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DAY D

Everyday is now. I know, I’ve stopped the count.

This strange book I’ve found must be for something. Had the impulse to post a picture from it on a forum.

There were instructions coming with it, I have only started to decypher them, and my brain already feels like it will melt if I go too fast.

Apparently the Chinese philosopher who wrote it said he was swallowed whole, then spat out from the belly of a giant fish, a kūn 鯤, months later. I know, sounds crazy, and yet very familiar. Jonas of course, but also Sinbad, —Pinocchio even… The story’s not new to us.

When he came back, he said it was only to share knowledge. So came his book of encoded instructions.

First instruction he said. You are in a maze, you want to find the center of the maze, and never get lost again while you decide whether or not you still want to explore it.

It kind of struck a chord for some reason. I realized, with all the stories we tell ourselves, they abound, expand in our minds, take roots deeply.
The thought came this morning: if suddenly I’m struck dead, and find myself in my own stories, I would be in a tight spot to escape the whole craziness. I would need a backdoor, a way back, or out.

That’s why its first instruction resonated. It continued. Create your center of your maze. Now. Don’t delay, you may regret it. It must be pure with intent, and tell about who you are in the deepest sense. Engrave the following words around it to seal this pure memory. And put it outside in the world, so that someday when you come back to it, you’ll know.

您已找到您的迷宮中心。現在，您完全是智慧。

You have found the Center of Your Maze.
Now, You Know It
And it can never be taken from you again.

萬事萬物再也無法奪走您的知識。

 

I know of a memory of mine I could put in my center. It came very naturally. An illustrated book of stories, mythology to be exact. One of the first books I got, and I can still remember vividly the feeling of entering its world. My parents had given it to me as a gift at a time they had to leave me home alone for a few hours. When they came back, I was still on the same kitchen chair, deeply thrown into the book’s world, feeling like barely a minute had passed.
It was a moment out of time and space. I know it was what being at the center of my maze meant.

I’m grown now, but the feeling is still there. I’m going to put that out some place where I can find it in case I ever get lost again among the shadows of men.

Board 6, Story 3

Idle: Prune, you’re a little green. You ate all the termite honey I kept hidden in the kitchen cupboard. The robot isn’t real. We’re not in Mars botanical garden dome.

Godfrey: Dammit! Liz said turn right after the wHysteria roots. But I wouldn’t be able to recognise the roots of any plants… except maybe for carrots or potatoes.

Kumihimo: Oh! No, my poor Ronaldo. Those darn traps turned my donkey into a sooricat! We have to do something, Fuyi (mysterious character that one of us hasn’t introduced yet)

In the white silence of the mountains, Rukshan was on his knees on a yakult wool rug pouring blue sand from a small pouch on a tricky part of the mandala that looked like a small person lifting his arms upwards. Rukshan was just in the right state of mind, peaceful and intensely focused, in the moment.
It was more instinct than intellect that guided his hands, and when he felt inside him something click, he stopped pouring the sand. He didn’t take the time to check if it was right, he trusted his guts.
He held the pouch to his right and said: “White”. Olliver took the pouch of blue and replaced it with another. Rukshan resumed pouring and white sand flew in a thin stream on the next part of the mandala.

After a few hours of the same routine, only broken by the occasional refreshments and drinks that Olliver brought him, the mandala was finished and Rukshan stood up to look at the result. He moved his shoulders to help relieve the tensions accumulated during the hard day of labor. He felt like an old man. His throat was dry with thirst but his eyes gleamed with joy at the result of hours of hard concentration.

“It’s beautiful,” said Olliver with awe in his voice.
“It is, isn’t it?” said Rukshan. He accepted a cup of warm and steaming yakult tea that Olliver handed him and looked at the boy. It was the first time that Olliver had spoken during the whole process.
“Thanks, Olli,” said Rukshan, “you’ve been very helpful the whole time. I’m a little bit ashamed to have taken your whole time like that and make you stand in the cold without rest.”
“Oh! Don’t worry,” said the boy, “I enjoyed watching you. Maybe one day you can teach me how to do this.”
Rukshan looked thoughtfully at the boy. The mandala drew its power from the fae’s nature. There could certainly be no danger in showing the technique to the boy. It could be a nice piece of art.
“Sure!” he said. “Once we are back. I promise to show you.”
A smile bloomed on Olliver’s face.

In the white silence of the mountain, Lhamom sat on a thick rug of yakult wool in front of a makeshift fireplace. She had finished packing their belongings, which were now securely loaded on the hellishcarpet, and decided it was cooking time. For that she had enrolled the young lad, Olliver, to keep her company instead of running around and disturbing Rukshan. The poor man… the poor manfae, Lhamom corrected, had such a difficult task that he needed all his concentration and peace of mind.

Lhamom stirred the content of the cauldron in a slow and regular motion. She smiled because she was also proud of her idea of a screen made of yakult wool and bamboo poles, cut from the haunted bamboo forest. It was as much to protect from the wind as it was for the fae’s privacy and peace of mind.

“It smells good,” said Olliver, looking with hungry eyes at what Lhamom was doing.
“I know,” she said with pride. “It’s a specialty I learned during the ice trek.”
“Can you teach me?” ask Olliver.
“Yes, sure.” She winked. “You need a special blend of spiced roots, and use pootatoes and crabbage. The secret is to make them melt in yakult salted butter for ten minutes before adding the meat and a bucket of fresh snow.”

They continued to cook and talk far all the afternoon, and when dusk came Lhamom heard Rukshan talk behind his screen. He must have finished the mandala, she thought. She smiled at Olliver, and she felt very pleased that she had kept the boy out of the manfae’s way.

Fox listened to the white silence of the mountain during that brief moment, just after the dogs had made it clear, despite all the promises of food, that they would not help the two-leggeds with their plan.

Fox sighed. For an instant, all felt still and quiet, all was perfectly where it ought to be.

The instant was brief, quickly interrupted by a first growl, joined by a second and a third, and soon the entire pack of mountain dogs walked, all teeth out, towards a surrounded Fox. He looked around. There was no escape route. He had no escape plan. His stomach reminded him that instant that he was still sick. He looked at the mad eyes of the dogs. They hadn’t even left the bones from the meat he gave them earlier. He gulped in an attempt to remove the lump of anguish stuck in his throat. There would be no trace of him left either. Just maybe some red on the snow.

He suddenly felt full of resolve and camped himself on his four legs; he would not go without a fight. His only regret was that he couldn’t help his friends go home.
We’ll meet in another life, he thought. Feeling wolfish he howled in defiance to the dogs.
They had stopped and were looking uncertain of what to do next. Fox couldn’t believe he had impressed them.

“Come,” said a voice behind him. Fox turned surprised. On the pile of his clothes stood Olliver.
“How did you,” he yelped before remembering the boy could not understand him.
“Hurry! I can teleport us back to the camp,” said the boy with his arms opened.

Without a second thought Fox jumped in Olliver’s arms and the next thing he knew was that they were back at the camp. But something was off. Fox could see Rukshan busy making his mandala and Olliver was helping him with the sand. Then he could see Lhamom cooking with the help of another Olliver.
Fox thought it might be some case of post teleportation confusion. He looked at the Olliver who helped him escape an imminent death, the fox head slightly tilted on the side, the question obvious in its eyes.
“Please don’t tell them,” said Olliver, his eyes pleading. “It just happened. I felt a little forgotten and wanted so much to be useful.”

Fox turned back into a human, too surprised to feel the bite of the cold air.
“Oh! Your clothes,” said Olliver before he disappeared. Fox didn’t have time to clear his mind before the boy was back with the clothes.

Roberto had gone to the swimming pool. He was mostly puzzled by how reality had shifted into those broken pieces that didn’t seem to fit together since he had come back from that strange tunnel with all the roots spawning strange characters from glowing pink bubbly growth.
It must have something to do with the pink liquid leaking frrrrom those strrrange pouches, he thought.

He looked pensively at the swimming pool. Half of it was covered by thick ice while the other half was boiling with micro bubbles rising from the bottom and the walls, and steam slowly rising in the cool spring air.

Roberto had first thought there might be something wrong with the water cleaning mechanism of the swimming pool, but he had checked it and nothing was wrong, except the cleaning bot was stuck in the icy part of the swimming pool.

His second thought had been that it was a fancy pool cover installed by la señora Liz. But he didn’t find the retracting mechanism. La señora Liz and la muchacha Finnley, his colleague, seemed busy with the man with the moustache. Roberto had the impression the man wanted to find a wife, he didn’t want to intrude and say anything. He had tried to talk to el mayordomo Geoffrey, but he was busy again preparing another viaje de negocios for la señora.

So Roberto was there pondering in front of the swimming pool. That’s when he noticed the entrance of the green maze just on the other side of the pool, at the junction between summer and winter. He didn’t remember if it was there before.

“Pssst.”

Finnley turned to her right, swift as a ninja. She was relieved to see Roberto, full of twigs and hay in his dark bushy hair. He had panda eyes.

“What happened to you?” she asked in a hush before realising she only reacted to the way he prompted her. “Is that the new…”

“No,” he said, “I just woke up from that strange cave with the moving roots and birth place of new characters,” he said rolling his ‘R’s like only he could. “It took me that long to come back into this thread. I just wanted to tell you the back door is open. I need to take a shower and clean the pool. Half of it is in summer, but the other seems to be stuck in winter.”

Absentmindedly, Eleri put the bones in her pocket and continued to gaze down upon the valley, lost in thoughts of the past. What had that tree said to her, that day it came to life?

Yorath sat quietly, watching her. He noticed the mushrooms growing on the exposed roots beside him, wondering if he had unwittingly crushed any when he sat down next to the tree.

“Mushrooms,” he said quietly to himself.

Eleri didn’t answer, wasn’t even aware that he has said it, but now she was remembering the days of the floods in the lowlands. The wet, dismal months and years when everything was damp, if not saturated or submerged, when mold grew on every surface. Bright green mossy mold, and slimy dank black mold, and fungus everywhere. Nothing would grow like it used to grow and the odour of rot permeated everything. The fruit trees crumbled in a sickly sweet stench into the mud, and the people named it keeg, and started wearing keegkerchiefs wrapped around their faces to keep the stink out of their nostrils.

“Goodbye, farewell,” the tree had said to her. “We are moving north, migrating. But fear not, little one, there are mushrooms migrating here to replace us.”

At the time Eleri had thought it was a ridiculous idea, imagining trees packing their trunks and pulling their roots out of the ground, and stomping off into the sunset. A few years later, she understood what the tree had meant.

Before the last of the fruit trees crumbled into the swamps, the people has resorted to eating the snails and the mushrooms, unwillingly at first, missing the bright colours and refreshing juices, but as time went on, they found more and more varieties of fungi springing up overnight. There came more and more bright colours, and more interesting flavours. It wasn’t long before they noticed the healing and restorative properties of the new varieties, not to mention the recreational effects of some of the more elusive ones. There was no need for any organized farming of the fungi, because they simply sprang up overnight: the days menu would be whatever had appeared that morning.

And so it was considered a gift from the gods in times of trouble, and the people were grateful. Their faith was restored in the earth’s capacity for magic and abundance, and they were inspired and rejuvenated. Eleri vowed never to forget the earth’s magic providence, in the form of mushrooms

The garden was becoming too small for Gorrash. With time, the familiarity had settled down in his heart and he knew very well each and every stone or blade of grass there was to know. With familiarity, boredom was not very far. Gorrash threw a small pebble in the pond, he was becoming restless and his new and most probably short friendship with Rainbow had triggered a seed in his heart, the desire to know more about the world.

Before he’d met the creature, Gorrash could remember the pain and sadness present in the heart of his maker. He had thought that was all he needed to know about the world, that mankind was not to be trusted. And he had avoided any contact with that dragon lady, lest she would hurt him. He knew that all came from his maker, although he had no real access to the actual memories, only to their effects.

Gorrash threw another pebble into the pond, it made a splashing sound which dissolved into the silence. He imagined the sound was like the waves at the surface of the pond, going endlessly outward into the world. He imagined himself on top of those waves, carried away into the world. A shiver ran through his body, which felt more like an earthquake than anything else, stone bodies are not so flexible after all. He looked at the soft glowing light near the bush where Rainbow was hiding. The memory of joy and love he had experienced when they hunted together gave his current sadness a sharp edge, biting into his heart mercilessly. He thought there was nothing to be done, Rainbow would leave and he would be alone again.

His hand reached in his pocket where he found the phial of black potion he had kept after Rainbow refused it. He shook it a few times. Each time he looked at it, Gorrash would see some strange twirls, curls and stars in the liquid that seemed made of light. He wondered what it was. What kind of liquid was so dark to the point of being luminous sometimes ? The twirls were fascinating, leading his attention to the curls ending in an explosion of little stars. Had the witch captured the night sky into that bottle?

Following the changes into the liquid was strangely soothing his pain. Gorrash was feeling sleepy and it was a very enjoyable feeling. Feelings were quite new to him and he was quite fascinated by them and how they changed his experience of the world. The phial first seemed to pulse back and forth into his hand, then the movement got out and began to spread into his body which began to move back and forth, carried along with this sensual lullaby. Gorrash wondered if it would go further, beyond his body into the world. But as the thought was born, the feeling was gone and he was suddenly back into the night. A chill went down his spine. It was the first time. The joy triggered his sadness again.

The dwarf looked at the dark phial. Maybe it could help ease his pain. He opened it, curious and afraid. What if it was poison? said a voice of memory. Gorrash dismissed it as the scent of Jasmine reached his nose. His maker was fond of Jasmine tea, and he was surprised at the fondness that rose in his heart. But still no images, it was merely voices and feelings. Sometimes it was frustrating to only have bits and never the whole picture, and full of exasperation, Gorrash gulped in the dark substance.

He waited.

Nothing was happening. He could still hear the cooing of Rainbow, infatuated with it eggs, he could hear the scratches of the shrews, the flight of the insects. That’s when Gorrash noticed something was different as he was beginning to hear the sharp cries of the bats above. He tried to move his arm to look at the phial, but his body was so heavy. He had never felt so heavy in his short conscious life, even as the light of the Sun hardened his body, it was not that heavy.

The soil seemed to give way under his increasing weight, the surface tension unable to resist. He continued to sink into the ground, down the roots of the trees, through the tunnels of a brown moles quite surprised to see him there, surrounded by rocks and more soil, some little creatures’ bones, and down he went carried into hell by the weight of his pain.

After some time, his butt met a flat white surface, cold as ice, making him jump back onto his feet. The weird heaviness that a moment before froze his body was gone. He looked around, he was in a huge cave and he was not alone. There was an old woman seated crosslegged on a donkey skin. Gorrash knew it was a donkey because it still had its head, and it was smiling. The old woman had hair the colour of the clouds before a storm in summer, It was full of knots and of lightning streaks twirling and curling around her head. Her attention was all on the threads she had in her hands. Gorrash counted six threads. But she was doing nothing with them. She was very still and the dwarf wondered if she was dead or asleep.

What do you want? asked the donkey head in a loud bray.

It startled the dwarf but it didn’t seem to bother the old lady who was still entranced and focused on her threads.

Nothing, said Gorrash who couldn’t think of anything he would want.

Nonsense, brayed the donkey, laughing so hard that the skin was shaking under the old lady. Everyone wants something. You wouldn’t be here if you didn’t want something.

Gorrash thought about what he could want, what he had been wanting that night. He remembered his desire to get out of the garden.

And there you are, brayed the donkey head, that’s a start. What do you want then?

Getting out of the garden?

Noooo! That’s a consequence of a deeper desire, but that’s not what you want.

I have never thought about desires before, said Gorrash. It’s pretty new to me. I just came to life a few weeks ago during a full moon.

The donkey head tilted slightly on its right. No excuses, it spat, If you’re awake, then you have a desire in your heart that wants to be fulfilled. What do you want? Take your time, but not too long. The universe is always on the move and you may miss the train, or the bus, or the caravan…

As the donkey went on making a list of means of transportation, Gorrash looked hesitantly at the old lady. She was still focused on her six threads she had not moved since he had arrived there.

Who is she? he asked to the donkey.

_She’s known by many names and has many titles. She’s Kumihimo Weaver of Braids, Ahina Maker of Songs, Gadong Brewer of Stews…

Ok! said Gorrash, not wanting the donkey go on again into his list enumeration pattern. What is she doing?

She’s waiting.

And, what is she waiting for?

She’s waiting for the seventh thread, brayed the donkey head. I’m also waiting for the thread, it whined loudly. She won’t leave my back until she’s finished her braid. The head started to cry, making the dwarf feel uncomfortable. Suddenly it stopped and asked And, who are you?

The question resonated in the cave and in his ears, taking Gorrash by surprise. He had no answer to that question. He had just woken up a few weeks ago in that garden near the forest, with random memories of a maker he had not known, and he had no clue what he desired most. Maybe if he could access more memories and know more about his maker that would help him know what he wanted.

Good! brayed the donkey, We are making some progress here. Now if you’d be so kind as to give her a nose hair, she could have her last thread and she could tell you where to find your maker.

Hope rose in Gorrash’s heart. Really?

Certainly, brayed the head with a hint of impatience.

But wouldn’t a nose hair be too short for her braid? asked the dwarf. All the other threads seemed quite long to him.

Don’t waste my time with such triviality. Pull it out!

Gorrash doubted it would work but he grabbed a nose hair between his thumb and index and began to pull. He was surprised as he didn’t feel the pain he expected but instead the hair kept being pulled out. He felt annoyed and maybe ashamed that it was quite long and he had not been aware of it. He took out maybe several meters long before a sudden pain signalled the end of the operation. Ouch!

hee haw, laughed the donkey head.

The pain brought out the memory of a man, white hair, the face all wrinkled, a long nose and a thin mouth. He was wearing a blouse tightened at his waist by a tool belt. He was looking at a block of stone wondering what to make out of it, and a few tears were rolling down his cheeks. Gorrash knew very well that sadness, it was the sadness inside of him. Many statues surrounded the man in what looked like a small atelier. There were animals, gods, heads, hands, and objects. The vision shifted to outside the house, and he saw trees and bushes different than the ones he was used to in the garden where he woke up. Gorrash felt a strange feeling in his heart. A deep longing for home.

Now you have what you came here for. Give the old lady her thread, urged the donkey. She’s like those old machines, you have to put a coin to get your coffee.

Gorrash had no idea what the donkey was talking about. He was still under the spell of the vision. As soon as he handed the hair to the woman, she began to move. She took the hair and combined it to the other threads, she was moving the threads too swiftly for his eyes to follow, braiding them in odd patterns that he felt attracted to.

Time for you to go, said the donkey.

I’d like to stay a bit longer. What she’s doing is fascinating.

Oh! I’m sure, brayed the donkey, But you have seen enough of it already. And someone is waiting for you.

The dwarf felt lighter. And he struggled as he began levitating. What!? His body accelerated up through the earth, through the layers of bones and rocks, through the hard soil and the softer soil of years past. He saw the brown mole again and the familiar roots of the trees of the garden in the enchanted forest.

Gorrash took a deep breath as he reintegrated his stone body. He wobbled, trying to catch his ground. He felt like throwing up after such an accelerated trip. His knees touched the ground and he heard a noise of broken glass as he dropped the phial.

“Are you alright?” asked a man’s voice. Gorrash forced his head up as a second wave of nausea attempted to get out. A man in a dark orange coat was looking down at him with genuine worry on his face.

“I’m good,” said the dwarf. “But who are you?”

“My name is Fox. What’s yours?”

Yorath was still trying to explain the nature of forests, the rekindled understanding of the woodland habitats, the memory storing capacity of the vegetation in a vast network of twining tendrils and roots and so on, when Lobbocks burst into the room. Leroway had been finding himself unable to detach the workings of his mind from the contraptions he could assemble himself to control the natural states, and welcomed the interruption. If only Yorath would get to the point, he’d thought impatiently, then I could prepare to devise a solution ~ thereby entirely missing the point, although he didn’t realize it.

But here was Lobbocks, announcing a problem that required a solution, which was much more in line with Leroway’s thinking. As he listened to the tale of the stone statue now animated and angry, he immediately started to plan a device to capture, restrain and subdue it, to keep it from harming any of the citizenry.

Eleri, however, revealing herself from her eavesdropping position behind the door, had other ideas.

“I must speak to him!” she said. “I must know how he animated himself, without the aid of any of my ingredients.”

“Not to mention his vengeful attitude,” added Yorath. “Imagine if this happens again, to other stone statues and creatures.”

“Indeed we do, Yorath! I had considered the animation, purely from a physical capacity for movement standpoint, but I had not given much thought to the emotional condition in a reanimation process after a prolonged inanimate state. Oh hello, Leroway,” she added, noticing his look of surprise.

“Should I get a posse together to follow him then,” interjected Lobbocks, as Leroway and Eleri exchanged banal pleasantries about how long it had been since they’d met, “Because I think he’s looking for your workshop in the valley.”

Eleri ignored Leroway’s suggestion that she stay in the village while he conducted the mission to capture the statue, stating that she was leaving for home immediately, gratefully accepting Yorath’s announcement that he would accompany her. She went back up to attic to fetch her things, and stood at the window for a moment, looking up at the castle walls.

Wouldn’t it be easier to just walk in the other direction, and not look back? The temptation hovered, almost as tangible as the scent of orange blossom in the air. What was it that was keeping her here all these years? She was a wanderer by nature, or at least she had been. Were those days really gone? While everyone around her had been lightening their loads, ridding themselves of unnecessary baggage, loosening their ties, she’d done the opposite.

Sighing, she picked up her bag. She would return home.

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

The ghost galleon Santa Rosa had been sailing the eight seas for many a long century, dust, wind borne particles and bird droppings, richly fertile and full of seeds, accumulating on the decks. Dried beans and grains in the crews provisions had sprouted and grown, and reseeded, and migrating birds had rested their wings many a time and replenished the fine growing compost on the galleons surfaces, depositing varieties of seeds from many a far land. The Santa Rosa was more of a floating garden than a decaying hulk, and the roots of the fruit trees wound elegantly around the skeletons of the long dead Basques in the hold (a sort of Basque bone corset for supporting whale ships flora). Birds had been the only visitors aboard the galleon, and the energy of Rose was strong, nurturing and supporting the prolific vegetation.

Unbeknown to the young Goldie, weeping at the Fluboat terminal in Gibbonsville….

(Ann had to laugh at the typo. She had just hard a joke about ‘catching swine flu’ being a code word for shagging a fat bird)

……there was another probable self of hers already at the Worserversity. Harvey Tater would recognise this other version of Goldie when he met her, and although he would be confused as to where she came from, or who she really was, or where he’d seen her before, he would sense a feeling of familiarity. By the same token, the Worserversity self of Goldie (who had been stolen by itinerant French potato pickers shortly after her birth, and renamed Pomme de L’Air) sensed the same feeling of recognition, but had no knowledge of her, er, roots, so to speak, or any of her other potatable selves.

Becky sipped her coffee nervously, chain-smoking as she waited for Al and Sam to return from the crystal shopping excursion. She wasn’t sure if Al would approve of yet more characters in the Reality Play with so many loose threads already, all getting tangled up and dusty like so many balls of wool under the bed. Like dust bunnies, Becky thought with a chuckle. It was funny how the play had so many different moods, almost as if it had a life of its own. Well, I suppose the play itself is a sort of focus of attention in its own right, a conglomeration of the energies of a variety of essences, creating its own reality from its own perspective. But wait a minute, thought Becky, lighting up another cigarette, how is that different from me, for that matter? I am a conglomeration of the energies of fragmented essences creating my own reality from my own perspective too. Does that make me nothing more than a Reality Play —or, does that make the play a Focus of Essences?

The line of thought was giving Becky a bit of a headache so she flicked through Al’s latest entries. Clever old Al had been tapping into his Spreal focus when he came up with those silly names, funny how it often worked out like that. A nonsense word here, a bit of gibberish there, none of it meaningless, and none of it meaning anything absolute, either. The secret of life, Becky decided, was in Not being Afraid Of Nonsense. People were so afraid of Nonsense, as if to be caught speaking Nonsense was a heinous crime, or at best a severe handicap, possibly resulting in some form of custody or social alienation. All you had to do was find other people who resonated with your own version of Nonsense, which happened automatically anyway vibrationally. There are thousands variations of Nonsense, and none of them make any more sense than any other, thanks to the Equality In Nonsense underground movement a few decades ago. Equality In Nonsense was started by a group of online friends a few years after the Ministry Of Common Sense had disbanded through lack of interest. It caught on quickly, making a mockery of common sense, which went underground, a few die-hards hanging on with grim faced tedium to the old tenets. Over the years, as the Acceptance Of Nonsense Rights was established, the Equality In Nonsense brigade disbanded to get down to the business of creating new variations of Nonsense, just for fun —which was of course, The Point. Nevertheless, or should I say, notwithstanding, Becky smiled, there still remained a degree of common sense in the general populace, which possibly wasn’t altogether a bad thing.

It all got a in a bit of a muddle for awhile, until some enterprising folks published the handy guide books ‘Cooperation Within Nonsense ~ How To Communicate In Your Chosen Nonsense’, and ‘Accepting Total Nonsense ~ How To Deal With The Nonsense Of Others’.

“Roots” exclaimed Elizabeth “I forgot the theme word!”
“No doubt you’ll come up with an ingenioos way to slide it in, Liz” replied Godfrey with a smirk. “Pass the poonuts.”

A disgruntled Elizabeth rewrote:

“Rats!” I forgot the theme word!”

Unfortunately, Pig Littleton insisted on using the OOh dimension vernacular, and Elizabeth tutted and hit send.