Search Results for 'itself'

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

“What are you doing Arona?” Madrake said in a distorted meowing voice. “We’re not splitting off again, are we?”

Arona’s resolve was strengthened when she thought of her vision of the glowing Cup and the great turtle, and with great resignation, she took a turn further down inside the dark underground holevator.

Seriously, Mandrake, why do I care for prancing poneys anyway. That deal with the Chamberlain was rigged from the start, he knew he didn’t have the Cup in his possession, but now I know it’s in my reach, so why should I wait for it?

Mmm, maybe because I was becoming very fond of this other very flexible cat … Mandrake though to itself.

Mandrake was about to count his blessings starting with being rid of the annoying blinking Huhu parrot, but as soon as they landed, as if drawn by the thought, Huhu appeared again in a pop and walked to them bobbing its head in a disturbing manner.

“Pst, Arona… Arona!” Mandrake tried to jump on the rocks out of reach, but the stones were slippery and he couldn’t get out of the parrot’s reach. “Aronaaaaa!”

“Shoo, shoo…” she disappeared the parrot away with an annoyed flip of her hand. “What now, Mandrake. Make yourself useful will you, we have a turtle and a Cup to find.”

The P’hope could be seen everywhere: leading the Builders to work double shifts to strengthen the collapsing structures of the flying City, exhorting the Magi to contain the failing beliefs of people back to virtuous resilience by ways of special masses held throughout Karmalott, and ensuring with the Sentries that all tremors of civil unrest was properly contained and the ring leaders properly admonished into good conduct.

The situation at the secret political prison known as Gazalbion was alarming. With most of the dangerous interlopers free to roam Abalone, and no walls to contain new prisoners, it could take a while to rebuild its walls, and the P’hope didn’t have the luxury of time on his side. It meant that no civil and belief dissidents could be brought there at the moment, and any spark of disobedience could spread like wildfire.

The P’hope dreaded what could happen if, despite all the efforts, the beanstalk was beyond repair. He knew his faltering belief in it could only hasten its fate, but even so, he wanted to be ready for the worst.
Considering the limited amount of rescue storks which were available off the walls of the city, it was likely that the result would be of apocalyptic proportion. Nevertheless, he refused to consider evacuating for the moment, even knowing it would take days for those on foot to climb down the bean’s tendrils.
Especially, as he was now in the perfect position to be the hero of the day.

…

He had been robbed of his share of light many, many years ago.
At the time, a young boy had arrived from the sea and from an outside world to Abalone. Jube, who was not yet the P’hope, was a striving leader of a group of survivors of the island. The bog’s dangerous and foggy emanations and its wild life were a threat of all instants, and he had soon realized there was strength in numbers. Many lost souls had gathered, but didn’t have the strength on their own to remain focused on a reality they wanted, a dream made reality.

He, Jube the Brave, had such strength in himself. But even so, they were only less than a few dozens of men and women in the camp, and the reach of what they could create was only good enough to sustain them for short periods of time.

But the boy named George had arrived from afar, and things had changed gradually. Jube had found out pretty quickly that the boy had the great potential to bring people together, and hold their beliefs like a mighty rope made of the thinnest of strands of hair. So he had offered to mentor him, while at the same time working his words into suggestions, and shaping the boy’s future to fit his own dreams.

That’s how the beanstalk started. The first sprouts were so tiny and frail, but the more people came and believed in the leadership of the one who was to become their King, the more it grew, and lifted them above the clouds and the fog of their minds.
Years had passed, Prince George became King Artie as another suggestion of the P’hope which had the side-effect to cloak Artie from his memories. The P’hope grew in power, always in the shadows however.

For a while, people were happy. Truly happy. But progress was inevitable, consciousness had to move and grow, otherwise their dream of a City would have been another foggy and soul-numbing projection of their feeble minds.

The first real threat happened when Abalone, in one of its inexplicable changes of time and space, drew to them a stranger. True to their principles, they had welcomed her, nursed her, and given her a place of choice in the Magi’s ranks despite her young age. But she could see clearly between the cracks and the varnish of order. Worse, she could see the P’hope’s intentions were not so pure.

So it become soon apparent to Jube that the young Gwinie had to disappear, and her followers had to be contained. For the sake of the great Karmalott, and to shield everyone from the impending chaos, the same chaos they had came from victorious many years ago.

He and his minions had struck in a very swift and coordinated movement. Gwinie was tragically lost in the bog during her rite of passage. A truce was arranged with her followers, and they were allowed a concession, with enough resources to survive. They ultimately built Gazalbion, which also became, in a mutual arrangement, a political prison for Karmalott, unknown to virtually everyone in the City. The Processor, one of Gwinie’s former followers, was glad to receive prisoners who would add to the strength and mass beliefs of his encampment. The P’hope in return, was glad to be rid of difficult problems.

That was so long ago, but it rang like a warning from no further than yesterday.

They had never found out what the old temple’s ruins were for, or by which civilization before them they were built. They were as old as the island itself, and seemed to be doomed, full of an ominous power he couldn’t and feared to harness. If anything else failed, he would go back there. Maybe that was his only solution.

After they’d jumped in the robot (which had shapeshifted into a sand buggy big enough for them), they had to cling tight to the railing of the light vehicle, as the robot was driving recklessly into a jungle of unexpected leaves and green vegetation tentacles.
It wasn’t long before they were back on the gorgeously rugged Hawai’ian beach, taken on an unexpected dune racing along the coast.
The queens looked exhilarated, but Sadie was a bit overwhelmed, especially after what the Techromancer had told her.

The wetsuits fitting session passed in a blur, as the breathable elastic material was made to adapt to their bodies. Really, the only thing left to choose would have been color, but it was able to change itself at will, with very little shades it couldn’t replicate to perfection, even the Bollywood shine and twinkle that was all the craze in the 2019s.

“But we’re in the 2222s now!”, Maurana had voiced her disapproval of her choice of glittery fashion. Little did Sadie care about it. Her mission seemed to stretch to sidetracks and unneeded distractions on her path to Great Happiness.

All four of them clad in their fancy bathsuits and looking more like hippy frogs than sassy mermaids, they followed the robot on the miles-long deck that led to the horizon.

After half an hour of walking on the narrow bridge, they were at a good distance from the coast and Terry started to pant and breathe heavily in her green sardine scales costume.
“Stop! I got to catch my breathe, how long it’s going to be now? We were promised a soirée! Not a walk on the wild side!”

The robot, rolled back a few steps, and turned briskly.
“Actually, Sir, this is a perfect spot for your whale training”

And before they realized, the robot had opened the deck under their feet, plunging all of them in the ocean screaming.

Thanks to her excellent training and natural sharp reflexes, Sadie was the first to realize a few things.

• They were all alive
• They were able to breathe underwater
• Their suit enabled them to talk and understand each other in what sounded like whale-speech.
• A looming shape was quickly closing on them, looking dangerously like that of a giant toothy white shark.
• Her mind was a mysterious thing.

Why? Simply because the previous thought was coinciding with another one which was saying unequivocally that she still hadn’t found a proper dragqueen’s name for herself, and yet another one, even more funny than all others, saying in between bursts of infectious laughter that her last words could well be whale speech, and would make a hell of an epitaph.

She floated for a time moment stretched into an eternity, weighing all the rippling probabilities and wondered what her next move would be, as she was in the void of creation, hovering under a vortex of thoughts, with a sea of twinkling stars beckoning her further down the ocean’s clear bottomless depths.

It was said long ago that the role of the parrot is that of opening communication centers. When this totem appears, one should look to see if one needs assistance in understanding views that are different from one’s own.
Huhu didn’t care about any of these human assigned meanings to its existence.

When the grip of Irina’s mind over Huhu the parrot was suddenly released, it found itself out of sight of the floating balloon and struggled to glide over the oceans’ air currents without losing too much altitude as well as precious degrees.

The air was cold and the ocean had no end in sight, and if a parrot knew despair, Huhu would have succumbed to it already. But it was a brave parrot, as though inhabited by some divine spark, and it continued bravely, only guided by his senses.

When it was about to faint from exhaustion, and dive dangerously close to the sea, was the precise moment when it noticed fumes swirling around in strange vortices erupting from the sea.
A strange boat appeared at the surface with a shining light.

Little did Huhu know, but it was the ghost galleon Santa Rosa which had a special thing for birds in distress, and would appear at times of need, a haven of luxuriant foliage and birds cackle, a benediction of safety in the turmoil of the seas.

Nobody knew clearly when the galleon sunk, one of the last of his kinds in the Old Continent, probably around the early 1111s, but one thing was sure, it was a ghost ship long before Huhu was born and brought to Versailles in 1757.

A ghostly form picked his soft body from the ground, delicately removing the key entangled on its foot, then placed the bird with great care on a bed of moss.

We can go now Belen said the man to the whale captain of the ghost ship.
Whale that! came the answer.

Jonbert had developed an interesting theory while doing his morning ablutions about time travel and catching butterflies. He had a gorgeous butterfly nursery inside the submarine, and got the strange idea that trying to fiddle with time was like catching a prized butterfly among lots of others looking alike.

His thoughts were interrupted when the horn signaled they had arrived in 2222 in one of the blind spots of the ocean’s depths close to the particular spot where… some interesting butterflies would be attracted.

The submarine was mostly entirely roboted. There was little for him to take care of, so instead of pacing around in his tartan kilts, he sat back in a comfortable 1980s garish sofa from his antique collections, and revisited his memories in his memory palace.

He had taken him great patience and cunningness to hatch the plan. Through many of his Time Tourist outlets and a few shell corporations, the last of one which was named Vague, he had manipulated events to design and hire the Drag Queen time contest. Drag queens wasn’t the original plan, more of an unexpected deviation, not that it really mattered. All he needed was just one mission. Then, he only had to make sure the contestant would be diverted to a carefully selected time zone, and given a key to smuggle.
The key wasn’t really important, what it collected along the way was.

For him to be able to breach the Time wall of 3333, he needed vast amounts of gold, and to his knowledge, it could only be accomplished through true transmutation.
Artificial gold, like artificial crystal wasn’t created as good as it gets in nature, and for some reason wouldn’t remain stable enough as the machines were propelled too far in time. Of course the irony of that was a conundrum in itself and wasn’t lost to him: after all, wasn’t transmutated gold just artificial too? After what centuries had managed to push as boundaries and envelopes, he wasn’t sure any longer what was artificial or natural. And it was his last ditch effort at living everlastingly.
He didn’t care if he could just chose another of these holobodies to project his thoughts into, he was old school, and stubborn to a fault. He had to see it through, even if, and especially if so many before him had failed.

The key was designed to capture a complete hologram of the person who seemed to have accomplished the transmutation recipe he desired: St Germain.

2222 had been hailed the pinnacle of human development (that is, until 3333 was at reach), which prompted a whole Time Tourism business during this year.
It required a lot of finicky logistics, as to ensure a stable sustaining of this particular year and avoid predatory behaviour which could potentially lead to the collapse of the future as it was known —a matter which in most cases wouldn’t be given two figs about, but which here, could have dramatic repercussions on the ITBC (International Time Bank Conundrum) itself.
As a matter of fact, it wasn’t before 2255 that Elbert Twostains elaborated the first working version of his Unified Theory of Time Puddles, hence ushering humanity into a bright future, and past, and present, where and when nothing would ever be the same again.
As such, there quickly was an embargo declared by the ITBC on any close relationship and ancestor, and connected people which could lead to a disruption of their juicy business.
Apart from these minor restrictions which were for the good people’s own good, a lot was actually possible and allowed. Some maverick travellers used to vocally resent and disapprove of those restriction, but mostly because they thought the theory would have been discovered anyway, Elbert or not, and secretly because they enjoyed beating the drums of the restrictions (which restrictions tended to get quite restricted themselves past 2222).

Jonbert Dirk had made a fortune as a Time Tourism moghul, or so the official story went. Truth be told, much of his fortune was amassed thanks to time smuggling and past treasures plundering and reselling on the black market of antiques. Let’s not be hasty to judge the old man though, It was a tricky business back then, to find the proper time to retrieve a given antique so that your precious item didn’t look like the cheap porcelain fresh out a sweatshop in Sina.

By 2233, he was a multi bullionaire (billionaire in gold bars, as gold was needed to time-travel, it was an even more precious commodity than before), and had outlets with his brand all over the places and times.
Like the rich men of the past who had themselves built splendid yachts big as cities, he was of more modest and practical tastes, but not insensitive to the display of power this offered. So he had himself built a spacious submarine richly decorated and equipped with the last generation of TTEs (Time Travelling Engine). Over time, he’d found the use of a submarine much easier to conceal during his time travels, and like a Captain Nemo of the future, enjoyed the luxury of whale watching and underwater symphonies while sipping his caipirinha in the pool of his submarine.

Few people knew how to contact him, so it was with some surprise that he’d received the request for genetically enhanced pacific frogs. Belligerent frogs were all the fad in last century, but this century had a soft spot for the smaller, and more resilient pacific singing frogs.
A man of his immense resources was definitely the way to go if you needed such rare and exotic species delivered to you in short notice.
He was in a good mood today, so he signaled the order to the central computer.
As the batch was dispatched, he smiled wryly, thinking he had waited for the inquirer to be indebted to him for quite some time. Shrinking old was a mean business, and he had not amassed enough gold to jump past 3333, where life everlasting was discovered. He was certain this curious and elusive fellow would be in position to help.

The four thespians from the “Théâtre du Soleil” were delighted to have been hired by the Royal Intendant to be the clou du spectacle. They were planning something sensational.
Chinese fireworks! And a huge colourful hot balloon, attached to a wicker basket big enough to carry them four acrobats in the air, and to bewitch the noble assembly stunned by their contortions and feats of equilibrium. They would make a fortune that night, and the the weather promised a clear bright sky with an ubiquitous full moon.

They’ve had last minute doubts about the balloon plan, as their usual supplier of beeswax unexpectedly declined to fulfill the order. The whole town suddenly found itself short of it, and it was thanks to the local lard supplier that they could find a suitable amount of fuel for the hot balloon.

They parked their brightly coloured theater trailer in the small courtyard in front of the Opera House. The construction rubble was blocking the way, and they would need to enter the Opera House though the Chapel, the Intendant had warned them.

They noticed a maid, and where about to ask her for confirmation as to the direction, but she was ducking suspiciously as though to avoid being seen, and slid out of view very swiftly.

They did only realize they got out of the tunnel when the dimmed blue lights faded completely. It was almost pitch black apart from a few braziers in a narrowing vaulted tunnel paved in the manner of a future metro line.
The passengers had noticed the transition from the smooth gliding gait of the zebras to the clopping of the hooves on the cobblestones. Sadie peaked outside of the carriage
“Have we arrived? Where are we?”
“Rightly so, darling. We’re under the grotto. Technically, it’s a chapel now. I did some adjustments underground.”
“Mmm…” Sadie nodded indecisively. She couldn’t find the least rude way to nod without letting her thinking it was utter rubbish show through. So she kept quiet for a moment and even refrained rolling her eyes. “So, we’re….?”
“We’re at the North Wing of the Palace, darling. It’s just nearby the Royal Opera House of the Palace, where your show will be held tonight, your e-flapper should have told you that. Don’t mind the construction work, it will give a steampunk feel to your show before it’s even invented.”
“Of course.” she said evenly. “The North Wing. Well, we all in need of sleep and refreshing before tonight’s show, so…?” trying to worm out meaningful words from Sanso seemed a futile attempt.
“Fancy that, darling, I have another delicate extraction of time stranders to go to,” checking a greasy paper from his shirt pocket,… “in last century or so, I can’t afford to be late. Let me help you lots out of here, leave it to Chair to take back those zebras to the Royal zoo and deliver that barrel of fine champagne, and you’re on your own.”

Before Sadie could tell the word rude, Sanso had folded the carriage back unto itself, pocketed it and disappeared in a wallmhole —leaving only beside herself, the mute Chair on top of a barrel of vintage champagne, four exhausted and pawing zebras, and three sleep-deprieved disheveled divas.

At least, the secrete cave of a Chapel is not overly conspicuous she said, trying to cheer herself up, remembering her training that light would prevail.

The package was labeled in Sinese. Goat was fluent in a few languages after many a travel, and although Sinese wasn’t his mother tongue — he was only half-Sinese from his father’s side, he could read it well enough, and make himself passably understood in most of the Colonies.
It was a code, or more precisely, a reference. It said 时间舱23号, which you could probably translate as “Time capsule #23”. Back in the days, the Surge Team would bag and tag any strange artefact they confiscated during their missions, and usually would archive them in such capsules.

Although the concept of Time-capsule in itself for the old teams was soon to become somewhat of a mind puzzle if you thought too much of it, it still held value of… archaeological, rather than historical sorts for their descendants, such as himself. Of course, if you’d like some wild flowers, you’d rather pick them directly in the dewy meadows or mossy forests where they grew instead of taking them from the interstice of an old moldy book between the pages of which it had been laid down to dry, wouldn’t you. Now, anybody could easily become an historian with complete immediate sensory experience of past times at their perception tips —much like how it started, back in the twenty hundreds, with everyone able to become an amateur geographer in minutes with instant access to the satellites maps of Earth.
But being a map reader would never suffice to make you a sailor.

So, of course, Time capsules somewhat felt like such old dry plants if you were an historian. But if you were looking for ancient treasures or secret powerful artifacts, you knew you couldn’t just bring them from the past lest you disrupt the chain of events leading you to it. Many had gone madder than Lord Elmed trying to figure out safer ways. Time capsules were such a way.

“Now, I guess that fishy stench was there for a reason after all,” he sighed: to keep intruders and medlers off of its content, surely.