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“Tundra Finds the Shoat-lion”

FADE IN:

EXT. THE GOLDEN TROWEL BAR — DUSK

A golden, muted twilight paints the landscape, illuminating the overgrown ivy and sprawled vines reclaiming the ancient tavern. THE GOLDEN TROWEL sign creaks gently in the breeze above the doorway.

ANGLE DOWN TO — TUNDRA, a spirited and curious 12-year-old girl with a wild, freckled pixie-cut and striking auburn hair, stepping carefully over ivy-covered stones and debris. She wears worn clothes, stitched lovingly by survivors; a scavenged backpack swings on one shoulder.

Behind her, through the windows of the tavern, warm lantern-light flickers. We glimpse MOLLY and GREGOR smiling and chatting quietly through dusty glass.

ANGLE ON — Tundra as she pauses, hearing a soft rustling near the abandoned beer barrels stacked against the tavern wall. Her green eyes widen, alert and intrigued.

SLOW PAN DOWN to reveal a small creature trembling in the shadows—a MARCASSIN, a tiny wild piglet no larger than a rugby ball, with coarse fur streaked ginger and cinnamon stripes along its body. Large dark eyes stare up, innocence mixed with wary curiosity. It’s adorable yet clearly distinct, with sharper canines already hinting at the deeply mutated carnivorous lineage of Hungary’s lion-boars.

Tundra inhales softly, visibly torn between instinctual cautiousness her elders taught and her own irrepressible instinct of compassion.

TUNDRA
(soft, gentle)
“It’s alright…I won’t hurt you.”

She crouches slowly, reaching into her pocket—a small piece of stale bread emerges, held in her outstretched hand.

CLOSE-UP on the marcassin’s wary eyes shifting cautiously to her extended palm. A heartbeat of hesitation, and then it takes a tentative step forward, sniffing gently. Tundra holds utterly still, breath held in earnest hope.

The marcassin edges closer, wet nose brushing her fingers softly. Tundra beams, freckles highlighted by the fading sun, warmth and joy glowing on her face.

TUNDRA
(whispering happily)
“You’re not so scary, are you? I’m Tundra… I think we could be friends.”

Movement at the tavern door draws her attention. The worn wood creaks as MOLLY and GREGOR step outside, shadows stretching long in the golden sunset. MOLLY’s eyes, initially alert with careful caution, soften at the touching scene.

MOLLY
(gently amused, warmly amused yet apprehensive)
“Careful now, darling. Even the smallest things aren’t always what they seem these days.”

GREGOR
(softly chuckling, eyes twinkling)
“But then again, neither are we.”

ANGLE ON Tundra, looking up to meet Molly’s eyes. Her determination tempered only by vulnerability, hope, and youthful stubbornness.

TUNDRA
“It needs us, Nana Molly. Everything needs somebody nowadays.”

Molly considers the wisdom in Tundra’s young, earnest gaze. Gregor stifles a smile and pats Molly lightly lovingly on the shoulder.

GREGOR
(warmly, quietly)
“Ah, let her find hope where she sees it. Might be that little thing will change how we see hope ourselves.”

ANGLE WIDE — the small group beside the tavern: Molly, her wise and caring gaze thoughtful; Gregor’s stance gentle yet cautiously protective; Tundra radiating youthful bravery, cradling newfound companionship as the marcassin squeaks softly, cuddling gently against her worn sweater.

ASCENDING SHOT ABOVE the tumbledown ancient Hungarian tavern, the warm glow of lantern and sunset mingling. Ancient vines and wild weeds whisper forgotten stories as stars blink awake above.

In that gentle hush, beneath a wild and vast sky reclaiming an abandoned land, Tundra’s act of compassion quietly rekindles hope for humanity’s delicate future.

FADE OUT.

After a short rest, Molly, Gregor and Petro ventured outside to wander around before the rain started.

“Az Aranysimító,”  Molly read the sign above the door. “Nemzetközi Likőrök. What does that say, Petro?”

The old man smiled at Molly, a rare gleam in his rheumy eye. “Fancy a night out, old gal? It’s a pub, The Golden Trowel.  International liquors, too.  Pénteki Kvízestek,” Petro added, “Quiz nights on Fridays. I wonder if it’s Friday today?”

“Ha! Who knows what day of the week it is.”   Molly took Petro’s arm, coquettishly accepting the date.  “I wonder if they have any gin.”

“Count me in for a booze up,” Gregor said trying not to look miffed.  “Now, now, boys,” laughed Molly, thoroughly enjoying herself.

“What are you all laughing at?” Vera joined them, cradling a selection of fruits held in her voluminous skirt. Gregor averted his eyes from the sight of her purple veined thighs.  He said, “Come on, let’s go inside and find you a crate for those.”

Brushing aside the dusty cobwebs, they made their way to the bar, miraculously and marvellously well stocked.  Gregor emptied a crate of empty bottles for Vera, while Petro surveyed the bottles on the shelf behind the bar. Molly stood transfixed looking at a large square painting on the wall.  A golden trowel was depicted, on a broken mosaic in a rich combination of terra sigillata orange and robins egg blue colours.  Along the bottom of the picture were the words

“Nem minden darab illik rá első pillantásra. Ülj le a töredékekkel, mielőtt megpróbálnád összekényszeríteni őket.”

Triumphantly, Petro handed a nearly full bottle of Larios gin to Molly. “I’ll get you a glass but we may need to get Finja in here, they’re all very dirty. That’s nice,” he said, looking up at the picture.

“Not every piece fits at first glance. Sit with the fragments before trying to force them together.”

“Oh, I like that!” exclaimed Molly, giving Petro a grateful smile. “I’d never have known that if you hadn’t been here.”

Petro’s chest swelled with pride and happiness. It was the first time in many years that he’d felt useful to anyone.

Orrin Holt gripped the wheel of the battered truck, his knuckles white as the vehicle rumbled over the dry, cracked road. The leather wrap was a patchwork of smooth and worn, stichted together from whatever scraps they had—much like the quilts his mother used to make before her hands gave out. The main road was a useless, unpredictable mess of asphalt gravels and sinkholes. Years of war with Russia, then the collapse, left it to rot before anyone could fix it. Orrin stuck to the dirt path beside it. That was the only safe way through. The engine coughed but held. A miracle, considering how many times it had been patched together.

The cargo in the back was too important for a breakdown now. Medical supplies—antibiotics, painkillers, and a few salvaged vials of something even rarer. They’d traded well for it, risking much. Now he had to get it back to Base Klyutch (Ukrainian word for Key) without incident. If he continued like that he could make it before noon.

Still, something bothered him. That group of people he’d seen.

They had been barely more than silhouettes on top of a hill. Strangers, a rarity in these times. His first instinct had been to stop and evaluate who they were. But his instructions let room for no delay. So, he’d pushed forward and ignored them. The world wasn’t kind to the wandering. But they hadn’t looked like raiders or scavengers. Lost, perhaps. Or searching.

The truck lurched forward as he pushed it harder. The fences of the base rose in the distance, grey and wiry against the blue sky. Base Klyutch was a former military complex, fortified over the years with scavenged materials, steel sheets, and watchtowers. It wasn’t perfect, but it kept them alive.

As he rolled up to the main gate, the sentries swung the barricade open. Before he could fully cut the engine, a woman wearing a pristine white lab coat stepped forward, her sharp eyes scanning the truck’s cargo bed. Dr. Yelena Markova, the camp’s chief doctor, a former nurse who had to step up when the older one died in a raid on their camp three years ago. Stern-faced and wiry, with a perpetual air of exhaustion, she moved with the efficiency of someone who had long stopped hoping for ease. She had been waiting for this delivery.

“Finally,” she murmured, motioning for her assistants to start unloading. “We were running low. This will keep us going for a while.”

Orrin barely had time to nod before Dmytro Koval, the de facto leader of the base, strode toward him with the gait of a tall bear. His face seemed to have been carved out by a dulled blade, hardened by years of survival. A scar barred his mouth, pulling slightly at the corner when he spoke, giving the impression of a permanent sneer.

“Did you get it?” Koval asked, voice low.

Orrin reached into his kaki jacket and pulled out a sealed letter, along with a small package.

Koval took both, his expression unreadable. “Anything on the road?”

Orrin exhaled and adjusted his stance. “Saw something on the way back. A group, about a dozen, on a hill ten kilometers out. They seemed lost.”

“Armed?” asked Koval with a frown.

“Can’t say for sure.”

Dr. Markova straightened. “Lost? Unarmed? Out in the open like that, they won’t last long with Sokolov’s gang roaming the land. We have to go take them in.”

Koval grimaced. “Or they’re Sokolov’s spies. Trying to infiltrate us and find a weakness in our defenses. You know how it works.”

Before Koval could argue, a new voice cut in. “Or they could just be people.”

Solara Ortega had stepped into the conversation, brushing dirt from her overalls. A woman of lean strength, with the tan of someone spending long hours outside. Her sharp amber eyes carried the weight of someone who had survived too much but refused to be hardened by it. Orrin shoved down a mix of joy and ache at her sight. Her voice was calm but firm. “We can’t always assume the worst. We need more hands and we don’t leave people to die if we can help it. And in case you forgot, Koval, you don’t make all the decisions around here. I say we send a team to assess them.”

Koval narrowed his eyes, but he held his tongue. There was tension between them, but the council wasn’t a dictatorship.

“Fine,” Koval said after a moment, his jaw tense. “A team of two. They scout first. No direct contact until we’re sure. Orrin, you one of them take whoever wants to accompany you, but not one of my men. We need to maintain tight security.”

Dr. Markova sighed with relief when the man left. “If he wasn’t good at what he does, I would gladly kick him out of our camp.”

Solara, her face framed by strands of dark hair, shot a glance at Orrin. “I’m coming with you.”

This time, Orrin couldn’t repress a longing for a time before everything fell apart, when she had been his wife. The collapse had torn them apart in an instant, and by the time he found her again, years later, she had built a new life within the base in Ukraine. She had a husband now, one of the scientists managing the radio equipment, and two children. Orrin kept his expression neutral, but the weight of time pressed heavy on him.

“Then let’s get on the move. They might not stay there long.”

The Survivors:

“Well, I’ll be damned,” Gregor said, his face cracking into another toothless grin. “Beginning to think we might be the last ones.”

“So did we.” Molly glanced nervously around at the odd assortment of people staring at her and Tundra. “I’m Molly. This is Tundra.”

“Tundra? Like the frozen wasteland?” Yulia asked.

Tundra nodded. “It’s because I’m strong and tough.”

“Would you like to join us?” Tala motioned toward the fire.

“Yes, yes, of course, ” Anya said. “Are you hungry?”

Molly hesitated, glancing toward the edge of the clearing, where their horses stood tethered to a low branch. “We have food,” she said. “We foraged.”

“I’d have foraged if someone didn’t keep going on about food poisoning,” Yulia muttered.

Finja sniffed. “Forgive me for trying to keep you alive.”

Molly watched the exchange with interest. It had been years since she’d seen people bicker over something so trivial. It was oddly comforting.

She lowered herself slowly onto the log next to Vera. “Alright, tell me—who exactly are you lot?”

Petro chuckled. “We’ve escaped from the asylum.”

Molly’s face remained impassive. “Asylum?”

“It’s okay,” Tala said quickly. “We’re mostly sane.”

“Not completely crazy, anyway,” Yulia added cheerfully.

“We were left behind years ago,” Anya said simply. “So we built our own kind of life.”

A pause. Molly gave a slow nod, considering this. Vera leaned towards her eagerly.

“Where are you from? Any noble blood?”

Molly frowned. “Does it matter?”

“Oh, not really,” Vera said dejectedly. “I just like knowing.”

Tundra, warming her hands by the fire, looked at Vera. “We came from Spain.”

Vera perked up. “Spain? Fascinating! And tell me, dear girl, have you ever traced your lineage?”

“Just back to Molly. She’s ninety-three,” Tundra said proudly.

Mikhail, who had been watching quietly, finally spoke. “You travelled all the way from Spain?”

Molly nodded. “A long time ago. There were more of us then… ” Her voice wavered. “We were looking for other survivors.”

“And?”Mikhail asked.

Molly sighed, glancing at Tundra. “We never found any.”

________________________________________

That night, they took turns keeping watch, though Molly tried to reassure them there was no need.

“At first, we did too,” she had said, shaking her head. “But there was no one…”

By dawn, the fire had burned to embers, and the camp stirred reluctantly to life.

They finished off the last of their cooked vegetables from the night before, while Molly and Tundra laid out a handful of foraged berries and mushrooms. It wasn’t much, but it was enough to start the day.

“Right,” Anya said, stretching. “I suppose we should get moving.” She looked at Molly and Tundra. “You’re coming with us, then? To the city?”

Molly nodded. “If you’ll have us.”

“We kept going and going, hoping to find people. Now we have,” Tundra said.

“Then it’s settled,” Anya said. “We head to the city.”

“And what exactly are we looking for?” Molly asked.

Mikhail shrugged. “Anything that keeps us alive.”

________________________________________________

It was late morning when they saw it.

A vehicle—an old, battered truck, crawling slowly toward them.

The sight was so absurd, so impossible, that for a moment, no one spoke.

“That can’t be,” Molly murmured.

The truck bounced over the uneven ground, its engine a dull, sluggish rattle. It wasn’t in good shape, but it was moving.

Survivors in Ukraine

Not for the first time Molly wished they’d never made the journey. She wanted to go back and end her days where she’d chosen to retire.  With Ellis gone, and then Ethan and Nina, there was nothing to keep her here, and nothing to keep Tundra here.  And there had been no reason to come, in the end. There were no survivors in Ukraine either, and they encountered none on the long and difficult journey from Spain.

It was Nina’s idea to go back to her home country. She was a refugee from the war, she and her mother. Nina met Ethan at school in England and Ethan often used to bring her on holidays to visit his grandmother in Andalucia.  When the plague struck, they were there with Molly, quarantined and with no way to return to England.  Molly shuddered at the memory of the awful realisation that there was nobody else alive, but for her friend over the road who looked after the cows.  Just Molly, Ethan, Nina, and Antonio and all the bodies.

It was Antonio’s idea to take all the bodies of the neighbours out into the fields for the vultures, rightly stating that it was impossible for him and Ethan to bury them all. And so they did.  Best photos of vultures I ever took, and nobody to show them to, Molly had grumbled at the time.

They managed for a considerable time looting the neighbours pantries, garages, and barns and foraging further afield until all the cars in the village ran out of fuel, always hoping to find people, other survivors, but they never did.  When the fuel ran out they used the horses.  They could have managed for some time longer if they stayed where they were, but the desire to find people was strong.

The decision was made to head north, along the once populous coast, taking 12 horses to carry themselves and essentials, hoping to find more people. There were no people. They kept walking, and when Nina suggested they keep walking to Ukraine, nobody could think of a good reason why not to.

Molly’s sorrowful reminiscence sitting in the late afternoon sun was interrupted by a shout from Tundra who was running towards her. “Look, look over there!”   Molly winced as Tundra pulled her upright too quickly.  “Over there!” she said, pointing to a copse just below the hills on the horizon.

“A wisp of smoke!” Molly whispered wonderingly. “Like…like a campfire or something…”

The 93 year old woman and her twelve year old great granddaughter looked at each other in amazement. “People,” they whispered in unison.

“Tundra, saddle up the horses. We can’t wait for morning”,  Molly said, “They may be gone. Run, girl!  Don’t just stand there with your mouth open!”

Suddenly Molly felt like she was only 67 again.

People!

Some ideas to pick apart and improve on:

Some characters:

• The Murder Victim: A once-prominent figure whose mysterious death on Helix 25 is intertwined with deeper, enigmatic forces—a person whose secret past and untimely demise trigger the cascade of genetic clues and expose long-buried truths about the exodus.
• Dr. Amara Voss: A brilliant geneticist haunted by fragmented pasts, who deciphers DNA strands imbued with clues from an ancient intelligence.
• Inspector Orion Reed: A retro-inspired, elderly holographic AI detective whose relentless curiosity drives him to unravel the inexplicable murder.
• Kai Nova: A maverick pilot chasing cosmic dreams, unafraid to navigate perilous starfields in search of truth.
• Seren Vega: A meditative archivist who unlocks VR relics of history, piecing together humanity’s lost lore. Mandrake her cat, who’s been given bionic enhancements that enables it to speak its mind.
• Luca Stroud: A rebellious engineer whose knack for decoding forbidden secrets may hold the key to the ship’s destiny.
• Ellis Marlowe (Retired Postman): A weathered former postman whose cherished collection of vintage postcards from Earth and early space voyages carries personal and historical messages, hinting at forgotten connections.
• Sue Forgelot: A prominent socialist socialite, descended from Sir Forgelot.
• Sharon, Gloria, Mavis: a favourite elderly trio of life-extended elders. Of course, they endured and thrived in humanity’s latest exodus from Earth
• Lexican and Flexicans, Pronoun People: sub-groups and political factions, challenging our notions of divisions
• Space Absinthe Pirates: a rogue band of bandits— a myth to make children behave… or something else?

Background of the Helix Fleet:

Helix 25 is one of several generation ships that were designed as luxury cruise ships, but are now embarked on an exodus from Earth decades ago, after a mysterious event that left them the last survivors of humanity. Once part of an ambitious fleet designed for both leisure and also built to secretly preserve humanity’s legacy, the other Helix ships have since vanished from communication. Their unexplained absence casts a long shadow over the survivors aboard Helix 25, fueling theories soon turning into myths and the hope of a new golden age for humanity bound to a cryptic prophecy.

100-Word Pitch:

Aboard Helix 25, humanity’s last survivors drift through deep space on a generation ship with a haunted past. When Inspector Orion Reed, a timeless holographic detective, uncovers a perplexing murder, encoded genetic secrets begin to surface. Dr. Amara Voss painstakingly deciphers DNA strands laced with ancient intelligence, while Kai Nova navigates treacherous starfields and Seren Vega unlocks VR relics of lost eras. Luca Stroud and Ellis Marlowe, a retired postman with vintage postcards, piece together clues that tie the victim’s secret past to the vanished Helix fleet. As conspiracies unravel, the crew must confront a destiny entwined with Earth’s forgotten exodus.

A link to another previous video I quite like.

Some rushes from Corrie and Clove, as we try to advertise the Flying Fish Inn.

La escena comienza con una toma aérea del bush australiano, mostrando extensas áreas de matorrales verdes y marrones, con un camino serpenteante que lleva al Flying Fish Inn, un encantador edificio rústico rodeado de naturaleza salvaje.
La imagen transiciona a una anciana enérgica en el jardín del Inn, riendo junto a un kookaburra posado en su hombro. Su expresión es cálida y acogedora.
La escena cambia rápidamente a la Tía Idle, con trenzas, en una habitación vibrante llena de murales de dreamtime, con las gemelas Clove y Corrie trabajando en su arte.
La vista serena del atardecer desde la veranda del Inn muestra un cielo pintado con tonos de naranja y rosa, mientras el entorno se sumerge en una tranquilidad mágica.
La pantalla se desvanece al logo del Flying Fish Inn, acompañado de información de contacto y un suave toque musical.

[Scene opens with a sweeping aerial shot of the Australian bush, transitioning to the rustic charm of the Flying Fish Inn nestled amidst the wild beauty.]

Narrator (calm, inviting voice): “Escape to the heart of the outback at the Flying Fish Inn, where stories come alive.”

[Cut to Mater, a sprightly centenarian, in the garden with her kookaburra friend, a warm smile on her face.]

Narrator: “Meet Mater, our beloved storyteller, celebrated for her legendary bush tucker cuisine.”

[Quick transition to Aunt Idle, in a vibrant room adorned with dreamtime murals, created by the twins Clove and Corrie.]

Narrator: “Join Aunt Idle, brimming with tales of adventure, and marvel at the dreamtime artwork by the creative twins.”

[Flashes of Prune with a telescope, gazing at the stars, embodying her dream of Mars.]

Narrator: “And Prune, the stargazer, connecting dreams and reality under the vast desert sky.”

[End with a serene sunset view from the Inn’s veranda, the sky painted with hues of orange and pink.]

Narrator: “Discover the magic of the bush and the warmth of community. Your outback adventure awaits at the Flying Fish Inn.”

[The screen fades to the Flying Fish Inn logo with contact information and a gentle musical flourish.]

Early May 2022

“You don’t look like a physicist,” Florian said on their first evening together. Most of the day since his arrival that morning had been taken up with Elara showing him around the farmhouse and a stroll outside after he’d unpacked and showered.

It was early May, Elara’s favourite time of the year, and the pandemic restrictions were largely over. An enthusiastic hiker and ardent lover of the countryside, Florian found his hosts running commentary as they walked the blossomy lanes a tonic after the grim scenesand mental anguish he’d left behind. Elara beamed at his evident interest and perspicacious questions, warming to him and realising how much she’d missed company and conversation during the lockdowns and subsequent limiting of social interactions.  It’s so nice to have a conversation in English, she couldn’t help thinking.

Laughing, Elara replied that she’d never felt like a physicist either. “As soon as I started my first post after qualifying, I realised it wasn’t for me. I hadn’t really thought about the jobs, you know?”

Happy to have such an attentive listener, the convivial glow of red wine warming her veins, Elara explained that she’d resorted to short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there, “Big mistake that was, best forgotten.”

“I always wanted to travel a bit, but the wife always wanted to go to a resort to sunbathe,” Florian said, adding pensively, “I think the kids would have liked to travel though.”

“I think you’ll enjoy your stay here,” Elara smiled, not wanting the pleasant evening to take a despondant turn. Florian was here to get over it, not dwell on it.

The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph.  The white bull.  

Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways.  Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods.  She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him.  Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees.  Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours. 
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.

I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that.  So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it?  Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

Exploring further potential backstory for the characters – to be explored further…

This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.

Backstory: The Co-Housing Dream

Habitat Participatif: A Shared Vision

The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.

What Drew Them In:

• Amei: Longing for a sense of rootedness and community after years of drifting.
• Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
• Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
• Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.

The Land in Drôme

They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.

The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.

The Role of Monsieur Renard

When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.

Initial Promise:

• Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
• His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.

The Split: Fractured Trust

Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.

1. Darius’s Drift:
   • Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
   • He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
2. Elara’s Resistance:
   • Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
   • “This isn’t about community for him,” she had said. “It’s about control.”
3. Lucien’s Hesitation:
   • Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
   • When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
4. Amei’s Silence:
   • Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.

Matteo’s Unseen Role

Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.

The Missed Connection:

• Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
• By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.

The Fallout: A Fractured Dream

The group dissolved after a final argument about Renard’s involvement:

• Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
• Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
• Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
• Amei, already pulling away, suggested they put the project on hold.

The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.

Amei’s Perspective: Post-Split Reflection

In the scene where Amei buys candles :

• The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
• Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.

Reunion at the Café: A New Beginning

When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.

Matteo’s Role:

• His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.

Spring 2024

Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.

On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.

Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.

The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.

The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.

Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”

Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”

Matteo tilted his head, intrigued. “You mean you’ve drifted?”

Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”

Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.

Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”

Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.

Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”

“Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.

Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”

“Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”

Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.

For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.

Mon. November 25th, 10am.

The bell sat on the stool near Lucien’s workbench, its bronze surface polished to a faint glow. He had spent the last ten minutes running a soft cloth over its etched patterns, tracing the curves and grooves he’d never fully understood. It wasn’t the first time he had picked it up, and it wouldn’t be the last. Something about the bell kept him tethered to it, even after all these years. He could still remember the day he’d found it—a cold morning at a flea market in the north of Paris, the stalls cramped and overflowing with gaudy trinkets, antiques, and forgotten relics.

He’d spotted it on a cluttered table, nestled between a rusted lamp and a cracked porcelain dish. As he reached for it, she had appeared, her dark eyes sharp with curiosity and mischief. Éloïse. The bell had been their first conversation, its strange beauty sparking a connection that quickly spiraled into something far more dangerous. Her charm masking the shadows she moved in. Slowly she became the reason he distanced himself from Amei, Elara, and Darius. It hadn’t been intentional, at least not at first. But by the time he realized what was happening, it was already too late.

A sharp knock at the door yanked him from the memory. Lucien’s hand froze mid-polish, the cloth resting against the bell. The knock came again, louder this time, impatient. He knew who it would be, though the name on the patron’s lips changed depending on who was asking. Most called him “Monsieur Renard.” The Fox. A nickname as smooth and calculating as the man himself.

Lucien opened the door, and Monsieur Renard stepped in, his gray suit immaculate and his air of quiet authority as sharp as ever. His eyes swept the studio, frowning as they landed on the unfinished painting on the easel—a lavish banquet scene, rich with silver and velvet.

“Lucien,” Renard said smoothly, his voice cutting through the silence. “I trust you’ll be ready to deliver on this commission.”

Lucien stiffened. “I need more time.”

“Of course,” Renard replied with a small smile that didn’t reach his eyes. “We all need something we can’t have. You have until the end of the week. Don’t make her regret recommending you.”

As Renard spoke, his gaze fell on the bell perched on the stool. “What’s this?” he asked, stepping closer. He picked it up, his long and strong fingers brushing the polished surface. “Charming,” he murmured, turning it over. “A flea market find, I suppose?”

Lucien said nothing, his jaw tightening as Renard tipped the bell slightly, the etched patterns catching the faint light from the window. Without care, Renard dropped it back onto the stool, the force of the motion knocking it over. The bell struck the wood with a resonant tone that lingered in the air, low and haunting.

Renard didn’t even glance at it. “You’ve always had a weakness for the past,” he remarked lightly, turning his attention back to the painting. “I’ll leave you to it. Don’t disappoint.”

With that, he was gone, his polished shoes clicking against the floor as he disappeared down the hall.

Lucien stood in the silence, staring at the bell where it had fallen, its soft tone still reverberating in his mind. Slowly, he bent down and picked it up, cradling it in his hands. The polished bronze felt warm, almost alive, as if it were vibrating faintly beneath his fingertips. He wrapped it carefully in a piece of linen and placed it inside his suitcase, alongside his sketchbooks and a few hastily folded clothes. The suitcase had been half-packed for weeks, a quiet reflection of his own uncertainty—leaving or staying, running or standing still, he hadn’t known.

Crossing the room, he sat at his desk, staring at the blank paper in front of him. The pen felt heavy in his hand as he began to write: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time!

He paused, rereading the words, then wrote them again and again, folding each note with care. He didn’t know what he expected from his friends—Amei, Elara, Darius—but they were the only ones who might still know him, who might still see something in him worth saving. If there was a way out of the shadows Éloïse and Monsieur Renard had drawn him into, it lay with them.

As he sealed the last envelope, the low tone of the bell still hummed faintly in his memory, echoing like a call he couldn’t ignore.