Search Results for 'lack'

Humming quietly to herself, Glynis stirs the mixture in the large black pot. She feels proud that she now knows this recipe by heart and no longer has to refer to the large book of spells which sits on a nearby stool.

Small bubbles begin to form on the surface of the mixture—soon it will boil. Now … remember … ”the mixture must boil for 5 minutes, no more and no less”.

She wasn’t sure why the directions were so precise … apparently understanding would grow in time. She pondered whether it was the element of discipline involved which added a particular flavour to the spell. After all, the intention of the heart was important and the difference between a great spell and just a mediocre one. She hoped to be a master one day and revered for the purity and efficacy of her mixtures.

“Quiet now,” she chided herself. “Pride won’t help this spell any.”

Five minutes. She has her own way of marking time though at first it had not been so easy. The moment the mixture was boiling she began to sing. She sang the whole song through twice and then pulled the pot from the fire to leave it to cool. Next it would go in the jars that stood waiting on the bench like a line of willing soldiers and then it must sit till spring.

Patience.

Daylight is beginning to fade and she remembers she still has no sage.

The orchard is particularly beautiful this time of day she thinks. Late afternoon. Once, there was a path of stones leading down to the garden where sage and other herbs grow in abundance, but now the path is long overgrown.

A Silver Jute alights on a branch ahead of her.

“Hello!” Glynis says, happy to see the bird.

The Jute opens its beak and with a thrusting motion propels a berry which flies through the air and lands at the girl’s feet.

“Thank you”, she says and a feeling of warm gratitude fills her heart as she picks up the berry and puts it in her basket.

The Jute nods his head in acknowledgment and with a loud cry spreads his wings and flies off over the trees of the orchard.

Aunt Idle:

One of the best things about going away is the pleasure of coming home. Never in a million years would I expect to miss dust, or overflowing ashtrays, but it was so good to see that familiar layer of dust all over everything.

I cut Maters grumbling short and lugged my case up to my bedroom, calling “Jet lag, speak later” over my shoulder. What was she on about anyway, two more twins from the past? It rings a bell, but I’ll think about that later. I hope she’s preparing a bit of dinner, some of that food in Iceland was ghastly, especially if you’re not a fishy sort of person.

Now all I want to do is get out of these clothes and into an old tattered T shirt ~ the oldest favourite, the black faded to greenish grey ~ and sprawl back on my bed smoking. Dropping ash on the bed cover watching the smoke and dust motes dancing in the shaft of warm sunlight. Stretching my limbs out unencumbered with layers of clothing and feeling the air on my skin.

Iceland is very nice in many ways, I took hundreds of photographs of the scenery and all, but shivering outside while quickly sucking down a lungful, or leaning out of an open window in the arctic blasts is not my idea of a relaxing holiday. Not that I went there to relax I suppose, which is just as well, because it wasn’t the least bit relaxing.

I drifted off to sleep, contentedly gazing at the stains on the ceiling that looked like maps of other worlds, vaguely recalling some of the names I’d made up for the islands and continents over the years, and woke up later dreaming of Fred, of all people. For a minute when I woke up I could have sworn he was standing right there next to my bed, watching me sleep. I blinked, trying to focus, and he was gone.

Clove realized that she wasn’t going to get very far with her investigations if she didn’t gain the family’s trust and an amicable footing in the household.

On impulse while wandering around a discount shop in the high street she decided to buy a couple of packets of gaily coloured plastic clothes pegs to replace the old wooden ones that had been marking her laundry with mossy green stains. Next she put a pack of bright poppy motif table mats in her shopping basket to replace the dowdy stained hunting print mats to brighten up the kitchen table. A tall shiny emerald green pepper mill caught her eye next; that would look nicer on the table than the Titsco powdered white pepper container that the Smith’s made do with. She would pick up some black peppercorns in the health shop when she got the organic oat cakes. They’d like a change from cream crackers all the time, she was sure. The final impulse purchase was a couple of balls of sustainable organic hemp string, which Clove thought would make a nice change for Sue to crochet with.

The house was empty when Clove returned. She unpacked her shopping bags and distributed the new things around the place with a satisfied smile on her face. The old table mats she put in a bag next to the rubbish bin: Sue might want to keep them, although Clove doubted it. But better be on the safe side, she thought. The pegs went straight in the bin, and the hemp string into Sue’s crochet basket.

Liz’ delicate nose quivered at the heavy scent of her mother’s perfume. As long as she could remember, it had created a thickness in the air, moving around in the house, filling in every corner, invading every space.
Two men, who looked like those magazine top models, followed in with her mother’s suitcases. They put it in the entrance, got out and came back shortly after with other suitcases. Some were black, some were white, creating an ensemble like a chessboard.
“How long are you staying ?” Liz managed to get out of her lumpy throat.

Corrie’s findings from elsewhere:

“The old woman looked him up and down before pushing past him, curtly telling him to knock because they were all asleep. Quentin quaked inwardly. He’d arrived at his new location, a dilapidated old hotel, although not without a certain other worldly charm, at an ungodly hour of the morning. Hovering on the porch, he was unsure whether to risk waking his new hosts. He didn’t want to make a bad first impression. He felt even more dejected and confused when he realized he had no idea what kind of first impression he wanted to make.

His first encounter saddened him, and he hoped they all weren’t as unwelcoming as she had been. He wasn’t accustomed to feeling like such a stranger, or so nervous and shy. What made it even worse was that Quentin was quite well aware that his lack of confidence would be bound to make everything worse.

“You’re not another one of those story refugees are you? Did I frighten you?” the girl asked, as Quentin jumped at her sudden appearance from behind the spider plant.
“My name’s Prune, are you Quentin Quincy? Aunt Idle’s expecting you, but she’s not up yet. Are you going to be in the new room ten story?”

green jib able
hidden miss ones lack dust herself
leaving honey
done hope thinking
silly trip quiet leave days
human masters

It’s the Wall of Watches, where the last remaining heart beats of the condemned live on, refusing to be forgotten. The wall itself is high, with chains crisscrossing it’s face to keep a patchwork of boards in place. Threaded into the chains, however, were the watches of those who died at the wall.

The watches hung from each other. There would be one watch attached to the chains and then more watches would be strung on it’s bands. It was a practical solution to diminishing real estate on the wall, but it was metaphorical as well, representing the interconnection of hearts and souls.

Most watches were mechanical, but wound by the movement of handling. On the day of their death, or if they expected it, they’d run to the wall and fit their watch to the chains. Well-wishers would visit the memorial and handle the watches to both keep them going and to remember their loved-one once more. As long as the ticking continued, it was said that their heart remained beating in this world.

The guards would walk the condemned men past the wall to remind them of the people who came before. Dissenters.

As a line of men shuffled past the wall, an inmate leapt out of line and furiously fumbled with his watch, trying all he could to attach it. There was always one. One guy would become so overwhelmed by the empathy of the symbolism, would connect so strongly with the wall, that he’d leap out of line and attach his watch…an act which would be paid for by immediate death.

A guard watched with a certain pity. The orders were to shoot on sight, but he would let them have their last act. Right as the band slipped through the buckle, a shot was fired and the inmate fell in a lump.

All of this seemed so familiar to Aaron…or was it? Is this where he was supposed to be? He had a sudden moment of clarity while standing in that line, watching his fellow inmate fall. What was he doing here?! It was one of those moments that hits you. What in the world is all this bullshit?!

He loosened the belt on his watch as he drew closer to the wall, not wanting to seem suspicious. He would attach his watch, willingly and premeditated. Their expectations of him would not hold him ransom…rather, he’d use their own expectations against them. They would not kill him. He was in control. This was his time. This was his life. He was taking it back.

And, right as he slid the belt through, he got one last look at the black face of the watch…

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

Disappointed at the lack of interesting activity in Iceland, Hilda made a snap decision to catch the first flight to Liverpool. The news of the mysterious plague doctor roaming the streets of Chester had piqued her curiosity.

Was it an omen or just some fool in a fancy dress costume? Maybe it was a time traveler. If so, it would be worth investigating further.

Somebody was eavesdropping on the lacklustre conversation between Anybody and Nobody, although, as surely Everybody would agree, it was hardly gripping.

Better an oft repeated literary predicament than no literature at all, remarked Somebody, to Nobody in particular.

Don’t look at me, retorted Nobody with a sniff. I am not just Anybody, you know.

thinking eyes
funny smile
despite hope days moment cloud
lack honey
worry strange night
due calm dust
dark whether light window