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After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.

“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.

“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”

“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.

In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.

Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”

Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.

Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.

I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”

Grandpa Wrick interrupted “did I mention that your first story needs a beginning and an end, of course? The snowflake must be complete so that others can expand on it.”

Take an example: Alice in Wonderland. You could start with : “A young girl follows a rabbit, falls down the rabbit hole, meets all sorts of strange people and in the end she wakes up to find out it was probably only a dream”. Then built up from that. Ideally to create something like a book-length worth of clues and details and all… For instance, you could detail the rabbit’s habits, or the strange people, putting it in perspective of the initial blurb or following developments. It would be like re-re-rewatching a beloved movie, only to pay attention to the finer details in the background…

“Well, those were not my balls, mind you, but the cute little rabbits I bought to entertain the miniature giraffes which looked awfully bored making the goats faint over and over.”

Godfrey wouldn’t admit he was slightly taken off-guard, being reminded of a dream of late, where he was in a bollocks museum, with grapes of pairs hung all over the places in a sort of disturbing triball art arrangement, fig-like and glossy in nature.

“Anyway,” Godfrey continued, putting the soft hairy rabbits aside, “speaking of cloth, or ball of yarn, or whathaveyou… I was about to suggest we do some snowflake experiment…”
He looked at Dory-Ann and sighed a grey smoke of mild disparaged despair, “… but I guess we should have to start it all over”.

“You’ll find me on the other side” were his last words while he jumped off the twenty third level of the building, disappearing in mid-air, never to be seen again, or from this side of the thread at least.

continuity dimension met answer
lavender yikesy clear meant
far strange light help speak magic
notwithstanding suddenly less
under eight full cave

After his failed attempts to gain control over the Land of Peas, and his being thrown out of the Majorburghouse body first and framed head second by an angry mob of infuriated Peaslanders (which was something to be noted, since Peaslanders were usually quite the happy bunch), the Majorburgmester now bereft of anything but his will, was thinking it was high time for a u-turn in his carreer.

His dear blubbits had apparently mostly vanished out of sight, some said trapped in a blinking giant spider’s cobweb blinked out of Peasland, some others said suffocated under shiny duct tape, and even some said baked in ashes and almonds — those last obviously were the maddest of the lot.
It seemed like all the Dimensions had conspired to his defeat.

Now hardly a Majorburgmester, the title having now been offered by the cheerful crowd to the raucous and unexpected hero (after they hesitated for a good hour if it should be given to the herald of the liberation, that stupid Gandfleur whatever its name of a dog), he was now again known as B. Weazeltweezel (the B. standing for Bartabous, his mother having a fondness for names in “-ous” like Precious, his elder sister, and Pulpous his second sister; a chance his father was a man of more common sense, otherwise he surely would have been named Houmous himself).

The newfound venture didn’t wait long to manifest. In the not so distant past, he had already suspected something fishy about Lady Fin Min Hoot and now he knew. She was a high member of the Bridge Tarts Order, and though it was a secretive and feminine order, he had always loved a challenge.
He felt he could muster all the tartiness and bridginess needed to be granted access to their secrets.

Galvanized as he was, were he to successfully infiltrate the order, he knew he didn’t really stand a chance without something else. By nothing short of a synchronistic chance, Fwick, the saucerer had given him the leftovers of a potion he didn’t know what to make of.

In a gulp (and a few gargppls) Batabous was rapidly changed into a rather convincing dame matron, with slight mustache and ample bosom.

Tarty Bridgies, here I come… he said in a falsetto voice that needed work. … soon everybody will know about Lady… Bartaba

looked story dory
whether odd bird keep away full laugh
exclaimed yurick notes blubbit dream fact
phenol stranger cloud gone short

Suprised by the unexpected visit, Mother Blubbit released a smothering plume of gases and ashes that started to fill in the tunnels of the Furcano.

The effects were not unnoticed, as miles around, Peaslanders stopped in their daily activities (most of them being either sending blubbits ad madres or regulating the size of the peas) to stand in awe of the reactivated Furcano’s tip.
If they had any such flying machines as they had in the Eighth dimension, they surely would have interrupted their activities too for a while… This was an event of grand importance, and maybe consequences.
Mother Blubbit had been challenged.

“Shanghai? How odd and strange… like two pieds and a bunion” Silica Thesaura the great ogress said mindfully to her lovely little kiddogres to whom she was reading for the nth time their favorite boogerbook: “Francicolourful Tales of Arona the Flapping Bingostrich.”

“I would have said something else… maybe ‘skyjack’ or ‘spirit away.’ “That would definitely have been more appropriate and less Greek for small kiddogers.”

She was probably right about that.