Search Results for 'historical'

Finding a time smuggler on such short notice was near impossible, Linda Paul soon found out when she hit the web. There were sure long lists of pages offering the services at seemingly attractive prices, but then never covering all the highly recommended options, such as the time collision waiver, and collateral time damage waiver.
She had a pretty good idea of what she needed to smuggle back and when, but all the time pathways simulations seemed to run into a dead-end.
After a stroke of genius, realizing that the one-timeway drop-off prohibitive surcharge may be the reason why she couldn’t get decent tariffs, she changed her simulation for a return.

“Time and item of origin/return…” she muttered as she typed “Queen Anne’s crocheted ferrets, 1625, Louvres Palace”.

Of course, going forward in time was easy, so she would simply need to give specific instructions to the time smuggler to pass on those bloody ferrets along the timeline.

A click here, accepting the long conditions with hardly a glance, “blabla, not covering extra temporal charge… blabla… ensured discretion, yes, yes, service cannot be used to leave historical artifacts protected by the amendment on the … or any incongruent item blabla… smuggling service comes with no obligation of results…”
The rest was piece of cake.

She already had the perfect time mule in mind for the delicate mission of reintroducing the crocheted ferrets where her dragqueen competition was now held.

When Nicole du Hausset, widow of a poor noble man, one of the two femmes de chambre of Madame de Pompadour, first hear Madame talk about her first encounter with the Count in 1749, she remembered immediately about her mother, and grand-mother’s secret instructions.
A few nights later, she wrote down in her diary “‘A man who was as amazing as a witch came often to see Madame de Pompadour. This was the Comte de Saint-Germain, who wished to make people believe that he had lived for several centuries.”

For some reason, she was to find a way to give him two scrawny century-old (and quite frankly smelly) crocheted ferrets, as a token for the Queen.
She still had seven years or so to make it happen, that was time ample enough to do the deed, if the Good Lord would grant her enough life, or else she would need to pass the burden to the next of kin.
She’d never known exactly why this was significant, but she’d been told that her family’s past riches were due to the success of this task, passed on to the next generation until 1757.

It didn’t take very long. An elaborate and convincing lie did come easier to her than she would have known, and the Count swallowed it hook and sinker. Next thing she knew, she’d glimpsed the plush beasts in the midst of the menagerie of the Queen, and felt relieved of a life and generation-long burden.
She could now return to a simple and uncomplicated life, although she would sometimes wake up at night in cold sweat, having had dreadful nightmares that the ferrets had disappeared before the date.

The package was labeled in Sinese. Goat was fluent in a few languages after many a travel, and although Sinese wasn’t his mother tongue — he was only half-Sinese from his father’s side, he could read it well enough, and make himself passably understood in most of the Colonies.
It was a code, or more precisely, a reference. It said 时间舱23号, which you could probably translate as “Time capsule #23”. Back in the days, the Surge Team would bag and tag any strange artefact they confiscated during their missions, and usually would archive them in such capsules.

Although the concept of Time-capsule in itself for the old teams was soon to become somewhat of a mind puzzle if you thought too much of it, it still held value of… archaeological, rather than historical sorts for their descendants, such as himself. Of course, if you’d like some wild flowers, you’d rather pick them directly in the dewy meadows or mossy forests where they grew instead of taking them from the interstice of an old moldy book between the pages of which it had been laid down to dry, wouldn’t you. Now, anybody could easily become an historian with complete immediate sensory experience of past times at their perception tips —much like how it started, back in the twenty hundreds, with everyone able to become an amateur geographer in minutes with instant access to the satellites maps of Earth.
But being a map reader would never suffice to make you a sailor.

So, of course, Time capsules somewhat felt like such old dry plants if you were an historian. But if you were looking for ancient treasures or secret powerful artifacts, you knew you couldn’t just bring them from the past lest you disrupt the chain of events leading you to it. Many had gone madder than Lord Elmed trying to figure out safer ways. Time capsules were such a way.

“Now, I guess that fishy stench was there for a reason after all,” he sighed: to keep intruders and medlers off of its content, surely.

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

CUUUUUT !

— Ahahaha, I’m sorry, that must be the sauerkraut we had for lunch!
— You’re kiddin’ or what? I tell you for the 58 ^th time, it’s supposed to be a dramatic scene filled with suspended horror and… Shite! Perhaps you’d prefer to have it Broadway-like, Teri sweetie? With parrot feathers jabbed into your bum and fairies dangling from the roof singing La Traviata?…

— Err… You can say that’s because of the fermentation gas produced by the mould inside the mummy, and that her reviving her physiological tissues would naturally generate…
— Who the hell is that f*cking know-it-all?
— I’m the historical consultant, John Davis
— Historical WHAT? Betty’s gonna hear me, I can tell ya, as if we’ve got ‘nuff budget to bother with… Aaah, get lost! Now, everyone get ready for the… Ooooh bugger! Let’s do it tomorrow.

Marvin Scrozzezi went to his caravan exasperated. The movie wasn’t going very well, and there were all these impossible deadlines… His worst concern was about the damn budget. He’d thought it was a good idea to hire that expensive castle to do the movie. An adaptation from a book he had found recently.
He had bargained with the author to get the rights, and that had been tough, considering his previous movies were not quite that kind of great historical epic he was supposed to do now.
At least she had not laughed when Marvin had told her his most successful movie was The Return of the Avenging Dame Zombie of the Lake…
What a mess… Sure a good night of sleep would make it all right.