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Let me show you something, Dory. George reached into a big red and orange and purple kilim carpet bag ( Dory wondered where it had appeared from; she certainly didn’t recall seeing there when they arrived) and pulled out a large sheaf of printed papers. He passed it to Dory.

Dory read on the first page:
Chapter 343,482,927,457,299,209,2819,298,357,008,557,057: ‘REMEMBERING’
Blimey, said Dory, Long book!

George grinned enigmatically and said, Indeed.

Dory flicked through the pages, reading a bit here and a bit there. Glancing up at George she said, I guess you couldn’t possibly carry the whole book round with you all the time in your carpet bag, the whole book must be enormous!

Oh, the whole book is always in my bag, he said.

Really? Dory asked in a disbelieving tone.

Why yes, of course. ‘It’s all in there somewhere’ he said, and laughed heartily, and a trifle rudely, Dory thought. Yes Dory, the whole book is always in there.

With a hmpf, Dory returned to scanning the pages. Before long she was overcome with waves of nostalgia and familiarity and deja vu, even a sort of backwards deja vu…a vuja de…Dory snickered to herself…

Why is this chapter called remembering, George? If I had written this chapter I’d have called it forgetting.

Chiara got quite a fright and spun round quickly. She stood gazing at the funny creature, a woman who had a sort of cattish feel, who had shouted BOUH at her, momentarily uncertain as to whether to burst into laughter or tears.

Illi watched Chiara’s trembling lip with some concern, especially when she saw the very large woman who was with her. Illi felt it may be prudent to make a hasty retreat, however, before she could make her getaway, a tiny figure emerged from behind a rather large pebble.

Hello, said a little pink fairy. I am the Fairy Princess of the Land of the Long White Cloud. Did you fly here? Look I can do magic and she waved her magic wand, said abracadabra and produced some small white feathery fairy wings for the delighted Chiara.

Frowdup she called excitedly. A round green blobby creature who blended seamlessly into the environment like some sort of exotic plant hopped over.

Yes Dear Fairy Princess?

Please could you play the music for us?

Oh delighted to oblige answered Frowdup, producing a flute like instrument.

At first the sweet notes of the instrument floated tentatively on the warm air. They rang like pure crystal, cool and pure, then slowly gained in confidence and multiplied, as though possessed of supernatural powers. It seemed the simple melody Frowdup played was accompanied by a whole orchestra of instruments.

The little fairy laughed in delight and grabbed the giggling Chiara. They began to dance instinctively with the energy of the earth, swaying at first like a tree in the wind, then whirling like the wind itself, soaring high into the air, imitating the flight of a parrot, then swooping joyfully back to the ground. They were connected to the magic of the music.

Whanga, one of the 13 Witches of Loathing was feeling rather bad tempered as she gazed into her glass ball. hmmmm bugger, she said crossly that little Fairy Princess from the Land of Long White Cloud is having way too much fun. She seems impervious nowadays to my magic spells of loathing

Whanga had to confess to being a little puzzled. For a while she felt she nearly had the Fairy Princess in her clutches, but one day something seemed to have changed, and the Fairy Princess did not seem to be so affected by her whispered spells any longer. What sort of magic had she found to protect herself Whanga wondered. .

It had begun to rain gently whilst Finn was in the enchanted fairy ring. She didn’t mind, she loved the rain and the trees protected her from the getting too wet. It felt cosy and magical. She had such a strong sense of the presence of her younger self. The younger Finn was three years old. Finn remembered the day,it was etched in her memory as a turning point, and yet it was also as though she were there again. She talked with her younger self, wanting so much to give the younger Finn a gift to help her make a different choice that day. Finn knew she had to trust with her heart, not reason it with her head, because there were just too many questions she could not make sense of, and magic did not seem to be so much about sense anyway. Anyway,whatever, if nothing else she felt lighter within herself .

http://www.north-of-africa.com/article.php3?id_article=418

This might be a better link for the comment about the connection between Egypt and Tuaregs

as well as the Egypt connection :

At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….)

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AND: The Tassili n’Ajjer

…..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

(this reminds me of Oversoul Seven! # book by Jane Roberts)

Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

more:

http://www.philipcoppens.com/tassili.html

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ENORMOUS CATS??????

Chiara got quite a fright and spun round quickly. She stood gazing at the funny cat creature who had shouted BOUH at her, momentarily uncertain as to whether to burst into laughter or tears.

Illi watched Chiara’s trembling lip with some concern, especially when she saw the very large creature who was with her. Illi felt it may be prudent to make a hasty retreat, however, before she could make her getaway, a rather loud voice shouted out from behind a gigantic pebble:

I WISH YOU WOULD ALL GO AWAY

And a tiny figure emerged. A very small and rather rumpled looking pink fairy, with a grumpy expression on her pretty face.

I SAID I WISH YOU WOULD ALL GO AWAY, she shouted again, this time stamping her foot angrily and glaring at the assembled trio.

Is that really what you want dear? Asked Roselyn. Because we can go away if you like.

At which the little little pink fairy burst into loud sobbing noises and threw herself on the ground.

Oh dear, said Roselyn whatever is the matter?

Bill, the itinerant artist commissioned to paint portraits of the Wrick family, was uneasy. While he’d been staying in the castle with the eccentric family, he’d lost all track of linear time. It had been altogether too confusing, and his head was spinning. Manon the cook had sent a tray up to his room, with a pot of Earl grey tea, and a plate of Yorkshire parkin for his supper, when he’d claimed to be developing a mysterious ailment and begged leave to retire to his room.

Bill splashed some malt whiskey into his cup of tea. A good long sleep was what he needed, and with a sigh he drained his cup and climbed into bed, pulling the heavy eiderdown up over his chin. He lay there for awhile staring into space, not really aware of his thoughts. An owl hooted from the oak tree outside his window. Twit whoohooo twit whoo hooooooo…

Bill blinked and then frowned. On the top of the Queen Anne highboy facing the end of his bed was a large carved stone face. How odd, he thought, I don’t recall seeing that there before.

Never speechless for long, Dory wondered out loud if she should just hurry along into the cave and hope to catch up with some other expeditioners, or explore the area around the cave first.

Have a look around, a voice in her head said. Ever the wanderer, always curious to just see what’s around that next corner, and the next….Dory wandered through the strange tall rock shapes. In a sort of natural passageway between vertical rock faces she came upon a group of people squatting next to a large oblong hole in the ground. The womans shawls and headscarves were flapping madly in the wind as she conversed with a boy of about 13, and it seemed to Dory as though they were discussing moving something so that it wouldn’t be found. Dory stood perfectly still just watching, and somewhat strangely they didn’t seem to notice her standing there.

An older man with curly grey hair and a long maroon djelaba and a tall narrow brimless black hat started to hurry away, as if a decision had been made.

Dory watched him until he disappeared from view. When she looked back towards the hole in the ground, it had vanished, and so had the woman and the boy.

PPFFFT! Dory had been deserted again. She turned and headed back towards the cave. Suddenly she felt hungry, and an image of a plate of cool crunchy coleslaw popped into her head.

I hope they’ve laid food on in the cave, she said.

By the time Illi had finished reading the newspaper article she felt thoroughly confused. Mechanically she folded the newspaper neatly and then lit a cigarette, resting her elbows on the breakfast table and her chin in her hands. She gazed through the ribbons of blue smoke and the dust drifting through the sunbeams, wondering if she was dreaming, dead, or alive. It was becoming so hard to tell the difference.

Oh well, I’ll think about it later, she thought, and mentally popped it into her clue and riddle box. Her mind wandered back to the story she’d just been reading, and the charming illustrations. The drawing of the young man in the white robe had seemed familiar, and she liked his name too…Sanso, The Wanderer.

As she imagined him, she felt herself lurch ever so slightly sideways, and as she did, the image in her mind of Sanso became suddenly life-like…incredibly so! He was looking at her in astonishment, and taking a step backwards, saying Lordy! not another one appearing out of thin air!

Illi looked around and found herself not in the sunny breakfast room but in a sandy cave, with a little girl in a wooly jumper, a young man in a white robe holding a large rusty key, and a parrot.

Suddenly Illi didn’t care anymore whether she was alive or dead, dreaming or awake. This was beginning to look like fun.

The parcel contained two books, one for each of the twins. The books were large and heavy and bound in tooled Moroccan leather. There were blank pages where the illustrations should have been, but the twins had such vivid imaginations that they created the pictures as they heard the story. Sometimes it almost seemed as if they could enter the page, and roam around in it, until Grandad or nanny turned to the next page, and then the wonderful potential of the next blank space beckoned.

Illi felt much better, and was sitting at the breakfast table, basking in the warm shafts of sunlight filtering in through the window, and listening to the birds singing in the lemon tree outside.

BelleDora came in from the kitchen bearing a large tray with freshly squeezed buckberry juice, soft boiled eggs in pistachio green eggcups and bread and butter soldiers, and The Reality Times newspaper.

Illi wasn’t in the habit of reading the news, but occasionally found an article of interest. Todays headlines looked intriguing: Fiona’s Diary: never before published excerpts of the Malvina Dragon saga.

Sanso was very hungry. He’d been living on the fungus that grew inside the dampest parts of the cave, but the recent stretches of tunnel had been much drier, sandy even. He hadn’t found a cave entrance for days and longed to step out of the cave into air and sunlight and green things, and find something fresh and juicy to eat.

Beginning to feel quite despondent, and with the hunger and thirst making his body ache terribly, he sat down, crumpled into a heap on the sandy floor. He lay back, stretching out flat and slept for what seemed like days.

He woke up mumbling the name Eggleton, which reminded him of a dish he’d encountered at one of the cave entrance worlds. He’d wandered into a beautiful strange green and rainy land, and followed the delicious aroma of something that seemed so delightfully familiar, that he couldn’t quite place, something that reminded him of mornings. Coffee! He remembered now. The smell of coffee had led him to a door with big brass numbers on it: 57. He opened the door and peered round it, wondering if he’d be welcome. It had seemed as though nobody was there, but a table was laid for one, with scrambled eggs on toast (freshly cooked as if whoever had prepared it had known eggsactly when he would arrive) and a steaming pot of black coffee.

Sanso stretched and realized his many aches and pains had been eased by the sleep on the soft sand on the cave floor, and the dry atmosphere, and slowly opened his eyes. Lying flat on his back, he was looking directly up at the tunnel ceiling. There was a door in the ceiling, strangely parrallel to the floor, an odd position for a door, he thought. His heart lurched and his stomach growled again with hunger as he noticed the large brass numbers on the door: 57.

Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

Use your magic, she had said.

When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 ^st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

Thank you for having me room, she said as she left.

No, thank YOU, replied the sleepy glukenitch.

The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

Why sad?

I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

You always know, just feel it

So Arona closed her eyes tightly and allowed herself to feel the answer.

Because you know who you are, and it made me realise I have no idea who I am.

Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

Arona, who had felt immediately connected with the young child frowned.

Doesn’t the little girl feel left out?

Go in, said the woman, Go inside the picture and feel the answer.

Oh, and you might want to leave your cloak behind.

So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

Arona returned to the cave.

You look troubled

Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

Arona shuddered a little. I might not jump into that one .

The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

Well I gave her the same advice, years ago.

More damn riddles, Arona thought to herself, and the woman laughed.

One final painting of yours I would like to show you. It is beautiful is it not?

Arona stared mesmerised for a moment, and then leapt right in.

She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

Dance Arona, she heard the woman’s voice

I can’t dance like that, I’m not good enough.

It doesn’t matter

And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

Things are shifting she said

Oh lordy, are they said Arona, What should I do now?

Feel the answer

Arona felt. I am very hungry, eggceptionally so.