Search Results for 'mention'

Shelly Dwelling, horrifed ~ naturally enough ~ at the mention of butter and parsley, was immensely relieved to see Frobisher the frog gliding along in his electric wheelchair. “Hop on, Shelly!” he whispered urgently “My wheelchair is super fast, I’ll get you out of this pickle in a jiffy!”

“Frobisher! Oh my godfrogs, it’s good to see you! What timing! But I can’t hop!”

“Well neither can I now, without my legs” he replied, “But you can climb up my wheel, can’t you?”

“Well ok, but don’t move, I’m on my way, this may take a while…”

“Hurry, Shelly! Hurry up! I can smell butter melting, there’s no time to lose!”

Unfortunately for Shelly who was a quarter of the way up the left wheel, Frobisher engaged his electric motor and sped off into the long grass. It would have been far too risky to wait.

“Hang on, Shelly! This will be the ride of your life!” he called, as Shelly spun round the giant Ferris Wheel.

“I suppose this is why your name is Frobisher Ferris” she replied through gritted teeth.

There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

“Fish” said Raxie when asked what she would like for her Fragmentation Day lunch. Fish synchronicities had been sprouting up all over the plaice, sturgeoning you might say, if you were wanting to include the word burgeoning, burgeoning like the gnarly old grape vines waking up and unleashing green on the chalky hills.

“The synchronicities and connections were like individual blades of grass turning into a meadow, singing and sighing as one in the breezes,” Elizabeth replied.

“Well this is my own personal meadow” Raxie pointed out “These are all mine”.

“Oops”

“Who said that?”

“Was it that guy over there in the bowler hat and checkered past?”

“Don’t mention checkered pasts!” Elizabeth exclaimed, “Or the Ooh Dimension! You’ll open the sluice gates….”

“Antidisestablishmentarianism”

“Who said that?” Elizabeth and Raxie exclaimed together.

“I don’t know, but that guy in the bowler hat’s disappeared, and can you see that fellow starting to appear over there? Must be a multidimensional Port Hole or something…”

“Well, we know what a Froopish and fabulously magical place this is, so it stands to reason…”

“Reason?” Raxie and Elizabeth were reduced to giggles at the very idea of reason having any standing.

“A portal to the Froop dimension, here? Wow! Can I see?”

“You’ll have to wear these goggles. And it will require some stamina, are you sure?”

“Of course I’m bloody sure” replied Elizabeth tartly. And then she began to intuit something.

“I don’t need googles*, silly!” she laughed. “I already AM multidimensional, I don’t need anyone elses googles. But it’s ok if you want to wear the googles” she added, not wishing to sound judgemental.

“Actually, I like this amethyst crystal myself, I like the frequency. I have dreams of amethyst sometimes, they are a delight.”

“Come and look at this sunset if you want to see a delight,” said Raxie, who was still a bit miffed about the goggles. “Who needs another dimension when we’ve got this one?”

Elizabeth sighed with speechless awe at the spectacular sunset, a reflection of all her colours, and all her dear ones colours, all blended together with magic aqua and sparks of blue and tones of orange blossom.

looking text wondered blubbit (usually blubbits)
gone…
random…
far…. mention? sighed shar “direction peasland”

Although done,
Stranger, mother, everyone, creature
looks attention:
Girl, perfect black.
Ask, perhaps himself free?
Smile rude.
Notice Leormn Fellowship Idea,
“Eye write”
Box teleport.
Heard wonder, let Sharon replied.
Random asked matter:
Strange sudden (usually inside) particular finally… surely feeling sound, following home… clear…

Realized, somewhat
Hear happy laugh
Mention hot ones
Magic voice

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

Ann had to admit it wasn’t a bad idea. She wondered why she hadn’t thought of that herself. Why haven’t I been expressing more of the perecption in front of my eyes, I wonder? The more she thought about it, the more confused she became. It did sound like a good idea, and she was pleased that she had created another ‘her’ as it were, to mention it.

On the other hand, of course, there was nothing stopping Walter (or was it Gordon? No, Godfrey…wait, wasn’t it Al?) from creating another one of his ‘hims’ masked as an Ann to express more of her perceptions in HIS own ‘It’s All You’ story.

Am I getting this right? Ann whispered to her left ear.

“So how was your lunch date with your new best friend?” Harvey sounded distinctly sarcastic, even to Lavender’s forgiving ears.

“Oh, you know …”

Harvey raised his eyebrows. No mean feat when you have a book balancing on your nose. He sighed, and let the book fall. A few months ago he was balancing four poster beds, and now he could barely manage a Lemoine novel. Heavy as they are! He sniggered to himself. Oh well, at least I havn’t lost my sense of humour, along with my sense of smell!

“Well, to be honest Harvey .. I think I may have been possessed by those pesky aliens. I suddenly came to and I was talking all this rubbish about ‘random quote generators’ and using words like ‘dear’.

Lavender shuddered in horror at the memory, and then rolled her beautiful eyes and sighed. “Poor Ann, I think she is a really tortured soul.”

The writer wondered if it was time to add a dark side to Lavender’s personality. All this beautiful eyes business was getting a tad irritating, the beauty of Lavender’s eyes not withstanding. Not to mention her lips which she painted a bright shade of amaranth for every day wear, and on special occasions, rose madder. The writer wondered if the last thought made sense and wondered again how to strike out text. The writer decided to try that last line again.

Lavender shuddered, and then with an enigmatic smile which even her good friend Harvey found hard to decipher, she said softly, “I ate olives for lunch. They were yummy.”

The writer sighed and then noticed the random quote generator said “mean cleaner coming soon.” The writer wondered if it was a sign.

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”

“Any idea what this is all about?” Beattie asked, to nobody in particular. A crowd was gathering at the crossroad.

The crossroad reminded Bea of a movie she’d watched some years previously, called, coincidentally enough, Crossroads. A symbolic sort of place, although real enough, a junction seemingly in the middle of nowhere. There was a large oak tree looming above the intersection, but nothing else could be seen in any direction but endless expanses of fields. There was a wooden signpost, the old fashioned kind, with two slats of wood pinned crosswise in the middle to a leaning post, but the place names had long since weathered away.

It was an odd sort of place and not much traffic passed by. In fact, the only traffic to pass by the crossroad stopped and disengorged itself of passengers..

“Is that a word, Bea?” asked Leonora. “Disengorged?”

“Don’t butt in to the narrative part Leo, or the story won’t make any sense.” hisssed Beattie, “Wait until you’re supposed to speak as one of the characters.”

“Well alright, but I don’t suppose it will have much effect on the making sense aspect, either way. Do continue.”

To say it was a motley crew gathering would be an understatement.

“You got that right,” Leonora said, sotto voce, surupticiously scanning the assortment of individuals alighting from the rather nautical looking yellow cab. Bea glared at Leo. “I suppose I’ll have to include your interrupions as a part of the story now.”

“Good thinking, Batman!”

“Oh for Pete’s sake, Leo, don’t go mad with endless pointless remarks then, ok? Or I will delete you altogether, and that will be the end of it.”

“You can’t delete me. I exist as a character, therefore I am.”

“You might have a nasty accident though and slide off the page,” Bea replied warningly.

“Why don’t you just get on with it, Bea? Might shut me up, you never know…”. Leo smirked and put her ridiculously large sunglasses on, despite the swirling fog..

“Oh I thought it was sunny” said Leonora, taking her sunglasses back off again. “You hadn’t mentioned weather.” She put her sunglasses back on again anyway, the better to secretly examine the others assembled at the crossroads.

“Why don’t you go and introduce yourself to them and see if anyone knows why we’re here, Leo, while I get on with the story.”

“Who will write what they say, though?”

“I’ll add it later, just bugger off and see if anyone knows who sent us that mysterious invitation.”

“Right Ho, sport, I’m on the bobbins and lace case” replied Leo. Bea shuddered a bit at the mixture of identities bleeding through Leonora’s persona. “Och aye the noo!”

Dear god, thought Beattie, I wish I’d never started this.