Search Results for 'patience'

thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

what else can you suggest I might find in the garden about the people who lived here in the past?

Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

That’s wonderful. Can you offer anything else, something I haven’t thought of?

Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

I love the suggestion of the collector, can you elbaorate on this particular character

Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

thank you very much. Very good!

Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

sweet dreams

Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

I have an idea. Are you game?

The Whale: I’m always game for a good idea! What do you have in mind?

I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point

The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.

“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various

No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1

The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.

Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.

As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.

The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.

As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.

Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.

As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.

Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.

Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.

As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.

The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.

In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.

Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:

Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.

As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.

But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.

Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.

And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.

thank you! I appreciate your input.

The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.

But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.

He thanked the whale for this rather surprising response.

The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!

So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.

 

*1  In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.

His shoes were much too big but it was better than nothing now that the weather had turned and there was frost on the cobbled streets. He’d stolen them, of course he had, he had no money for shoes.  The shoes had been caked in mud and left on a doorstep. His feet were blue with cold, what was he to do? He grabbed them and ran as fast as he could until he felt he could safely stop and put them on his feet.  He was only twelve years old or thereabouts (who knew for sure?) and stunted from lack of food, and the shoes were an adult size.  But he was happy as a lark to have something to sheild his feet from the frozen street.  Scuffing along until he reached the open market, he sat down on the church steps and begged a ha’penny off a kind looking old woman.  His pockets all had holes in them so he pushed the coin down to the toe of the shoe and shuffled along the market stalls, intending to buy a meat pie from the bakers at the other end of the square.  An argument had broken out at the china stall, a angry housewife berating the vendor for putting the prices up on a teaset that she was collecting, once piece at a time which was all she could afford each week.  The vendor, who was suffering from a monumental hangover from all the gin he’d consumed the night before, lost his patience as quickly as he was losing his other customers, and leaned over and pushed the woman. She lashed back at him, knocking a rickety old mans pipe out of his hand. Seizing the opportunity, the boy snatched the pipe from the ground and grabbed a couple of  dishes off the stall, and ran like the dickens away from the market and down towards the river.   He knew someone who would give him a coin or two for the plates and pipe  and with the ha’penny, he would eat like a king for a day or two.

“Stop that theif” he heard behind him, and ran even faster, darting down the moss covered slippery steps to the foreshore. But alas, the shoes that were too big for him made him fall. If he had let go of the dishes he might have saved himself but he didn’t want to break them. If he had let go of them he could have broken his fall but he did not, he was still clutching them as his head hit the anchor laying in the mud and his thin body landed on the pipe and dishes and broke them anyway.

It was clear that he was dead, but nobody was interested. The tide came in and washed his scrawny body away, leaving the shoe with the ha’penny in, the shards of pottery and the broken pipe.

As they trekked through the endless dunes, Lord Gustard could barely contain his excitement. The thought of discovering the bones of the legendary giant filled him with a childlike wonder, and he eagerly scanned the horizon for any sign of their destination. As the fearless leader of the group, he had a deep-seated passion for adventure and exploration, a love for pith helmets. However, his tendency to get lost in his own thoughts at the most inconvenient times could sometimes get him in tricky situations. Despite this, he has an unshakable determination to succeed and a deep respect for the cultures and traditions of the places he visits.

Lady Floribunda, on the other hand, was the picture of patience and duty. She knew that this journey was important to her husband and she supported him unwaveringly, even as she silently longed for the comforts of home. Her first passion was for gossips and the life of socialites —but there was hardly any gossip material in the desert, so she fell back to her second passion, botany, that would often get her lost in her own world, examining and cataloging the scant flora and fauna they encountered on their journey. It wasn’t unusual to hear her at time talking to plants as if they were her dolls or children.

Cranky, meanwhile, couldn’t help but roll her eyes at Lord Gustard’s exuberance. “I swear, if I have to listen to one more of his whimsical ramblings, I’ll go mad,” she muttered to herself. Her tendency to grumble about the hardships of their journey had taken a turn for the worse, considering the lack of comfort from the past nights. She was as sharp-tongued as she was pragmatic, with a love for tea and crumpets that bordered on obsessive. Despite her grumpiness, she has a heart of gold and a deep affection for her companions, and especially young Illi.

Illi, on the other hand, was thrilled by every new discovery along the way. Whether it was a curious beetle scuttling across the sand or a shimmering oasis in the distance, she couldn’t help but express her excitement with a constant stream of questions and exclamations. Illi was a bright and enthusiastic young girl, with a passion for adventure and a wide-eyed wonder at the world around her. She had a tendency to burst into song at the most unexpected moments.

Tibn Zig and Tanlil Ubt remained loyal and steadfast, shrugging off any incongruous spur of the moment extravagant outburst from Gustard. Their experience in the desert had taught them to stay calm and focused, no matter what obstacles they might encounter. But behind the stoic façade, they had a penchant for telling tall tales and playing practical jokes on their companions. Their mischievousness was however only for good fun, and they had become fiercely loyal to Lord Gustard after he’d rescued them from sand bandits who were planning to sell them as slave. Needless to say, they would have done whatever it takes to keep the Fergusson family safe.

Illi was hoping for eccentric traders and desert nomads to fortune-seeking treasure hunters and conniving bandits, but for miles it was just plain unending desert. The worst they found on their path were unending sand dunes, a few minuscule deadly scorpions, and mostly contending with the harsh desert sun beating down upon them. Finally, after days of wandering through the desert, they reached their destination.

As they approached Tsnit n’Agger, the landscape began to change. The sand dunes gave way to rocky cliffs and towering red sandstone formations, and the air grew cooler and more refreshing. The group pressed on, their spirits renewed by the prospect of discovering the secrets of the legendary giant’s bones.

At last, they arrived at the entrance to the giant’s cave. Lord Gustard led the way, his torch casting flickering shadows on the walls as they descended deeper into the earth. The air grew colder and damper, and the sounds of dripping water echoed around them.

As they turned a corner, they suddenly found themselves face to face with the giant’s bones. Towering above them, the massive skeletal structure filled the cavern from floor to ceiling. The sight of the giant’s bones towering above them was awe-inspiring, and Lord Gustard was practically bouncing with excitement. The group behind him was in awe, even Cranky, as they were taking in the enormity and majesty of the ancient creature.

Floribunda and Cranky exchanged a weary but amused look, while Illi gazed up at the bones with wide-eyed wonder.

“Let’s get to work,” Lord Gustard declared, his enthusiasm undimmed. And with that, they set to the task of uncovering the secrets of the legendary giant, each in their own way.

“You know, April … I’ve never felt myself suited to work. Never found my …” June screwed up her face in concentration. “… special calling.”

“Can’t we sit down over there for a minute? My feet are bloody killing me.” April nodded towards a park bench; she didn’t have much patience today for June and her philosophising, after all, wasn’t it June’s fault they were in this mess? “It’s too bad we can’t even afford the bus fare,” she grumbled as she settled herself on the wooden seat.

“Not too much further,” said June plonking down next to her.

April bent down to take off her socks and sneakers and massaged her grateful feet in the damp grass. “Think I’ve got a blister. And I’d kill for a cuppa tea. I do hope Finnley has kept on top of things.”

June snorted. “Not bloody likely. Anyway, while we’ve been walking I’ve been thinking … what if we sue?”

April yawned noisily without bothering to put a hand over her mouth—she knew June hated that. “Who is Sue? Does she have money?”

“No, you idiot, not, who Sue. I mean what if we sue for money? Sue the president for wrongdoings which have been done to us.”

“Oh!” April perked up. “There’s certainly been plenty of wrongdoings!”

June smiled smugly. “Exactly.”

The front door of Mr French had a certain Gothic quality to it which caught the eye of Star. She was a sucker for the glitz and the extravagant –the more garish, the better. Had she got her way, their office would be full of the cumbersome stuff. Catching the glint in Star’s green eyes, Tara rolled hers. She clanged the metal lion to signal their presence.

A decrepit butler called off their ruckus after what seemed like a pause in eternity. They could hear the rambling from a distance behind the door. “I’m coming! No need for such noise! Ah, these youngs nowadays, not a shred of patience!…”

“Are you sure about it Star? After all, the deposit check cleared, why should we be concerned about Mr French. And we still haven’t got much to go on about Uncle Basil…”

“Shttt, let me handle it,” replied Star shaping her face into a genial one, oozing honey and butterflies.

When the butler finally opened the door, he snapped her shut “We’re not interested in whatever… hem, services you’re offering Mesdames.”

Tara caught Star’s hand mid-air, as it was about to fly and land square on the rude dried up mummy’s face in front of them.

“Sir, you must have us confused. We’ve been hired a week ago by Mr French for a very private matter we cannot obviously discuss on the doorstep. Please check with Mr French, maybe?”

The butler’s face turned sour. “Yes of course, I understand. Then you should know Mr French has been in a coma since his dreadful accident last month. Since you have a direct line to him, I suggest you… call him?” And with that, he slammed the door shut on their faces.

“Rude!” Tara mouthed.

“At least, that tells us something my dear.”

“Don’t bait me like this. I’ll ask, what exactly?”

“That our Mr French is not who he says he is…”

“I wonder if it has something to do with the immense fortune he made with his voice…”

“That would be a very interesting question to answer indeed.”

One spring day in 1822, so the story goes, Emerald Huntingford was walking the family dog on the extensive family estate, when the dog ran into a densely wooded area in hot pursuit of a rabbit. This was not uncommon, however on this occasion Emerald whistled and called but the dog did not return to her. She ran back to the house and shouted for her brother, Nigel, to help her find the it.

After several hours of frantic searching, for it was a much loved family pet, and just as they were beginning to despair, they heard whimpering coming from a hole in the ground. They cleared away the brush covering the entrance to the hole and saw it went some way into the ground and it was here the unfortunate dog had fallen. It was too deep for them to enter unaided, so while Emerald sat with the dog and called reassuringly down to it, Nigel ran for assistance. With the help of ropes and several strong farm workers, Nigel descended into the space. To his amazement, he found himself in a clay filled dome with shallow entrances going off to other underground galleries. At that time, with his focus on the injured dog, he had no inkling of the extent of it. It was later on, after they had time to explore, that the Huntingfords started to comprehend the amazing world which existed under their land.

Word spread, and they were offered a substantial amount of money by a mining company to mine the land. Locals, and others from further afield, wanted to visit the doline and many would try and do so, with or without seeking permission from the Huntingfords first. Some argued that if you don’t own the sky above your land, why should you have claim to the ground beneath?

The Huntingfords were wealthy and had no need or desire to sell the rights to their land. Eventually, their patience worn thin by the aggressive mining company and invasive tourists, they decided to defend their claim to the doline in court; a claim which they won. From that time on, as one generation of the family passed the secrets of the doline to another, guards were employed to keep watch over the entrance, that none may enter the underground world without the approval of the family.

And it seems none had, until now.

The garden was becoming too small for Gorrash. With time, the familiarity had settled down in his heart and he knew very well each and every stone or blade of grass there was to know. With familiarity, boredom was not very far. Gorrash threw a small pebble in the pond, he was becoming restless and his new and most probably short friendship with Rainbow had triggered a seed in his heart, the desire to know more about the world.

Before he’d met the creature, Gorrash could remember the pain and sadness present in the heart of his maker. He had thought that was all he needed to know about the world, that mankind was not to be trusted. And he had avoided any contact with that dragon lady, lest she would hurt him. He knew that all came from his maker, although he had no real access to the actual memories, only to their effects.

Gorrash threw another pebble into the pond, it made a splashing sound which dissolved into the silence. He imagined the sound was like the waves at the surface of the pond, going endlessly outward into the world. He imagined himself on top of those waves, carried away into the world. A shiver ran through his body, which felt more like an earthquake than anything else, stone bodies are not so flexible after all. He looked at the soft glowing light near the bush where Rainbow was hiding. The memory of joy and love he had experienced when they hunted together gave his current sadness a sharp edge, biting into his heart mercilessly. He thought there was nothing to be done, Rainbow would leave and he would be alone again.

His hand reached in his pocket where he found the phial of black potion he had kept after Rainbow refused it. He shook it a few times. Each time he looked at it, Gorrash would see some strange twirls, curls and stars in the liquid that seemed made of light. He wondered what it was. What kind of liquid was so dark to the point of being luminous sometimes ? The twirls were fascinating, leading his attention to the curls ending in an explosion of little stars. Had the witch captured the night sky into that bottle?

Following the changes into the liquid was strangely soothing his pain. Gorrash was feeling sleepy and it was a very enjoyable feeling. Feelings were quite new to him and he was quite fascinated by them and how they changed his experience of the world. The phial first seemed to pulse back and forth into his hand, then the movement got out and began to spread into his body which began to move back and forth, carried along with this sensual lullaby. Gorrash wondered if it would go further, beyond his body into the world. But as the thought was born, the feeling was gone and he was suddenly back into the night. A chill went down his spine. It was the first time. The joy triggered his sadness again.

The dwarf looked at the dark phial. Maybe it could help ease his pain. He opened it, curious and afraid. What if it was poison? said a voice of memory. Gorrash dismissed it as the scent of Jasmine reached his nose. His maker was fond of Jasmine tea, and he was surprised at the fondness that rose in his heart. But still no images, it was merely voices and feelings. Sometimes it was frustrating to only have bits and never the whole picture, and full of exasperation, Gorrash gulped in the dark substance.

He waited.

Nothing was happening. He could still hear the cooing of Rainbow, infatuated with it eggs, he could hear the scratches of the shrews, the flight of the insects. That’s when Gorrash noticed something was different as he was beginning to hear the sharp cries of the bats above. He tried to move his arm to look at the phial, but his body was so heavy. He had never felt so heavy in his short conscious life, even as the light of the Sun hardened his body, it was not that heavy.

The soil seemed to give way under his increasing weight, the surface tension unable to resist. He continued to sink into the ground, down the roots of the trees, through the tunnels of a brown moles quite surprised to see him there, surrounded by rocks and more soil, some little creatures’ bones, and down he went carried into hell by the weight of his pain.

After some time, his butt met a flat white surface, cold as ice, making him jump back onto his feet. The weird heaviness that a moment before froze his body was gone. He looked around, he was in a huge cave and he was not alone. There was an old woman seated crosslegged on a donkey skin. Gorrash knew it was a donkey because it still had its head, and it was smiling. The old woman had hair the colour of the clouds before a storm in summer, It was full of knots and of lightning streaks twirling and curling around her head. Her attention was all on the threads she had in her hands. Gorrash counted six threads. But she was doing nothing with them. She was very still and the dwarf wondered if she was dead or asleep.

What do you want? asked the donkey head in a loud bray.

It startled the dwarf but it didn’t seem to bother the old lady who was still entranced and focused on her threads.

Nothing, said Gorrash who couldn’t think of anything he would want.

Nonsense, brayed the donkey, laughing so hard that the skin was shaking under the old lady. Everyone wants something. You wouldn’t be here if you didn’t want something.

Gorrash thought about what he could want, what he had been wanting that night. He remembered his desire to get out of the garden.

And there you are, brayed the donkey head, that’s a start. What do you want then?

Getting out of the garden?

Noooo! That’s a consequence of a deeper desire, but that’s not what you want.

I have never thought about desires before, said Gorrash. It’s pretty new to me. I just came to life a few weeks ago during a full moon.

The donkey head tilted slightly on its right. No excuses, it spat, If you’re awake, then you have a desire in your heart that wants to be fulfilled. What do you want? Take your time, but not too long. The universe is always on the move and you may miss the train, or the bus, or the caravan…

As the donkey went on making a list of means of transportation, Gorrash looked hesitantly at the old lady. She was still focused on her six threads she had not moved since he had arrived there.

Who is she? he asked to the donkey.

_She’s known by many names and has many titles. She’s Kumihimo Weaver of Braids, Ahina Maker of Songs, Gadong Brewer of Stews…

Ok! said Gorrash, not wanting the donkey go on again into his list enumeration pattern. What is she doing?

She’s waiting.

And, what is she waiting for?

She’s waiting for the seventh thread, brayed the donkey head. I’m also waiting for the thread, it whined loudly. She won’t leave my back until she’s finished her braid. The head started to cry, making the dwarf feel uncomfortable. Suddenly it stopped and asked And, who are you?

The question resonated in the cave and in his ears, taking Gorrash by surprise. He had no answer to that question. He had just woken up a few weeks ago in that garden near the forest, with random memories of a maker he had not known, and he had no clue what he desired most. Maybe if he could access more memories and know more about his maker that would help him know what he wanted.

Good! brayed the donkey, We are making some progress here. Now if you’d be so kind as to give her a nose hair, she could have her last thread and she could tell you where to find your maker.

Hope rose in Gorrash’s heart. Really?

Certainly, brayed the head with a hint of impatience.

But wouldn’t a nose hair be too short for her braid? asked the dwarf. All the other threads seemed quite long to him.

Don’t waste my time with such triviality. Pull it out!

Gorrash doubted it would work but he grabbed a nose hair between his thumb and index and began to pull. He was surprised as he didn’t feel the pain he expected but instead the hair kept being pulled out. He felt annoyed and maybe ashamed that it was quite long and he had not been aware of it. He took out maybe several meters long before a sudden pain signalled the end of the operation. Ouch!

hee haw, laughed the donkey head.

The pain brought out the memory of a man, white hair, the face all wrinkled, a long nose and a thin mouth. He was wearing a blouse tightened at his waist by a tool belt. He was looking at a block of stone wondering what to make out of it, and a few tears were rolling down his cheeks. Gorrash knew very well that sadness, it was the sadness inside of him. Many statues surrounded the man in what looked like a small atelier. There were animals, gods, heads, hands, and objects. The vision shifted to outside the house, and he saw trees and bushes different than the ones he was used to in the garden where he woke up. Gorrash felt a strange feeling in his heart. A deep longing for home.

Now you have what you came here for. Give the old lady her thread, urged the donkey. She’s like those old machines, you have to put a coin to get your coffee.

Gorrash had no idea what the donkey was talking about. He was still under the spell of the vision. As soon as he handed the hair to the woman, she began to move. She took the hair and combined it to the other threads, she was moving the threads too swiftly for his eyes to follow, braiding them in odd patterns that he felt attracted to.

Time for you to go, said the donkey.

I’d like to stay a bit longer. What she’s doing is fascinating.

Oh! I’m sure, brayed the donkey, But you have seen enough of it already. And someone is waiting for you.

The dwarf felt lighter. And he struggled as he began levitating. What!? His body accelerated up through the earth, through the layers of bones and rocks, through the hard soil and the softer soil of years past. He saw the brown mole again and the familiar roots of the trees of the garden in the enchanted forest.

Gorrash took a deep breath as he reintegrated his stone body. He wobbled, trying to catch his ground. He felt like throwing up after such an accelerated trip. His knees touched the ground and he heard a noise of broken glass as he dropped the phial.

“Are you alright?” asked a man’s voice. Gorrash forced his head up as a second wave of nausea attempted to get out. A man in a dark orange coat was looking down at him with genuine worry on his face.

“I’m good,” said the dwarf. “But who are you?”

“My name is Fox. What’s yours?”

The sky had darkened ominously as Yorath and Leroway stood chatting beside the toll booth, thunder rumbling in the distance. Yorath nodded politely as the old mayor described the contraption he was currently working on, a team of mechanical Bubot’s capable of cutting quantities of bamboo swiftly, for the construction of sunshades and pleasure rafts and the many other things that could easily be made out of the versatile plant, for the pleasure, leisure, comfort and entertainment of his townspeople.

With one eye on the approaching storm, Yorath asked where Leroway had in mind for the harvest. Surely the bold innovator wasn’t thinking of sending the Bubot’s to cut swathes of the bamboo forest down.

“But Leroway, old boy,” replied Yorath in consternation upon hearing the confirmation that this was indeed the plan, “Are you quite sure that will meet with public approval?”

“What’s that you say, public approval?” Leroway beamed, missing his point. “They’re going to love it!” He went on to describe at length his plans for making use of the canes for the public good.

The first fat drops of rain plopped down. Yorath made peace with the idea of a thorough soaking as it was entirely inevitable at this juncture, and continued to listen, showing no indication of impatience. There were more important things at stake here than wetting ones jacket, even if it was a rare igglydupat silk in a shade of iridescent primrose yellow ~ that was, incidentally, a good match for the tundercluds flowering at his feet, not to mention the encroaching eerily sunlit thunderclouds rapidly approaching. For a brief moment his attention wandered from the inventors monologue, engulfed as he was in the effervescent yellow sensation.

“This is all so very interesting,” Yorath interrupted, having a brainwave, “That I am going to make a detour, and come and visit your town. Lead on, my good man!”

Leroway beamed, once again misinterpreting the travelers meaning.

The trip to the city would have to wait.

Humming quietly to herself, Glynis stirs the mixture in the large black pot. She feels proud that she now knows this recipe by heart and no longer has to refer to the large book of spells which sits on a nearby stool.

Small bubbles begin to form on the surface of the mixture—soon it will boil. Now … remember … ”the mixture must boil for 5 minutes, no more and no less”.

She wasn’t sure why the directions were so precise … apparently understanding would grow in time. She pondered whether it was the element of discipline involved which added a particular flavour to the spell. After all, the intention of the heart was important and the difference between a great spell and just a mediocre one. She hoped to be a master one day and revered for the purity and efficacy of her mixtures.

“Quiet now,” she chided herself. “Pride won’t help this spell any.”

Five minutes. She has her own way of marking time though at first it had not been so easy. The moment the mixture was boiling she began to sing. She sang the whole song through twice and then pulled the pot from the fire to leave it to cool. Next it would go in the jars that stood waiting on the bench like a line of willing soldiers and then it must sit till spring.

Patience.

Daylight is beginning to fade and she remembers she still has no sage.

The orchard is particularly beautiful this time of day she thinks. Late afternoon. Once, there was a path of stones leading down to the garden where sage and other herbs grow in abundance, but now the path is long overgrown.

A Silver Jute alights on a branch ahead of her.

“Hello!” Glynis says, happy to see the bird.

The Jute opens its beak and with a thrusting motion propels a berry which flies through the air and lands at the girl’s feet.

“Thank you”, she says and a feeling of warm gratitude fills her heart as she picks up the berry and puts it in her basket.

The Jute nods his head in acknowledgment and with a loud cry spreads his wings and flies off over the trees of the orchard.