eris said. “This meeting is long overdue, and we need to conceal the truth-revealing spell’s elements. Jeezel’s flair may be our best distraction. Malové has always dismissed her grandiosity as harmless extravagance, so for once, let’s use that to our advantage.”

                While Eris spoke, Jeezel’s brow furrowed as she engaged in an animated dialogue with her inner diva, picturing every details. Frella rolled her eyes subtly, glancing off-camera as though for dramatic effect.

                “Isn’t that a bit much for a meeting?” Truella groaned. “You already assigned us topics to prepare. Now we’re adding decorations?”

                “You won’t have to lift a finger,” Jeezel declared. “I’ve got it all under control—and I already have everything we need. Here’s my vision: Halloween is coming, so the decor should be both elegant and enchanting. I’ll start by draping the room in velvet curtains in deep purples and midnight blacks—straight from my own bedroom.”

                Truella’s jaw dropped, while Jeezel’s grin only widened.

                “Oh! I love those,” Frella murmured approvingly.

                “Next, delicate cobweb accents with a touch of silver thread to catch the light,” Jeezel continued. “Truella, we’ll need your excavation lamps with a few colored gels. They’ll cast a warm, inviting glow—a perfect mix of relaxation and intrigue, with shadows in just the right places. And for the season, a few glowing pumpkins tucked around the room will complete the scene.”

                Jeezel’s inner diva briefly entertained the idea of mystical fog, but she discarded it—after all, this was a meeting, not a sabbat. Instead, she proposed a more subtle touch: “To conceal the spell’s elements, I’ll bring in a few charming critters. Faux ravens perched on shelves, bats hanging from the ceiling…a whimsical, creepy-cute vibe. We’ll adorn them with runes and sigils in an insconpicuous way and Frella can cast a gentle animation spell to make them shift ever so slightly. The movement will be just enough to escape Malové’s notice as she stays focused on the meeting. That way she’ll be oblivious to the spell being woven around her.”

                “Are you starting to see where this is going?” Eris asked, looking at her sisters.

                Frella nodded, and before Truella could chime in with any objections, Jeezel added, “And no Halloween gathering would be complete without wickedly delightful treats! Picture a grand table with themed snacks and drinks on polished silver trays and cauldrons. Caramel apples, spiced cider, chocolates shaped like magic potions—tempting enough to charm even a disciplined witch.”

                “Now you’re talking my language,” Truella admitted, finally warming up to the idea.

                “Perfect, then it’s settled,” Eris said, pleased. “You all have your tasks. They’ll help us reveal her hidden agenda and how the spell is influencing her. Truella, you’l handle Historical Artifacts and Lore. Frella, with your talent for connections, you’ll cover Coven Alliances and Mutual Interests. Jeezel, you’re in charge of Telluric and Cosmic Energies—it shouldn’t be hard with your endless videos on the subject. I’ll handle the rest: Magical Incense Innovations, Leadership Philosophy, and Coven Dynamics.”

                #7574

                In a dream that night, Jeezel connected to one of her Neanderthal ancestry who lived and died in Gibraltar. While that Gibraltar Woman, as affectionately named by archaeologists grunted her name with prehistoric fabulousness, Jeezel thought that nowadays her ancestor would deserve a name like Chantelle.

                Chantelle de Gibraltar, a name with flair, mystery and a touch of French elegance.

                Jeezel giggled and her ancestor grunted with satisfaction in recognition of their eternal bond.

                #7562

                It was good to be digging again. The relentless heat of the summer over, the days were perfect for excavating the next hole in her garden. It was hard work and slow hacking off bits of earth almost as hard and dry as concrete, but each day the promise of new finds became more tantalizing and encouraged her to keep working at it. There was not much more of the top layer to remove now before Truella could expect to start seeing bits of pottery and whatever else the deep dark earth had to reveal about its past.

                Unable to see any particular connecting link to the dig (and Truella was usually good at that), she had become obsessed with Cromwell. Maybe she’d find a postcard from Cromwell; everyone seemed to be getting strange postcards these days. The idea of a postcard from Cromwell had wafted into her mind, but it lingered.  What would he say on a postcard? She could imagine him sanding the ink, the candlelight flickering. Smiling to himself, with a stray thought wafting into his mind that someone centuries from now would find it, and wonder.

                “Let them make of that what they will,” he might say, as he handed it to the man in charge of sending postcards to other centuries. “I have one here for you,” the man in charge of the postcards might say by way of reply, “Just arrived. It’s from the future by the look of it, from Ireland.”

                Cromwell may take the postcard in his hand with a feeling of satisfaction ~ all information was potentially useful after all, if not in this life, in the next. Time traveling spies, you could say.  He would take a moment to decipher the unfamiliarly written letters in order to read the message. His eyebrows would raise in mild astonishment to see witches sending messages so openly, so shamelessly, so fearlessly! Five hundred years from now, Ireland would be a heathen primitive nest of superstition controlled by the devils strumpets. It may not be perfect in England now, he might think, but we do try to keep some order.  Frella, he said to himself. Frella. What do you look like, Frella? God’s teeth, why didn’t you send me your likeness, a portrait, on the postcard!  For reasons he couldn’t explain, Cromwell couldn’t stop thinking about the mysterious witch in Ireland many centuries from now.

                #7526

                Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do.  Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.

                 

                Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.

                 

                Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.

                 

                The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia. 

                Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.

                The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.

                Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.

                 When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive. 

                In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.

                In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.

                When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices.  The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.

                 

                So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?

                #7522

                As soon as Eris had left the room, Truella thought for a moment she was hallucinating, as Eris popped back right in through the entrance.

                “So, what did I miss?” Eris asked, looking exactly the same if a little worn out.

                “What do you mean what did you miss? You hardly missed anything, since you’ve just never left!” Truella protested, as the absence of sleep wasn’t cause enough to make her doubt her senses.

                “Ah… I see… Those time-travel shenanigans. Hard to wrap one’s head around sometimes.” Eris said matter-of-factly. “No matter, glad to be back, well… so soon… by your standards. Let’s get back to business then? When’s the next ritual? Don’t we have to brew a potion or something?”

                “No, no, no… Not so fast! What happened to your trip? you have to tell us all, and TIME TRAVEL! Where, when, how, with whom? We want to know all, n’est-ce-pas ma petite Jeezel?”

                “Tsk, tsk. For another time. Suffice to say, I was gone for longer than I wanted, and clearly that nun-witch portal had been tempered with, sent me right in the middle of the darn Middle-Ages. But I can’t tell you more here…” Eris said with an air of mystery. “Stone walls are thick, but not as deaf as Mother Lorena, that’s for sure.”

                #7510

                After everyone got the program for the six rituals, they dispersed. Jeezel observed groups reform and the whereabouts of people. Eris walked alone toward the dark corridors. Truella, Sandra and Sassafras went to the gardens. Rufus followed shortly after, his dark moody eyes showing intense reflections. Jeezel noticed that Bartolo from the convent had been observing the mortician and hurried to catch up with him. Mother Lorena stood as stern as ever in the center of the lobby. She kept cupping her hands around her ears to check if her earpieces were working. Which they weren’t from the irritated look on her face. Silas was in an animated discussion with Austreberthe and the remaining nuns were laughing heartily and running around as if they had overindulged in Sister Sassafras’ hallucinogenic mushroom canapés.

                Jeezel decided to go back to the lounge and explore the antiques, maybe see if there were hidden passageways behind those tapestries. She found Garrett waiting for her in the corridor as if he knew what she intended to do. His deep blue eyes seemed to embrace her whole silhouette in a myriad of unspoken emotions, and when they settle on her emerald green eyes, a subtle grin showed his appreciation.

                “Don’t look back,” he said, his voice a deep velvet baritone. “Old Silas and Austreberthe are looking at us with a very disapproving look.”

                Jeezel couldn’t help but chuckle softly. “And what if they do? We’re not doing anything wrong.”

                Garrett’s grin widened. He took a step closer, the scent of his cologne– a tantalizing mix of cedarwood and bergamot– mingling with the faint aroma of her own enchanting perfume.

                “You intrigue me, Jeezel. More than the rituals, more than any relic or spell.”

                Jeezel laughed heartily. Don’t they say keep your enemy close? I have questions for him. And I wouldn’t mind the company while I’m exploring the area? she thought.

                “I was about to check for secret passages in the old lounge,” she said. “Would you join me?”

                She let him take her hand and guide her toward the lounge. As they entered the heavy scent of aged wood and old books greeted them. Jeezel’s eyes darted to the tapestries lining the walls, each depicting scenes of ancient rituals and forgotten histories.

                “Where do you think we should start?” Garrett asked, his deep voice barely above a whisper, adding to the mysterious ambiance of the room.

                Jeezel tilted her head, considering the possibilities. “That one,” she said, pointing to a particularly intricate tapestry depicting a moonlit garden. “It looks like it could hide something.” She reached out to the fabric and pulled it aside, revealing a wooden door. She tensed when she noticed lingering traces of cedarwood and bergamot. “Or someone,” she added, turning toward him. “You’ve been here recently, have you not?”

                “Direct as ever. Very well. I’m here to protect and help you. You need to be careful with Silas. He has hidden motives.”

                Jeezel narrowed her eyes. “And why should I trust you?”

                Garrett pulled out his crimson handkerchief from his pocket, revealing a symbol embroidered in gold. Her eyes widened as identical to the one on the key Malové had given her.

                “How did you get that?” she asked.

                “Malové entrusted me with this,” Garret explained, “to show her chosen allies. I was told to seek you out and offer you my assistance. This symbol matches the one on your key, doesn’t it?”

                Jeezel felt the weight of the key in her purse. She hadn’t shown it to anyone, not even to her friends. She felt even more confused than before. It was possible that Silas would try to divert her attention from him if he was against the merger. And what better way to do than alert her to unknown enemies. The fact that Garrett knew about the key just added a layer of complexity to the situation, but also a layer of excitement. She wondered what game was being played here, and who were the true players.

                “Alright, Garrett,” she said, her voice steadying as she added, “I’ll hear you out. But if you’re lying, you’ll regret it.”

                He nodded. “Faire enough. Silas isn’t just interested in the failure of the merger; he’s got his own agenda. Something to do with ancient punic artifacts and power that could rival even the Crimson Opus. And he’s not the only one. There are some ancient Punic families that are looking for the same things.”

                Jeezel’s heart skipped a beat. If Silas was after the same kind of power, it could jeopardize everything—the merger, her mission, and possibly the balance of power in their world. Jeezle felt she was in way over her head. She had to breathe and connect to her inner Queen’s innate knowledge in order to slide into her role of leader.

                “Then, I accept your assistance,” she conceded with a slight node. “But this doesn’t mean I trust you, Garrett. You’ll have to prove your loyalty.”

                Garrett folded the handkerchief back into his pocket. “I wouldn’t expect anything less. For now, let’s just say our interests align. And if we work together, we might just come out of this with everything we need—and more.”

                “Then show me where this hidden door lead!”

                #7504

                After the meeting, Jeezel and Silas agreed on what the six rituals would be. The integration rituals were designed to unite the groups symbolically and spiritually. They were multifaceted ceremonies that combine elements from each group’s traditions to forge a shared sense of purpose and harmony, mediated by the mortician’s guild. Given the diverse nature of the witches, nuns, and morticians, these rituals needed to be both inclusive and meaningful, drawing on the unique strengths and spiritual practices of each faction.

                The program they distributed to each participant was as follow:

                Under the guidance of the Ancient Telluric Forces of the Dragons

                1. The Invocation of Unity

                Purpose: To call upon the spiritual and magical forces that guide each group and seek their blessings for the union.
                Components:

                • Witches: Incantations and invocations to elemental spirits and deities.
                • Nuns: Hymns and prayers invoking divine blessings.
                • Morticians: Rituals honoring the spirits of the departed, seeking their guidance and protection.

                Symbolism: This ritual emphasizes the shared respect for higher powers and the mutual desire for harmonious collaboration.

                2. The Weaving of Fate

                Purpose: To create a physical symbol of their intertwined destinies.
                Components:

                • Witches: Magical threads imbued with protective charms and blessings.
                • Nuns: Sacred textiles woven with prayers and religious symbols.
                • Morticians: Ribbons representing life, death, and the transition between them.

                Symbolism: By weaving these threads together into a single tapestry, the groups create a tangible manifestation of their unified path forward.

                3. The Concordia Cauldron

                Purpose: To brew a potion that represents their collective energy and intent.

                Components:

                • Witches: Magical herbs, crystals, and other mystical ingredients.
                • Nuns: Holy water and sacred relics.
                • Morticians: Ashes from ritual fires and symbols of purification.

                Symbolism: The potion, once blessed and distributed, serves as a means of internalizing the collective spirit and shared goals of the unified group.

                4. The Harmonious Choir

                Purpose: To blend their voices and energies in a powerful, resonant harmony.

                Components:

                • Witches: Chants and spells sung in unison.
                • Nuns: Choir hymns and sacred music.
                • Morticians: Melodic recitations of ancient rites.

                Symbolism: The act of creating music together represents the harmony they strive to achieve in their collaboration, with each voice contributing to a greater whole.

                5. The Altar of Convergence

                Purpose: To create a shared sacred space where offerings and symbols from each group are placed.

                Components:

                • Witches: Ritual objects, such as wands, crystals, and candles.
                • Nuns: Holy relics, icons, and prayer books.
                • Morticians: Mementos of the deceased, symbolizing the continuity of life and death.

                Symbolism: The combined altar serves as a focal point for their united efforts, a place where they can come together to seek guidance and reaffirm their commitment to the union.

                6. The Ceremony of Reflection and Projection

                Purpose: To reflect on the past, acknowledge individual and collective strengths, and set intentions for the future.

                Components:

                • Witches: Scrying mirrors and crystal balls for reflection and foresight.
                • Nuns: Candles representing illumination and enlightenment.
                • Morticians: Artifacts representing the cyclical nature of life and death.

                Symbolism: This ceremony encourages each member to contemplate their role within the new union and visualize the path ahead, fostering a sense of shared vision and purpose.

                Supervision by Jeezel and Silas

                Jeezel: With her deep connection to magical energies and her knack for emotional resonance, she will ensure that each ritual maintains its mystical integrity and spiritual depth. She will guide the participants in channeling their energies harmoniously and with clear intent.

                Silas: His analytical mind and authoritative presence will bring structure and order to the rituals. He will ensure that each component is meticulously planned and executed, maintaining the balance between tradition and innovation.

                Together, Jeezel and Silas will oversee the integration rituals, blending their unique approaches to create a unified and cohesive experience that honors the diverse traditions of the witches, nuns, and morticians. Their combined leadership will ensure that the rituals not only symbolize but also spiritually solidify the union of these distinct groups.

                Now, all that remained was to ask for volunteers or to assign the roles in the rituals to everyone. And for Jeezel to reveal the hidden mission to her three friends.

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