Search Results for 'seems'

Glynis rose at dawn to gather herbs for her potions—it is the best time to collect the flowered herbs, just as the dew evaporates and before the heat of the day. And usually she loves the freshness of the early morning but her night had been long and restless, full of strange dreams which had left her with an uneasy feeling.

The grass is cold on her bare feet and so she treads lightly and with haste. She stops though to pat the statue of a dwarf on his small concrete head. “Hello, Mr Cutie-Pie,” she says, as she does every day when she passes by. The dwarf is the only statue in the garden and she often wonders how he came to be there; he seems a lonely little chap.

When she first came upon the house, although house is not really a grand enough word for the beautiful mansion it must once have been, she spent hours exploring its many rooms. It seemed the occupants had left in a great hurry without ever returning for their things. This seemed strange to Glynis, for only one wing was badly damaged by fire. The rest was largely intact although over the years had fallen into disrepair and now was home to all manner of small critters.

MATER

Bert seems to be digging a very large hole. I mean, good grief, it’s just a veggie garden. I don’t think my cabbages warrant all that effort. I pull open the window—the latch wobbles precariously on its single screw—and call out to him.

“What are you doing, Bert? Digging a grave or something?”

My humour is clearly lost on him. He glances over in my direction, distractedly, before placing his spade on the ground. He then kneels down in the dirt and leaning right inside the hole begins scrabbling with his hands.

How odd!

I pull a jacket on over my pink floral onesie. The onesie was a birthday gift from the girls and was accompanied by rather a lot of silliness and giggling. However I was privately rather taken with my gift and with summer over and a cool chill in the air it was very handy to put on in the mornings. Completing my ensemble with an old pair of gumboots by the back doorstep, I go and join Bert in the garden.

“What’s that, Bert? What’s that you’ve found in there?”

“I’m not sure yet,” he replied. At least, I think that’s what he said. It was hard to hear him when he was hanging upside down in a hole.

I crouch down beside him, no mean feat at my age, and take a look.

All I can see are some bones.

“What is it? A dog or something?”

“Too big for a dog.”

“Oh my goodness!” I gasp. “Are those … people bones?”

Bert gently extricates an object from the dirt and pulling himself back up he perches down beside me. “Not unless they have a beak for a nose,” he says, gently dusting off the dirt and holding it up for me to see.

It was a giant skull. Like a strange giant bird.

“Dragon skull,” says Bert with a satisfied smile.

Finnley staring at Godfrey in a bemused manner. Dragons? She hated it when characters changed personality mid-story and without warning. It was unsettling. Sidling closer to him she tentatively reached out and poked his arm firmly with her index finger.

“Ouch, dammit Finnley! What are you doing?”

“Testing to see if you are real or if I am hallucinating. Anyway, seems you are real so all good.”

“Oh, there you are, Finnley!” Liz beamed. “I seem to recall I was looking for you but I can’t remember why. Perhaps it was to remind you not to monopolise my thread. You are doing it again, you know.”

“Why don’t you get on with telling us your dream and then we can all bugger off,” prompted Finnley.

“It was a big rambling house, much more to it than we expected. The kind of house with lots and lots of little rooms and different areas, and two or three people here or there, doing whatever they were doing. Sort of odd people, but not madly strange. A lovely feeling of curiosity and interest, and a marveling at how much more there was than we had anticipated. It was the kind of place,” Liz said, “That I could have moved into and not changed a thing.”

Roberto and Finnley started to fidget noisily while Liz was lost in the remembrance of wandering around the labyrinthine dream house.

“Did you move into it?” asked Godfrey.

“Well that is the funny thing, old bean. I said to Dan, in the dream, when I noticed the place was on the top of some very steep close together craggy mountain peaks with narrow bridges between them, I said “ Dan, I’ll never be able to drive all the way home in the dark after classes” and he said with a chuckle, “That’s what I was thinking.” It seems as if I had been contemplating taking a course at this place. But you know what I think?”

Liz paused to make sure everyone was paying attention.

“I don’t think you need to drive a car to get to that place.”

“What do you think of the new lodger?” asked Sue that night over dinner. It was Monday so dinner was fish pie. Monday, Wednesday and Friday it was fish pie and Tuesday, Thursday and Saturday it was meat loaf. Sue believed Sunday should be a day of rest so Sunday dinner was fried left overs.

John paused mid bite and considered the question.

“She seems alright, I guess. Doesn’t seem to have much in the way of interests … always locked in her room with the computer. I mean, she could at least join us for dinner. I was hoping for someone a bit more interesting this time … you know, a bit of interesting conversation.”

“Eat up, Jane. What were you thinking of, Dear?” asked Sue anxiously.

John grunted. “Oh you know … travel …. and what not. I dunno. What’s on the telly tonight then, Luv? Anything good?”

“Nothing much,” said Sue. “I might just have an early night. And anyway what sort of a name is Clove? It’s a bit unusual.”

“It’s a bit bloody odd, alright,” said John. “A bit odd to name your kid after a spice. It takes all sorts, eh. I think there is snooker on the telly later. I might stay up and watch that.”

“Oh, that’s great, Luv. I might sit up with you and do a bit of crochet then. The twins are out late tonight at bingo — they probably won’t be home till after 9pm.”

“9pm. That’s late,” grunted John.

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

rather dust program
religious discussion making
liked line years
central nothing seems run
wait limbo
wanted heart open leader truth full

“The key comes from a certain Dory”, said Becky with a puzzled look. “Does anyone know a Dory ? I don’t.”
“Have you been taking sleep pills again?” asked Tina in the brink of an eyeroll.
“Not at all”, said Becky briskly, bringing the letter and the key close to her chest. “I just don’t remember. It seems so far away.”
“It looks like a locker key, or maybe a safe key.” said Sam. “Look, there is a little monkey carved on it, and a number.” he said pointing at it.
Becky and Tina looked more closely.
“1495”, said Becky.
“Year 1495 (MCDXCV) was a common year starting on Thursday”, said Al. He was trying to solve a puzzle based on chaotic randomness theory and the evolution of the electromagnetic flux of sunspots in real time.
“There’s a little card with it.” Tina was holding a small square rigid paper with a name on it. “It’s written Tikfijikoo Island.”
“I remember the name”, said Sam, “I think it’s that place where they are building the Spider Amusement Park, or SAP.”

It feels like it has all been a dream. And not a particularly good one, too.

I look through the window, and the blue sky of Earth shines brightly though. Only a few more days before the quarantine is over, if I’m to believe the hazmat-suited staff, and I should be able to get out to wherever I want to. You can go back to your family the nurse had said with a smile. They surely must miss you.
Obviously, the well-intentioned nurse had no notion of her family…

The TV set they’ve put in the rooms is more helpful to piece together the fragments of memory of what happened. The news had kept mum about the aliens, or about our return for that matter. It seems they can’t explain how we came back so fast, without telling more. Maybe that’s the real purpose of the quarantine… brainwash us into forgetting, returning back to our lives quietly, and be happy that we could get back in one piece. Funny they should even bother at all, actually.

I don’t know if there’s any coming back to how life was before. Surely the Inn and Aunt Idle would still be there, if only both more derelict than before. But would I want to get back? Do what? Only Mater’s sharp wits were ever a match, and she is gone too.

This is the end of the Mars story.
With some chance, I’ll start a business with Hans — raise Guinea pigs, rats and maybe a couple of those cute African pygmy hedgehogs. That would be a lot more fun.
Squeals and cackles, and truckloads of cuteness.

I dreamt about Mater last night. She was her old self, brilliant and snappily dangerous.

It’s been the first dream I’ve been able to remember in weeks. I don’t know why I expected the great beyond space to be less… claustrophobic, but there’s no escaping the confinement.
I was telling her I was missing home, the air, the smell of eucalyptus trees, the rains before winter. I think I even became sentimental about my sisters. Hardly a news from them these days, but how could I blame them. They are always busy on some down-to-earth cause, and I know better than to criticize those on the ground actually doing something to change the wrongdoings of the world.
When I started to cry uncontrollably, Mater told me I was a baby, and that I should man up. Typical Mater. Dido would have called her names under her breath, I think that was her way to express her love for her. People are silly.

In the dream, I stopped crying but the tears had swollen into a river, and I was starting to drown, things became hellish and I could barely breathe, but somehow I could still feel Mater’s presence, like a beacon. I made it out of the torrents onto an island. There were many refugees. The doctors had the strangest blue eyes, and Mater’s voice told me to trust the process but not the doctors. Then I felt all the blue eyes looking at me, and I woke up in a sweat.

Hans is still deep in a peaceful sleep, so I went out of the bedroom to get some water and check on the piggy and her litter. They are always sleeping blissfully too. It’s a wonder when you think of it, that I thought it was just getting fatter when it actually was pregnant from before we left Earth. Now they’re mostly an open secret, as everyone finds them so cute.

The most difficult was to conceal them from the reality TV show’s cameras. The hysterical fans are always scrutinizing every move we all make, and keeping some privacy is tricky, but apart from the external prying eyes, pretty much everyone here know about them and it’s like a game of hide and seek. I like how it fuels the speculations and paranoia of the Mars bunker debunking association, who think we’re all part of a mass cover-up. I’ve spent some time on their website when I couldn’t sleep the first weeks when we arrived. I would probably have never known about it, but I just searched for myself on the web, and found this thread about the new conspirators. I had to laugh at the beginning, but they raise reasonable doubts in the middle of their rants. By now, I know better than to raise the topic, especially after all the religious nonsense. Seems there are some people that get really annoyed when I asked naive questions about it, like Maya.

Like I said. People are silly.

When you get to the “bottom” of the barrel, and “life” seems tedious and ho hum, and like a hamster you go “round” and round, it’s time to make a comment out of the word cloud. Elizabeth felt that she had “opened” the floodgates and the “water” of unfettered garbling was “heard” for miles, or even light years. The new “project” to “ride” the package holiday trip to galaxies unknown, open to “queens”, commoners, and all and sundry, although not necessarily “parents”, was a mixed “bag” of “lost” marbles and elusive memories. You must position “yourself” in the “middle” of the story, notwithstanding the pre ordained itinery, which “usually”, although not always, creates an “abalone” type random insertion which one endeavours to have the “strength” and fortitude to decipher, despite the “fucking” configurations of the puzzle. One should always aim to place oneself “above” the puzzle, so to speak, in order to familiarize “himself” (or herself, or indeed, itself) with the wider picture. Failing that, one might choose to “sit” the next one out.

“Baby? What baby?” asked Liz. “I thought that baby had been dealt with in the last chapter, it seems ages ago. Has anyone been feeding it, do you think? What happens to all the characters when nobody writes about them? Are they glad of it, happy to do what they want? Or are they bored and frustrated at having nothing to do? Do they like being plucked from whatever they were doing once in a blue moon, and flung into an improbable scenario, and then left there, with no way out even imagined yet?”

“You only have to ask,” replied Aunt Idle, pushing the bowl of peanuts over to Liz.