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You’re a fool, Olli

His mother’s voice, even now kept haunting him. Olliver was a bit of a fool, far too credulous at times.
People would think him a simpleton, and, at 17, he would still arch his back when he was around others, maybe a little more now that he’d grown so much, always feeling awkward and unsuitable for anything.

He wasn’t so clear how the foolish plan had hatched in his head, honestly, he wasn’t very clever. Maybe he was guided. There was no other explanation.

Slowly, slowly his mother Ethely would exhort him, when he struggled to explain so many things in his head.

There was the house first. They had come early in the day, paint it with the white triangle in a circle. That meant it was to be demolished soon. The Pasha wanted to remove the ugliness of the town, the old bazar and the cows and chickens pens out of the town’s wall. He wanted a nice clean pall-mall place for his games, with boring clean white walls, and fake grass, his mum told him.
What is fake grass made of? he asked at the time. It was all he could think of. He hadn’t imagined they could tear down their neighbourhood, or their old familiar house.

So first, the house. Then the precious package. He liked it, the gilded egg with the strange difficult name. Rukji (that’s how he’d told him to call him, it was more easy) had left a note for him. He didn’t write much, in large big letters for him to read slowly. He remembered the stories Rukji told him about the egg. He used to forget a lot of things, but the stories were always very clear in his head, and he never forgot them.
Rukji said the egg used to transport people and things to distant places, at the speed of thought.
Olli had laughed when he told him that, he’d said his thoughts were not very quick. Rukji had smiled, with his nice and a bit sad smile.

So, he’d thought, maybe the egg could send his house and mum to a safe place, before they remove the house.
He’d tried to think of it, touch the eggs and its gilded scales, but nothing happened. You’re a fool Olli his mother said, while she was gathering their few things in a large cloth and wicker basket.

Then there was the tower. He’d thought Rukji would be there, still. He could tell him the secrets surely. But the stern man at the clock building told him he had gone.

Olli didn’t trust the man, and went from the back-entrance he knew about, up in the tower, to see in case he was there. But he wasn’t.

It was only the stroke of the 7th hour. And one of the mannequins from the tower moved as he would do, four times a day. Alone, at 7 in the morning, and 7 at night, and with everyone at noon, and midnight.

Olli had recognized the god of travel, with a funny pose on his plinth. He called him Halis. He had trouble with remembering names, especially long names. Ha-sa-me-lis. Sometimes he would say the names out of order. Like Hamamelis, and that would make everybody laugh.

That’s when something happened. He’d prayed to the god, to help his mother and their house. But the golden egg with his scales touched the statue, at a place where there was no pigeons stains. And zap! that was it.

Black for a moment, and then he was in the forest.
And he wasn’t alone.

“Free! At last!” he’d shouted.
Then he’d said “Ain’t that unexpected rusty magic… You tricky bastard managed to zap me out of my concrete shell! now, pray tell, where in the eleven hells did you send us, young warlock?”

What a fool you are, Olli, you got us all lost he could hear her whisper in his head.

Rukshan woke up early. A fine drizzle was almost in suspension in the air, and already the sounds of nature were heard all around the inn.
They shared breakfast with Lahmom who was packing to join a group for a trek high in the mountains. He wasn’t going in the same direction —the rain shadow and high plateaus of the mountainous ranges were not as attractive as the green slopes, and in winter, the treks were perilous.

The inn-keeper fed them an honest and nourishing breakfast, and after eating it in silent contentment, they went on their separate way, happy for the moment of companionship.

The entrance to the bamboo forest was easy to find, there were many stone sculptures almost all made from the same molds on either sides, many were propitiation offerings, that were clothed in red more often than not.
Once inside the bamboos, it was as though all sounds from outside had disappeared. It was only the omnipresent forest breathing slowly.

The path was narrow, and required some concentration to not miss the fading marks along the way. It had not been trodden for a while, it was obvious from the thick layers of brown leaves covering the ground.

After an hour or so of walking, he was already deep inside the forest, slowly on his way up to the slopes of the mountain forest where the Hermit and some relatives lived.

There was a soft cry that caught his attention. It wasn’t unusual to find all sorts of creatures in the woods, normally they would leave you alone if you did the same. But the sounds were like a calling for help, full of sadness.
It would surely mean a detour, but again, after that fence business, he may as well have been guided here for some unfathomable purpose. He walked resolutely toward the sound, and after a short walk in the sodden earth, he found the origin of the sound.

There was a small hole made of bamboo leaves, and in it he could see that there was a dying mother gibbon. Rukshan knew some stories about them, and his people had great respect for the peaceful apes. He move calmly to the side of the ape so as not to frighten her. She had an infant cradled in her arms, and she didn’t seem surprised to see him.
There were no words between them, but with her touch she told him all he needed to know. She was dying, and he could do nothing about it. She wanted for her boy to be taken care of. He already knew how to change his appearance to that of a young boy, but would need to be taught in the ways of humans. That was what many gibbons were doing, trying to live among humans. There was no turning back to the old ways, it was the way for her kind to survive, and she was too old for it.

Rukshan waited at her side, until she was ready to peacefully go. He closed her eyes gently, and when he was done, turned around to notice the baby ape had turned into a little silent boy with deep sad eyes and a thick mop of silvery hair. As he was standing naked in the misty forest, Rukshan’s first thought was to tear a piece of cloth from his cape to make a sort of tunic for the boy. Braiding some dry leaves of bamboos made a small rope he could use as a belt.

With that done, and last silent respects paid to the mother, he took the boy’s hand into his own, and went back to find the path he’d left.

The day had been inordinately hectic.
He had been working on the Town’s Clock till dawn, and was still none the wiser about why it had stopped to work, and moved the whole town into disarray. A problem with a few redundant cogs, and some pipes apparently.

He wouldn’t know for sure such things, he wasn’t a master technician, just an Overseer. Chief Overseer, another word for Master Fuse, he used to say jokingly.
It wasn’t an usual job for Fays, who were usually using their gifts of faying for other purposes, but mending complex systems was quite possibly in the cards for him.

On his way down from the Clock Tower, late during the night, he had noticed the energy has started to flow again, not very regularly, in spurts of freshwater moving through rusted pipes, but it would have to do for now.
The Town Clock wasn’t completely repaired, and still prone to subtle and unexpected changes —it was still 2 and half minute behind, and some of the mannequins and automata behind the revolving doors were still askew or refusing to show up in time. But at least the large enchanted Silver Jute, emblem of the City, managed to sing its boockoockoos every hour. So, his job was done for today.

He put on his coat, noticing the wind chilling his bones under the large white moon. He was walking in long regular strides in the empty streets, vaguely lost in thoughts about how clockwork was just about showing the energy the way, and leaving it to do the rest, and how failures and breaking down would appear at the structural weakest places as opportunity to mend and strengthen them.

Before he knew, his feet had guided him back to the alley of golden ginkgos, and he was drawn from his thoughts by the wind chiming in the golden leaves.

The idea emerged at once in his head, fully formed, incomprehensible at first, and yet completely logical.
He had to assemble a team of talents, a crew of sorts. He wasn’t sure about the purpose, not how to find them, but some of them were being drawn to the light and made clearer.
Beside himself the Faying Fay, there was a Sage Sorceress, and a Teafing Tinkeress, and also a Gifted Gnome. There were others that the trees wouldn’t reveal.

It seemed there was a lot more they wouldn’t say about. He guessed he would have to be patient about how it would reveal itself. It was night after all, Glade Chi Trolls would be lurking in the shadows menacing to erase his revelations, so he would have to find shelter soon and recover his strengths for tomorrow’s new round of Clock repair.

Domba didn’t know why he’d attract those strange beings of light who tried to cajole him into following their glib tongued advice.
Domba was no fool, he’d learnt young that nobody gets interested in Domba unless someone wants to play tricks on him.
His life was a prison, that much he knew. The light guys could well be the jailers themselves for all he knew. He didn’t care about that, or any of their business with power. Power of knowledge, for all the good it did, didn’t seem to have guided the human race to better ends. And compassion was for foolisher than himself.

For now, he did have fun a little with the one who called herself Dispe, for her spirit seemed benign enough, a fountain of wonderment and joy in contrast with the way he’d learnt to see the world. He couldn’t really understand all about her wild rants, but if anything, he was curious about her views, and how she sustained them, like as a child, he was endlessly amazed at the resilience and resourcefulness of ants.

Maybe she was a queen ant, and he was just that stupid worker she was having fun with.

The wild nature overgrown in the miles of no-man’s land around his place had so much to teach. Persistance, endurance, and a boundless love of life itself. It was as though nature’s own rhythm was overlaid and hidden by the man-made time and routines. Whereas, if you were to look under, the slow stubborn and everlasting pace of nature’s growth was vibrating underneath, encouraging whoever willing to listen to slow down to its tune, and taste its encompassing love of life.
He often wondered how long before men would come and try to pour concrete over the land, and raise scrapers of metal and blown-sand. His only solace was to think that in his madness, man couldn’t completely obliterate nature, that it would always be waiting patiently.

He wondered how those light beings failed to see how even them weren’t as apart from it as they thought they were. Or maybe they knew deep up.

He’d noticed a bird coming many times too. That bird had an agenda, and too clean feathers to not be either a spy, or some heavenly messenger.

The tunnels went dark and deep into the crust. Water was seeping through the cracks and made the progression difficult at times. But she had found her way out.
She could have died in the tunnels, unable to find her way to the surface, but for some reason, Maia trusted her instincts and her senses to guide her through them. Like the water, flowing through.

She didn’t know for sure how far she was from the MARS base when she emerged out, it was hard to tell the distances underground, sometimes you would go down for hundreds of meters, and when you’d look up, the stone ceiling would seem just a few meters overhead.

She wasn’t too sure why she had escaped like this and made herself a target. A sudden instinct, something that told her the others couldn’t be trusted, and that they wanted to clean them up.
Anyway, it was too late for regrets.

The desert wasn’t too bad at twilight, not too hot and better for her to travel unnoticed.
A few more days of walk in the desert, and she could find a road, maybe some motel where to spend the night. She still had a few bucks in her purse to see her through.
All she wanted now was to make sure her son was alright.
Her being alive and out was a threat to their program, and she intended to make the best of a bad situation.

Then she realized the humming sound in the back of her thoughts wasn’t random noise. There was a drone hovering, getting back apparently from some scouting. It wasn’t a military drone by the sound of it, more like a hobbyist’s toy. That meant there was someone out there, not far. Someone curious and potentially useful…

A raucous explosion of laughter cackled in the neighbourhood, waking up Bea from her afternoon siesta.
“SHUT UP!” she bawled covering her ears with a cushion, and looked desperately at something she could throw at the window. Alas, save for a manikin’s leg that looked like she owned a pegleg, and a piece of half-eaten banana, there was nothing she could find.

She resigned herself to waking up, and pried open her little wrinkled eyes in the late afternoon purple light.

Every time she woke up, she had to reacquaint herself with her reality. Not that she was such a junkie on computer duster, as that rat had rudely implied, it wasn’t only that.
A few months before, she had an epiphany. Many years of meditation, guided, in groups, alone, with zen masters and copious reading had amounted to nothing but the occasional nice fluffy feeling. It was when she had decided to drop it all of sheer frustration, and burn all the stupid self-help books that something had chanced upon herself.
She’d lost her ego. Poof, disappeared, like that.

Before that, she was completely adverse to endings, and to any form of deleting.
But now, she understood the words she’d read many years ago that had infuriated her profoundly at the time : “Everything must be scrutinised and the unnecessary ruthlessly destroyed. Believe me, there cannot be too much destruction. For, in reality, nothing is of value.”

She was. And every waking up was a wake up to her eternal self.
So obviously, the external appearances left a bit to be desired, now that desire was not. Continuity was never there in the first place.

But to live, she had to find again what new reality she had just awoken to, as she did every morning, and after every siesta.
Truth is, she kind of liked it, the non-continuity of it. Before, she would have gloated to whoever that name of an old friend of hers, that she was right about it, the unnecessary of that continuity babble. Now there was no need of it.

A loud cackle outside stirred her back to reality.

love galleon pool tell broken zebra quick clues
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Soul loss and soul recovery
Whenever you are in a situation with intense pain, grief, loss, or intense joy, excitement, you may lose part of your soul, or vital energy, it’s also called dissociation by the psychologist. You usually do it to make it stop, or it is an automatic action to stop the intensity of what’s going on.
You separate yourself form an aspect of yourself, and you are not aware of it, most of the time. It can manifest as chronic fatigue, depression, feeling numb, addictive behavior, etc.
In order to get back this energy, you have to reclaim it. And as a shaman, you do it through the process of soul recovery. Today you’re going to learn how to do it.
It is relatively simple. First, you are going to go in the lower world, find your main power animal. Thank it again for all that it does for you and ask them if they are the one to help you in the process of soul recovery. If not, ask them to lead you to your soul recovery animal. When you get acquainted to this new animal, you can ask them their name, and how you can call them when you need them. Thank them for their help and presence with you.
When you do a soul recovery, you may not know what you are going to recover. You may not really know what you have lost, or you may not be aware of symptoms. Just tell your Soul Recovery Power animal (SRPA) that you want to recover a part of your soul that you are missing at the moment. They’ll guide you through the process. Follow them, trust them.
They may take you through different places or spaces and times to go find that lost soul piece. It may be from your childhood, from another life, or dream situations.
You are going to be presented to that piece of your soul and you have to ask them what happen. Most of the time they are frightened and don’t want to come back. You have to convince them, and ask them what you have to do to show them that you’ll not do the same “mistake” that make them leave in the first place. It may require you change something in your behavior, in your attitude toward certain things, it might be simple or huge. Depends on what you find. And it’s up to you to see if you’re up to the challenge.
you can also take some time with your power animals to get to know them better and learn from them.
If you don’t know how to manage the situation with the lost piece of soul, you can ask your soul recovery power animal to help you do the “negotiation” part
but you’ll have to do what’s required by the soul so that it comes back definitively sts
If you still have time, you can go on a second recovery.
And remember, this is not a race, take your time, don’t rush, enjoy the journey.

Eric
Before the music starts, I have the feeling of “Nagini” my snake power animal: it’s looking patiently at me with golden eyes. I also get the first impression of a spirit panda as a soul retrieving power animal. There are two aspects of it, a docile and friendly one, and another more fearsome, they seem to shift depending on his mood. As the music starts, I sift through few fleeting impressions (one of a lemur), then some stronger.
The panda comes back but I also have other animals who seem to present themselves in order, as if in different directions, and I remember there are no rules as their number, so I let myself welcome them. The panda is on the right, it seems connected to childhood memories, (call it “Panda”) then, on middle right, there is a spider (“Anansi”), it connects to the jumping spiders I’ve seen a few times the past days, and
one this morning I put outside instead of letting it drown.Middle left, coming from above and perched on a tree, there is a firebird/phoenix (“Fawkes”). There is another one, I remember a bit later that appeared further left, as if from the direction behind me, it’s an ape (“Hanuman”).
The serpent circles around them. I have the impression I can choose any of them, and they will lead me to different realizations, and I have the impression of the buddhist emanations, where enlightened being manage to split themselves into many as one. So I decide to ride them all at once. Actually, I start with the first three ones, and as I ride on the land, I suddenly remember the ape which was very discrete initially,but seems to be willing to show me stuff too.
The land we ride into is dark, almost volcanic in nature, as if scorched. There are trails that spread to different directions, and each ride goes down one of them. There are various visions, moments and memories from the past connected with strong emotions.
At one end, there is a little boy that shoots magma out of his incandescent body. It irradiates the land through veins of lava, and as it cools down it darkens the land even more. He seems to be caught up in a circle of rage or fear, fear of never seeing the light again. I listen to him without words, and realize he’s afraid of letting go.
I’ll show him the light is covered by his own cinders, and he needs to cool down and let nature grow back again around him, and I’m showing him I’m willing to help. It seems to resolve as light opens in the sky, and a tree starts to grow again… At the end, I seem to connect the scene to certain memories.
There is another one that comes in, where the ape is doing a certain pose where it walks on its hands. The posture catches my attention, as if to remind me of something. I’m encouraged to turn around to see the world as it sees it. As I do it, the world changes and spins, and the music starts to indicate the end of the trip. I thank the animals and finish with the snake before leaving…
the end
well, it’s very condensed, there was lots happening
It’s like I was doing many stuff at the same time

Flove
(no recollection)

Jib
I have difficulties stabilizing my attention first, there is this kind of veiled perception I’ve been having lately. As I call my power animal for soul recovery I have a strong impression of a bear and then a raven. There is a kind of snake too, and I also feel a wild boar. I refocus back on the whale and say I’ll come back later. The whale leads me in the depth of the earth to a magma chamber. It becomes scrambled again and I just take a moment to refocus on my penguin.
First soul recovery
I ask him to find the piece of soul that would be best for me to recover now, and we go fly above something. The penguin flies like a rocket, super fast. I soon find a kid feeling presence. I have no real visual, and I keep having visuals of lemur, or raccoon interfering.
Then I feel that the presence is also camouflaging behind projections to be left alone. He left me when I was little, around 8 because the world seemed to disappointing. I have some difficulties at first to convince him to come back with me, and I show him what I’m already doing that’s fun and that’s worth doing and exploring. After a while, he agrees and I feel a nice warm feeling inside my belly as he is reintegrating me. I thank him for coming back. The only thing I need to do is take the time to reassure myself when the world seems too dangerous.
Visiting the bear and the raven
Then I decide to go back visit the bear and the raven.
I’ve already seen them before and they seem to be there for me. There is an impression of power with the bear and also mother here for her kids. With the raven, it’s more a mystical stuff, and the power of observation and seeing through things.
I am offered a kind of raven skull symbol of power and energy manipulation staff or something like that. I take it and it feels quite powerful, I have the impression the energy or the “spirits” would follow it when I demand it. Like make blocked energy move.
Second soul recovery
I decide to do a second soul recovery and ask the whale to lead me. I have the impression of changing plane, the focus is different, I am more on the middle world, and we go somewhere icy like Antarctic. Maybe near a shipwreck. There is a man, depressed and gloomy. I begin to ask him why he’s here, but he seems to want to come back and don’t ask anything. I feel very warm and loving. The drums begin to beat the return and I thank everyone for participating and come back. Saying I’ll take time to assimilate.
Eric’s account remind me of a few stuff
that reminded me a few stuff too because at one time I had to follow a spider and with the raven I flew over a magma land and the raven became a phoenix to be able to fly because it was so hot
thanks I forgot that

Tracy
went down the stone steps, the unicorns on the left looked up as I passed. Zebra joined me from the right, said thanks but forgot his name! Then a white bear joined me, said his name was Waldo (or at least that name would do for now, impression)
He was huge but was very light on his feet the whole time. Came to a tall tree with a single very red apple on it. The white bear scampered up the tree and I followed. Various other fruit but mainly the red apple stood out.
At the top of the tree leveled out to a large plaza with gameboard design, the white bear demonstrated frolicking from one part to another playfully leaping in lightness.
Flash to me as a small child being woken up in the night by concerned parents for nasty medicine for chicken pox.
Same house but in the field behind, me as a small child alone by the wigwam of sticks dad made, frowning, alone. Next door to the neighbours pond, frozen over. White bear kept dancing on the thin ice part that we didn’t skate on, huge heavy bear, such a light step didn’t break the ice
Zebra was hanging around incidentally, kept feeling reassuring warm breath and muzzle on my shoulder. Breathing restrictions started, left the pond, down a path in the woods, came to a fork. Went left ~ papers everywhere, letters, words, snowed under with words and letters, monkeys pulling sheafs and sheafs of letters and papers and words.
Then a school of tiny silver fishes swan inside me and started chomping at all the letters in my solar plexus and spewing out coloured threads and ribbons from my mouth.
Breathing difficult. (several times just sank into intense colours for awhile with no imagery, plenty purple and green). I started doing sort of swimming motions with my arms with the breathing and fishes, had a sudden blast of energy in the chest and then later a much stronger one just before the video ended.
I should add the impression of less thinking/intellectualizing, less buried under a mountain of words, in favour of more purely physical expression

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

The mirage was no longer a fleeting evasive picture.
They could see the pyramid’s top quite clearly, drawing them to its spot. By the robot’s estimation, they should already have reached it two days ago.
But it stood there, unmovable, and somehow still out of reach, an always moving horizon line.

“May I suggest a drumming session?” Jeremy asked around the campfire.
Arona raised her head silently but intrigued. The rude cat jumped on a flat stone and questioned him “What do you know about drumming, young boy?”
“Well, obviously that place is protected from intrusion, and we have to find the key to its entrance. I found drumming can help align our intents and give us inner clarity. Maybe one of us will find clues.”

It took them some time to discuss about technicalities, assemble a drum with a piece of Arona’s cape, and silence out their chatters, but after an unmeasurable and undetermined amount of time, they were all drawn into a pridanic journey to the rainbow world.

When they came out of the trance, Jeremy looked at them, amazed and excited by what he had seen.

First, they had travelled, guided by a herd of unicorns, to the heights of Karmalott, only to find it deserted, with faceless spirits leaving it.
When they shared their accounts, it seemed they all had seen in some form, the old City descending, with the wilting beanstalk bearing its weight with increasing difficulty. A flight of storks guided many to a safe place, and they’d seen most people would be fine.

It was then that they saw the P’hope mounted on a creature flying awkwardly like a bat, descending towards the pyramid. Greenie recognized him and with him painful feelings of betrayal came back. George as well remembered old secrets, and why he was the King, and how his departure had precipitated Karmalott’s fate.
As for Irina, riding on a spirit zebra, she’d found that people from her past were after her and her dear Mr R, and had followed her on the island. Using the teleporting boxes of the temple could send her to a safe place. Maybe on one of Mars’ posts.
Arona realized, there was little hope she could claim her bounty, as there was no longer a City to bring Greenie back to. But then, a spirit tortoise showed her the Cup she was promised was lying deep in the underground clear lakes under the temple.

Jeremy was quick to point it out. “That’s it! The entrance is from below, we have to follow the underground currents.”

First Journey ~ August 17th, 2014

The drum will beat rhythmically for some time, more or less in the same way. Then when it’s time to go back it will stop do some slow drumming and accelerate the rhythm so you know it’s time to travel back from your journey.

I propose to go to the lower realm and find your power animals.
You can have a notebook or paper if you want to write stuffs, jot down words or make doodles, whatever works for you. You may just enjoy the meditation and do nothing in particular. Just allow the drum to carry you on this journey.

To go to the lower realm, you first find the entrance, it may be a cave, a hole of some sort or a door in the basement, maybe an elevator going down.

The lower realm is where you find the power animals. You can meet several of them, some will come and see you, and others won’t pay attention to you.
You can call your power animal and see which one is coming, or ask the ones you meet if they are the one.
Just trust yourself and don’t trust all they say, some are tricksters.
Just ask if they are your power animal and if the answer is yes you’ll know it, even if it’s not with words.
After that you can go with your power animal explore Abalone or whatever element of the story, just ask them to guide you and show you what you need to see.

Arona knew she was being followed even before Mandrake started to psst her about the dark haired cloaked stranger.

She took a quick turn right (less perilous than left), and quickly grabbed the stranger by the throat when he came through, readying herself to punch him in the throat in a snazzy move she’d learnt from an old racoon-fu master.

“Who are you, why are you following me, creep?” She felt a rush of rudeness washing over her in a delicious arousing way.
The stranger had a cocky smile and a nicely trimmed pointy beard, and a set of gorgeous eyes of different colours. The right one was blue, and the left one green. His face had a golden tan, and she could feel his body was strong and lean.
Get a grip, Arona she exhorted herself mentally, sending the telepathic equivalent of a cold glare at Mandrake’s soft tittering.

“Well, you looked like one in search of an adventure, and I want one too. I need a guide from out of the city walls.”
“What about a magus, that would be an obvious choice, and a sure one?” she retorted, smelling something not entirely honest from him.
“I don’t trust the magi… And I don’t want people to….”

“Don’t care” she interrupted rudely, leaving him hanging there, quite sure he was not here to rob her of her bises. The rest wasn’t her concern, she was on a mission.

“Just don’t follow me, or you’ll regret it.” she said before hurrying Mandrake in the sunny alleys leading to the walls of the city.

King Artie was walking in the gardens along with the Chamberlain, on his way for a cooling bath in the rainwater tanks carved below the castle.

They stopped on the edge of the main courtyard, from which a large part of the land nearby could be seen. Plumes of steam where raising around the areas where the river’s water fell onto the land below. For the palace and the land were built high in the sky, believed to be latched upon an immense lump of earth, raised from the island by the roots of a giant beanstalk.

King Artie had never ventured outside of the castle. “Tell me Downson, is it true what they say, about that giant beanstalk? I’d like to see it sometime.”
The Chamberlain replied shaking his knuckle-less hand in the air. “Oh well, Majesty, a trip can be arranged, for certain. It would require some magi to guide us, but it can certainly be done. And of course, yes, it is true. Might not have been the case before, but you know, matter and reality sinks their roots deep into beliefs. Whatever the good people believes is, in fact,… actually true.”

But King Artie’s mind was already quickly gone to another topic, not being too fond on dwelling on the metaphysical.
“Any word from Parsifal? Seems to have a unusual high activity of lost souls in the fog down below…”
“No, your Highness, no word yet from the Royal Sentries. Indeed, there has been unusual activity. Some people, I believe with a very active mind and quite an imagination. We had to ask our Priests to conduct a mass to repair a huge hole that appeared a few days ago.”
“Good. You should ask them to have the good people pray for some rain too. That damn heat is unbearable.”
“Of course, Sire. But you know, the good people’s beliefs are fickle, and apart from the farmers, a lot of the townsmen would prefer endless sun and no clouds. Hopefully our dear P’hope Jube the Brave will pray some sense into them.”
“Indeed. Otherwise, a good fall down the Fog Abyss will sure clean up our mass beliefs of those heretics, I expect.”