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  • #326
    ÉricÉric
    Keymaster

      The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
      So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

      The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

      This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
      The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
      He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

      The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

      But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

      :fleuron:

      The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

      Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

      The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
      Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

      #322

      The thing is, Dory, George was speaking gently, but was looking pointedly into her eyes as he spoke, the thing is that nobody ever needs any help, as you are accustomed to think of it.

      Do you like that line, Tina? Becky asked in a bemused way.

      Tina reflected. Well I like the fact that he speaks in a gentle voice like me. Her voice trailed off. However, it’s just that it does sound rather simplistic, I mean …..

      Oh thank god, the phone is ringing, I have created help so I won’t have to finish what I started to say.

      #307

      Chiara got quite a fright and spun round quickly. She stood gazing at the funny creature, a woman who had a sort of cattish feel, who had shouted BOUH at her, momentarily uncertain as to whether to burst into laughter or tears.

      Illi watched Chiara’s trembling lip with some concern, especially when she saw the very large woman who was with her. Illi felt it may be prudent to make a hasty retreat, however, before she could make her getaway, a tiny figure emerged from behind a rather large pebble.

      Hello, said a little pink fairy. I am the Fairy Princess of the Land of the Long White Cloud. Did you fly here? Look I can do magic and she waved her magic wand, said abracadabra and produced some small white feathery fairy wings for the delighted Chiara.

      Frowdup she called excitedly. A round green blobby creature who blended seamlessly into the environment like some sort of exotic plant hopped over.

      Yes Dear Fairy Princess?

      Please could you play the music for us?

      Oh delighted to oblige answered Frowdup, producing a flute like instrument.

      At first the sweet notes of the instrument floated tentatively on the warm air. They rang like pure crystal, cool and pure, then slowly gained in confidence and multiplied, as though possessed of supernatural powers. It seemed the simple melody Frowdup played was accompanied by a whole orchestra of instruments.

      The little fairy laughed in delight and grabbed the giggling Chiara. They began to dance instinctively with the energy of the earth, swaying at first like a tree in the wind, then whirling like the wind itself, soaring high into the air, imitating the flight of a parrot, then swooping joyfully back to the ground. They were connected to the magic of the music.

      ***

      Whanga, one of the 13 Witches of Loathing was feeling rather bad tempered as she gazed into her glass ball. hmmmm bugger, she said crossly that little Fairy Princess from the Land of Long White Cloud is having way too much fun. She seems impervious nowadays to my magic spells of loathing

      Whanga had to confess to being a little puzzled. For a while she felt she nearly had the Fairy Princess in her clutches, but one day something seemed to have changed, and the Fairy Princess did not seem to be so affected by her whispered spells any longer. What sort of magic had she found to protect herself Whanga wondered. .

      ***

      It had begun to rain gently whilst Finn was in the enchanted fairy ring. She didn’t mind, she loved the rain and the trees protected her from the getting too wet. It felt cosy and magical. She had such a strong sense of the presence of her younger self. The younger Finn was three years old. Finn remembered the day,it was etched in her memory as a turning point, and yet it was also as though she were there again. She talked with her younger self, wanting so much to give the younger Finn a gift to help her make a different choice that day. Finn knew she had to trust with her heart, not reason it with her head, because there were just too many questions she could not make sense of, and magic did not seem to be so much about sense anyway. Anyway,whatever, if nothing else she felt lighter within herself .

      #305

      Quintin couldn’t sleep.
      Now he was thinking, he had delayed it for too long.
      They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

      Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
      Well, that would sure mean lots of changes, but after all, no pain no gain.
      Or no abundance.

      ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

      That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

      Actually, that’s it! Quintin had feared the implications, as lots of people did.
      It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
      What a mess it could be for salmons and control freaks as himself.

      Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
      In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
      But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

      OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

      Let’s insert the Shift, now.

      And let the fun continue, and worry wither away.

      ***

      Well, and what’s that Shift all about?

      Quintin’s friends Michaela and Elias had said about it :

      “You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” 1

      #303

      Becky woke up in a sweat. Her bedclothes were tangled and what remained of her pillow was on the floor. The room was full of downy feathers.

      Sheesh, said Becky, pushing sweaty strands of hair out of her eyes and reaching for her cigarettes.

      What a dream! Wow, I wonder what that witch did to deserve that! Becky couldn’t quite believe she’d had such a violently aggressive dream. All she could really remember was attacking a witch, and slapping her repeatedly, and punching her, screaming all the while DON’T…EVER….DO THAT AGAIN Wangwangawanga…… DON’T DO IT wangawanga… then the witch had turned into a goose, but still Becky kept punching her, causing the poor gooses feathers to fly everywhere, and all the while Becky kept shouting WANGAWANGAWANGA……

      I can’t believe I did that, even in a dream! Becky hated violence so much that she walked out of the room if a violent scene was showing on the television, and she loved witches and geese.

      That poor goose! Becky decided to go back into the dream, to smooth what was left of the gooses ruffled feathers, and apologize.

      She stubbed out her cigarette, and settled back against the pillows and closed her eyes. Now the goose was looking at her reproachfully, in between straightening her plumage, and huffing and tutting a bit.

      I’m awfully sorry about that! I don’t know why I did it. Becky hoped it was a forgiving kind of goose, and not a vengeful one.

      It matters not, I suppose, grumbled the goose, I must have created being slapped around by a sweaty madwoman, though gawd knows why.

      Were you a witch in another focus? Becky asked. Because I was angry with a witch initially, not a big white goose and I don’t know how I came to be pummeling you. Come to think of it, I don’t know why I was attacking the witch either. The witch did look unpleasant though, but you look nice enough….

      Well I don’t look very blimmen nice with my feathers in this state, dearie! And don’t remind me of that dratted witch focus, gawd, I was horrid. Not surprised you lashed out at that one!

      Becky started to relax. Things were looking promising. The goose was turning out to be rather sweet.

      But as you can see, continued the goose, I am not a witch, I am a big white goose now, a rather sweet one too, even if I do say so myself, so let’s hear no more about it.

      Becky smiled broadly at the goose. I appreciate that very much! Oh by the way…what’s your name?

      Angela, answered the goose, Angela Wing.

      REALLY? Becky said, rather rudely, and then caught herself and said: Angela! What a lovely name! Angela Wing, would you like to be in our play?

      #302
      F LoveF Love
      Participant

        Well I think I can answer that for you, said a small round green blobby creature, in response to Roselyn’s question. The creature had actually been sitting there all the time, however everyone had assumed it was some sort of exotic plant.

        Let me introduce myself, I am Frowdup, yes an unusual name I know. I am a long time and faithful friend to the dear little Fairy Princess, who is rather friendless at the moment owing to her extraordinarily antisocial behaviour , such as that which you see so sadly exhibited before you.

        Frowdup cleared his throat in an important and significant sort of way. I will try and relate this sad tale as succinctly and precisely as possible, he said.

        Our dear little Fairy Princess was the head Fairy Princess of the Hot Pink and Sky Blue bands of the North East Fairies from the Land of the Long White Cloud. Each Fairy Princess in her initiate years has a witch assigned to her, to help her develop her magical abilities. Our dear little Fairy Princess was designated one of the 13 Witches of Loathing, Whanga, from the far North of the North Island of the Land of the Long White Cloud.

        Dear Fairy Princess had her own cave which she took admirable pains to make sure was always fully stocked with sand. You know about the sand of course? I can see you are a woman of great stature, no offense intended, I mean I can see you are tremendously well versed in the ways of magic yourself, so you will know that some of the more basic ways of magic involve a symbolic representation of magical symbols, so to speak, such as sand and wands and whatnot sort of thingies. Really completely unnecessary, of course, as you will know, however for her, each grain of sand was the exact and precise equivalent of one wish, activated by a determined wave of her magic wand and the words abracadabra. Yes, I know, very primitive, but she is a very young initiate, although I will say she showed great potential had Whanga the Witch of Loathing not managed to convince her of her own lack of worth.

        Whanga was constantly and every single moment whispering in the ear of the Fairy Princess magic spells of self loathing. My young friend lacked the expertise to counteract these powerful spells and began to believe them. One day she was so sad at her own horridness that she could bear it no longer and put a spell on herself. This enabled her to curl up into a deep sleep of forgetfulness for a rather long time, enabling Whanga to easily procure said wand. In addition to this Whanga managed to obtain the source of the music which the Fairy Princess felt she required in order to help her to fly. When the dear little Fairy Princess awakened from her sleep, she was devastated by the loss of her wand and music, and still convinced of her own worthlessness you see this poor creature before you today.

        The poor creature had stopped sobbing and was glaring at Frowdup.

        #301

        Illi was quite pleased with the sand dragons.

        HHHMMM, they don’t repulse me like dragons usually do. I think it’s because they are sand dragons, and sand is so much nicer than slimy cold scales. Well! Illi thought, I really wouldn’t know if they are slimy or cold, because, for the love of all-that-is, I would not choose to venture that close!

        Illi chose to ignore her rather paradoxical musings on loving all that is, which would by definition include the beastly dragons, and turned her attention to the sand giant slouching patiently at the end of the beach.

        Now giants, that’s another thing entirely. I am quite enamoured of giants, and this one looks so familiar!

        Illi leaned back against the sand dragons bulky body and closed her eyes, reminiscing about her early years as Illi Fergusson, and her eccentric family.

        ~~~

        When Illi was a young child she rarely saw her parents, the eccentric Lord Gustard Willoughby Fergusson and his charmingly batty second wife, Floribunda Chaiise-Loriket. Illi stayed at home in the anscestral country pile in Dorset, Rubbingdon Hall, with Nanny Chraddock while her parents travelled the world in search of giant bones and artifacts. Their travels took them far and wide, from the jungles of South America to the deserts of North Africa; from the mountains of Spain to the arid eternity of the Australian outback.

        Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.

        #300

        Malvina tried to concentrate on the opalescent glubolín, to locate her Sisters.

        But that was perhaps too early, because she could feel them close enough, but not focused yet.
        Instead of communicating directly with their focused attention, she was getting images in the glubolín, that seemed related to them, but not necessarily directly. Something like an overlapping of different aspects.

        Oörlaith was very close, and she could make out her surrounding. Malvina could briefly see her discussing with a man and a black dog. She had known that man… But then the image dissipated…

        A sparkling shore, a black and white bird and pirates talking with a boy… the little boy had a buntifluën in his possession; how strange, Malvina thought, how could he?
        Then the shore changed, she could see herself in a unfamiliar environment of sands, she was wearing a blue shawl and teaching a young impetuous woman, on how to change her features as easily as molding a sand castle. The young woman had just grown cat whiskers for a split second, and was giggling at her first success. How strange again thought Malvina, this simple act had sounded like a feat of importance in that bizarre environment, while it is rather easy to accomplish…
        Images flying again, she tried to concentrate on Roselÿn.

        But Roselÿn was perplexing. Malvina did not manage to connect directly to her environment, but could catch glimpses of a flying plump woman in a black and white attire, and she knew at once it was Roselÿn — though not the Roselÿn she knew. Roselÿn the Sorceress was a tall elegant dark-haired woman, but both women emanated the same joyful and loving energy. Flying Plump Roselÿn was with a little giggling girl, and giggling girl was adventurous… How interesting…

        Something drew her out of her rêverie. Guests had arrived it seemed, she could hear Leörmn calling for her. She was excited at the perspective of visitors, especially at the perspective of meeting the young one who had found the sabulmantium, as she was feeling that her presence now was purposeful for them all.

        #294

        Illi was beginning to really appreciate being dead and the freedom it provided to create whatever she wished at a moments notice. She’d enjoyed being a shape shifter while she was alive, often changing into a rather odd cat-like creature which was one of her favourites. She’d had tremendous fun over the years, confounding people with that one! Is it a cat? Is it a person? Is it a goat? A mongoose? hahaha what fun she’d had!

        Illi surveyed the long glittering white beach on her paradise island. There must be a million billion grains of sand here. I think I will conjure up some sand sculptures, fill the beach with fantastic magical creatures….

        Illi picked up a bambu cane to use as a magic wand ~ not that she needed a wand in order to perform magic, but she rather liked waving a stick around.

        Abracadabra the magic palabra, fairies and goblins and sprites!

        In an instant the beach was full of sand sprites, a veritable sea of impish little figures as far as the eye could see.

        HHHMM, though Illi, they are all so small, I’d like something big I think, for contrast and added dimension.

        Abracadabra the magic palabra, centaurs and unicorns and giants!

        Lordy, the giants had flattened whole tribes of sand gnomes. A few less giants, I think! Illi waved her magic wand of cane again, and disappeared all but one of the giants. RaFa the Giant, you may stay on my beach, Illi graciously declared to a kindly looking character of monstrous proportions who had considerately appeared at the very end of the beach so as not to flatten the sand sprites.

        On impulse, Illi found herself chanting the spell again…Abracadabra the magic palabra, DRAGONS appear on my beach!

        Four splendid sand dragons appeared in the shallows of the lagoon, sensuously sepentine in appearance, and sparkling in the tropical sun.

        #287
        TracyTracy
        Participant

          India Louise and Eugenia momentarily forgot about the gold locket and walked over to the exceptionally long trunk. India dropped the locket into her pocket as she investigated the exterior of the trunk, which didn’t appear to have an opening. It seemed to have been made around whatever it housed, and permanently.

          ‘How strange’, mused India, ‘it must not be intended to open, ever!’

          ‘That makes me want to open it’, said Eugenia. ‘Let’s! Let’s open it!’

          Eugenia was rummaging in the desk drawers for a suitable tool.

          ‘Wow, look at this, Indy’. She held a heavy black letter opener up to show India, with an elaborate carved dragon on the handle. The dragon had glittering amethyst eyes, and a serpentine line of coloured stones along its back.

          India shivered involuntarily at the sight of the dragon. Horrid nasty creatures, dragons, she muttered, resisting an urge to cross herself. ‘Peace be with you, now bugger off’ she whispered the spell under her breath so Eugenia wouldn’t hear her and think she was a silly goose. Horrid scaley slimy stinky reptiles.

          ‘You go first, Genie, try and prise the trunk open.’ India didn’t want to touch the letter opener, but she was rather curious about the contents of the trunk.

          Eugenia was a strong and capable lass, with a practical methodical mind ~ unlike India Louise ~ and before long the first piece of wood came splintering off.

          ‘Nice one, Genie, well done.’ India said as Eugenia wrenched off another few planks.

          ‘Oh MY GOD!’ ‘Jumping Jehosophat!’ ‘What the……’ ‘Holy Moly, Genie, what the….’. After a few initial exclamations, the girls were silent, the hair standing up on their arms.

          They were looking down at the shrivelled features of a dried up body, covered in bits of disintegrating faded fabric.

          ‘A mummy! It’s a friggen mummy!’

          #285

          Chiara got quite a fright and spun round quickly. She stood gazing at the funny cat creature who had shouted BOUH at her, momentarily uncertain as to whether to burst into laughter or tears.

          Illi watched Chiara’s trembling lip with some concern, especially when she saw the very large creature who was with her. Illi felt it may be prudent to make a hasty retreat, however, before she could make her getaway, a rather loud voice shouted out from behind a gigantic pebble:

          I WISH YOU WOULD ALL GO AWAY

          And a tiny figure emerged. A very small and rather rumpled looking pink fairy, with a grumpy expression on her pretty face.

          I SAID I WISH YOU WOULD ALL GO AWAY, she shouted again, this time stamping her foot angrily and glaring at the assembled trio.

          Is that really what you want dear? Asked Roselyn. Because we can go away if you like.

          At which the little little pink fairy burst into loud sobbing noises and threw herself on the ground.

          Oh dear, said Roselyn whatever is the matter?

          #1468
          TracyTracy
          Participant

            :yahoo_idea:Well, that all sounds rather technical to me, I think I need a fairy helper from fairyland to magically assist me with technical details, I think I’ll call my helper Tekka…no, Tikka…WAIT! I already have a fairy helper, her name is Tiki! So THAT’S who she is! The little cutie that appeared as if by magic in my mailbox is my tech support fairy godmother!:yahoo_tongue: :yahoo_idea: :yahoo_big_grin:

            #278
            TracyTracy
            Participant

              India Louise shivered in the draughty corridor and glanced furtively over her shoulder. Bill! she hissed into the keyhole. She tapped softly on the door again, afraid of waking Manon in the next room. It would be difficult enough to explain to Bill, let alone trying to explain to the nosy and rather batty cook.

              She wrapped her dressing gown tightly round her, and felt the weighty key clunk against her thigh. Eugenia and India Louise had been playing ‘let’s pretend’ with the key that Grandad Wrick had thrown on the bonfire (that India found in the ashes the next day and thought would make a super present for Eugenia….. they both loved odd little gifts).

              For days they’d been wandering around the many corridors and wings of the Wrick castle, and Eugenia’s ancient rambling Sandlebright Hall. On fine days they’d explored the grounds, the aviaries and stables and hay barns, the meadows and follies, the lodges and farm cottages, through the spinney to the river and the boathouse, and back through the rose arbours… imagining themselves in different times and places, as different people, making up stories and weaving the key into each little story…… the murder at the boathouse and the key to the mystery… the key to the kitchen and the affairs of the cook… the parrots and the key to the bird cage…… the key to the captains trunk in the attic…

              Until they found the place where the key didn’t fit into the story…that is to say, the one place that should have needed a key, The Locked Room that only great grandad Wrick ever went in, was unlocked.

              India Louise couldn’t wait to tell Bill all about it.

              #275

              Oh well bugger it, said Arona, I have had enough of this. Perhaps we had better just play it by ear if no one really knows how this thing works.

              Which is really, although not in so many words, if I may be so rude as to remind you, what I was suggesting, said the charming Sanso, rather rudely.

              Well yes, that is true … but whatever, let’s not argue, shall we just get going? Are you ready Mandrake? All of a sudden Arona was feeling unaccustomably energised and assertive, and was totally fed up with herself for wasting time so much time sitting around. This was causing her to be a bit sharp with the others.

              You know my problem? she asked, rhetorically, although of course Mandrake felt compelled to offer a reply.

              Hmmmm and which one would that be?

              Ahahahah Mandrake, laughed Arona, well the one I was thinking of was that I think too much. I need to be more like our friend Sanso here. I mean, what does it matter where we end up, it is all a big adventure anyway.

              Well I for one, would prefer to end up somewhere in the vicinity of food, responded Mandrake.

              Sanso wasn’t really listening but was gazing at the sabulmantium with a look of awe and muttering to himself. This really is a remarkable find. I have never actually used a sabulmantium before but I gather that one uses it as a tool to focus their intention, which is a crucial component of the magical creative process. Tremendously powerful tool and when used with awareness by the pure of heart it has great potential.

              Oh great! shall we just get going then, said Arona picking up the Sabulmantium, and next thing you know, after a little bit more wandering down a few more tunnels, which isn’t really that interesting to write about, our three intrepid adventurers found themselves gazing in astonished delight at a most wonderous sight.

              #79
              ÉricÉric
              Keymaster

                These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                Note: for the reader not familiar with all the names here is a quick reminder:

                • Araili > Yann, Írtak, Sam, Jacob …
                • Armelle > Fiona, Arona, Tina, Qixi …
                • Rafaela > Dory, Illi, Becky, Rodney …
                • Yuki > Quintin, Al, Janice …

                September 12 th, 2007

                Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                September 13 th

                Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                This first comment seems very promising.

                Right now, it feels easy and fun.

                Quintin seems to think that everything is very straightforward.
                The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                But the thing is, that he missed the point in thinking one World is more “real” than the other.
                We’ll be having some fun soon…

                First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                We will appeal to his imagination.
                It seems he has heard the suggestion.

                September 14 th

                For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                But as I expected, some challenges seem to appear already.
                Is it raining or not in that world?
                The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                How will it unfold?
                Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                September 15 th

                Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                September 16 th

                Halcyons days…
                My dear friend Archie is answering some of Quintin and Yann’s questions.
                Something starts to dawn on Quintin. But his mind is on other matters.

                He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                September 18 th

                Quintin has been drawing some of the characters of the story. It’s interesting.
                He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                Characters drawn:

                • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                • Malika, Quintin, Yann, Fiona and Dory

                Interestingly, Fiona resolves her issues in her cave.
                Dory too, but she did not need the cave to do this.

                September 21 st

                For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                Of course, some things still matter, and one of the point of the story is also to discover these.

                September 22 nd

                Quintin has been drawing new characters.

                Characters drawn:

                • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                She had at first thought they were whiskers, which was not Quintin’s intent…

                September 23 rd

                Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                Up to now, here are the names he could find:

                • North: the Icy Lands, and Dragon Cemeteries
                • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                  Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

                #274

                Pssst Arona, over here, Mandrake hissed

                Mandrake there you are, what ever are you doing. I was so worried I had lost you!

                Mandrake was quite touched, but managed not to show it

                I couldn’t stand all the snorting anymore.

                Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

                Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

                Sanso, realising that Arona was no longer following him, returned.

                Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

                Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

                Mandrake actually corrected the cat, huffily

                To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

                #266

                Sanso didn’t notice that the creature called Madrake was rolling his eyes. While he explained to the rather odd but delightfully enchanting Arona the finer points of sabulmantium technology, he was thinking about what Arona had just said about her mission. Her overall mission, she’d said, was to learn all about magic.

                Sanso wondered what his own mission was and didn’t think he had one. Unless his mission was a glorious infinite wandering, threading multicoloured silken skeins of clues and riddles, people and places, weaving them in and out of time and to each other….the never ending tapestry, ever changing and splendid in it’s magnificence…..

                Arona was looking up at Sanso with barely hidden astonishment, and he blushed ever so slightly when he realized he’d been speaking out loud. Shouting actually, his deep voice booming out with joy and passion, his wild gesticulations causing Arona to flinch and take an involuntary step backwards.

                Suddenly both Arona and Sanso saw the funny side, giggles erupting into gales of laughter until tears rolled down their cheeks and they collapsed on the floor whooping and snorting and wiping their eyes, not really knowing, in the end, what they were laughing at…..

                #260
                F LoveF Love
                Participant

                  Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.

                  So what shall we make now Mandrake? Something we both like maybe?

                  A fish perhaps? suggested Mandrake

                  Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.

                  Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!

                  Some milk for me, said Mandrake

                  Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.

                  Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.

                  Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.

                  The glass ball was now filled with a miniature world of sand objects.

                  Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.

                  Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.

                  Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.

                  She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on

                  #255
                  TracyTracy
                  Participant

                    Cuthbert woke up with a start, and called for Nanny Gibbon. What a horrible nightmare he was having!

                    CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.

                    Cuthbert trembled and checked his hands. Phew! they looked normal.

                    GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.

                    Nanny I just had an awful dream! Cuthbert clutched Nanny Gibbon’s dressing gown, and shuddered. There was this madman, Nanny, by a river, and he kept shouting about an evil hand….

                    There, there, Bertie, it was only a dream. How about a nice piece of Manon’s Yorkshire parkin and a cup of cocoa?

                    #253

                    Everywhere Jadra went he could feel hostile eyes upon him. He knew why of course; he knew they were jealous because he had been favoured by the Gods. So he kept his hand safely hidden, wrapped in his shirt

                    Jadra had a plan. He put his shirt back on and pulled the sleeve on the left arm down as far as it would go, till his left hand could no longer be seen. He modelled a new hand roughly out of twigs and plants and walked to the river. On the way he shouted at the top of his voice CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.

                    After shouting such sentiments till his voice was hoarse and he knew he had drawn sufficient attention he threw the hand in the river. He had cunningly weighted the hand with pebbles he had found in a cave so it would sink to the bottom of the river.

                    GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.

                    HA! He thought, tremendously pleased with himself for executing such a perfectly clever plan. That should throw the evil hounds off the scent of Jadra Iamamad.

                    He felt he was not far from the cave now.

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