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It caressed the bottle it had stolen from the house, purring like a cat. Gorrash had never seen such a being before. Nor had his maker, as far as he could tell from the residual memories of the sculpting process. The creature looked somewhat transluscent and its movements felt unnatural. It reminded him of how water flowed from the surface of his stone skin during a rainy day.

Gorrash didn’t understand how it got the flask. Its paw had just flown through the glass and brought back its glowing prize without breaking the window. He had blinked several times before being sure the window had been closed.
That is interesting, Gorrash thought. He had never dared enter the house, fearing to be trapped inside.

The creature suddenly backed away and hid into a bush. There was movement inside the house. Gorrash returned quickly to his usual spot before she could see him. The human of the house was closing the window for the night. He didn’t understand that either. As far as he could tell, night was the best time of all, especially in winter when nights were longer. A couple of bats flew above him and as they became silent he knew there were a couple less mothes in this world.

Gorrash was still curious about the creature. He went to the bush near the window; you would be surprised how silent a stone dwarf could be. He moved the leaves apart and saw the flask on the ground. It was unopened but empty. The dwarf picked the bottle up from the ground. It was kind of wet. But no sign of the creature. He looked around the garden, with the moonlight it should be easy to spot. But the night was quiet and empty.

As he walked under the old oak tree, a satisfied purr from above attracted his attention. Gorrash looked up and there it was glowing and pulsing with flowing patterns of colors perched onto a branch like a christmas decoration.

Gorrash scratched his stone beard with its tiny hand. It was high for a dwarf. He had never climbed onto a tree, and he doubted he could do it one day. Mostly he feared the fall.

“Hey”, he called. The creature continued to purr and glow as if it heard nothing.
“Hey”, he called again. The creature continued to ignore him.
Gorrash looked at his feet and found a few pebbles. I hope it does not hold grudges, he thought before throwing the first stone at the creature.

It flew right through the creature’s body. Gorrash shivered thinking it might be some kind of ghost. He hesitated a moment, considering his options. But he had been alone for too long, even a ghost would be good company. He threw the other pebble which flew right through the creature again but this time he had calculated so that it would also bump into the bark of the tree.

It was enough to get its attention. The patterns of colors were pulsing more quickly, but were still harmonious.
“Hey! I’m down there”, Gorrash said. This time the creature looked down. The dwarf waved his hand. He was not sure but the rainbow creature looked a tad drunk. He wondered what was in that empty flask.
“You care to get down a moment ?” he asked.
“Mruiiii”, answered the creature with what looked like curiosity.

“I’m not falling for that, Finnley. And I was being sarcastic, not humble. As if!” Liz snorted. “You silly goose. Now then, where is Godfrey and that scrumtious gardener, what’s his name? I’m reminded of a story.”

“Roberto? Didn’t you send him to another thread? Or turn him into a dastardly escaped criminal, or psychic double agent or something?” asked Finnley, who had come to her senses and removed the strange grimace masquerading as a smile from her otherwise rather sweet and curious face.

“That’s much too long, Liz,” she added. “A “strange grimace masquerading as a smile from her otherwise rather sweet and curious face”? Bit wordy, isn’t it?”

“Finnley, please!” Liz was aghast. “You know you’re not supposed to do that!”

Corrie:

Sometimes I wish I’d never started this, but somehow I can’t stop. It’s daunting, with bits of the story here, there and everywhere (and sometimes, nowhere). A bit like starting a huge jigsaw puzzle when you wonder where to begin, or what even is the point. But then all it takes it that little flutter when two pieces fit together to spur you on to find the next.

When I’d chanced upon Aunt Idle’s private blog, coincidentally on the same day that I’d found mater’s old paper spiral notebook with that loopy old fashioned writing, I had an idea to put together a story, the story of the flying fish inn. Because there was something funny going on here, and I wasn’t sure what it was, but it felt like the story wasn’t over yet. So some of the pieces were nowhere yet, obviously, but many had fallen elsewhere, for various reasons.

It’s the Wall of Watches, where the last remaining heart beats of the condemned live on, refusing to be forgotten. The wall itself is high, with chains crisscrossing it’s face to keep a patchwork of boards in place. Threaded into the chains, however, were the watches of those who died at the wall.

The watches hung from each other. There would be one watch attached to the chains and then more watches would be strung on it’s bands. It was a practical solution to diminishing real estate on the wall, but it was metaphorical as well, representing the interconnection of hearts and souls.

Most watches were mechanical, but wound by the movement of handling. On the day of their death, or if they expected it, they’d run to the wall and fit their watch to the chains. Well-wishers would visit the memorial and handle the watches to both keep them going and to remember their loved-one once more. As long as the ticking continued, it was said that their heart remained beating in this world.

The guards would walk the condemned men past the wall to remind them of the people who came before. Dissenters.

As a line of men shuffled past the wall, an inmate leapt out of line and furiously fumbled with his watch, trying all he could to attach it. There was always one. One guy would become so overwhelmed by the empathy of the symbolism, would connect so strongly with the wall, that he’d leap out of line and attach his watch…an act which would be paid for by immediate death.

A guard watched with a certain pity. The orders were to shoot on sight, but he would let them have their last act. Right as the band slipped through the buckle, a shot was fired and the inmate fell in a lump.

All of this seemed so familiar to Aaron…or was it? Is this where he was supposed to be? He had a sudden moment of clarity while standing in that line, watching his fellow inmate fall. What was he doing here?! It was one of those moments that hits you. What in the world is all this bullshit?!

He loosened the belt on his watch as he drew closer to the wall, not wanting to seem suspicious. He would attach his watch, willingly and premeditated. Their expectations of him would not hold him ransom…rather, he’d use their own expectations against them. They would not kill him. He was in control. This was his time. This was his life. He was taking it back.

And, right as he slid the belt through, he got one last look at the black face of the watch…

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

Hilda regretted her decision to fly to the British Isles, now that she was caught up in all the Fuxit brouhaha. The mysterious plague doctor in Chester had turned out to be nothing more than a common madman, looking for a party to crash. The Mexican band with a wheelbarrow full of bricks welcoming the orange toupee’d buffoon from the west had been momentarily amusing, but was nothing more than another common madman looking for a party to crash as far as Hilda could see, and not worth further investigation, but the madness that had enveloped the country over the Fuxit was another matter.

Exit mania had swept the country ~ and not only the country, but the continent as well. Doors were falling off their hinges on buildings across Europe with the rush of people demanding to leave, or trying to keep others out. Irate women were pushing their husbands out of the front door and locking them out, while shop assistants slammed the doors shut on customers, exercising their rights to determine who should be allowed in, and who should leave. “Exit” signs on motorways were set alight and exit ramps barricaded, lighted exit signs in nightclubs were smashed. Herds of dairy cows smashed down gates and roamed the streets, and sheep huddled next to boarded doorways.

Itinerant builders were in high demand to fix broken hinges on gates and doors, and the memes about the population becoming unhinged quickly ceased to amuse in the utter mayhem.

Hilda decided to get a flight back to Iceland as soon as possible. As an investigative reporter, she knew she should stay, but justified leaving on the grounds that a wider picture was imperative. And frankly, she’s seen enough!

But leaving the beleaguered nation was not going to be easy. The airline websites had been closed, and the doors on the travel agents had either been boarded up or had been removed altogether, and nobody was staffing the premises. The motorway exit ramp to the airport had been barricaded. Not to be deterred, Hilda left her hire car on the side of the road, and dragged her flight bag across the waste ground towards the airport building. The place was deserted: the doors on all the aircraft had been removed, and emergency exit signs lay smashed on the tarmac.

“Then I have no other option,” Hilda said, “But to teleport.”

Dispersee sat on a fallen tree trunk, lost in thought. A long walk in the woods had seemed just the ticket to release her from her turbulent thoughts, but alas, she had been unable to stop thinking about the ramifications of the new message from the popular ghost.

At first she had been delighted to see it. She had agreed with it. But then she wondered why. Because she already knew all this, and in fact, it was information that could so readily be gleaned by anyone at all simply by engaging ordinary common sense, and run of the mill human compassion. Nothing esoteric was needed. No enlightened messages from the great beyond. In fact, she had said the same as the ghost, and on many occasions. The truth of the matter was that one had to be dead these days to be heard. Nobody was interested in the wise words of the living anymore. It could almost be said that nobody was all that interested in living at all: everyone wanted to be in the future, or the past, or in some other dimension, or planet, or not even physically alive at all anywhere. The individuals in the ascension process were particularly infected with this strange disorder: many of the ordinary uninitiated public were already quite well aware of the contents of the message and were already actively engaged in the process. It was as if the interest in so called shifty matters was an obstacle, an ugly carbuncle over the heart.

Dispersee seriously wondered if the whole shift thing had been a good idea. She was beginning to doubt that it was. The alacrity with which people relied on messages from ghosts at the expense of exercising their own powers of deduction and intuition had caused the whole plan to do disastrously wrong. People didn’t even know how to behave like people anymore. Not only were they afraid of other people, afraid of their governments, afraid of their food, of the sun and the water and the very earth itself, they were afraid of their own human responses, or had forgotten them altogether.

Did it really need a ghost to advise people on media propaganda, and remind them to be compassionate to others who were on an incredible journey, an extraordinary movement during these times of change? And more to the point, did Dispersee need to be involved at all in this futile ascension malarkey?

Suddenly there was a piercing scream.

Finnley’s face had turned white—although later she would claim it was not fear but rather the cucumber mask giving her face a death-like appearance—and she was pointing a shaking finger in the direction of Roberto’s derrière. Or more accurately, towards where Roberto’s derrière had been prior to the scream; like the others, he had jumped up in alarm at the ear splitting noise.

“What the devil is the matter?” gasped LIz. She grasped Finnley’s shoulders firmly and shook her. “Pull yourself together; it’s just a bum crack. I know it is a long time since you will have seen a man’s bum, but really as I keep saying to you, if you will just smarten yourself up and make a bit more effort. I mean, look at you; you’ve got vegetables falling off your face ….” Liz shook her head in confoundment.

“It’s not the bum crack,” snarled Finnley, recovering her usual unflappable composure. “It is the tattoo on his bum. The tattoo of the girl with the glass feet. Do you not know what that means?”

Roberto’s eyes narrowed as he began to back away towards the gate.

In all the excitement, nobody noticed Godfrey picking up the sticky and ripped shreds of paper which Liz had let drop to the ground.

Or did they?

“What happened to you, Finnley ?” asked Liz. The maid, usually neatly permed looked dishevelled and had forgotten to remove her cucumber mask.
“The delivery man”, began Finnley, “He said someone ordered 30.”
“30 what ?”
“30 crates of carrot champagne.”
“Carrot champagne ? I didn’t know they could make alcohol out of carrots,” said Liz. She pouted lasciviously, thinking of what she could do with all that champagne. She had never taken a bath in champagne, that could be a first. She would have to be careful with the carrot tan though.
“They can do alcohol with anything”, added Godfrey.
“Who ordered that ?” asked Liz, “And why 30 crates ?”
“Apparently, it’s your cousin Badul”, said Finnley. A cucumber fall off her face.
Liz’ lips closed tight at the mention of her cousin.
“It’s Badul’s intention to have the wedding at your property.”
Liz dropped her spaghetti hat on the freshly mown grass. Roberto bent over, showing even more of his crack, to pick up the hat before it attracted ants. Liz bit her lips.

That’s funny, Roberto thought, a bunch of nonsense.
“What’s that ?” asked Liz, her curiosity picked by the alluredness of a strand of words.
“It just fall off your hat”, said the gardener. He looked at the woman, thinking about what Godfrey had told him. The sunlight certainly made her look radiant. He noticed that the red of her lips was the same as the red rose bush he was just taking care of.
Liz took the paper.
“Be careful, It’s sticky”, said Roberto.
“Say something I don’t know, dear.” She tried to get rid of the paper, tearing it in several pieces in the process.
“I wonder…” she began, “Finnley”, she called waiting for her help. She would certainly know. She had a habit of sticking her nose everywhere.

“I go away for a little holiday—and Flove only knows I deserve one—and the whole story falls to pieces. What a mess!” muttered Finnley crossly.
“I do think you are being a little harsh, Finnley,” sniffed Liz huffily. “But then you always were prone to exaggeration. It is all those ridiculous Lemonolol novels you read.”

Mater was more relaxed now that Finly had everything run smoothly at the Inn.

Granted, not all was to her liking, such as her choice of marmite against the usual favourite vegemite, but if you had to make some concessions to retain the staff, what the hell.

Finly had set up more strict rules for the children, which was a necessity. No parents, an irresponsible aunt, and frankly, herself was at an age where she had done her share of chores.

She wondered if the girl was not secretly trying to bribe her with the right mix of strength and kindness. After all she had offered to do her a facelift mask with manuka honey from her hometown. As if she would fall for that. At her age.

She had answered to her quite firmly to make things unequivocal And then, are we going to braid each other’s hair? The poor girl had looked a bit confused, but then very quickly went back to her tasks after muttering some sort of apology.

“While you are doing the upper floor,” Mater added with some afterthought “you should have a look at the attic, there seem to be a strange racket…”

“Yes, M’am, certainly. Probably rats. I’ll call the exterminator, M’am.”

If only that were so simple… Mater thought to herself.

I found Joe near the fallen bridge. He was sobbing. I approached silently and put my hand on his shoulder.
“Are you alright, mate ?”
“Yes I’m alright”, he snorted. “You remember when we used to play there ?”
Of course I remembered, we called it the bridge to nowhere. I’ve never really understood why Bert had built that bloody bridge. Jasper told me after the blast that the old man also made sure nobody could use it again. That was no surprise. Old Bert was a tight as a duck’s ass when it came to his craft. That’s why he never could make it in his trade, if he didn’t like what you did of one of his creations he’d rather smash it up so that no one could use it afterward. Always the sneaky one.
“I remember”, I said. “Your face looks like a Panda.”
He snickered. “You know my father. He’s got a liking for China.” He laughed, but it felt forced. Anyway, I laughed with him. There was no point in bringing up the gloom, we needed fun.
“Let’s take a dive!” I said. Hoping to change his mind. He tried to smile but cringed as his face must have hurt badly. When he removed his shirt, my heart sank as I saw the dark marks on his chest and back. No pushing him in the water.
“Last one to reach the other side of nowhere!” he shouted before jumping in the cold water.
“That would be you!” I roared. Naked in the wild, at least as close to the wild as you could have here, I felt like a lion, full of strength, dangerous.

Corrie:

I woke up this morning with an idea in my head, and I don’t know if I was dreaming about it or if it just popped in, in the brief moments between sleep and waking. I made a connection with the topic I was doing an anthropology report on, and something I’d forgotten. No, not forgotten, it wouldn’t be true to say I’d forgotten it as it was always there at the back of my mind niggling at me that there was more to it somehow, but I hadn’t made the connection so obviously with the current project.

My research was about disconnection, and the separation agenda of the American channeling dream. At first I felt driven to explore particular areas and then piece by piece the puzzle that had nagged at me for years ~ I say years, it felt like years, but maybe it wasn’t so long ~ started to fall into place.

At first when I woke up the idea of censorship was in my head and the idea to start a petition and public awareness campaign about certain channeled texts that were withheld from public viewing, despite repeated requests for them to be public along with all the other texts. But then it occurred to me that censorship and omission wasn’t always deliberate. I mean, not a conscious choice to keep information secret, but something else. Almost like a case of some information not being seen clearly through the filters, yet for some reason dismissed as not fitting, and pushed away, almost unconsciously, and suppressed.

The text was about disconnect mainly, and there was some stuff about Nazi’s although the part about animals was the part that had stuck in my head, probably because I felt more connected to animals than Nazi’s. There were more animals growing up here than Nazi’s after all, Nazi’s was only something I’d heard about. But then it occurred to me that I’d been hearing more and more about Neo Nazi’s, in Europe mainly, forming groups and having protests. So that got me wondering about that too.

Anyway, the disconnect part: it was the reaction on the American channeling forums to the Ferguson riots that started me on this project, and Aunt Idle was full of encouragement when I started to explain to her what I was noticing. She said she had noticed similar things in her remote viewing circle online. Everyone seems to think Aunt Idle is losing her marbles, but don’t you believe it. She seems vacant and scattered but that’s only because her mind is occupied elsewhere.

The gist of this suppressed text was extreme separation, but it was the part about using words to seem enlightened to hide extreme disconnect that seemed to fit my project.

I did have to chuckle though, I wondered if I was being a racist by calling Americans disconnected as if it was a racial characteristic. More of a cultural thing, I suppose, can one be called a culturalist as if it’s a bad thing? I don’t see how you can study anthropology without a certain degree of separating into cultural groups though, even if it is shift anthropology. I’ll think about that a bit more later.

Mater:

I am picking some grass for the guinea pigs. Delicate wee things; they don’t handle the heat well and I have moved them to the shelter of the shed. The wind has come up strong and I am enjoying the cooling it brings with it. The long grass bends away from me as though seeking safety from the scissors I hold in my hand. For a moment the wind subsides and I can feel how the sun is burning my neck so I take refuge in the shade of a tree.

Thinking time.

I heard Prune crying out last night in her sleep. She had already fallen back asleep when I went to check on her. It crossed my mind when she cried out that she may have seen the ghost too. I asked her about it in the morning but she did not seem to recall her nightmare.

“I slept liketh a log but I thanketh thou for thy kindness in asking dearest Mater,” she said to me.

”Enough of that cheek!” I told her, but was privately relieved she was okay.

Anyway, It has been twice now. I wake and there he is, over by the antique oak chest in the corner of my room. At first I can’t move or call out. And by the time I can he has gone. When I say “gone”, I don’t mean he walks out the door. He just sort of fades away. He has his back to me so I can’t tell you what his face is like. All I can tell you is that he is tall and he has on a blue robe, in a silky fabric, almost like a dressing gown with a tie in the middle.

There, I have told you now. You may be thinking it is just a silly old woman’s dream. But you don’t get to my age without having plenty of dreams, and this was nothing like any dream I have ever had.

Corrie:

Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.

“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”

How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.

Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.

Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:

“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”

Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.

Sighing, I refocused on the article.

“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”

No mention of a room full of map covered mannequins in the Brundy place though.