Search Results for 'peculiar'

Glynis had been staying with the Bakers for a few weeks now, since the night of the storm.

She had taken refuge on their porch, as the gale tore through the pitch black streets, blowing anything not nailed down along in its wake. Intending to leave early before anyone in the house was up, she found a dry corner and wrapping her burka tightly around herself for warmth, she fell into a deep, exhausted sleep.

“Well, what have we here! Good Lord, girl, you must be freezing!” said a booming male voice. Glynis started awake, trying to work out where she was.

“This is no place to be in a storm. Come inside to the warm,” the man continued. And before she could gather her senses and protest, he took hold of her arm and gently but firmly pulled her into a cosy warm kitchen already filled with the delicious aroma of baking bread.

“Anne!” he called to his wife, “look what I found on the front porch!”

“Oh you poor dear! You are shivering! Come with me and let’s get you into some dry clothes.”

Anne Baker was a portly woman with a purple scar covering a large part of her face. Glynis never mentioned the scar and likewise the Bakers never said a word about the dragon scales, seeming completely unperturbed by Glynis’s unusual appearance. In fact, in their kindly presence, Glynis sometimes found herself forgetting.

To repay their kindness, Glynis helped with the baking. With her knowledge of herbs, she had created several new recipes which had proved to be most popular with the customers. This delighted the Bakers; they were people who were passionate about what they did and every little detail mattered. They rose early, often before the sun was up, to lovingly prepare the dough; in their minds they were not merely selling bread; they were selling happiness.

Glynis was most surprised the day the stone parrot arrived in the mail.

“This is very peculiar. Who is this “laughing crone” and what does she want with me,” said Glynis to the stone parrot. “I wonder, did Aunt Bethell send you to me? She is very good at stories — perhaps she sent me the dream as well.”

But surely Aunt Bethell would not call herself a laughing crone! No, that is definitely not her style!

Glynis stared at the concrete parrot and an uneasy feeling had come over her. “You are alive inside that concrete, aren’t you,” she whispered, patting the stone creature gently. “Have you too been caught in the spell of some malevolent magician?”

Yorath led the way down the forest path. Eleri followed, feeling no urge to rush, despite the sense of urgency. Rather, she felt a sense of urgency to linger, perhaps even to sit awhile on a rock beneath an old oak tree, to stop the pell mell rush of thoughts and suppositions and just sit, staring blankly, listening to the forest sounds and sniffing the mushroomy mulch beneath her feet.

The compulsion to be alone increased. Unable to ignore it any longer, Eleri told Yorath that she would catch him up, she needed to go behind a bush for a moment, knowing quite well that there was no need for the excuse, but still, she didn’t feel like explaining. Talking, even thinking, had become tiring, exhausting even. She needed to sit, just sit.

She watched his retreating back and breathed a sigh of relief when his form disappeared from view. Much as she loved her dear old friend, the absence of other humans was like a breath of air to the drowning. The rustlings of the living forest, the dappling shadows and busy missions of the insects was a different kind of busyness, far from still and never silent, not always slow or sedate, not even serene or pleasant always, but there was a restful coherence to the movements of the living forest.

Leaning back into the tree trunk, her foot dislodged a rotten log from its resting place among the leaves ~ crisp and crunchy on the top, damp and decomposing beneath the surface ~ revealing the long slim ivory of bone contrasting sharply with the shades of brown.

Bones. Eleri paused before leaning over to touch it gently at first, then gently smooth away the composting detritus covering it.

Bones. She held it, feeling the hard dry texture peculiar to bones, loving the white colour which was more than white, a richer white than white, not bleached of colour, but full of the colours of white, and holding all of the colours of the story of it.

The story of the bone, the bones. She knelt, carefully brushing the leaves aside. Bones never rested alone, she knew that. Close by she knew she would find more. She knew she would take them home with her, although she knew not why. Just that she always did. A smile flitted across her face as she recalled the horse bones she’d found once ~ an entire, perfect skeleton of a horse. What she wouldn’t have given to take the whole thing home with her, but it was impossible. Perfectly assembled, picked clean and sun bleached, resplendent in the morning sun, it was a thing of unimaginable beauty that morning, reclining on the hilltop. So she took as much of the spine as she could carry, and later wished she’d taken the skull instead. And never really wondered why she didn’t go back for more.

But that was the thing with bones. You don’t go back. You take what you want, what you can carry, and leave the rest. But Eleri had to admit that she didn’t know why this was so.

Liz smiled with satisfaction at the new growth of the turmeric plants. Such healthy looking shiny green leaves. As always she was amazed at where green leaves came from. Where did they come from? They just appeared out of thin air, miraculous it was. It took her mind off the battle with the latex supplier to ponder the magic of nature.

Pondering the nature of magic in the garden reminded her of the peculiar things she’d recently read about a man who had a desire to appreciate nature, but was waiting until he had the time and the money to do it. One only has to look at the dandelions growing through the cracks of the concrete sidewalk to appreciate nature, she’d archly reminded him.

The inflexibility of the latex supplier had been an exercise in firm but pliant resistance on her part. And it had paid off. At first it had appeared to be another aggravating and futile battle with impermeable insurmountable systems, Systems with a capital S, sacrosanct and rigid, inviolate, the new highest authority that growing hoards of the populus were dutifully grovelling at the feet of. But Liz had stood her ground, whilst simultaneously maintaining a lithe willowy air of good humour and pragmatism.

By the time Liz had found a properly flexible and accommodating new latex supplier, the old inflexible latex supplier became acquiescing and biddable. But it was too late. With a modicum of undisguised glee, Liz informed them of this fact, and smiled with the undeniable pleasure of success.

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

A flash of orange fur caught Hilda’s eye. Inwardly groaning, she imagined it to be the peculiar joker from the west again. When the orange creature suddenly leaped up into a sycamore tree and started swinging from branch to branch Hilda realized that was unlikely.

“A Sumatran orangutan!” Hilda exclaimed, rather thrilled at the unexpected encounter, and completely forgetting her intention to teleport back to Iceland.

Ignoring the peculiar behaviour of Finnley, who seemed to be having a strange turn (Flove only knew what had happened to her during her absence), Liz continued with her explanation.

“It’s the new exercise in the Mandala of Ascensions group. There are Leader Personalities, and there are Supporter Personalities ~ and let me be perfectly clear, there are no in betweens or other categories in this particular exercise. Members of the group must choose one category only.”

Liz paused to light a cigarette, and turn down the background chatter emanating from the puerile radio show, which was distracting her from her train of thought.

“Ah, well. There was a slight problem with the Flexibility Factor,” replied Finnley 22. “The technology is sophisticated ~ but to put it in the simplest of terms, the staff are, well, a bit simple. Simpletons, you might say.”

Eb waited patiently for Finnley to furnish further facts on the flexibility factor, but no further facts were forthcoming. “Er, so…” he prompted politely.

“Some dingbat down at the lab put the flexibility factor into the structural skeleton instead of the memory banks, Eb, it’s as simple as that. We had planned to use them on other missions in the future, with adjustments to the memory banks. But unfortunately now their memories are fixed, so at the end of this mission they will all have to termitated. It’s such a waste ~ that flexibility factor doesn’t come cheap!”

“Oh dear” replied Eb. “Is there any way to fix the bending? I mean, look at them.”

They turned to watch the monitor. The blue creatures were tying themselves in knots, joining themselves together in myriad shades of linked limbs like a chain. It was a most peculiar sight.

“Well, there is an antidote, but that doesn’t come cheap either. We can dose them all up with Rigidity Receptors, but the dosage is tricky. It could go horribly wrong.”

“It looks like it already has,” replied Eb.

Corrie:

I wasn’t snooping, I swear, and I wasn’t looking for anything either, it just popped up on my side bar on Spacenook and caught my eye. I mean, the title was so peculiar it kind of stood out ~ “Martian Pig Pruning” ~ so I clicked on the link, thinking it might be a diverting Pythonesque parody of all the aliens and other dimensional vibrations bollocks that seemed to be the latest #trendingtrash to swamp the newsfeeds, because sometimes you just have to laugh and find the funny side.

Corrie:

Aunt Idle had passed out in the armchair drinking her sherry last night when I went to show her what me and Clove found online when we were googling map stuff, mumbling she was and dribbling a bit. Prune said something peculiar, but when pressed she wouldn’t explain what she meant. Something about Aunt Idle speaking in the same funny accent as Grace, though gawd knows who Grace is, Prune wouldn’t say. Secretive little bugger, our Prune.

After breakfast Aunt Idle asked how our home schooling was going this week, so I told her we’d been exploring geographical anomalies and rare maps. She had an impressed look on her face; that is, until we showed her the link we’d found about the mysterious box full of maps and diagrams. That’s when her hand flew to her mouth, just like the other day when she saw us carrying that map covered mannequin up the drive.

“1977! Oh my god!” she exclaimed, and then “Tampa! Florida! of course!” and then infuriatingly, wouldn’t explain what she meant.

Aunt Idle:

My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.

The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.

“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.

“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.

“Bloody hell, not you as well!”

The first time one of the guinea pigs died I went up to my bedroom, closed the door and cried. Not just cried. I sobbed my eyes out. Great gasping sounds such as I had not uttered in many a long year. An old lady shouldn’t be crying like that over a damned rat-like critter so I made sure no one else heard me. It’s peculiar that it took me so hard, because I always disapproved of the children having pets. It was that Prune. Begged and pleaded with her Aunt Dido when they went into town one day. And Dido is so damned soft with the kids. I’m always telling her that. Not that she listens. Spoils them rotten to make up for them not having parents around when what they really need is a good slap across the backside. Of course the lazy child cared for the poor wee things for about 5 minutes before she got bored. So I took over their care. Now another one is poorly and I can feel the familiar fear clutching at my heart.

Death. He’s got his ugly scent all around this damned town.

Like that debt collector that came by this morning. I could smell death on him soon as I saw him at the door. I got rid of him quick smart. Told him I couldn’t hear a word he was saying and shook my walking stick at him. It’s not my walking stick—I can still walk just fine. I can even get a bit of a gentle jog going if the situation warrants it. No, I found it at the back of one of the cupboards when we were cleaning out the guest rooms. It sure comes in handy sometimes. Nothing like a bit of walking stick brandishing to show who’s the boss around here.

He’ll be back of course. With some big fancy official letter and maybe a bit of back up next time. Now he knows who he is dealing with.

By the time Mirabelle and Igor had recovered from physical effects of the abrupt emotional catapult during their teleport to find Lisa, Fanella, Ivan and Sanso, they found themselves alone on the sandy beach. Bewildered, they looked around but could find no sign of the others that they had momentarily seen as they landed, before collapsing in bodily distress.
Weakly, Mirabelle sank down onto the sand, and looked at Igor questioningly. “What do we do now? My head is spinning still and I need a drink of water. Where are we?”
Igor, drained of energy and just as puzzled, straightened his back and tried to sound reassuring.
“Something very peculiar has happened. See these mangrove trees? They have grown at least a meter taller since a few minutes ago when we landed. And see this log here, this wasn’t here a few moments ago. It can’t have washed up while I was having a crap behind the bushes. Something has happened to time.”
“You mean we’ve time traveled again? I don’t think I can stand much more of this,” replied Mirabelle, starting to weep.
“Come now Mirabelle, sitting here sniveling won’t help. On your feet, girl, we will walk until we find some kind of civilization.” Igor pulled her to her feet, scanning the surroundings. “This way,” he said firmly, setting off along the beach. “I have a feeling there is something over there,” he said, pointing towards the east.

“Shall I call you Fanny instead then, dear? It seems to be stuck in my head now to call you Fanella (which I do think sounds much nicer actually) but I think I can manage to remember Fanny,” suggested Lisa.
“Call me what you like, I won’t be here much longer” replied Fanella under her breath.
“What was that you said?”
“Coffee, Lisa, would you like a refill?”
Lisa’s reply was interrupted by an exclamation from Sanso, and they both turned their attention to him.
“Here it is!” he was saying. “Look! The island!” He pointed to an area of map collage on the mannequins left buttock, and stroked it gently while explaining. “It’s named Abalone ~ by some of its inhabitants, not by everyone, but more on that later. The fascinating thing about it is it’s mysterious properties ~ and I don’t mean real estate, although there are some VERY peculiar properties on the island! But properties that allow it to appear on the Earth only at certain times and places.”
“Times such as 2121?” asked Fanella.
“Yes indeed, and also times such as years 111, 222, 333 ~ in fact any number that has a particular significance really, it’s a very loose arrangement really, you know what some people are like about numbers, make up all kinds of nonsense about special numbers, but it serves a purpose as a sort of guideline, I suppose.”
“You don’t need to tell me all that, Sanso. I’ve already read the book.”
“Circle of Eights and Other Stories? Ahahahaha! But the stories in that book are forever changing, Lisa. You may have read the book but every time you read it, it’s different. You don’t know everything there is to know about that island just because you read one version of the book at one time!”
“I didn’t say I knew EVERY thing, Sanso” Lisa replied huffily.
“That’s where we’re going next” Fanella interjected. “Sanso is taking me.”
“Really? How exciting!” Lisa’s eyes lit up. “What a trip! I’ve been thinking about a holiday ever since we got back from Portugal. Hey, can I come too?”
Sanso stole a glance at Fanella, who shrugged helplessly. He winked at her and whispered “trust me”.
To Lisa he said “I can’t think of anything I’d like more. Is there anyone you’d like to bring with you?”
“Why yes, there is, how funny you should ask. I’ll ask Mirabelle if she wants to come.”
Fanella rolled her eyes.

The sun slanted through the tree tops, projecting light beams through the rising river mist, creating ghostly shifting wisps. Fanella sat quietly on a log at the rivers edge, watching the elusive mist beings ascending, and wondering at the strangeness of it all. The only time she felt a sense of relaxed familiarity was when she was surrounded by nature ~ her solitary walks by the river or in the woods, far from the confusing distractions of people and unfamiliar objects and customs, kept her reasonably sane during this peculiar and unsettling time. She was homesick, that was the truth, and the futility of the nostalgia saddened her. There was no going back. Or was there?