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  • #200
    TracyTracy
    Participant

      Lord Wrick was reading a bedtime story to his great grandson, Cuthbert. A huge open fire roared beneath the stone mantelpiece, and cast tall flickering shadows in the dark corners of the room. Cuthbert snuggled in to his great grandad, who pulled the red tartan shawl up under his chin. The Orkney Islands were cold in September, and a chill draught was ever present in the ancient castle. Cuthbert’s twin sister India Louise had already been taken to bed by Nanny Gibbon, who would read her a story in the nursery.

      “Back from the depths of his sleep, the dragon Naasir exhaled in a puff of smoke” read Great grandfather Wrick. “He’d just woven a wonderful dream…”

      A parcel had arrived at the castle yesterday, delivered by a travelling artist, who had been invited to paint portraits of the Wrick family. There was no message with the parcel, and the artist, Bill Jobsworth, explained that an old woman in black had given it to him at the crossroads, asking him to deliver it to Cuthbert and India Louise Wrick.

      #188

      This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

      Quintin: Your story was great!

      Fiona: Thank you :) So was yours.

      Have you written any more since I last looked at the story?

      Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

      Fiona: no, wrap it up if you feel.

      I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

      Quintin: Ahahaha! Don’t restrict yourself ;)

      Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

      Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

      Fiona: The endearing dragons…

      Quintin: Yeah…

      But I had strictly no idea about the rest. It was just a bet, on luck…

      That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

      Fiona: And did she have any impression of what form that could take? Like books, or games or what…

      Quintin: No, it was much more “real” in fact…

      Fiona: you know like the card-captor game which I suppose is interactive, so real

      Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

      Fiona: So a little bit like I have done with the story, to resolve something

      Quintin: yeah, exactly, or with your paintings

      Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

      Quintin: Yeah, people can unleash their imagination.

      And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

      Fiona: such as? eggsamples?

      Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

      Fiona: Yeah, I told you I did, but you just said some riddle!

      Quintin: Did I? That’s not like me ;)

      Fiona: Ahahhaha! It is you to the core

      Quintin: LOL, damn me!

      Fiona: Well, that is a bit strong, but …

      Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

      Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

      Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

      Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

      Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

      Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

      Quintin: Ahahaha, the story has a willing of its own too…

      Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

      Quintin: And actually, I don’t think everyone will be interested in dragons…

      Fiona: How does a dragon help one learn magic powers?

      Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

      Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

      Fiona: And how having a baby dragon could help unleash our magic powers then?

      Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

      Fiona: I am not sure if i have dark corners ;)

      Quintin: it was a metaphor :D

      Fiona: ahahahhahahahahahah

      Fiona: I know, so was mine :D

      Quintin: ahahahahah

      Fiona: I was thinking I feel really accepting of myself

      Quintin: Yeah, that’s the point in the little adventure before you meet it.

      You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

      Fiona: Well I think it sounds scarey now, what if no dragon picked me…

      Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

      Fiona: True.

      Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

      Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

      Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

      Fiona: Ahahahaha yes

      Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

      Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

      Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

      Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

      Quintin: Of course, you know :)

      Fiona: That I related most to the figure of blue hat… and big feet

      Quintin: Ahahaha, stomping on the poor key-fish

      Fiona: Nearly…

      Quintin: Have to go now, thank you for this enjoyable conversation

      Fiona: See you! :)

      #179
      AvatarJib
      Participant

        The pebbles were on their way to Fiona… the postman was very kind and told him it would arrive in 10 days max. The funny thing is that when Yann entered the post-office he first went to the automatic machine that wasn’t working, and when he was queuing he felt that it would be to that man he would give the parcel.

        There had been lots of movements during the night, he could’t remember a single thing except that he was talking with Archie… weirdo!

        And when he woke up, a friend with whom he hadn’t talk for ages had sent him a mail. He had thought the day before that he would speak to her soon. Soon has been very soon indeed.

        #176
        AvatarJib
        Participant

          Yann was looking at the box in which he had put the pebbles for Fiona… it was closed and all was needed now was to wrap it in that red paper and put the address on it… tomorrow he would have sent it.

          For now all he wanted was to try again that obe thing and meet Quintin in the chalet…

          #163

          Hells Bells muttered Arona to herself , this had better not be some sort of a test that dragon is putting me through

          As she stepped forward into the darkness of the chosen path, she had a sudden sense she was walking off the edge of a cliff.

          Arona had been practising quietness for a long time. The journey had been lonely at times and offered her many opportunities to practise her skills. There were so many parts of her wanting to have a say, discuss, analyse her every move, so that she would become paralysed and unable to move at all. In desperation almost she had learned to still the voices and find that part of herself she most believed herself to be. The part which believed in the existence of magic.

          Well done, and shall you fly?

          Arona hesitated. It was that voice again. She was not sure if this new voice came from her own thoughts, but she felt not.

          Great, she thought, perfect time to finally lose it. Stuck in a dark cave with a troublesome dragon.

          Shrugging her shoulders she went still inside and moved her body forward.

          Leormn (with two little dots above the “o”) felt deeply humbled when he saw the extraordinary bravery of Arona.

          It was hard for the proud dragon to consider, but he did wonder if sometimes he went too far with his joking. After all for him the cave was a playground, clay he could mould at will, or at a whim. Perhaps one could even call it a work of art, he thought proudly.

          But he did realise that for the girl, who was newer to the ways of magic (although showed the most tremendous potential he grudgingly had to admit), he realised it represented something far deeper, a dual potential, the hope of light, but also the possibility of the deepest darkness.

          For a moment he even considered revealing his whereabouts.

          She is fine , Malvina answered his thoughts, she loves the challenge. It is what drew her here.

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