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  • #317

    Ibn al’ Gruk was weary.
    That lone grake he had seen flying over the desert settlement this morning had baffled him.
    Usually, such creatures where not migrating at this season, and this one was lone too, which was all the more baffling.

    The old gripshawk had seen many things in his life, but this was surely a presage of importance. In the myths of his people, the big colourful birds were once thriving in the desert oasis, where they were thought to have appeared in the Old Times. But having been extensively hunted down as food for the gripshawk tribes, they had moved away, and the balance had been broken.
    It had prompted lots of the tribes to move apart, in search of food and exchanges, and few of them were now still living in the deserts as they did in the old ways. Many of them, for many generations now, had been creating cities on the coast, and the most flourishing one was Chafik’ An, where a traveling portal had been erected by the humans from Lan’Ork to facilitate exchanges and trades.

    All of that, despite his old age (that his long mop of white angora hair under his chin could account for), Ibn al’ Gruk had only heard all of this through the lineage of his ancestors, but he had seen some of the conflicts that had been created, and he understood that change again was in the air.

    He felt like he could weave a new tale to entertain the settlement tonight, and perhaps give them inkling as to the new changes to come.
    For he felt changes were coming, and that they had been in motion already.

    ***

    The night was clear, and lots of people had gathered around the big bonfire. They all loved these regular meetings where everyone would meet and share food, drinks and over all, gaiety.

    He started to drum low deep sounds and cleared his throat.
    A fit of cough got him by surprise, but it was just a hairball that he spat in the fire, which set ablaze immediately, providing some dramatic effect that hushed everyone down.

    “In a mysterious land far far away,” started Ibn al’ Gruk, with a growling voice…

    ***

    Egypt, 2657 B.C.

    Lekshen had dreamt of Set that night. The god had appeared to him in one of his familiar forms, that of a long snouted animal .
    Lekhsen was wondering why the god had requested such a task for him to do, but he was certainly in the perfect position to accomplish such a task.
    Like Set, Lekhsen came from Upper Egypt, the arid land, and he had managed to get a high-ranking responsibility in fertile Lower Egypt as a scribe thanks to the unification efforts of Pharaoh.

    But Pharaoh’s daughter had just died… right after her 10 year old brother, and Pharaoh’s himself felt He would not live much longer.
    Which would mean that the closest male in the family would be likely to get on the throne of Egypt. And that would be bad news for people like him, as the brothers and brothers-in-law of Pharaoh did not appreciate much His policy.

    In the dream, the strange creature had asked him to hide something with the mummy of Pharaoh’s daughter. It had told him people would forget about how Set was fighting for Ra, the Sun, each night that the bark was traveling on the dangerous underworld waters. They would forget, and would demonise him and his people, and he, Lekhsen would have to write the story, and bury it with the Princess. His status would allow him to do it unscathed.

    “Would people ever remember they once were One?” had asked Lekshen to the god.
    “Only you can tell” had the creature answered.

    #298

    The City, year 2257

    Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

    Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
    They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
    Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

    Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

    Janice could hear Al or Quintin complain about how things were getting confusing.
    She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

    ~~~

    Somewhere Al was saying to Becky
    — The more you try to fix it, the more confused I am
    — Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
    — Ahahah, yes!

    Al started again to moan:
    — So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat? :-??

    (Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

    Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
    — Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
    Becky nodded
    — I got lost myself when two Illis appeared, and a grip-thing as well
    — Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

    ~~~

    While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
    A funny thought had come to Janice, that she shared with Rodney.
    — Oh, the funny thing you know, about Becky having written to Sean
    Rodney nodded. Janice continued:
    — It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

    — Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
    — What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
    — Who is he? Where is he? was asking Rodney now.
    Rodney was having a hard time remembering what had been inserted yet in the story about him.

    So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

    — Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
    — Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
    Janice laughed “So that you can surprise yourself again!”

    Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

    Janice stopped the growth of the family tree for a moment and started to comment it.
    — See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
    — When is Becky’s time then? Rodney wondered, I hadn’t though of that…
    Becky’s time for the reality play is around 2033…
    Then Janice had the tree grow again, and sprout more branches from Sean’s children:
    — …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
    TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

    Rodney was beginning to remember it all.
    — I just remember the part about Sean, so he is still a bit of a mystery
    — Yes, absolutely
    — We don’t really know do we why Hilarion didn’t mention him
    — Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
    — Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

    Rodney was squinting his dream eyes
    — So, Sean was into humanitarian effort after 2001…
    — His father actually I think, said Janice. He was a bit too young.
    — Oh OK, I misread, that’s hard to read!

    Then, all of a second, Rodney erupted in an uproarious laugh
    AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
    Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
    Then she added:

    Sean is born around 2000, a bit before.
    — OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
    — You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
    — Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
    Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

    Now, Janice was hooked:
    — Was it where Illi learned about shapeshifting tricks from the old tribe?
    Rodney noticed Janice’s funny remark and laughed before continuing:
    — The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

    Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
    — Around which year? she asked
    — Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
    — It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
    — Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
    — Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
    — Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
    — And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
    — Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
    — Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
    — Wow, said Rodney, this is even more interesting…

    “But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
    — Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice

    — Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
    — Yes, she was young with her parents. They were traveling…

    They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

    She then remembered something else:
    — Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
    … by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory
    Date fits again, she said in awe.
    — Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
    — Hmmm
    — Hmmm
    — So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
    — Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

    Janice bust out laughing imagining Rodney in bandages. Yes, of course!
    Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
    Now, that was Rodney’s turn to burst out laughing.
    — “I am not sure about that!”
    — Doubting my insights… mmm, how rude… Janice frowned then laughed again.
    — If you call me that, I may have to make you out to have a speech impediment
    — Sounds a good Egyptian name for me though, seems it means “Light of the Dawn
    — Does it? Oh that sounds nice…
    — Well, in some Egyptian dialect, yes. She was a Princess…
    — Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
    — Bit bossy Princess
    — Which dynasty?
    III rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
    — What year?
    Janice projected the timeline below then said
    — I’d say around 2657 B.C., in Ancients way of telling time.

    They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

    Rodney was seeing something else
    — There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
    Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
    — We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
    — Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
    — Exactly
    — And they communicated because they are helping each other
    — Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
    — And they have some difficulties at times with translations of other dimensional stuff
    — Yes! resulting in confusion!

    And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

    #280

    When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
    The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

    So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

    But Bådul knew better.
    He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
    He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

    :fleuron: :fleuron:

    A few months earlier, Northern Åsgurdy

    A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

    He knew that such a shelter wouldn’t be far away now.
    That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
    At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
    He had felt he could trust that man known to him only by a strange name, something like Gheorg.
    There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
    He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

    ~~~

    Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
    It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
    She needed to move on.

    ~~~

    When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

    In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
    Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

    He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

    It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

    :fleuron: :fleuron:

    Austor did not believe his eyes…
    They had crossed the Rift, all three of the ships.
    And it was nothing like the dark void they had nearly expected behind.

    It was an open sea, glistening in the sun, and all hope had come back through them all.

    #278
    TracyTracy
    Participant

      India Louise shivered in the draughty corridor and glanced furtively over her shoulder. Bill! she hissed into the keyhole. She tapped softly on the door again, afraid of waking Manon in the next room. It would be difficult enough to explain to Bill, let alone trying to explain to the nosy and rather batty cook.

      She wrapped her dressing gown tightly round her, and felt the weighty key clunk against her thigh. Eugenia and India Louise had been playing ‘let’s pretend’ with the key that Grandad Wrick had thrown on the bonfire (that India found in the ashes the next day and thought would make a super present for Eugenia….. they both loved odd little gifts).

      For days they’d been wandering around the many corridors and wings of the Wrick castle, and Eugenia’s ancient rambling Sandlebright Hall. On fine days they’d explored the grounds, the aviaries and stables and hay barns, the meadows and follies, the lodges and farm cottages, through the spinney to the river and the boathouse, and back through the rose arbours… imagining themselves in different times and places, as different people, making up stories and weaving the key into each little story…… the murder at the boathouse and the key to the mystery… the key to the kitchen and the affairs of the cook… the parrots and the key to the bird cage…… the key to the captains trunk in the attic…

      Until they found the place where the key didn’t fit into the story…that is to say, the one place that should have needed a key, The Locked Room that only great grandad Wrick ever went in, was unlocked.

      India Louise couldn’t wait to tell Bill all about it.

      #1308

      In reply to: Yuki’s Livrary

      ÉricÉric
      Keymaster

        September 24 th

        Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

        Relevant extracts:

        At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
        […] HE KNEW HIS WAY INSIDE !
        When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
        focus opening/doors ; time/space…
        The central cavernous part is some kind of key center, where anyone can meet…

        This has inspired Quintin to write some notes too.
        He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

        September 26 th

        The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

        Here would be what we will say to him, if he wants to listen:

        « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
        Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
        These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
        And you begin to really experience it, and really pay attention.

        « As was expressed many times, “essence” is no thing. It is an action.
        The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
        In that, your purpose, you see, is only to experience, nothing more, nothing less.
        And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
        Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
        Just as your dreams at night overlap and blend into each other.
        Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

        « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

        « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
        In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

        « Let us explain this in other terms.
        When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
        In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
        You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
        Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

        « We will let you ponder this, and we will continue our own story, writing about you… »

        September 28 th

        This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
        Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

        Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
        It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
        And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
        It is almost limitless in your understanding.
        As is your magic.

        This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
        The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
        The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

        As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
        In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

        With that said, let us see how much more will appear from that sandbox…

        September 30 th

        The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

        The Secret Life of Margaret Wrick , a newspaper cut from 2033.

        October 7 th

        The dragon Naasir’s dream
        A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

        And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

        #79
        ÉricÉric
        Keymaster

          These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

          Note: for the reader not familiar with all the names here is a quick reminder:

          • Araili > Yann, Írtak, Sam, Jacob …
          • Armelle > Fiona, Arona, Tina, Qixi …
          • Rafaela > Dory, Illi, Becky, Rodney …
          • Yuki > Quintin, Al, Janice …

          September 12 th, 2007

          Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
          Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

          Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

          I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

          September 13 th

          Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
          This first comment seems very promising.

          Right now, it feels easy and fun.

          Quintin seems to think that everything is very straightforward.
          The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
          The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

          But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
          That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
          But the thing is, that he missed the point in thinking one World is more “real” than the other.
          We’ll be having some fun soon…

          First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
          We will appeal to his imagination.
          It seems he has heard the suggestion.

          September 14 th

          For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

          But as I expected, some challenges seem to appear already.
          Is it raining or not in that world?
          The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

          He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
          At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
          How will it unfold?
          Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

          September 15 th

          Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

          Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

          Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

          September 16 th

          Halcyons days…
          My dear friend Archie is answering some of Quintin and Yann’s questions.
          Something starts to dawn on Quintin. But his mind is on other matters.

          He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

          September 18 th

          Quintin has been drawing some of the characters of the story. It’s interesting.
          He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

          Characters drawn:

          • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
          • Malika, Quintin, Yann, Fiona and Dory

          Interestingly, Fiona resolves her issues in her cave.
          Dory too, but she did not need the cave to do this.

          September 21 st

          For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
          And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
          Quintin will soon realize that he himself is doing this constantly, though he does not register it.

          But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

          Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
          There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

          Of course, some things still matter, and one of the point of the story is also to discover these.

          September 22 nd

          Quintin has been drawing new characters.

          Characters drawn:

          • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
          • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
          • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

          A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
          She had at first thought they were whiskers, which was not Quintin’s intent…

          September 23 rd

          Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

          Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

          Up to now, here are the names he could find:

          • North: the Icy Lands, and Dragon Cemeteries
          • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
          • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
            Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
          • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

          When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

          #259

          Jadra slept fitfully. He was in the forest and he dreamed of a great tidal wave sweeping over him. He was holding on for dear life to the branches of a tree while angry faces swept by him in the water, shouting abuse at him, although he could not make out the words.

          “Sticks and stones may break my bones, but words will never hurt me” he shouted back.

          But then, to his horror he saw his left hand separate from his arm and he could no longer hold on. He saw his hand being swept out to sea and all that mattered was that he find it again. He let to of the safety of the tree and felt himself being pulled by the waves.

          Jadra awoke trembling and shaking in terror. He looked for his left hand on the end of his arm, where it should be, but he could not see it. He knew what had happened. He had thrown his hand in the river. He thought it was sticks and stones he had thrown in, but he had been mistaken. He knew that now. He had to go and find his hand in the river.

          Jadra felt such anguish. Not so clever Jadra Iamaman. You stupid old Fool

          Forgive me! he shouted to the Gods. Whimpering in pain he rushed back the way he had come, back through the forest to the spot where he had last seen his hand. He threw himself into the water and dived down deep, not caring he could not swim, only knowing his hand was in there somewhere.

          ***

          There were very few people around that early in the morning, but a small boy saw Jadra go in the water and stood watching. He waited and waited, and when he knew for sure there was something wrong he raised the alarm.

          ***

          Jadra felt a great peacefulness sweep over him. He stopped fighting and abandoned himself to the mighty current of the water. A unicorn swam by him in the water and whispered to him she would take him to safely home.

          ***

          They pulled Jadra’s body from the water a mile down river.

          #211
          TracyTracy
          Participant

            Dory suddenly saw the funny side, and started to laugh. She sank down onto the curb and laughed until tears rolled down her cheeks. As she fished in her tool kit for a tissue, she noticed her flying sandals and collapsed into another fit of laughter.

            Lalalalalala she said and hooted again.

            Blowing her nose and still chuckling, Dory stood up and got into the van. Hehehehehehe she sputtered, how easy was that, ahahahaha….

            She sank back into the long comfortably cushioned seat, and relaxed.

            She closed her eyes and the van set off, the rolling and rocking over the bumpy roads soothing her and sending her into a deep and restful sleep.

            #193

            Of all the eggs Malvina had been collecting since the beginning of her settling down in the cave with Leörmn, only one had been producing a baby dragon, till now.

            She had nicknamed her Buckberry, because the little one seemed so fond of the buckberries that grew at the entrance of the cave.

            Buckberries were a variety of wild big electric blue-vermilion reddish berries, and were known to have thwarted all attempts to be grown in gardens. In a legendary past, a famous king of the near Kingdoms named Hadraz the Third was said to have been loving these fruits so much that he had spent torrents of gold in trying to have them farmed in the precious glasshouses of his realm. All the attempts of the most knowledgeable Master Farmers had been amounting to nilch.

            This habit of Buckberry, for one moment had been making Malvina anxious of him revealing the location of their safe haven. As she could and would not prevent him to go in search for them, she created some powerful spells to hide him, at least from people to whom the little dragon had not revealed his true name first.

            That had caused some stir from some people who where adventuring near the cave to pick up some of the juicy fruits that could be easily spotted from the plains, as they noticed a heavy breath and * munch * sound around the bushes, that moved like shaken down by a powerful ghost.

            Thus has begun the trail of rumours saying that the cave was haunted.

            All in all, Malvina was not so displeased that there were only a few eggs hatching at a time, as the young dragons were very lively, much more so than the older ones who kept most of their time sleeping, or more aptly put, dreaming.

            Dragons had no need for training in a sense, as they were aware of their abilities, and Buckberry, even being so young could just have been moving away and started his own adventure, but something was compelling him to stay in the cave.

            He had chosen a different form from that of Leörmn, and it was indicating he would not have the same intent. As he would continue to grow, he would probably be a very powerful dragon, shaped for flight and discoveries in the farthest boundaries of the Worlds. At times, Leörmn even doubted he would be fit for a human partner, as he had only managed to scare the few humans he had encountered…

            After all, it was not necessary, though dragons could draw a lot from such a partnership.

            Dragons were not always welcome, as they were feared for their might, and could not always easily explain what they were doing, as most of their movements were in the Unseen.

            In that, only Ragmók, the old speech of the dragons could be used to properly explain these movements. Ragmók was not really a speech, in the human sense, as it could also be spoken through gestures or singing or drawing. But it was the very essence of Magix.

            When a dragon and a human bonded, they shared their languages in a communion of their spirits, and the chosen human could delve easily into the Unseen, while providing to the chosen dragon an ease of movement into the Seen.

            #186
            F LoveF Love
            Participant

              Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

              She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

              She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

              Use your magic, she had said.

              When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

              Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

              :fleuron: :fleuron: :fleuron:

              The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

              Thank you for having me room, she said as she left.

              No, thank YOU, replied the sleepy glukenitch.

              :fleuron: :fleuron: :fleuron:

              The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

              Why sad?

              I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

              You always know, just feel it

              So Arona closed her eyes tightly and allowed herself to feel the answer.

              Because you know who you are, and it made me realise I have no idea who I am.

              Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

              Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

              The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
              The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

              Arona, who had felt immediately connected with the young child frowned.

              Doesn’t the little girl feel left out?

              Go in, said the woman, Go inside the picture and feel the answer.

              Oh, and you might want to leave your cloak behind.

              So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
              I remember feeling like that, thought Arona, before the magic went.
              She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
              As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

              :fleuron: :fleuron: :fleuron:

              Arona returned to the cave.

              You look troubled

              Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

              On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

              Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

              Arona shuddered a little. I might not jump into that one .

              The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

              Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

              Well I gave her the same advice, years ago.

              More damn riddles, Arona thought to herself, and the woman laughed.

              One final painting of yours I would like to show you. It is beautiful is it not?

              Arona stared mesmerised for a moment, and then leapt right in.

              She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

              Dance Arona, she heard the woman’s voice

              I can’t dance like that, I’m not good enough.

              It doesn’t matter

              And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

              :fleuron: :fleuron: :fleuron:

              Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

              Things are shifting she said

              Oh lordy, are they said Arona, What should I do now?

              Feel the answer

              Arona felt. I am very hungry, eggceptionally so.

              #181

              As the voice was becoming louder, Írtak felt also the presence of Leörmn. He was feeling this liquid vibration that was his signal for the shapeshifting of the tunnels. He knew that Leörmn was aware of his presence and wouldn’t change the tunnel he was in, but he could possibly forget to leave him an exit.

              He felt the presence of Malvina reassuring, she was also supervising the progression of the girl. He knew it was not for him to intervene and help the girl, she was to find her own way. And if her choice was to find him she would, otherwise he had still to find that missing egg.

              Since he’d found Malvina and Leörmn he’d unraveled many of his own abilities. They were quite different from those of Malvina, nonetheless she told him that they were perfectly fitting his own exploration. He could feel the eggs and the only difficulty was to follow a path that would lead him to any lost egg before it was too cold.

              And for now, the egg was in another direction than the one from which the voice was coming. He just added his own encouragement and trust to the girl, and he continued his little quest.

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