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In reply to: Random RewrEights – The Del’Eights thread
In reply to: The Eights’ Shift, Stories
“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.
“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”
“Lost your thread, LizAnn?” inquired Gordon, smugly.
“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”
“Finish? Well, that will be a first.”
“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”
“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”
In reply to: Strings of Nines
After five years of training of the dragon twins, Irtak was to do for the first time an act that would finally make him not just a dragon rider, but a dragon breeder in his own right. He had to part ways with them.
It was harder than he’d expected. He knew that if he wanted to bring more dragons into the great stream of the Duane’s life, he couldn’t only focus on the two buoyant twins. It’d taken them that long to manage channeling the intense energy of the two, and balancing their thirst of discovery with patience and adequacy of action.
Parting now was almost heart-breaking for him, even though the dragons had been reassuring they were only longing for new adventures with new companionship.In fact, they were so longing that they would have almost gone with any stranger, or perhaps even just on their own —reluctant as they were to admit they also greatly enjoyed human’s company. However, Irtak wanted to make sure they would be taken care of by not just anybody; as powerful as dragons were, the two were almost innocent and very young for that race, and they would greatly benefit from some wise tutelage.
Now that Malvina had left the cave, he didn’t know who to turn to for advice, and was feeling a bit forlorn, though his glubolin was still working fine. He’d been thinking about it for quite some time, and realized that some travel would really do him good, so he finally began packing.
The Southern Shores of Lan’ork would make a great destination to find a proper owner for the twins, and an interesting starting point for new adventures.In reply to: Random RewrEights – The Del’Eights thread
ON THE STREETS OF THE thieving ladies you got Magpies. I know magpies, and it’s looking good, you courageous co-Marshall finely dressed woman, victim of your gentle self no more. I will save you from listening.
You and me is of mutual benefit. I will let you be my eyes for we could all be laughing DURING THE REIGN of Marshall.
In reply to: The Eights’ Shift, Stories
“Mmm, they can use whatever politically correct word to say Ann isn’t having a serious case of Dissociative Identity Disorder, but frankly her speaking to herself would be really worrisome were it not for that all that Shifting around.” Growdon was discussing with Franny.
“Yes,” she nodded with a soft and contagious smile, “doesn’t it look like she denies herself her physicality by burrowing inside the meanders of her short-span attention so deeply and carelessly?”
… “Oh,” she added swiftly covering her fine lips painted purple with her long fingers, seeing the look on Growdon’s face “I’m not suggesting that… No, don’t be silly”Growdon was finding Franny so delicately considerate about their friend.
He gave the thought a time to sift through his perceptive mind, while looking at the red roses of Geroges and Franny’s store, and had to come to the same conclusion. It definitely looked like Ann was always avoiding to flesh out her DID characters, perhaps out of fear of the dreaded lack of continuity or palatable tangible proof (that as much dreaded “P” word) of the reality of her visions. Truth be told, he and Franny and Geroges were finding her bouts of imagination quite fantastic on their own, they didn’t really need any proof whatsoever. But sincerely they all needed to get a grip!
In reply to: The Eights’ Shift, Stories
“Let’s put it this way” Ann continued, “Tis better to allow the snippets to flow out than to bottle them up, which is where the expression ‘to rack ones brains’ comes from. Rows and rows of bottles of thoughts on metal racks in a dusty cellar, contained within the confines of the glass, denied freedom of expression, and all because the Bottle Rack Attendant, or BRA for short, refused to set them free to find their own way in the world of infinite individual storylines.”
In reply to: The Eights’ Shift, Stories
Lavender was a little peeved she did not win the trip to the Worserversity for her fine limerick. She was wondering if she may drop out of Gubby’s course and enrol in one of Prof Moosy’s underwater dolphin experiences.
In reply to: Scrying the Word Cloud
Cleaning gave lack circle reality
Under sudden strings essence saying morning soft
Liked himself baby aspidistra case fine whole dark shaIn reply to: The Eights’ Shift, Stories
“To be perfectly honest dear, I wouldn’t be very outwardly lovely if I were to be honest.”
“Another of your convoluted ways to say it’s rubbish” Lavender said with a smile “But that’s fine, you know. It’s also meant as a test of honesty… And as I’m not sure you heard it properly anyway, a little honesty wouldn’t have hurt you know.”But it seemed Harvey’s attention had already gone somewhere else. “Are you even listening to me?” Lavender said with a lovely voice practicing the delicate guttural accents of Sloopernoff, snapping back Harvey’s attention to the conversation.
“Oh, you were speaking… I’m sorry, I’m starting to worry that Ann’s narcolepsy is contagious.”
“Always the worrywort…”As they were talking surrounded by the soft dusty specks of the library (which every time annoyed Lavender quite extensively, as she wasn’t so fond of the taste of dust bunnies and didn’t see with the same eye as Ann the archaeological value of burying useful things in dust), Gremwick the mad Dean of the Worseversity passed by with a yellow sticker stuck to the back of his trench coat.
“Looks like mad old Gremwick isn’t doing so good recently hey… Seems like he was droning about taking the students’ courses to check on their quality last time we heard of him…” Lavender looked empathetic.
Harvey was smiling “If you ask me, he might just be wanting to know if the rumor of Prof Gubby’s nine nipples were true or only sheer fantasy”
“I wonder which perverted mind’s fantasy it could be” sighed Lavender unimpressed.In reply to: The Eights’ Shift, Stories
“What do you think Harvey? It is my first assignment in the new writing course. I really think I have made progress with my limericks.” Lavender beamed proudly at Harvey. “It is written in Sloopernoff and is full of rich symbolism, indeed, it cleverly elaborates on the symbolism in a coded form inherent in the precise rhyming structure required for the pure art form of the limerick poem. I think Gubby will be impressed. Okay, put down that zebra and listen:
They made a fine statooe of Melon
which pissed off his thirteenth wife Ellen
When a pigeoon stoopped by
She said with a cry
That man was a nasty oold felon!”In reply to: The Eights’ Shift, Stories
Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.
…now…excite…
What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…
…someone…
Ah, but who? Who shall I excite?
…pointed…
Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…
….time
Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.
There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.
“Do teleport stations have door knobs, Ann?” Pedro interjected.
“Oh!” Ann was momentarily non plussed.
“Non plussed? Is that a word?” asked Pedro.
“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”
The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.
“I thought the assigment wasn’t to design a teleport station?” asked Pedro.
“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”
“I’m glad you pointed that out, Ann” remarked Pedro helpfully.
“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”
“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”
In reply to: The Eights’ Shift, Stories
Arona had no idea what dimension she was in. Or indeed, whether she was where she was at all. Oddly enough, and it was not often now that Arona found anything odd, she was finding the experience rather freeing.
“Weeeeeeeeeeeeeeeee Hoooooooooooooooooo” she shouted, and holding her arms wide open, began to whirl joyously around, till dizziness overcame her and she landed in a heap on the ground. She expected to land in a heap on the ground in a soft meadow with pretty spring flowers, but to her consternation realised that she had landed on what felt like polished concrete. She was even more concerned when she realised that she had a large audience watching her with interest, although at that stage all she really took in was a sea of feet around her. On further inspection she appeared to be in what looked like an enormous building full of shops, and, shoppers.
“Are you okay?” A kindly gentleman asked her in a concerned voice. At least that is what Arona thought he said. Although the words were familiar, the accent was strange, and not one she had heard before.
“I am fine, thank you,” replied Arona, trying her best to appear composed and rise gracefully from her sprawled position all at the same time. She must have looked convincing because, after a few more curious looks in her direction, the crowd began to disperse.
Good Grief, where am I now? she wondered. Determined not to be alarmed and to go with the flow, however rapid that flow may be, the intrepid Arona set off to explore her new surroundings.
“Wait!”
Arona looked around. It was the strangely spoken gentleman who had first offered assistance. He was brandishing a book towards her.
“Take this book. It is no good for me.”
Arona hesitated. The last time she had heard those words she had ended up with a funny little baby to look after. The man was insistent though, so, thanking him politely Arona accepted the gift.
“Hmmmm, How to Write Fiction, how very peculiar!” Flipping it open randomly she read:
[Random Words Epigraph] Step One: Randomly choose 5 entries from your dictionary. Just flip through the pages, close your eyes, and put your finger down on the page. Copy down the word that is closest to your finger. If your finger lands on a word that you don’t know, you can choose the word just above or just below it. For the purposes of this assignment, count paired words as a single entry (for instance, “melting pot” is listed as a single entry). Step Two: Shape your list of dictionary entries into a poem or story, using all of the entries.
“bugger that,” snorted Arona.
Topic: Probably Real
She woke up at noon and it was 100 degrees, or 37 degrees, whichever you prefer, but whichever way you look at it, it was not a good temperature to wake up to. Everything was pointing in the direction of going solo, playing the game on her own for awhile, or at least until she was in a regular habit of giving herself priority, giving more attention to her own creative pursuits, and less time to the futile attempts to keep group projects going. She supposed for a moment that making a start whilst hot, tired, discouraged and confused was not the most ideal mood for a start, but at least it was a start. She wasn’t even entirely sure what it was she was actually starting, but suspected that it didn’t much matter, in the grand scheme (or lack thereof) of things.
She’d had a moment of inspiration when she started reading a book. She’d only read a few pages and had no idea how the book would turn out, but the format was interesting. Julie had had an idea, simmering on a back burner for years, to write a book. It always seemed to want to be an autobiographical book, and that’s where she always came unstuck because she couldn’t see the point of that, not that she was overly concerned about whether anyone would want to read it or not, but she often came unstuck when she wondered about how all the characters in the book might feel about it, which is why that moment of inspiration in the bathroom the other day seemed like such a good idea.
She could write a book about a probability party, perhaps called ‘Probably Real’, (maybe with the subtitle ‘Probably Not’.) There would be an occasion, the details of which she hadn’t worked out yet, in which various (not all, she soon realized!) of her probable selves met ~ such as in the Atkinson book, in some quiet desolate place with no interruptions (obviously somewhere with no internet connection, although there was always the danger of picking up a freak broadband WiFi), where they had all the time in the world to tell their tales, compare notes as it were.
Which was where the fiction idea came in ~ of course! Just call it fiction! Would just one of the probable selves be telling the truth, relating the only true version of Julie’s life? And if so, which one was the real probable self? All the characters in the book would have probable selves and probable lives; which of them was the real probable self, the official version? No-one would ever know.
Of course, anyone versed in the metaphysical mechanics of probabilities and such would realize that all probable versions are real, at the same time as all being, in a certain sense, fiction ~ made up. The only question was, would that be too unlimiting to contain within the confines of one book, but time (so to speak) would tell.
Procrastination had set in, as usual, not that that is a bad thing, and things pretty much carried on as usual for a few days. Julie noticed the puppy tugging at a particular magazine from the bottom of the magazine rack over the course of those few days, and eventually the magazine was rather pointedly poking out from the bottom of the pile, it’s title clearly showing: a booklet on How To Write FICTION, with FICTION in big letters.
Never the less, the procrastination continued, although the clue was duly noted. It hadn’t been the first time a Writing A Book incident had occured.
It was easy, in this case, to remember that date, because it was right around the time of the 1999/2000 milenium party, right around the time when that particular roller coaster had derailed. While unpacking the boxes of books and putting them on the shelves of yet another rented house ~ a particularly garish and tasteless monstrosity, a drug baron’s dream of unfunctional largeness with hideous coloured glass windows (it’s the sheer randomness of the colours that’s so awful, G had remarked) ~ a book flew off the shelf, quite literally, and landed alone in the middle of the floor some distance away from the bookshelf.
Becoming A Writer was the name of the book, and the funny thing was that she had been thinking of writing a book but didn’t know where to start, and had been toying with the idea of buying a book on writing a book. So she read the book and started writing, a little bit every day, following the books advice to just start writing, even if it’s just ‘I can’t think of what to write’. There was plenty to write about as it turned out, but circumstances changed, another sudden move of house ensued, another rollercoaster ride, and the writing stopped for awhile.
But back to the book, Becoming A Writer. For a long time, Julie had no recollection of buying that book, and wondered by what magic had it appeared at her feet. Many years later she perhaps would have simply accepted the magic, and would have known that she created the book in that moment. But at the time she didn’t, and in due course constructed a memory of buying the book some years previously at a car boot sale somewhere along the coast road.
(We did buy the book, piped up PSJ2, and I actually read it, unlike you, as soon as I bought it. My 5th book is about to be published, a lightweight comedy/detective series about the Costa del Crime)
PSJ2’s interjection reminded PSJ1 (Good grief, we’ll have to think of a solution to the probable self names, she noted) that she had in fact started writing a book about the Costa del Crime, called Peregrino’s, or perhaps that was the name she’d given to the bar, the central hub, of the book. Of course, that was in the days when bars had been her central hub; she doubted very much if she would choose a bar as the central hub of a book now. She hadn’t got very far with the book, and had burned it when PSA1 got busted, just in case. What to do first, bury the (probable, it must be remembered) pump action shotgun, or burn the book. She had buried the gun, under cover of darkness, in the back garden, wrapping it in plastic bags and blankets, making it look for all the world like the body of a dead child. It was dark, it was raining, and there weren’t many neighbours out there in the orange groves, and she could do no more than hope for the best that she hadn’t been seen.
No doubt there was a probable self who did choose to create being seen, but if so she hadn’t arrived at the probability party (yet, at any rate) with her tale.
That it had been a major probability junction was certain. Not just the gun burying incident, which had turned out to be no more than merely incidental, but the events leading up to it.
In reply to: Strings of Nines
“That would depend” Gordon replied “On whether you wish to create plain white functional cotton or an elaborate brocade tapestry. You may wish to create strong reliable durable corduroy with it’s dependable grooves, or something eye catching in contrasting black and white. Gossamer fine colours, or sturdy weaves, lace and beadwork, traditional designs, and new ones, always new ones, take your pick!”
“I’ve forgotten what it was I was choosing now, Gordon” replied Ann. “Pass the walnuts.”
In reply to: Strings of Nines
“Just do it. Either just do it, or just make something up” she told herself. Again. “Either do it, or make it up, but stop thinking about it and talking about it.” Yoland sighed and turned on the radio. It was an old pink one, the kind with the dials that turn, and a pull out antenna. The antenna was a bit rusty at the bottom and didn’t rotate very well, which made it a bit tricky to get a clear reception without alot of preliminary juggling around and fidgeting. The dogs under her desk scratched themselves noisily as Yoland fiddled with the radio.
“In the backwater….”
“…yes you’ve got the Splain Channel loud and clear now all you have to do is focus on what the next word is and then write it down without thinking about the spelling, as you can see you are looking at the keybaord and tryping”, Yoland smiled at the typo, “the words that you are hearing without trying to anallzye them too much now. ok are you ready? We’re going to do some balloon exercise first to get the ball rolling, you see, there are many ways to blow up a balloon, and I’ll be the first to tell you you’re doing it wrong, I am kidding, of course.”
Yoland smiled, inching forward on the chair to accomodate the dog that had wormed his way round her back, wondering whether or not to move him.
“Your chair is fine the way it is, that’s a very common delaying tactic my freind, and one you are quite familiar with. Now, pay attention once again to simply the words that you hear as you are writing, watching the keys is rather mesmerising is it not….”
Yoland did a quick reality check and agreed that she was feeling a bit mesmerized, and realized that she possibly could feel considerably more mesmerized if she stopped doing reality checks.
“…and as you watch your fingers moving along in a rather detached way, you can detach your attachment to knowing what the next word might be and simply write what you hear; we are practicing the sliding away from the strict hold on trying to anticpate the net words and then you freeze the flow, it shouldn’t be tiring if you let go and relax a bit and simply allow your fingers to move of their own accord while you relax your shoulders…”
What a load of rubbish, thought Yoland, as she adjusted her chair, which had a habit of suddenly dropping down an inch, just enough to make it hard for her to reach the keyboard. Sighing, she wondered about ever getting a satisfactory answer to her Really Big Questions, the ones that nobody had answered so far. All she ever managed to tune into was rambling waffling inane….
“….you feel that your questions are so large that the capacity for distortion is huge, and you feel that other questions are easily answered via other routes and methods, and this is correct.”
Yoland wondered what THAT was supposed to mean.
“Ok we can forget questions then and I will tell you a story.”
Yoland relaxed. That sounded easier.
“Once upon a time there was a beer fisherman from the planet of Oxbloodshire.”
Oh here we go, she thought. What’s coming next…
“Whether or not you find clues in there is entirely your choice to create them, and all are equally valid. This is such a simple thing: that even the most seemingly miniscule sentences contain a myriad of potential diversions and convergences, routes, patterns, nets, from even the tiniest particle of an idea. All of them are boundlessly creative offshoots which become a particular stream, or string.”
Yoland found herself wondering where some of them started, and found she didn’t know where to start.
“With the question of syncronicities every point of them is the start point, the end point, the main point, the moot point, and the connecting links as well, as are all the others. When you get your ball of string in a tangle, it’s easier to throw it away and start a new one.”
Yoland was inclined to agree, but wondered if that sounded like sensible advice.
“Immediately the new one starts linking up all kinds of things in a new interconnected design pattern, and then when that gets in a right tangle, a fresh ball of string awaits; the tangled ones aren’t in a tangle at all when you’re not tangled up within it.”
Well, that certainly sounded resonable, Yoland had to admit.
“And why waste time with old tangles anyway when you can start afresh and just make something up, for no particular reason?”
Bloody good question, why not indeed? Yoland decided to start making things up there and then, and turned her computer off and went to pack her case.
In reply to: Strings of Nines
“You can’t make a silk purse out of a pigs ear flu, Ann.” Franlise remarked as she perused the headlines in the Old Reality Harbinger newspaper.
“Or maybe you can! hhmm” replied Ann. “Maybe the gathered snot of the victims is spun into the finest silk, an amazingly versatile new fabric called snilk”
Franlise rolled her eyes, but Ann didn’t notice.
“One of the qualities” Ann went on “that the snilk had was to replicate anything gathered within its folds, so purses were made out of snilk, proving that it WAS indeed possible to make a snilk purse out of a pigs ear flu.”
In reply to: Strings of Nines
Ann wasn’t altogether sure what Godfrey meant when he referred to her new interest in continuity. Ann had always been interested in connecting links, yes, of that there was no doubt, but with so very many connecting links, and so many possible strings of connecting links, with so many possible divergences into yet more strings of connecting links, Ann really couldn’t fathom how anyone could possibly keep track of all those threads of continuity. Even a seemingly discontinuous assortment of unconnected links, once connected into a nonsense thread, became another continuity string. Furthermore, Ann continued ~ in a continuous fashion ~ to ponder, if everything is connected, then what, in actuality, was all the fuss about continuity? What exactly then WAS this concept of continuity? It seemed to Ann to be more like a string of barbed wire, or one of those flimsy but effective electric wire fences, boxing in the free flow of continuity, so that the objectively perceived continuity stayed rigidly within the confines of the preconceived tale. The inner landscape knew no such boundaries, although admittedly the inner landscape was far too vast to map.
Ann smiled to herself as she imagined trying to push pins into various inner landscape locations, tying strings from one to another, in an effort to map and label the inner continuity connections. Of course she was imagining it in a visual manner, because it was hard to imagine all those connections and strings being invisible and not taking up any space, and before long Ann’s inner map of pins and strings quickly resembled a tangle of overcooked spaghetti, perilously speckled with sharp pointy pins.
The image of the glutinous tangle dotted with sharp shiny pointers led Ann off on another tangent, but it was a tangent that soon became utter nonsense. Or was it, she mused. Perhaps it was those symbolically sharp pointy bits that in fact pointed out the immense variety of potential other continuity threads to choose from. Indeed, it could easily be said that having one of her characters dumped in Siberia in the previous story, painful though it was, was not unlike being pricked by a pin amidst the tangle of sticky pasta, a brilliantly effective pointer towards unlimited new directions.
Whichever way she looked at it (and Ann was aware that she might have gone down a side string) she simply couldn’t comprehend how anyone on this side of the veil could possibly even begin to understand the ramifications of the concept of continuity at all. Or how there could ever conceivably be a lack of it.
What was really intriguing Ann at this particular juncture of the experimental exploration of the story was the concept of the World View Library. This wasn’t unconnected to the continuity issue, far from it, it was all tied in (Ann sniggered at the unintentional pun) and connected. There were any infinite amount of potential continuity threads leading from, say, one persons desire or intent, to a particular world view in the library.
AHA shouted Ann, who at that moment had an ‘aha’ moment. Pfft, it’s gone, she sighed moments later.
Ann tried to catch the wisp of an idea that had flitted through her awareness. She had a visual impression of the library, endlessly vast and marvellously grand, with countless blindfolded characters dashing through, grabbing random pages or sentences, bumping into each other, snatching at phrases willy nilly, dropping notes along the way, and racing back out again into the ether. A stray thought here, a picture there, a name or a date, all on separate bits of crumbled paper clutched in the sweaty palms of the blindfolded characters as they rushed headlong back to their own realities to proudly share the new clues. Like magpies they were, snatching at anything that glittered brightly enough.
“I thought you said they were blindfolded?” interrupted Franlise.
Ann ignored the interruption, and continued ~ in a continuous fashion ~ to ponder the imagery of the library.
What the undisciplined purloiners of random snatches didn’t notice on their pell-mell excursions into the library were the characters in the library who weren’t wearing blindfolds. They smiled down from the galleries, calmly watching from above the mayhem that the news of the unlimited library access had occasioned, chortling at the scenes of chaos below. They smiled indulgently, for they too had first visited the library blindfolded, snatching at this and that, and racing home again to inspect the booty; they too had fretted and pondered over the enigmas of the incomplete snippets. Eventually (or not, it was after all a choice), they had bravely removed the blindfolds, slowed the mad race into a sedate stroll through the library, opened their eyes and looked around, sure of the way back home now, and not in a desperate hurry to blast in, snatch anything, and run back home.
After awhile, they began to realize that all the enchanting glittering jewels scattered around to catch their eye would still be there later, there was no urgency to grab them all at once ~ although, as Ann reminded herself, that too was a choice ~ some may well choose to be eternally snatching at glittering jewels.
Ann frowned slightly and wondered if she’d lost the thread altogether, and then decided that it didn’t matter if she had.
It was a choice, therefore, to remove ones blindfold, and stroll through the library ~ a choice to perhaps choose a book, sit down at a polished oak table and open it, a choice to stay and read the book, rather than ripping out a page and dashing back home. That would be one choice of continuity, a coming together of strings.
Ann wondered whether that would then be called a cable, or a rope ~ well perhaps not a rope, she decided, that had other associations entirely ~ but a cable, yes, that had associations of reliable and regular communications. There were always strings of continuity, then, strings of connecting links, between anything and everything, but when one stopped dashing about clutching at the sparkley bits, one might form a cable.
Or not, of course. Thin strings of continuity and connections were not ‘less than’ thick cables of reliable and regular communications. It has to be said though, Ann reluctantly admitted, that thick cables often made more sense.
She decided to hit send before embarking on a pondering of the meaning of Sense.
In reply to: Strings of Nines
I told you it is my feeling that in a sense these communications took place one afternoon while I was half dozing.
They could make no sense to me then. The use of unconscious knowledge could not then take place. I do not know the state of your wife’s consciousness, or of your own, at that time in my own past. In any case, your own conscious knowledge of such events apparently had to wait until certain intersections happened.
Awareness of these communications conceivably could have taken place at any time, but certain levels of comprehension had to touch all of our personalities before such communications jelled, or became strong enough to make sense in both of our worlds.
I do not believe that I was aware of these communications either when they first happened. I would have had no way to evaluate or understand them. I assume that the same is true on your parts. At the same time, in a manner of speaking, the communications are enriched as my knowledge of my world when I was alive blends with your present knowledge of your world in your time.
It is as if the three of us all wrote portions of a letter, the words fitting together meticulously, and yet forming a fine puzzle that had to work itself out as we each made our moves in our own realities. It is one thing to send a letter from one portion of the planet to another, as in your mail system — but it is something else when the three individuals involved are constantly changing their alignment, position, and probable activities.
It is like trying to send a letter to a certain address while the mailbox keeps appearing or disappearing, or changing its position entirely, for all three of us are a portion of that one communication, while the position of our consciousness constantly alters.
It is a wonder that such communications take place at all considering the changing coordinates that constantly apply. The communications could all have remained in the dream state on all of our parts, but we were all determined to bring them into some kind of actuality in the same way that the idea of a painting is changed into the physical painting itself.
“Godfrey, that’s got me thinking, you know. Seem to have a bit of an idea brewing, old bean,” Ann said with an enigmatic smile.
“What are you on about now, Ann?” he replied. “Why don’t you tell me what that book is you’re reading, you can’t quote books without mentioning the name of them, so you may as well tell me now.”
“I was wondering how to slide it in, Godfrey” she replied with a snort. “It’s The World View of Rembrandt, by Jane Roberts.”
In reply to: The Eights’ Shift, Stories
“Hey, Asp” Phildendron was still chuckling at her sister Aspidistra’s reaction to the piglet news “Why don’t you make a deal with Lavender, tell her you’ll only accept the piglet if it comes with a years supply of that DMT stuff.”
“So I can share it will you, Phil?” Asp raised an eyebrow. “I don’t like haggling though, you know what I’m like. Looking a gift horse in the mouth and all that, no accidents and all the rest of it. I mean, I must be creating this piglet gift myself, and acceptance is key, is it not?”
“Acceptance doesn’t mean literally accepting gifts of piglets, silly!”
“Well what DOES it mean then?”
“It means accepting that everything is fine, whatever you choose ~ whether you say yes to the pig, or no to the pig, you’re supposed to accept that it’s the perfect choice.”
“Well how the devil is a person to know which is the right choice then?”
“Well that’s just it, it doesn’t matter which choice you make. Not only that, it’s not a case of just one choice, either.”
“So what you’re trying to tell me, which sounds like absolute nonsense, is that if I choose to accept the pig gift now, I would have to choose tomorrow that I accepted the pig gift today, otherwise I would be choosing…..” Asp’s voice trailed off as she lost her thread.
“Yes! And not just once tomorrow, but in every moment you would have to choose that you chose the pig gift ~ otherwise you’d be choosing that you didn’t accept the pig ~ and that would be a choice too.”
“Oh don’t be silly, Phil, with so many choices to make in each moment you wouldn’t ever be finished choosing before it was the next moment, then you’d have to start choosing again ~ You’d never get anything done!”
In reply to: Scrying the Word Cloud
