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  • #290
    ÉricÉric
    Keymaster

      Well, I’m sorry to have to tell you Becky Pooh, but your script is getting awfully confusing… Al was saying swaying his head in dismay.
      — What?! Becky nearly spluttered her cappuccino on Tina who was munching marshmallows at the cafeteria of the rehearsal room.
      — Yes, you see… Al was once again lost in his thoughts… This Illi is driving me crazy, once she’s here, then she’s elsewhere. At one moment you said she was dead, and I went to great extents to try to clarify…
      — Muddle, interrupted Becky Pooh, Muddle…
      — … the whole thing, Al continued imperturbably, and made clear, or so I thought, that the Illi cat was alive, and the Illi human was indeed dead, but now Tina makes the Illi in the dream of little Chiara the cat again… Could you both explain what happens. I’m completely lost.
      AHAHAH, LOST! cried Becky so insanely, so that all of the others looked at her with eyes wide as saucers.
      — Well, there could be lots of explanations of course, interjected Sam, whose energy was always soothing to incorporate in the midst of heated discussions on the reality play they were all writing.
      — Yes, of course there are! It all makes perfect sense, said Becky.
      — Oh sure, said Tina, except that you don’t really make Illi do anything…
      — Do I?
      — Well, they were near the cave, but you won’t face the scaly stinky dragons anyway, said Al a bit disappointed.
      — Why can’t you imagine them all fluffy and pink if it’s easier for you? said Sam. Like Chinese dragons, why not? A bit dog-headed, wouldn’t that be easier for you?
      — Mmmm. Becky was pondering.

      — And what were your suggestions to explain that insane dream? asked Al to Sam.
      — Mmm, let me see… Perhaps it’s from another timeline. No one has said when that dream has occurred, so it may be before, or after the events happening right now.
      — And for the cat seen by Chiara, said Tina gently, that could just be her seeing the essence of Illi, and seeing other of her personalities…
      — Well, seems to make sense… acknowledged Al and Sam, all turning to Becky to see if she agreed.

      #1309

      In reply to: Yuki’s Livrary

      ÉricÉric
      Keymaster

        October 12 th

        Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
        Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
        And so it is.

        October 16 th

        My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…

        “I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]

        #285

        Chiara got quite a fright and spun round quickly. She stood gazing at the funny cat creature who had shouted BOUH at her, momentarily uncertain as to whether to burst into laughter or tears.

        Illi watched Chiara’s trembling lip with some concern, especially when she saw the very large creature who was with her. Illi felt it may be prudent to make a hasty retreat, however, before she could make her getaway, a rather loud voice shouted out from behind a gigantic pebble:

        I WISH YOU WOULD ALL GO AWAY

        And a tiny figure emerged. A very small and rather rumpled looking pink fairy, with a grumpy expression on her pretty face.

        I SAID I WISH YOU WOULD ALL GO AWAY, she shouted again, this time stamping her foot angrily and glaring at the assembled trio.

        Is that really what you want dear? Asked Roselyn. Because we can go away if you like.

        At which the little little pink fairy burst into loud sobbing noises and threw herself on the ground.

        Oh dear, said Roselyn whatever is the matter?

        ÉricÉric
        Keymaster

          This is a thread for referencing terms, creatures and other funny words that may be useful to find easily…
          Don’t hesitate to post your suggestions below, that I will integrate later.

          Races

          • Dragons
          • Gripshawks [ ˈgrip-ˌshȯk ]: feline-like race.
          • Humans
          • Uglings

          Creatures

          • capricorn [ ˈka-pri-ˌkȯrn ]: goat-like fish-tailed aquatic creature
          • fincheon [ ˈfin-chən ]: grey ugly birds, with the particularity of being extremely discreet (almost invisible) with a great sense of orientation, and loyalty to their owner. They are mostly used as message deliverers
          • glukenitch [ ˈglu̇-ˌken-nitch ] (Gripshawk dialect: [ ˈglu̇k-ˌnitch ]) : Slimy wet creatures fearing light, sharing one mind, found in Malvina’s cave. Useful recyclers of garbage, their droppings emit a glowing bluish halo, until they dry up completely and coalesce into a glassy substance.
          • golfindel [ ˈgōl-ˌfin-dəl ] : golden coloured cetacean, found in Golfindely.
          • grake [ ˈgrāk ]: big birds of Golfindely, with colours like mandarin ducks and shaped as geese.
          • indogo [ ˈin-dō-ˌgō ]: blue type of flamingo living in the Eastern Lagunas of Lan’ork.
          • langoat [ ˈlan-ˌgōt ]: daft three-eyed goat-like creature living in the Dragon Head Peninsula, the wool of which has many magical uses (enchanted cloaks, tapestries etc.). Their milk is known to have remarkable healing powers too.
          • marmoth [ ˈmär-məth ]: big toothed hibernating woolliphants
          • saurhse [ ˈsȯr-əs ] : bidepal saurian used as a mount in Asgurdy.
          • schpurniatz [ ˈshpər-ˌniats ] : bat-like creatures, found in dark caves.
          • sparfly [ ˈspär-ˌflī ] : birds usually seen in couples, loving to nest in silgreen trees, and their songs is one of the Treasure of the Worlds.
          • weaszchilla [ ˈwēz-ˌchi-lə ]: little mouse-like ferret

          Magical Artefacts

          • buntifluën [ ˈbənti-ˌflün ] (or [ ˈbau̇nti-ˌflün ]): A magical artefact having in most of its variations the form of a knot-like object, which allows the wearer or bearer to communicate directly with the energy of sentient beings.
          • glubolín [ ˈglü-bȯ-ˌlin ]: A device made from unhatched dragon eggs of the same brood, that allows people to communicate through it.
          • sabulmantium [ ˈsā-bəl-ˌman(t)-shəm ] (or [ ˈsā-bu̇l-ˌman(t)-shəm ]): A device made from rare unhatched dragon egg with crystalline transparent shells, which is filled with sands. May be used as a divination device or as a compass, in any case as an intent focusing device.

          Plants

          • buckberry [ ˈbək-ˌbe-rē ]: fruit of wild buckberries shrubs, in the form of big electric blue-vermilion reddish berries, known to have thwarted all attempts to be grown in gardens.
          • grogonut [ ˈgrō-ˌgə-nət ] tree: a tree indigenous of the warm coasts of Golfindely, known to provide grogonuts, which have a wide range of uses (food, drinks, cups etc.) depending on the maturation level of the nut.
          • silgreen [ ˈsil-ˈgrēn ] tree: a big decorative shrub, blooming sparkling flowers of emerald and silver once every moon. Leafs can have medicinal use too.

          More here later…

          #282

          — The legend of Mævel — (Part I)

          as told by Cpt Bone to young Tomkin

          In the time of the Gods, the King of the Fairies, Aldurion, fell in love with a beautiful mortal named Theÿa.
          He wanted to make her his Queen but only the Elder Gods could bestow the gift of immortality upon mortals.
          So he went to see Ghört, the God of the Airs. Ghört could certainly grant him what he requested, but for that, Theÿa would have to be transformed into an air sprite. Aldurion wouldn’t be able to hold her again. So he declined the offer, and went to see another Elder God.
          Then, he went to see Nærvel, the Goddess of the Waters. But Nærvel could grant him immortality if Theÿa was to be transformed into a water sprite. So Aldurion declined again.
          Then he went to see Agnima, the Goddess of the Flames, and then Selvaniel the God of the Woods, and Margilonia the Goddess of the Earths. But all of their conditions were the same, Theÿa would have to be transformed into an immaterial and immortal elemental fairy. But Aldurion couldn’t bear to have her changed into something else than she was.

          Then, only one of the Elder Gods was left, the one than few of the Immortals dared talk to, and of whom most mortals were afraid, to the point of systematically using the Old Speech respectful form of address (“Shaint”), when referring to him.
          So Aldurion came to see Lejüs, God of the Forgotten.
          Lejüs was greatly pleased to see him. When Aldurion had finished exposing his request, Lejüs took a moment to ponder. Giving immortality was none of his wonts, as he was keeper of the Forgotten. But he was not without compassion, and seeing Aldurion’s plight, he offered to grant his wish at the condition that, not his wife, but their first born child, would become Forgotten.
          Aldurion was so hopeful that all he saw was that the condition seemed so small, based on a future event that perhaps wouldn’t even happen… All he wanted was to have Theÿa as a Queen, and so the deal was made.

          So became Theÿa Queen of the Fairies.

          A few God’s Years later, which meant in human years much more than a few years, Theÿa became pregnant.
          When she announced the news to Aldurion, he was suddenly reminded of the deal he had made with Lejüs, and was quite distraught, as he had not revealed it to Theÿa. But he remained quiet, hoping that Lejüs would have forgotten about the whole story (well, that was forgetting he was Keeper of the Forgotten).
          So Theÿa gave birth to a little baby girl fairy, with golden wavy hair and bright eyes. She, like her mother, had no wings, but there was magic in her. They named her Araoni.

          But Lejüs had not forgotten of course, and came to see the Royal couple to claim the baby. Aldurion pretended that the mother and baby was still very weak, and he would have to come back in a few God’s Days. Lejüs agreed, and left complaisantly.

          Aldurion was at a loss for solutions, but Theÿa was a fairy with lots of ruse, so he decided to reveal it all to her, hoping that she would have a solution.
          Theÿa asked him time to think about this, and told him not to worry.
          Later, she had an idea, quite brilliant she thought. All she had to do was to find another child to give Lejüs.
          So she gave baby Araoni to one of her diligent nurse, the old fairy Gretchÿa, telling her to find a house were a blond new born girl could be exchanged and proceed to the exchange of the babies.

          So Gretchÿa went across the lands of the Worlds, but only in one home she could find a blond baby girl. The new-born baby girl was almost dying, as the parents were a careless couple of peasants, already plagued with many children, and they could not bother with children hesitating to live.
          Gretchÿa was heart-broken when she did the exchange, promising to baby Araoni to get her back soon. The young human baby girl was weak and yet unnamed, and the old fairy nurse knew she would probably not live long, and be claimed by Shaint Lejüs. So all was good.

          When Lejüs came back, he smiled as he saw the baby girl, and left with her without much more words for the Royal couple.
          Lejüs smiled, for when he had taken the young baby, the parents had instantly forgotten about her, and so did everyone having ever known her…

          The human parents, surprised to see the condition of their baby improving beyond all hope, named her Mævel, which meant marvel of Maÿ the month in which she was born.

          #1471
          ÉricÉric
          Keymaster

            [Sticky] means it won’t disappear below new discussions that may pop up every now and then…
            Sticks to the top ;))

            #277
            F LoveF Love
            Participant

              You are very fat, said Chiara to Roselyn

              And she laughed. Yes, I am

              My Nana is fat, but not as fat as you.

              Roselyn seemed to consider this for a moment, and then laughed again. Would you like to go on an adventure with me?

              Chiara was not quite sure. An adventure sounded quite fun, however she had some beliefs you were not supposed to go off with strangers, however nice they may seem. But Roselyn did seem familiar to her.

              Where would we go?

              We would fly to Fairy Land, replied Roselyn

              This offer was way too tempting for Chiara to decline

              Oh yes!

              Take my hand then, and close your eyes tightly.

              Next thing they were flying through the air. Chiara loved the feeling of flying, she often went flying in her dreams. She giggled with delight as Roselyn, no longer seeming to be impeded by her fat body, effortlessly did flips and twirls in the air.

              The colour of the world around them changed, the blue sky became all the shades of the rainbow. Down below, Chiara could see an island in the middle of the sea, which sparkled like broken glass in a kaleidoscope of shifting colours.

              Roselyn guided them gently down to the island.

              Chiara gazed around, speechless with wonder and delight and then nearly jumped out of her skin as a loud voice behind her shouted “BOUH!”

              ******

              NB: What is Fairy Land like? Well, if you like gigantic flowers, bright colours, and the possibility of unexpected magical happenings, you would probably quite enjoy it. There is loads of spontaneous singing and dancing which can be a little unnerving at first for the uninitiated. You have to be prepared to go with the flow in Fairy Land because the creatures that live there don’t have the same rules as those that come from the “real world” (whatever that is), and many of them tend to be quite mischievous.

              #83
              ÉricÉric
              Keymaster

                Where the Janitor may assist you in navigating into the things available in your reality.
                (a help-thread in short)

                Note: the Janitor declines any responsibility for any loss or any Patel “pop-in” that may mess up with your reality.

                Textile format help
                or here
                to test your formatting

                #275

                Oh well bugger it, said Arona, I have had enough of this. Perhaps we had better just play it by ear if no one really knows how this thing works.

                Which is really, although not in so many words, if I may be so rude as to remind you, what I was suggesting, said the charming Sanso, rather rudely.

                Well yes, that is true … but whatever, let’s not argue, shall we just get going? Are you ready Mandrake? All of a sudden Arona was feeling unaccustomably energised and assertive, and was totally fed up with herself for wasting time so much time sitting around. This was causing her to be a bit sharp with the others.

                You know my problem? she asked, rhetorically, although of course Mandrake felt compelled to offer a reply.

                Hmmmm and which one would that be?

                Ahahahah Mandrake, laughed Arona, well the one I was thinking of was that I think too much. I need to be more like our friend Sanso here. I mean, what does it matter where we end up, it is all a big adventure anyway.

                Well I for one, would prefer to end up somewhere in the vicinity of food, responded Mandrake.

                Sanso wasn’t really listening but was gazing at the sabulmantium with a look of awe and muttering to himself. This really is a remarkable find. I have never actually used a sabulmantium before but I gather that one uses it as a tool to focus their intention, which is a crucial component of the magical creative process. Tremendously powerful tool and when used with awareness by the pure of heart it has great potential.

                Oh great! shall we just get going then, said Arona picking up the Sabulmantium, and next thing you know, after a little bit more wandering down a few more tunnels, which isn’t really that interesting to write about, our three intrepid adventurers found themselves gazing in astonished delight at a most wonderous sight.

                #1308

                In reply to: Yuki’s Livrary

                ÉricÉric
                Keymaster

                  September 24 th

                  Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

                  Relevant extracts:

                  At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
                  […] HE KNEW HIS WAY INSIDE !
                  When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
                  focus opening/doors ; time/space…
                  The central cavernous part is some kind of key center, where anyone can meet…

                  This has inspired Quintin to write some notes too.
                  He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

                  September 26 th

                  The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

                  Here would be what we will say to him, if he wants to listen:

                  « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
                  Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
                  These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
                  And you begin to really experience it, and really pay attention.

                  « As was expressed many times, “essence” is no thing. It is an action.
                  The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
                  In that, your purpose, you see, is only to experience, nothing more, nothing less.
                  And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
                  Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
                  Just as your dreams at night overlap and blend into each other.
                  Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

                  « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

                  « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
                  In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

                  « Let us explain this in other terms.
                  When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
                  In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
                  You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
                  Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

                  « We will let you ponder this, and we will continue our own story, writing about you… »

                  September 28 th

                  This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
                  Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

                  Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
                  It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
                  And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
                  It is almost limitless in your understanding.
                  As is your magic.

                  This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
                  The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
                  The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

                  As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
                  In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

                  With that said, let us see how much more will appear from that sandbox…

                  September 30 th

                  The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

                  The Secret Life of Margaret Wrick , a newspaper cut from 2033.

                  October 7 th

                  The dragon Naasir’s dream
                  A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

                  And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

                  #79
                  ÉricÉric
                  Keymaster

                    These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                    Note: for the reader not familiar with all the names here is a quick reminder:

                    • Araili > Yann, Írtak, Sam, Jacob …
                    • Armelle > Fiona, Arona, Tina, Qixi …
                    • Rafaela > Dory, Illi, Becky, Rodney …
                    • Yuki > Quintin, Al, Janice …

                    September 12 th, 2007

                    Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                    Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                    Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                    I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                    September 13 th

                    Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                    This first comment seems very promising.

                    Right now, it feels easy and fun.

                    Quintin seems to think that everything is very straightforward.
                    The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                    The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                    But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                    That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                    But the thing is, that he missed the point in thinking one World is more “real” than the other.
                    We’ll be having some fun soon…

                    First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                    We will appeal to his imagination.
                    It seems he has heard the suggestion.

                    September 14 th

                    For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                    But as I expected, some challenges seem to appear already.
                    Is it raining or not in that world?
                    The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                    He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                    At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                    How will it unfold?
                    Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                    September 15 th

                    Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                    Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                    Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                    September 16 th

                    Halcyons days…
                    My dear friend Archie is answering some of Quintin and Yann’s questions.
                    Something starts to dawn on Quintin. But his mind is on other matters.

                    He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                    September 18 th

                    Quintin has been drawing some of the characters of the story. It’s interesting.
                    He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                    Characters drawn:

                    • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                    • Malika, Quintin, Yann, Fiona and Dory

                    Interestingly, Fiona resolves her issues in her cave.
                    Dory too, but she did not need the cave to do this.

                    September 21 st

                    For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                    And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                    Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                    But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                    Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                    There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                    Of course, some things still matter, and one of the point of the story is also to discover these.

                    September 22 nd

                    Quintin has been drawing new characters.

                    Characters drawn:

                    • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                    • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                    • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                    A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                    She had at first thought they were whiskers, which was not Quintin’s intent…

                    September 23 rd

                    Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                    Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                    Up to now, here are the names he could find:

                    • North: the Icy Lands, and Dragon Cemeteries
                    • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                    • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                      Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                    • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                    When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

                    #270

                    Oörlaith heard the sound of a barking dog not far from her rookery. They were back with his master, and she knew at once their mission was complete.

                    A few months ago she had met a strange man, he told her he was called Leonard, and the funny black dog that was following him everywhere was called Moufle. An ancient word for mitten… Well she didn’t ask why he’d call him like that, the dog was so hairy…

                    Leonard was a lonely traveller, quite ancient as she could feel, but she wasn’t able to know his actual age. And there were some other weird feelings when she was focusing on his energy tone, something to do with time itself.

                    When she first met him she knew he was the one she was looking for for ages. It’s been such a long time she hadn’t heard from her sisters. Oörlaith’d been having these dreams since they chose different direction many years ago, Malvina and Roselÿn, her precious ones. It wasn’t necessary for her then to keep objective contact with them through the glubolín.

                    One year ago, the dreams stopped abruptly, and she tried several methods to reach her sisters. None of them with success. All her attempts failed, and she thought first she had lost her own power, but she knew one can not loose power of self, just forget it or create it on purpose. She realized then it was time to recreate these links more objectively.

                    She couldn’t find her glubolín though. And Leonard arrived. Fortunately enough he had news from some strange events occurring in the land where she knew Malvina had settled her rookery. Was she still here with Leörmn?

                    ***

                    Yann had been feeling many impulses to draw scenes from his dreams and from the story they were creating with Quintin, Fiona, and Truth. It was an urge from inside and last night he had a very intense dream activity, most of which he couldn’t remember, it was more like a big forum with many different personalities all exchanging experiences and exploring new avenues.

                    He was also attracted by old stories he was writing when he was a student, the one involving Georges and Salome, it seemed to him they had taken a life of their own now, and they felt very powerful, and most of all, they felt like really having fun.

                    One of the drawing that was intriguing him was one that represented a sign of sort, in grayish sparkly clouds. He had given the pic a strange title, Oorlath. Yann had connected the name to an individual and was surprised when Quintin told him about a princess named Oörlaith. He was wondering who she was…

                    She still had no face when he thought of her… maybe she was hidden for the moment… and he had the strangest thought that she knew Leonard, the man he’d been drawing with his black hairy dog.

                    Haha, he had felt her smile.

                    ***

                    Chiara was looking for the boy she’d met last time in her dreams. Maybe he could give her some berries again, they were really tasty and fluberrish.

                    But she’s been looking for him for so long she wonder if she could find the way again…

                    Where she was now felt different. The light? The air? She took a deep breathe and just sat down on the grassy land. She had a quick thought that the land were more rocky than grassy a few seconds ago, but as she was feeling the grass under her hands, she dismissed the thought.

                    She was hearing birds singing, it was quite funny the way they were bounding from one sound to the other and she could understand what they were saying, much gossips and a few compliments for a new mother ;)) nothing really important to her. She Jibbled.

                    Lying down on the mossy land, she was looking… mossy? wasn’t it grassy? Now it’s mossy… hope that wouldn’t become mothy ;))

                    She was looking the clouds, some were grayishly sparkling, she was enjoying it…

                    “Are you looking for something” a voice said.

                    Chiara quickly sat up and gazed at the fat lady who was standing before her.

                    “Hahahaha, you found me at least my dear” laughed the woman.

                    “My name is Roselÿn, and you are Chiara, aren’t you?”

                    The little girl was gaping at Roselÿn… how could she possibly know her name?

                    “I feel I know you :yahoo_thinking:” she said dreamily.

                    “You make me feel like when I’m with my uncle Yann, and… there’s something else… oh!?”

                    #260
                    F LoveF Love
                    Participant

                      Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.

                      So what shall we make now Mandrake? Something we both like maybe?

                      A fish perhaps? suggested Mandrake

                      Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.

                      Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!

                      Some milk for me, said Mandrake

                      Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.

                      Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.

                      Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.

                      The glass ball was now filled with a miniature world of sand objects.

                      Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.

                      Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.

                      Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.

                      She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on

                      #259

                      Jadra slept fitfully. He was in the forest and he dreamed of a great tidal wave sweeping over him. He was holding on for dear life to the branches of a tree while angry faces swept by him in the water, shouting abuse at him, although he could not make out the words.

                      “Sticks and stones may break my bones, but words will never hurt me” he shouted back.

                      But then, to his horror he saw his left hand separate from his arm and he could no longer hold on. He saw his hand being swept out to sea and all that mattered was that he find it again. He let to of the safety of the tree and felt himself being pulled by the waves.

                      Jadra awoke trembling and shaking in terror. He looked for his left hand on the end of his arm, where it should be, but he could not see it. He knew what had happened. He had thrown his hand in the river. He thought it was sticks and stones he had thrown in, but he had been mistaken. He knew that now. He had to go and find his hand in the river.

                      Jadra felt such anguish. Not so clever Jadra Iamaman. You stupid old Fool

                      Forgive me! he shouted to the Gods. Whimpering in pain he rushed back the way he had come, back through the forest to the spot where he had last seen his hand. He threw himself into the water and dived down deep, not caring he could not swim, only knowing his hand was in there somewhere.

                      ***

                      There were very few people around that early in the morning, but a small boy saw Jadra go in the water and stood watching. He waited and waited, and when he knew for sure there was something wrong he raised the alarm.

                      ***

                      Jadra felt a great peacefulness sweep over him. He stopped fighting and abandoned himself to the mighty current of the water. A unicorn swam by him in the water and whispered to him she would take him to safely home.

                      ***

                      They pulled Jadra’s body from the water a mile down river.

                      #256

                      Yann have been working on the drawing sporadically, several subject were coming to his mind at the same time and he wanted to treat them all… All what he could do for the moment was just draw some sketches of all that… there was that scene with his niece and the dragon-boy, and that other scene where he could see that man on a dinosaur-like mount…

                      At times he could also feel the gentle energy of his dear friend Amanda. He’d wanted to meet her in Vienna in June, but unfortunately she couldn’t attend the meeting. She was participating in his current exploration of art. It was like he could feel many energies from different people and different beings and he could choose to express them as he wanted.

                      Some could be translated just in movement, like just drawing lines and create a harmonious disposition and interactions between them, suggesting other lines that weren’t fully expressed or weren’t expressed at all.

                      Some others could be translated as colors and shades, contrast and iridescence… possibilities were infinite.

                      He was wondering how he could introduce the gentle energy of his friend, but maybe it had already been incorporated.

                      :fleuron:

                      Salome was feeling a draw to the cave…

                      She was focusing her energy slightly differently now, in order to manifest in this dimension an aspect of herself.

                      #255
                      TracyTracy
                      Participant

                        Cuthbert woke up with a start, and called for Nanny Gibbon. What a horrible nightmare he was having!

                        CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.

                        Cuthbert trembled and checked his hands. Phew! they looked normal.

                        GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.

                        Nanny I just had an awful dream! Cuthbert clutched Nanny Gibbon’s dressing gown, and shuddered. There was this madman, Nanny, by a river, and he kept shouting about an evil hand….

                        There, there, Bertie, it was only a dream. How about a nice piece of Manon’s Yorkshire parkin and a cup of cocoa?

                        #253

                        Everywhere Jadra went he could feel hostile eyes upon him. He knew why of course; he knew they were jealous because he had been favoured by the Gods. So he kept his hand safely hidden, wrapped in his shirt

                        Jadra had a plan. He put his shirt back on and pulled the sleeve on the left arm down as far as it would go, till his left hand could no longer be seen. He modelled a new hand roughly out of twigs and plants and walked to the river. On the way he shouted at the top of his voice CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.

                        After shouting such sentiments till his voice was hoarse and he knew he had drawn sufficient attention he threw the hand in the river. He had cunningly weighted the hand with pebbles he had found in a cave so it would sink to the bottom of the river.

                        GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.

                        HA! He thought, tremendously pleased with himself for executing such a perfectly clever plan. That should throw the evil hounds off the scent of Jadra Iamamad.

                        He felt he was not far from the cave now.

                        #247

                        “What are you doing?” said the little girl.

                        Getting no answer she asked it again.

                        “What are you doing?”

                        She approached the strange being that was so engrossed in its activity, or maybe it couldn’t hear her, she thought dreamily. She put her hand through the big (what color was that) beast.

                        She thought about that a little and tried to seize one of those big berries.

                        That worked, she could at least grasp one of those, not two, her hands were too small, but one was as big as that ball her father was so fond of playing with… she couldn’t remember what he called it. Well it mattered not, she could grasp one of them :D

                        It was a bit warmer than she would have thought. A bit mushy, and very soft. She had a very pleasant sensation caressing it, it was electric and watery and she laughed.

                        The beast stopped what it was doing. Did it hear her laugh? It began eating the berries again.

                        She stroked the berry and felt the funny laugh emerge from her chest. When it burst out the beast stopped again.

                        “Oh you can hear me laugh!” She said, unaware of her hand gently rubbing the surface of the berry.

                        “Grumpf!” did the beast.

                        Its eyes were beginning to change, from yellow to a kind of blue with some tiny stars in them. The girl giggled and was suddenly face to face with a little boy.

                        “What are you doing here” said the boy.

                        “These are my berries, you can’t eat them.”

                        She was a bit startled by his first words and she already had forgotten the weird beast.

                        “I just wanted to play, they are so soft and they make me laugh.”

                        She couldn’t help another giggle.

                        The boy still seemed wary of her and began to move.

                        #238

                        Sanso was beginning to feel an urge to move. Waiting under the door in the ceiling in the cave tunnel, just watching India Louise and Illi fade in and out of view, and waiting for Dory and the parrot to return was getting boring. He was a wanderer by nature, and so he wandered off along the tunnel. He didn’t stop to wonder which tunnel to choose when he came to a junction, he just went with whatever one he happened to choose. He didn’t really mind where he ended up, that was the thing. This philosophy had always seemed to work well for him, because he ALWAYS ended up somewhere interesting; somewhere where he couldn’t imagine not being, once he was there, as if it was always the ‘right’ place to be, and at the ‘right’ time to be there.

                        The cave tunnel was becoming wider and less cramped. Sanso straightened his back and quickened his pace, and started to sing.

                        Hello Dolly, oh helloooo Dolly, do de dooo de do do dodedodedooooo……. chuckling to himself and wondering where on earth did THAT come from….. Oh helloooooo Dolly……

                        and walked right into a coatstand, of all things, getting splodged in the face with a rather smelly wet blue cape. The coatstand teetered and Sanso grabbed it to stop it falling over. There was a note pinned onto it:

                        Watch my shifting, Tell the time; Shape me wet, and Lose me dry; Colour me pink and grey and gold, and Find the secrets that I hold, What am I?

                        Sanso didn’t hesitate for a single moment. SAND!

                        Sanso grinned with delight at guessing the riddle so quickly, and then laughed out loud. How clever am I, he said, I guessed the answer to my own riddle! Still chortling, Sanso gave the wet cape a fond pat and set off again.

                        The tunnel was widening and eventually broadened into a cavern. Bright sparkling shafts of sunlight were beaming down from several holes in the cavern roof.

                        Sanso blinked a few times and squinted until his eyes became accustomed to the light. The cavern was huge, and everywhere he looked were paintings and markings on the walls, even the places impossible to reach. Some were creatures, some were symbols, in black and red and yellow and orange.

                        Sanso was entranced. He sank down to a sitting position, and then stretched out flat on his back, gazing at the markings on the walls. He stretched his arms out, filling his palms with sand and then letting it go, and trailing his fingers through the sand…sand…..

                        Sand! I may have got the riddle, thought Sanso, but I didn’t get the POINT of the riddle being there in the first place!

                        HHMM, I’m not so clever after all……

                        #231

                        HAHAHA! it is your first step now. Let me just remind you that you need not play MY game, the game is yours, ever.” said Georges.

                        Dory was feeling a bit confused now. What was he talking about, what game? And first step to what? She couldn’t hold to the anger nor the irritation; all of that was feeling not real or not here, or not there for all she knew.

                        “The direction you follow is your choice, and where I come from is not relevant to this conversation. You may say I come from yourself :) and indeed you called me and I wanted company. Do you want more coleslaw?”

                        Without waiting for her answer he refilled her plate with the tasty food.

                        All those smells,… she could feel so many different things, things that appeared not to be here. A movement caught her attention in her periphery. As she turned her gaze whatever was there had vanished. And this humming, it was like music, but not very clear… if she could just focus more on it, yes like that, she was feeling sooo calm and she began laughing.

                        “Hahahah… haha. Did you drug the coleslaw?” She asked, trying to appear angry and unhappy, but all she could do was smile and laugh.

                        The images around her were shape-shifting, there were many colors, some of them she didn’t know could be possible, the walls were melting of sort and becoming transparent, or just fluid maybe…

                        “Well you see how it’s easy to relax. Let’s see where you want to go now my dear Rafaela”, he said winking.

                        And everything turned into a great maelström but she felt secure and could feel his presence reassuring, and there were all those other faces and places, some felt very familiar, had she ever been there before?

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