Search Results for 'pressing'

– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

How many ways to stab a pea with a syringe? Jonbert woke up from his nap with the most peculiar question on his mind.
At 153, he’d started to get those annoying narcoleptic fits. He would go down in a blink of an eye into a deep dreamless sleep, and wake up to the most embarrassing of situations.
He felt like kicking someone, and mumbled under his breath “Just bloody once, before it gets puréed”.

He could have sworn he heard one of the butler robots titter silly. Those darn robots were getting smarter every day, he would have to get them a good canning.
But more pressing matter were on his mind, and he blisslessly ignored the wondrous display of flying manta rays around the eight-flippered submarine.

Time-landing around Big Island was always tricky, he was glad the darned bots got this one right, tittering notwithstanding.
Why so tricky, he could hear minds wonder. Why can’t those minds just read the bloody Time Traveling Manual! he exploded. The Island is expanding, creating new land every day. One miscalculation, and your expensive submarine would be enclosed in molten lava! How many times he had to repeat it.
True enough, his temper had not improved with age, but that kept him alive well, thank you very much.

That’s were they were supposed to collect the travelers, to entertain and train them a bit before leading them to the whale’s hotspot.
He would have to remain discreet for now on, and the prospect of having to refrain swearing loudly at ghosts seen by anyone but himself got him nervous all of a sudden.

They’d felt the Time Sewer get cleaned up, although it took a time to reach them. The frogs were paddling like crazy, and then the bubble reached them, propelling the jelly-bean shaped carriage like a rocket to their destination.

“Brace yourseeeeeeelves!” Sanso sung in the key of F, ending the frogs’ symphony with a perfect 5th.

“The mind has a tendency to forget unpleasant things…” Sadie was saying to the queens in a way to soothe their increasingly worried faces “It will be over in a minute”.
The last part didn’t get them any less worried.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

Jean-Pierre Duroy couldn’t get his day going. There was a royally nagging problem of loo clogging that he couldn’t get solved. Apparently there were bugs in the microsoil under the soft underground, or was that the network of pipes he couldn’t tell. No amount of boiling water or any of the extravagant chemical concoctions by the Count of St Germain would seem to have any effect whatsoever this fine morning apart from making the matter worse.
It seemed that the removal and construction over the Grotto had not gone as well as planned when it came to plumbing.

There were more pressing matters however, notwithstanding that the royal defecation could well impact the mood for the day and maybe the whole country, so there was nothing light about it.
Such matter was to oversee the decoration of the main part of the Opera House which was already complete. Construction work had slowed during winter, and cement would take longer to settle, so there were still piles of tiles, gravel and other rubbles left lying around, but Madame de Pompadour was very eager to get a performance tonight, and had been so intent on it that she’d ordered for champagne, fine draperies, and even the newly fashionable toile de Jouy to drape inside the alcoves.
What she had not anticipated however was the inordinate amount of candles which were needed to light all the place brightly enough during the night.

The Royal beehives being unable to provide enough beeswax, they had to source the material from nearby hamlets, and already a throng of carts full of candles driven by some petite gens eager to sell theirs was lining at the entrance of the Palace pending security clearance.

Fwick’s bladder was boiling, and pressing him for a release. That was that little minute of inattention that cost him the equally little spider, and nearly his life.

While he was blaming and swearing at the bitter butter, he had not noticed that the amount of butter he’d prepared wouldn’t nearly have been enough to bread the spider, since the spider had already ingested the mighty yeast —as much by an insane curiosity as by bouts of bloody hunger— and as it happens, the yeast was starting to take effect.

As the weather was still a tad on the cold side in Peasland, there was a sane amount of logs piled up against the stove, which was roaring in delight well-fed as it was. It was giving the little spider ideas, as well as a newfound strength and breadth (and some beard too, but it didn’t really matter… yet, at least).

So while Fwick was moaning of delight at emptying said bladder into the loo, a bloody blunder was looming more than he could see.

The little spider started to outgrow the little matchbox, which ceded without much resistance, nor any noise.
The middle-sized spider then started to outgrow the table, which in turn ceded in a mild crack.
Finally, the big-sized spider now dying for a breakfast the size of a cow jumped by the window which jarred at the impact and finally, as all objects learn in good time when dealing with the spider, ceded to release the hungry bearded nine-eyed now-not-so-little deadly spider with a squeaking mwahahing voice.

That was the voice of the spider by the way, not that of the window, which didn’t have a voice to start with, even in Peasland.

Harvey wasn’t really annoyed nor offended that Ann couldn’t remember him each and every time they met. In fact, it was quite funny, that her version of Harvey was different every time.
He wasn’t bound to be the same old Harvey as with anybody else.

Nonetheless, he wished Ann would express more of her own perception of the Harvey she had in front of her eyes, instead of moaning she couldn’t or should remember anything. After all, it wouldn’t be the first time they would then all conspire to make a stretch (sometimes to the verge of rupture) in the fabric of the story to make it all fit.

And which Harvey and Ann were they? Were they only bound to be one ‘other’, without any substance safe for the fact that they were probable versions of a Prime Ann, and a Prime Harvey in the First Universal Comments Kosher (or kookish?) dimension? The mere thought of it was rather depressing to this probable Harvey.

With all this probable purée, it was as if everything wasn’t really occurring anywhere else but in some even less probable writer’s head… (he couldn’t help to wonder too how this snippet would be interpreted in the near future when it would only be a fragment of a random quote itself…)

Leormn was glad to be back in his cave.
The trip with the twins and Irtak had been very interesting for all of them; it had expanded their knowledge of their world, and the young Irtak was allowing his desire to be expressing his playfulness with dragons more and more.

Leormn could foresee he would become a great dragon breeder, and the dragons once again would reappear with times of peace.

For now, he and Malvina were packing again. It was time for them to move the rookery, and find another spot where they could alter the stuck energies by simply being there. They were like roots in the ground, they were unseen to most, but they were moving, and changing the quality of the soil, enriching it, bringing lightness to it.

Irtak and the twins would start their own path, they had learned so much. They were heading to the South deserts, the land of the gripshawks, and other less known creatures. Irtak wanted to see the seal-men, too wherever they were, in between the Icy Lands and the Southern shores. He wanted to explore everythere.

Arona had found her way to the cave, and since Malvina was moving again, she had decided to stay there with her newfound little strange, but delightful family. Ikesy would probably go in a few years to fulfill his own destiny, but for now, the Ugling raised by an Oddling was doing well.
Having seen the interesting properties of her painted door (yes, the “peace off” magic door) she had finally acknowledged her talent, and decided to devote her time to take up her art. Of course, Mandrake was encouraging as ever (refraining to comment at the beginning), but she had no doubt her dedication would conquer his and her own doubts.
After all, her magic was strong; if anything needed to be drawn out of this adventure that was it. And Buckberry her own artist dragon was a remainder of that.

Marvin Scrozzezi was thinking he should really start to find a more suitable title for the movie…

Teri, one of the actresses he had in mind for the much desired role of Finnley, —in fact the actress, that he had almost wrote the part having her in mind— had refused to audition because of the script’s working title with that undignified ‘R—’ word (a hint to the reader, it’s not what you think)…

He was thinking… French people had romantic and colourful ways of expressing the same thing… sweeping the chimney, leaking the leek… Argh… forget it…
He wasn’t sure that “T’Eggy Finds a Big Butternut Squash” would be better either.

He really sucked at finding titles.