Search Results for 'lay'

Phurt was starting to think something fishy was a play, each time he thought his short spider life had ended he was pulled back from Spiderheaven by some unknown force. Not that he minded this time, there were plenty of places to hide and cast his strong silk cables. He had developed a sense of adventure and the sheer height of some of the mounds made him dizzy. It also made him want to be the first spider in the history of this thread to climb on top of that Mount Wobbly of the Topperware Chain.

Phurt had also noticed a strange and strong smell that seemed to come from the top of Mount Wobbly. Not that he minded the hygiene of the place; it was, to the contrary, a rather promising smell. It was the smell that said swarms of flies would gather there like an endless supply of blessed food.

Seeing that other spiders were gathering at the bottom of Mount Wobbly, he contorted his butt and secured his first cable.

Spirius had been investigating the origin of a strong smell that had started not long after Austreberthe puffed out of existence and became part of the dust she had spent her life chasing away. Which gave him one more proof that his theory of the holy body influence upon the physical world was true. He looked for a pen but they were behind two piles of unopened parcels he had started collecting when he had noticed that the postmen were leaving the boxes unattended and unprotected from the elements on the front porch of houses. His intentions were pure, as any saintly intentions are, but when he saw what good addition to the other boxes they made, he felt a pang of regret each time he thought of giving back those boxes to their rightful recipients.

Alas, most of them were dead by now, so he felt his duty was to keep those boxes intact to honour the memory of the dead.

Yvoise came in just as Spirius saw an odd and colourful australian jumping spider cast a delicate silk thread to one of the bottom row of his Tupperware collection.

“You should really do something about that smell,” she said. “I remember a time when decorum required holy people to exude only fragrance and essential oils.”

“Well, you know, it’s Austreberthe,” he said as wobbly as his heaps of plastic boxes. He had them all. You could even say he started the whole trend of pyramid schemes when his friend Pearl Topper saw him buy boxes from antiques shops. She invented the first plastic box as…

“Well, I asked you a question,” said Yvoise, interrupting his wandering thoughts.

“Have you noticed the spiders,” said Spirius.

“What spiders?”

“I think they’re trying to go up there,” Spirius said. “Look!”

He pointed a proud finger at the top of the highest Topperware tower in the Guyness book of records. A swarm of flies was circling around one of the boxes.

“And that means the smell comes from there.”

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

Another one!  A random distant memory wafted into Amy’s mind.  Uncle Jack always used to say GATZ e bo.  Amy could picture his smile when he said it, and how his wife always smiled back at him and chuckled. Amy wondered if she’d even known the story behind that or if it had always been a private joke between them.

“What’s been going on with my gazebo?” Amy’s father rushed into the scene. So that’s what he looks like. Amy couldn’t take her eyes off him, until Carob elbowed her in the neck.

“Sorry, I meant to elbow you in the ribs, but I’m so tall,” Carob said pointlessly, in an attempt to stop Amy staring at her father as if she’d never seen him before.

Thiram started to explain the situation with the gazebo to Amy’s father, after first introducing him to Kit, the new arrival.  “Humphrey, meet Kit, our new LBGYEQCXOJMFKHHVZ story character. Kit, this is Amy’s father who we sometimes refer to as The Padre.”

“Pleased to meet you, ” Kit said politely, quaking a little at the stern glare from the old man. What on earth is he wearing?  A tweed suit and a deerstalker, in this heat!  How do I know that’s what they’re called?  Kit wondered, quaking a little more at the strangeness of it all.

“Never mind all that now!” Humphrey interrupted Thiram’s explanation.

Still as rude as ever! Amy thought.

“I’ve too much to think about, but I’ll tell you this: I’ve planned a character building meeting in the gazebo, and you are all invited. As a matter of fact,” Humphrey continued, “You are all obliged to attend.  If you choose not to ~ well, you know what happened last time!”

“What happened last time?” asked Carob, leaning forward in anticipation of an elucidating response, but Humphrey merely glared at her.

Amy sniggered, and Humphrey shot her a lopsided smile.  “YOU know what happened in Jack’s GATZ e bo, don’t you, my girl?”

Where were those random memories when you wanted them? Amy had no idea what he was talking about.

“Who else is invited, Humph? asked Chico, resisting the urge to spit.

“My good man,” Humphrey said with a withering look. “Sir Humphrey’s the name to you.”

Sir? what’s he on about now?  wondered Amy.  Does that make me a Lady?

“Who else is invited, Padre?” Amy echoed.

Humphrey pulled a scroll tied with a purple ribbon out of his waistcoat pocket and unfurled it.    Clearing his throat importantly, he read the list to all assembled.

Juan and Dolores Valdez.
Godric, the Swedish barman
Malathion and Glyphosate, Thiram’s triplet brothers.  Mal and Glyph for short.
Liz Tattler
Miss Bossy Pants
Goat Horned Draugaskald

“Did I forget anyone?” Humphrey asked, peering over his spectacles as he looked at each of the characters.  “You lot,” he said, “Amy, Carob, Thiram, Chico, Kit and Ricardo: you will be expected to play hosts, so you might want to start thinking about refreshments. And not,” he said with a strong authoritarian air, “Not just coffee!  A good range of beverages. And snacks.”

Thiram, leaning against a tree, started whistling the theme tune to Gone With The Wind. Tossing an irritated glance in his direction, Carob roughly gathered up her mass of frizzy curls and tethered it all in a tight pony tail.  I still don’t know what happened before, she fumed silently.  The latest developments where making her nervous. Would they find out her secret?

“You guys,” called Chico, who had wandered over to the gazebo. “It’s full of ants.”

Theme Song

Welcome to the Flying Fish Inn

[Verse]
Dusty inn of stories wide
Gum-leaf whispers where dreams abide
Mater’s laugh like the crackling fire
Dodo’s show lifts the spirits higher

[Chorus]
Out on the edge where memories spin
Bushland beats and legends begin
With clove and Corrie’s mischievous grin
Here lies the heart of a dusty inn

[Verse 2]
Prune plays tricks by lantern’s gleam
Kookaburras join this timeless theme
Aunt Idle’s wink it holds a spark
Lighting tales in the outback dark

[Bridge]
Rusted signs swing slow with pride
Creaking porch where secrets hide
Every soul has a verse within
And every night’s a new tale to spin

[Chorus]
Out on the edge where memories spin
Bushland beats and legends begin
With clove and Corrie’s mischievous grin
Here lies the heart of a dusty inn

[Verse 3]
Old Bert hums with a pipe in hand
Echoes surf on the scorched red land
Shadows dance on the pub’s embrace
Laugh lines drawn on every face

Feeling somewhat disgruntled at revealing so much of her raw new floundering character and yet learning so very little about the mysterious Thiram, Amy undertook a little side project and attempted to find out who THira I think I’ll leave that typo there  was by the conventional means of a simple search.

There were a number of exciting possibilities:

Thiram, directeur de Gelec Energy, gère avec sérénité la “ruée” sur ses groupes électrogènes…

Thiram, developer and PSC member of many OsGeo projects: OpenLayers; GeoExt….

Thiram,  Director of the Systems Engineering Division at the Canadian Nuclear….

Thiram, Actor: Origami. Known for Origami (2017), The Snip (2024) and Catharsis (2011).

Thiram, Managing Director, Kidou, tel. +33 & 73 %9 9$ 41, e-mail e.lmroine @ cosmoledo. comachamelean

So many likely possibilities, but what was the connection to port?

Godric

⚫ Godric

What We Know Visually:

• Identified as Swedish, possibly tall and pale by stereotype.

• A barista-channeler, so likely has the look of a mystical hipster.

Inferred Presence/Style:

• May wear layered scarves, bracelets with charms, or ceremonial aprons.

• The term Draugaskalds connects him to Norse aesthetics—he might carry old symbols or tattoos.

Unclear:

• Concrete outfit, facial expression, or posture.

• Age and physical habits.

Amy & Carob

☕ Amy Kawanhouse

Directly Stated Visual Traits:

• Hair: Long, light brown

• Eyes: Hazel, often sweaty or affected by heat/rain

• Clothing: Old grey sweatshirt with pushed-up sleeves

• Body: Short and thin, with shapely legs in denim

• Style impression: Understated and practical, slightly tomboyish, no-frills but with a hint of self-aware physicality

Inferred From Behavior:

• Functional but stylish in a low-maintenance way.

• Comfortable with being dirty or goat-adjacent.

• Probably ties her hair back when annoyed.

☕ Carob Latte

Directly Stated Visual Traits:

• Height: Tall (Amy refers to her as “looming”)

• Hair: Frizzled—possibly curly or electrified, chaotic in texture

• General Look: Disheveled but composed; possibly wears layered or unusual clothing (fitting her dreamy reversal quirks)

Inferred From Behavior:

• Movements are languid or deliberately unhurried.

• Likely wears things with big pockets or flowing elements—goat-compatible.

• There’s an aesthetic at play: eccentric wilderness mystic or mad cartographer.

Key Themes and Narrative Elements

Metafiction & Self-Reference: Characters frequently comment on their own construction, roles, and how being written (or observed) defines their reality. Amy especially embodies this.

Lucid Dreaming & Dream Logic: The boundary between reality and dream is porous. Lucid Dreamers are parachuting onto plantations, and Carob dreams in reverse. Lucid Dreamers are adverse to Coffee Plantations as they keep the World awake.

Coffee as Sacred Commodity: The coffee plantation is central to the story’s stakes. It’s under threat from climate (rain), AI malfunctions, and rogue dreamers. This plays comically on global commodity anxiety.

Technology Satire & AI Sentience: Emotional AI, “Silly Intelligence” devices, and exasperation with modern tech hint at mild technophobia or skepticism. All fueled by hot caffeinated piece of news.

Fictionality vs. Reality: Juan and Dolores embody this—grappling with what it means to be real. Dolores vanishes when no one looks—existence contingent on observation.

Rain & Weather as Mood Symbol: The rain is persistent—setting a tone of gentle absurdity and tension, while also providing plot catalyst.

“Well, I’ll give you a point for that, Thiram,” Amy said, wondering, not for the first time, about his unusual name. Was it a play on the word theorem? I must ask him about it.  “But if Florida doesn’t exist anymore, which I am willing to admit it does not, then what is it doing on that map?”

“What was the population of Florida before it was submerged? Twenty four million or so?” asked Chico, appearing from behind a trumpet tree. “That’s 24 million less people drinking coffee, anyway, 144 million cups saved per day (assuming they drank 6 cups per day), which is a whopping 54.5 billion cups a year.”

“Chico! How long have you been hiding behind that trumpet tree?” asked Amy, but Chico ignored her.  Nettled, Amy continued, “That would be true if all the people in Florida were submerged along with the land, but most of them were resettled in Alabama.  There was plenty of room in Alabama, because the population of Alabama was relocated.”

“Yes but the people of Alabama were relocated to a holding camp in Rwanda, and they’re not allowed any coffee,” replied Chico crossly, making it up on the spot.

“Yeah I heard about that,” said Carob, which made Chico wonder if he had actually made it up on the spot, or perhaps he’d heard it somewhere too.

“I’m going back behind the trumpet tree,” announced Chico, flouncing off in high dudgeon.

“Now look what you’ve done!” exclaimed Carob.

“Why is it always my fault?” Amy was exasperated.

“Maybe because it usually is,” Carob replied, “But not to worry, at least we know where to find Chico now.”

Amy excused herself and went off to find a lavatory.  She didn’t actually need to go, after all she had only just popped into existence and hadn’t been offered a drink yet. But she did want to find a mirror to see what basic character characteristics she had had bestowed upon her when the story character gods had been assigning new players. She had to act fast too, before some other new story character might see her and describe her to the readers before she had even seen her self herself.

Amy was quite glad to not have to learn new pronouns at this juncture.

To Whom It May Concern

I know you’re writing stories and making things up about me, and I intend to set the record straight before my character goes horribly awry. I am a character appeared from nowhere, from a reckless and inebriated momentary random insistence on a new plaything, and new toy, and new story.  But let me tell you this: I am born and I exist and this is who I am.

I find my name is Amy; it will do.  I neither find an affinity to it, nor an objection. It sounds English, and thus, familiar. I feel English, and so I am. I am a character, not a writer, but I exist; I am Amy.

“Juan, was it wise to speak to that man?” Dolores asked her husband.  “The cat’s out of the bag now, when Chico tells his friends…”

“Trust me, Dolores,” Juan Valdez implored, “What else can we do? We need their help.”

“But you’ve been fictional for so long, Juan. Nobody knew you were real. Until now.”

“You worry too much! It’s hardly going to make headlines on Focks News, is it, and even if it did, nobody believes anything anymore.  We can just spread a rumour that it was made up by one of those artifical story things.”

“But he took a photo of you!”

“Dolores,” Juan said with exaggerated patience, “Nobody believes photos any more either. I’m telling you, they make fakes these days and nobody can tell.  Trust me,” he repeated, giving her shoulder a reassuring squeeze.

“So we’ll still be fictional, Juan?” Dolores asked in an uncertain tone. “Because I’m not ready to be a real character yet, it seems so….so time consuming, to be real every day, all day… doing all those things every day that real people do…”

“No, no, not at all!  You only have to play the part when someone’s looking!”

“I hope you’re right. Too many things changing all at once, if you ask me.” And with that Dolores vanished, as nobody was looking at her.

“It’s the rain,” explained Amy when she’d caught her breath. “Too much of it. They’re very particular about how much rain they like, not too little, and not too much. And there’s been too much. The Padre says unless we can come up with a plan to keep the rain off them, the whole crop is doomed.”

Thiram frowned. “We could buy thousands of golf umbrellas from China, do a deal with El Salvador, and use deportees to hold umbrellas over the coffee plants?”

Amy gave him a playful punch in the arm. “How about we wait and see if Carob and Chico have any better ideas.  We don’t have time to wait for the umbrellas and deportees to get here.”  Amy smiled, picturing the scene, and then sighed as the rain started again.

Liz threw another pen into the tin wastepaper basket with a clatter and called loudly for Finnley while giving her writing hand a shake to relieve the cramp.

Finnley appeared sporting her habitual scowl clearly visible above her paper mask. “I hope this is important because this red dust is going to take days to clean up as it is without you keep interrupting me.”

“Oh is that what you’ve been doing, I wondered where you were.  Well, let’s thank our lucky stars THAT’S all over!”

“Might be over for you,” muttered Finnley, “But that hare brained scheme of Godfrey’s has caused a very great deal of work for me. He’s made more of a mess this time than even you could have, red dust everywhere and all these obsolete parts all over the place.  Roberto’s on his sixth trip to the recycling depot, and he’s barely scratched the surface.”

“Good old Roberto, at least he doesn’t keep complaining.  You should take a leaf out of his book, Finnley, you’d get more work done. And speaking of books, I need another packet of pens. I’m writing my books with a pen in future. On paper. Oh and get me another pack of paper.”

Mildly curious, despite her irritation, Finnely asked her why she was writing with a pen on paper.  “Is it some sort of historical re enactment?  Would you prefer parchment and a quill? Or perhaps a slab of clay and some etching tools? Shall we find you a nice cave,” Finnley was warming to the theme, “And some red ochre and charcoal?”

“It may come to that,” Liz replied grimly. “But some pens and paper will do for now. Godfrey can’t interfere in my stories if I write them on paper. Robots writing my stories, honestly, who would ever have believed such a thing was possible back when I started writing all my best sellers! How times have changed!”

“Yet some things never change, ” Finnley said darkly, running her duster across the parts of Liz’s desk that weren’t covered with stacks of blue scrawled papers.

“Thank you for asking,” Liz said sarcastically, as Finnley hadn’t asked, “It’s a story about six spinsters in the early 19th century.”

“Sounds gripping,” muttered Finnley.

“And a blind uncle who never married and lived to 102.  He was so good at being blind that he knew all his sheep individually.”

“Perhaps that’s why he never needed to marry,” Finnley said with a lewd titter.

“The steamy scenes I had in mind won’t be in the sheep dip,” Liz replied, “Honestly, what a low degraded mind you must have.”

“Yeah, from proof reading your trashy novels,” Finnley replied as she flounced out in search of pens and paper.

Mars Outpost — Fueling of Dreams (Prune)

I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.

Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.

“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”

Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.

Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.

After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.

A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.

I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.

I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.

I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.

“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”

Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.

But no dream prepares you for this kind of quiet.

I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.

I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.

“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”

I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.

Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.

I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.

“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.

The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.

“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.

The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.

So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.

I glance once more at the transceiver, then hit the big green button to unlock the landing bay.

“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”