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Even with the help of the buntifluën, which translated the foreign expressions between the men of the Seas and him, young Tomkin had some difficulty to explain some concepts to the men.

When the three boats had landed on the warm shores of Golfindely, Tomkin had been a little anxious about the ominous looking men, especially the giant one, with the big ugly baby face who seemed to be in command.
But apparently, Tomkin had found a faithful friend in the black and white myna, and the ugly baby-faced giant had been interested by his unusual talent of being able to understand and communicate with them.

I had been two weeks now that the men had arranged a settlement for themselves on these friendly shores, and Tomkin had been quickly adopted by the whole crew.
He soon made friend with Jahiz, Austor and even the wild man in shackles —who had told his name unwillingly in energy, that the buntifluën had helped to translate. Tomkin was finding that the wild man, Cpt. Razkÿ, had been a greatly interesting adventurer and had known many places of the lands from where the men came. In fact, he reminded him of Captain Bone.
The most difficult to deal with was the chief cook Renouane, who was complaining about the lack of some kind of unknown vegetable to do the meals. Jahiz had comforted Tomkin saying they were all fed up with “cabbage” anyway.

The villagers around had become slowly aware of the presence of the foreigners on their lands, but they were relatively accustomed to seeing strange people, and upon seeing that these ones were friendly with Tomkin, they returned to their Scotch bonnets harvests, without much more of an afterthought.

Tomkin had helped them to learn basic words of their language, words of greeting (“wallahu”), of thanks (“alami”) etc.
But the ugly baby-faced giant (who had said he was “Badul”) was interested in many other things.
And the concept Tomkin was now struggling with, to clearly explain it to Badul, was that of the traveling portals.

Badul had somehow intuited that the strange shift in the environment they had met in the middle of the Rift, was something due to Unseen action. And when he had heard Tomkin speak about these methods for traveling easily, he had been interested in understanding more of them.
Until now, it was a frustrating experience, as the young boy only knew such and such, probably told to him by some others, and not having actually experienced one himself.
But the information was good to learn.

Bringing back this technology to his land would probably be more interesting than some decorative glowing egg, he was thinking…

— Daddy, daddy! I want to come with you!

Young Peregrine had been running after his father at the moment when he had put the letter in his pocket ready to go off the streets.

— Oh, really? Sean Doran Wrick was weighing the possibilities.

Peregrine was still in fluffy rabbit slippers and pajamas, but he had a very determined look on his young face.

— Then perhaps we should ask Guinevere to come with us too?
— OK, I go ask her!

And off was Peregrine, running down the hall of the large Dublin apartment to his sister’s room.

Sean was thoughtful… Well, Edmund had said that the private jet would be ready in an hour, so that was leaving him some time to have a nice beer at the pub before departing to New York to see the Traveling Reality Amusement Park, or T.R.A.P. for short, as the imaginative publicists of his father’s company had decided to brand the new revolutionary concept.

Sean had been supervising the very first prototype before he had met Margaret, and then had got more interested in his “real” family life than in amusement travels in fairy lands… But nonetheless his father had trusted his flair, and had kept him informed of the developments of the project.
Now, for the premiere of the T.R.A.P., he’d got some VIP invitations, but grieved with Margaret’s death, he had not wanted to go there at all. That is, until Becky had spoken about it…

Peregrine came back with a pout on his face.
— She’s not sure if she wants to come, he said…
— Oh well. Then, let me have my beer, and I come back in a few minutes to see if you and your sister are ready. I’ll pick up whomever is ready and packed up.
— Yipeeee! Peregrine’s eyes were gleaming with joy.

This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

Quintin: Your story was great!

Fiona: Thank you So was yours.

Have you written any more since I last looked at the story?

Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

Fiona: no, wrap it up if you feel.

I have drawn what I wanted. I will go and blow up the cave if we don’t finish it

Quintin: Ahahaha! Don’t restrict yourself

Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture

Fiona: The endearing dragons…

Quintin: Yeah…

But I had strictly no idea about the rest. It was just a bet, on luck…

That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

Fiona: And did she have any impression of what form that could take? Like books, or games or what…

Quintin: No, it was much more “real” in fact…

Fiona: you know like the card-captor game which I suppose is interactive, so real

Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

Fiona: So a little bit like I have done with the story, to resolve something

Quintin: yeah, exactly, or with your paintings

Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

Quintin: Yeah, people can unleash their imagination.

And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

Fiona: such as? eggsamples?

Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

Fiona: Yeah, I told you I did, but you just said some riddle!

Quintin: Did I? That’s not like me

Fiona: Ahahhaha! It is you to the core

Quintin: LOL, damn me!

Fiona: Well, that is a bit strong, but …

Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there

Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

Quintin: Ahahaha, the story has a willing of its own too…

Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

Quintin: And actually, I don’t think everyone will be interested in dragons…

Fiona: How does a dragon help one learn magic powers?

Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

Fiona: And how having a baby dragon could help unleash our magic powers then?

Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

Fiona: I am not sure if i have dark corners

Quintin: it was a metaphor

Fiona: ahahahhahahahahahah

Fiona: I know, so was mine

Quintin: ahahahahah

Fiona: I was thinking I feel really accepting of myself

Quintin: Yeah, that’s the point in the little adventure before you meet it.

You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

Fiona: Well I think it sounds scarey now, what if no dragon picked me…

Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

Fiona: True.

Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

Fiona: Ahahahaha yes

Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

Quintin: Of course, you know

Fiona: That I related most to the figure of blue hat… and big feet

Quintin: Ahahaha, stomping on the poor key-fish

Fiona: Nearly…

Quintin: Have to go now, thank you for this enjoyable conversation

Fiona: See you!

The transmugrification was about to start.

Inspired by the improvised tune of Malvina, Leörmn had felt new arrangements coming for the cave.

He had been checking out every living being in the cave, and wanted to make things less complicated for them, without startling them too much. For creatures, that was easy, he could communicate well with them, and they knew the changes would be temporary.

But for humans, let alone gripshawks, that was more difficult as they could play deaf as pleased them.

Hopefully, the gripshawk was in good hands outside the cave, and that was probably better for her, as she would probably have hurt herself more than was necessary in not listening to the exhortations to stay calm.

As for the young adventuress, she was sleeping joyfully, and the little glukenitch that Leörmn had left to her side to keep watch and warn him in case she would be too distressed was silently watching over her.

Írtak was aware that the process was about to begin, as he had been trained by Malvina to listen to the flimsiest changes in the cave, and how his body was responding to these subtle modifications. This one would probably become of great dragon rider, but for now he was young and needed to hone his abilities. His father had been renouncing of telling him what was best and most reasonable for him to do, and allowed him to spend much time in the cave. He was not really interested by these magical things, but he knew they were important for his son, and was encouraging, in his own manner.

As for Malvina, she was unaffected in a way, because she was part of Leörmn as much as he was a part of her, and it was like they were moving hand in hand. These hiding and seeking the eggs were like a playful game between them, because their interests were different, but all in all, they were one, and trusted each other completely.

The more troublesome was perhaps Sanso, the wanderer. This one seemed trapped in between Worlds. The caves at times also acted as portals between Worlds, and this one had been unknowingly crossing the Worlds, as the delimitations between imagination and reality were only in words, and did not really exist. Leörmn was hoping he would not appear in the midst of the ruckus.

So, on one of the wooden decks near the apartments of Malvina, he sat, overlooking the glowing eggs, and bathing into the music.

Closing his eyes, he felt every part of the cave as if it were an extension of his own body, which was in fact much bigger than this current appearance, so big in fact that it was the World itself. And every creature breathing in it was a very cherished part of his body, and he slowly breathed in and out.

He envisioned a great light pouring from the volcanic insides of the cavern, which inundated the cave in a misty warmth. It was a loving light that neither glukenitches nor schpurniatz feared. And the sinuous insides of the caves expanded and straightened in huge corridors, and doors disappeared, and gorgeous paintings from the mind and craft of Malvina decorated the walls in rich colours.

And near the platform, inside the hall, a huge table sprung from the floor, for the banquet that was to come.

And a new egg was laid somewhere in the cave, glowing of an emerald tint.

This “one” was a bit different though…

Malvina enchanted harp had been playing for quite some time now, an old tune from her homeland and she was beginning to feel like she wanted to improvise some new music.

She had been combing every nook and cranny of every hole into the many tunnels spreading inside the cave this morning, and was quite exhausted now. Of all the few pearl-like eggs that she had found, only two looked like a promise of new baby dragons. Others would probably dry up and become hard glassy balls, that she could polish and sell in the market of the village.

These round balls were mostly bought by rich merchants who used them only as decorations, or as a ostentatious display of riches. Few of them knew that imbued with dragon magix, they could be used as focal points, especially for two people to communicate through them.

Malvina did not care to explain to the buyers, as long as they were only interested in the mundane. That was somewhat saddening at times, because when people started to forget about the innate magix pervading the Worlds, they started to loose their power to steer their own ships. And sometimes, for some of them, they would just create strange things out of nowhere, like sudden rains in a clear blue sky, only to remind them of this power. But for the less fortunate of them, they would just wallow in the mud and cry to the sky, forgetting that they were creating this for a purpose…

But now, the harp was calling for her, and she knew it would delight the little Buckberry and the guests she could feel were approaching, if not here already…