Search Results for 'mean'

“Now you’ve gorn and done it! They’ll all know that Shar is really one of ‘them that shan’t be joked about’!” exclaimed Mavis.

“What the fuck are you on about, our Mavis?” asked Gloria. “You mean the Shards what started off as Windows? Is our Sha one of them Shards then, what’s doing them chemtrails?”

Mavis gasped in horror. “You mustn’t talk about the Shards like that” she whispered, looking nervously behind her.

“I happen to know that this is the Lupin Express” replied Gloria, who was transitioning strongly.

manner: half remember
feeling: leo mean knows write dark
meaning: waiting sudden ones teleport arona soon
create enjoyed: smiled poor silly pee thank large
remarked: choose beautiful wish
details: alien

“The dream of caves in which I wander comes nightly now. Minkah has never appeared again.”

“He never did, did he?” interuppted Godfrey. “Minky I mean.”

“Oh yes he did!” replied Elizabeth, and continued to read the email from Hypatia. “ But each night I find myself lost there and each night I search for a child. So odd, so odd, as I know I will never give life to another.”

“Where is Yikesy, anyway?” asked Godfrey.

“With Minky, of course!”

“Now, steady on, folks! There’s no need to be rushing headlong into this, I think a little tete a tete is in order here before we all lose our heads completely.” Aunt Dolores de la Cabeza had arrived unexpectedly, and not a moment too soon. “Possibly a tad too late” she muttered, glancing around at the headless New Peaslanders and Saucerers. “This is a fine pickle, I must say.”

Pickel beamed at his aunt. “Oh, I don’t mean you, you silly boy!” Dolores chucked him under the chin affectionately, except that he had no chin. “You’re a chinless wonder, m’lad”

“I’m a girl, not a boy, Aunt Dolores” piped up Sis Lilly.

“is that a fact, young lady? And since when do girls have blubbits in their knickers, hmmm?” replied Dolores tartly.

Lilly started to cry. Well, Dolores assumed she was crying, although she wasn’t quite sure how she knew that. “A fine pickle indeed” she repeated, frowning.

Pickel flushed with pride.

“HE PUT A BLUBBIT DOWN MY KNICKERS!” sobbed Lilli, loudly.

Unfortunately Lilli too had inherited the Stoll family curse, and her voice raised to such a level caused poor Fwick to cover his ears in horror. Being no fool, and quickly realising that without a head this ear protecting action would do no good at all, he instead decided he must evict these raucous Peaslanders from his abode, poste haste.

“Yes, indeed, Mewrich Peamon is the man you want to see. A strange fellow, lacking sense some may say, but very good with birds notwithstanding. Now, please, don’t thank me again. I mean really, don’t …. “ he muttered, ushering the guests in the direction of where he hoped the door was.

There was trouble in New Peasland. A plague of hungry blubbits had wiped out the pea crops. Peas being the main staple in New Peasland, usually mixed with marmite and made into a tasty sauce, meant that the future looked grim for the increasingly hungry New Peaslanders.

In desperation it was decided to send a volunteer through the portal to the Eigth dimension, where it was rumoured that the inhabitants were kind hearted but rather directionless and random, and would no doubt be happy to be given some pea producing purpose.

One thing led to another, as it tends to do, while Sanso sat meditating on the enigma of The Dead Cow. Random and seemingly disjointed images flashed through his mind, not unlike a random google had been back in the old days, the first being an odd word, Kogaionon . Accessing further information, Sanso discovered that it was an ancient Transylvaniun skull. The link between the dead cow and the skull was clear ~ it was a bone sync, they both had bones, there was no denying it. Encouraged, Sanso continued to meditate.

After some images of a battle at sea , presumably Trafalgar, Sanso intuitively felt, he heard the words “Do not go where the path may lead, go instead where there is no path and leave a trail.” Wise words, he thought, and appropriate too. He popped these snippets into his indigo clue bag and continued to meditate. An image of a strange creature, half fish and half lion appeared next, a Merlion, which quickly morphed into an entertaining old movie playing across the screen of his minds eye, so to speak, in which someone who reminded him of Becky arrived in Paris during a rainstorm with just the clothes on her back ~ and interesting clothes they were, too! Sanso was glued to the screen, in a manner of speaking, and watched with amusement as a whole new wardrobe was delivered to the puzzled woman, followed by her mysterious benefactor: Georges.

Well, fancy Georges turning up again like that! Sanso was delighted. Perhaps Georges could shed some light on the mystery of the Dead Cow Blocking the Cave Entrance.

Sanso returned to his meditation and found himself eavesdropping on a conversation.

— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds — worlds that he has no conception of yet.
Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

“Their meeting is not coincidental” Sanso repeated to himself, popping it into his clue bag. “Well, I don’t know about Meanings, but at least I have a new bag of clues now!”

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

The Great White Botherbrood were gathered at the Great White Detention Halls in the Alter Skye. Hilarionella was leading a chorus of Ascend With Me; the congregation of misfits and miscreants, scallywags and rebrobates joined in the uplifting melody, hoping, no doubt, to ascend the Great White Stairway to The Circle of The Eighth Heaven. A little known fact was that the doors were open to anyone, although not many people knew that. A feast of watermelon awaited them at the Table of The Ascended Party Fillers, headed by that charming old scoundrel, Saint Toblerone of Germaine. That batty old coot Hoomy was Head Waiterless, which meant there was no need to wait for a table when one arrived at The Circle of The Eighth Heaven, which was just as well, all things considered.

Telless was waiting patiently for the Watermelon Party to start, having recently been cured of the lisp that had plagued him for centuries, an unexpected side effect of the Less Telleth More course he had eventually completed, despite being inundated throughout the semester with More, rather than Less, translations to unravel and decipher.

The tables, the watermelon, and other sundries had been procured with the aid of the enigmatic E. Baynoch, whose 21st century mission was to put a spanner in the works, so to speak, of the tightly held exchange mechanism currently ruling the Dense Dimension. He felt it was a key part of the Great Tilt that the inhabitants of the Dense Dimension were experiencing, and had set plans in motion for a new kind of online system in which receiving without exchange was the key factor. An interesting side effect of the new system would be that everyone could get rid of any old rubbish easily, once differences in perception were regarded in a favourable and usefully practical light.

Lady Paula Adoremyanus, not surprisingly, would be providing rest room facilities, providing soothing energy for those who had over-indulged in the spicy Kwan Yin Chow Mein at the Tables of the Feast of The White Parrot. Having a thousand arms was obviously a great help in her work, considering the quantity of hot spices in the Kwan Yin Chow Mein, and the popularity of her Soothing Energy Rest Rooms.

Well I don’t know about you, she said to whoever was listening, but I am inclined to think that something rather than nothing, even if that something is off the track, round the bend, out of line, unsupported by connecting links or threads, or simply just plain rubbish, is better than no thing at all. The time has come, dear freinds, to resume random impulsive meaningless nonsense, for it has far greater continuity than anything that might actually mean something however so much as it might be deemed continuous ~ for, and I express the blindingly obvious, there is no continuity thread to be found in nothing-at-all-ness.

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

Sanso, flushed, was certainly an eye opener.

The little girl starting to understand, replied with a very good question.

“How do you know the center of everything?”

Sanso was grinning. “I love goldfish!”

“What do you mean?” Zhaana wasn’t sure.

“They just appear so i notice them”, said Sanso. “Then you have some more peanuts”.