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December 11, 2018 at 7:21 am #4566
In reply to: Seven Twines and the Dragon Heartwoods
A strong and loud guttural roar echoed through the mountains, ferocious and hungry. Fox’s hairs stood on his arms and neck as a wave of panic rolled through his body. He looked at the others his eyes wide open.
Olliver teleported closer to Rukshan whose face seemed pale despite the warmth of the fire, and Lhamom’s jaw dropped open. Their eyes met and they swallowed in unison. “Is that…” asked Fox. His voice had been so low that he wasn’t sure someone had heard him. Rukshan nodded.“It seems you are leaving the mountains sooner than you expected,” said Kumihimo with a jolly smile as she dismounted Ronaldo. She plucked her icy lyre from which loud and rich harmonics bounced. The wind carried them along and they echoed back in defiance to the Shadow.
You must remember, seemed to whisper an echo from the cave they had used for shelter for weeks. Fox dismissed it as induced by the imminent danger.
The Shadow hissed and shrieked, clearly pissed off. The dogs howled and Kumihimo engaged in a wild and powerful rhythm on her instrument.
You must remember, said the echo again.
Everobody stood and ran in chaos, except for Fox. He was getting confused, as if under a bad spell.
Someone tried to cover the fire with a blanket of wool. “Don’t bother, we’re leaving,” said Rukshan before rushing toward the multicolour sand mandala he had made earlier that day. Accompanied by the witche’s mad arpeggios, he began chanting. The sand glowed faintly.
Lhamom told them to jump on the hellishcopter whose carpet was slowly turning in a clockwise direction. “But I want to help,” said Olliver. “You’ll help best by being ready to leave as soon as the portal opens,” said Lhamom. She didn’t wait to see if the boy followed her order and went to help Rukshan with her old magic spoon.
“Something’s wrong. I’ve already lived that part,” said Fox when the screen protecting the mandala flapped away, missing the fae’s head by a hair.
“What?” asked Olliver.
“It already happened once,” said Fox, “although I have a feeling it was a bit different. But I can’t figure out how or why.”At that moment a crow popped out of the cave’s mouth in a loud bang. The cave seemed to rebound in and out of itself for a moment, and the dark bird cawed, very pleased. It reminded Fox at once of what had happened the previous time, the pain of discovering all his friends dead and the forest burnt to the ground by the shadow. The blindness, and the despair.
The crow cawed and Fox felt the intense powers at work and the delicate balance they were all in.The Shadow had grown bigger and threatened to engulf the night. Fox had no idea what to do, but instead he let his instinct guide him.
“Come!” he shouted, pulling Olliver by the arm. He jumped on the hellishcopter and helped the boy climb after him.
“COME NOW!” he shouted louder. Rukshan and Lhamom looked at the hellishcopter and at the devouring shadow that had engulfed the night into chaos and madness.
They ran. Jumped on the carpet. Kumihimo threw an ice flute to them and Fox caught it, but this time he didn’t nod. He knew now what he had to do.“You’ll have one note!” the shaman shouted. “One note to destroy the Shadow when you arrive!” Kumihimo hit the hellishcopter as if it were a horse, and it bounced forward.
But Fox, aware of what would have come next, kept a tight rein on the hellishcarpet and turned to Olliver.
“Go get her! We need her on the other side.”
Despite the horror of the moment, the boy seemed pleased to be part of the action and he quickly disappeared. The shaman looked surprised when the boy popped in on her left and seized her arm only to bring her back on the carpet in the blink of an eye.“By the God Frey,” she said looking at a red mark on her limb, “the boy almost carved his hand on my skin.”
“Sorry if we’re being rude,” said Fox, “but we need you on the other side. It didn’t work the first time. If you don’t believe me, ask the crow.”
The bird landed on the shaman’s shoulder and cawed. “Oh,” said Kumihimo who liked some change in the scenario. “In that case you’d better hold tight.”They all clung to each other and she whistled loudly.
The hellishcopter bounced ahead through the portal like a wild horse, promptly followed by Ronaldo and the Shadow.
The wind stopped.
The dogs closed in on the portal and jumped to go through, but they only hit the wall of the powerful sound wave of Kumihimo’s ice lyra.
They howled in pain as the portal closed, denying them their hunt.November 2, 2018 at 10:33 am #4549In reply to: Seven Twines and the Dragon Heartwoods
A deep guttural roar echoed through the mountains, ferocious and hungry.
Fox’s hairs stood on his arms and neck as a wave of panic rolled through his body. He looked at the other his eyes wide open.
Olliver had teleported closer to Rukshan whose face seemed pale despite the warmth of the fire, and Lhamom’s jaw had dropped open. Their eyes met and they swallowed in unison.
“Is that…” asked Fox. His voice had been so low that he wasn’t sure someone had heard him.
Rukshan nodded.“It seems you are leaving the mountains sooner than you expected,” said Kumihimo with a jolly smile as she dismounted Ronaldo.
She plucked her icy lyre from which loud and rich harmonics bounced. The wind carried them along and they echoed back in defiance to the Shadow. It hissed and hurled back, clearly pissed off. The dogs howled and Kumihimo started to play a wild and powerful rhythm on her instrument.
It shook the group awake from their trance of terror. Everobody stood and ran in chaos.
Someone tried to cover the fire.
“Don’t bother, we’re leaving,” said Rukshan, and he himself rushed toward the multicolour sand mandala he had made earlier that day. Accompanied by the witche’s mad arpeggios, he began chanting. The sand glowed faintly. It needed something more for the magic to take the relay. Something resisted. There was a strong gush of wind and Rukshan bent forward just in time as the screen and bamboo poles flew above his head. His chanting held the sands together, but they needed to act quickly.Lhamom told the others to jump on the hellishcopter whose carpet was slowly turning in a clockwise direction. Fox didn’t wait to be told twice but Olliver stood his ground.
“But I want to help,” he said.
“You’ll help best by being ready to leave as soon as the portal opens,” said Lhamom. Not checking if the boy was following her order, she went to her messenger bag and foraged for the bottle of holy snot. On her way to the mandala, she picked the magic spoon from the steaming cauldron of stew, leaving a path of thick dark stains in the snow.Lhamom stopped beside Rukshan who had rivulets of sweat flowing on his face and his coat fluttering wildly in the angry wind. He’s barely holding the sands together, she thought. She didn’t like being rushed, it made her act mindlessly. She opened the holy snot bottle and was about to pour it in the spoon covered in sauce, but she saw Rukshan’s frown of horror. She realised the red sauce might have unforgivable influence on the portal spell. She felt a nudge on her right arm, it was Ronaldo. Lhamom didn’t think twice and held the spoon for him to lick.
“Enjoy yourself!” she said. If the sauce’s not good, what about donkey saliva? she wondered, her inner voice sounding a tad hysterical. But it was not a time for meditation. She poured the holy snot in the relatively clean spoon, pronounced the spell the Lama had told her in the ancient tongue and prayed it all worked out as she poured it in the center of the mandala.
As soon as it touched the sand, they combined together in a glossy resin. The texture spread quickly to all the mandala and a dark line appeared above it. The portal teared open. Rukshan continued to chant until it was big enough to allow the hellishcopter through.“COME NOW!” shouted Fox.
Rukshan and Lhamom looked at the hellishcopter, behind it an immense shadow had engulfed the night. It was different from the darkness of the portal that was full of potential and probabilities and energy. The Shadow was chaotic and mad and light was absent from it. It was spreading fast and Lhamom felt panic overwhelm her.They ran. Jumped on the carpet. Kumihimo threw an ice flute to them and Fox caught it not knowing what to do with it.
“You’ll have one note!” the shaman shouted. “One note to destroy the Shadow when you arrive!”
Fox nodded unable to speak. His heart was frozen by the dark presence.
Kumihimo hit the hellishcopter as if it were a horse, and it bounced forward. The shaman looked at them disappear through the tear, soon followed by the shadow.
The wind stopped. Kumihimo heard the dogs approaching. They too wanted to go through. But before they could do so, Kumihimo closed the portal with a last chord that made her lyre explode.The dogs growled menacingly, frustrated they had been denied their hunt.
They closed in slowly on Kumihimo and Ronaldo who licked a drop of sauce from his lips.October 17, 2017 at 7:34 am #4392In reply to: Eight Turns of the Wheel
“Tourists!” shouted Ugo the gecko to his albino friends. They all stopped and turned their heads in unison to look at the two humans who had entered the premises, inside their small chests their hearts beating fast with excitement like so many small shamanic drums that only gecko ears could hear. Ugo was so engrossed in those two humongous creatures and the hypnotic rhythm of his friends’ heartbeats that he didn’t see the suckers from his front left paw were getting loose again. They had been damaged in a fight with a twirling bat one week ago and they still hadn’t heal nicely because he didn’t care so much. Soon his left paw got detached from the ancient stones of the wall, followed by his right and soon he fell. But like he was made of sticking rubber the fall was short and he got stuck again on a lower stone, walking on the head of a few friends in the process.
“Sorry for that! I’ll have them checked, promise.”
Some of the geckos missed a heartbeat, frightened by the sudden turmoil. They ran in what might appear random directions and panic quickly spread among the albino geckolony on the wall. By a miracle of nature and because they were all so fascinated by tourists, the geckos rearranged nicely only to stop a sucking steps away and turned their head back again toward the tourists. Their hearts beating in unison again.
“Look! that dark wall over there with the white hieroglyphs. I’m sure it just moved!” said the tallest of the tourists. She was curious and decided to go watch by herself what that curious wall was about.
June 3, 2017 at 12:56 am #4342In reply to: Seven Twines and the Dragon Heartwoods
The dinner had already started, the roasted chicken half devoured, and Fox turned redder when he saw Rukshan’s dismayed look. The Fae seemed much too rigid at times.
It was a good and cheerful assembly, and Lahmom the traveller of the high plateaus, with her adorned cowboy hat always proudly put on her golden locks of hair, was telling them of the shamanic practices of the people of those far-away places she had seen in her voyages.
It was all fascinating to hear, she had such a love for the people that she beamed though her sparkly eyes when she was telling them the tales of those shamans, and how they would drum in circles and be able to communicate with their group spirit…“We should do that sometimes” a surprisingly talkative Gorrash said, as he munched his way though a large ear of maize. He seemed almost drunk on the fermented goat milk that he had found pleasantly attracted to.
“Oh, I’m sure we can find some old skin somewhere around my stuff” Margoritt said, amused at the idea of the challenge.
Lahmom winked at Tak who was hiding behind his plate, but not missing any word of the lively exchanges.“In all your travels, have you been to any of those places?” Lahmom asked Yorath who seemed distracted.
“I’m sorry, what?” he wasn’t paying too much attention “Has anybody seen Eleri?”January 4, 2017 at 8:37 am #4269In reply to: Seven Twines and the Dragon Heartwoods
The cave’s entrance was glowing in a golden light. The fresh snow had blanketed the entrance that the midday sun was bathing with warm rays through the fog.
The cave was hanging perilously on the precarious slopes of the mountainous ranges, where only a few woolly goats could safely reach its heights without fear of breaking their necks. It was a safe haven for the Hermit.
Below the cave, the vast expanse of the Forest was almost entirely white, except for its fringe, far from the mountains, where the cities had flowered, and except from its center, the darker Dragon Heartwood with its reds and greens that seemed almost black in contrast.She was known as the Hermit by most of the Faes living in the forest, a honorary title if not slightly belittling when they called her that. To others, she was often known by different colorful names. Sometimes when she was seen flying in her bird skin, accompanying the giant raptor birds from the plateaus with her long white hair flowing to the wind, surveying from above the life of the land, she would gain other names as well.
Her shaman name was Kumihimo, or weaver of threads. In the cave, many threads were carefully hanged onto a long line, without particular noticeable pattern, either by colors and material. All were different. Her birds friends, big or smaller would often bring her threads from many great distances. She would hang them here, without particular care, or so it seemed to the naked eye.It had been a long time she had weaved any of them, or had the impulse to.
But she had dreamt.
She never dreamt. To dream for her was a matter of crucial importance.
She had dreamt of seven threads.
It was time she made a new braid.August 31, 2014 at 10:49 am #3493In reply to: Shamanic Journey Achronicles
Soul loss and soul recovery
Whenever you are in a situation with intense pain, grief, loss, or intense joy, excitement, you may lose part of your soul, or vital energy, it’s also called dissociation by the psychologist. You usually do it to make it stop, or it is an automatic action to stop the intensity of what’s going on.
You separate yourself form an aspect of yourself, and you are not aware of it, most of the time. It can manifest as chronic fatigue, depression, feeling numb, addictive behavior, etc.
In order to get back this energy, you have to reclaim it. And as a shaman, you do it through the process of soul recovery. Today you’re going to learn how to do it.
It is relatively simple. First, you are going to go in the lower world, find your main power animal. Thank it again for all that it does for you and ask them if they are the one to help you in the process of soul recovery. If not, ask them to lead you to your soul recovery animal. When you get acquainted to this new animal, you can ask them their name, and how you can call them when you need them. Thank them for their help and presence with you.
When you do a soul recovery, you may not know what you are going to recover. You may not really know what you have lost, or you may not be aware of symptoms. Just tell your Soul Recovery Power animal (SRPA) that you want to recover a part of your soul that you are missing at the moment. They’ll guide you through the process. Follow them, trust them.
They may take you through different places or spaces and times to go find that lost soul piece. It may be from your childhood, from another life, or dream situations.
You are going to be presented to that piece of your soul and you have to ask them what happen. Most of the time they are frightened and don’t want to come back. You have to convince them, and ask them what you have to do to show them that you’ll not do the same “mistake” that make them leave in the first place. It may require you change something in your behavior, in your attitude toward certain things, it might be simple or huge. Depends on what you find. And it’s up to you to see if you’re up to the challenge.
you can also take some time with your power animals to get to know them better and learn from them.
If you don’t know how to manage the situation with the lost piece of soul, you can ask your soul recovery power animal to help you do the “negotiation” part
but you’ll have to do what’s required by the soul so that it comes back definitively sts
If you still have time, you can go on a second recovery.
And remember, this is not a race, take your time, don’t rush, enjoy the journey.Eric
Before the music starts, I have the feeling of “Nagini” my snake power animal: it’s looking patiently at me with golden eyes. I also get the first impression of a spirit panda as a soul retrieving power animal. There are two aspects of it, a docile and friendly one, and another more fearsome, they seem to shift depending on his mood. As the music starts, I sift through few fleeting impressions (one of a lemur), then some stronger.
The panda comes back but I also have other animals who seem to present themselves in order, as if in different directions, and I remember there are no rules as their number, so I let myself welcome them. The panda is on the right, it seems connected to childhood memories, (call it “Panda”) then, on middle right, there is a spider (“Anansi”), it connects to the jumping spiders I’ve seen a few times the past days, and
one this morning I put outside instead of letting it drown.Middle left, coming from above and perched on a tree, there is a firebird/phoenix (“Fawkes”). There is another one, I remember a bit later that appeared further left, as if from the direction behind me, it’s an ape (“Hanuman”).
The serpent circles around them. I have the impression I can choose any of them, and they will lead me to different realizations, and I have the impression of the buddhist emanations, where enlightened being manage to split themselves into many as one. So I decide to ride them all at once. Actually, I start with the first three ones, and as I ride on the land, I suddenly remember the ape which was very discrete initially,but seems to be willing to show me stuff too.
The land we ride into is dark, almost volcanic in nature, as if scorched. There are trails that spread to different directions, and each ride goes down one of them. There are various visions, moments and memories from the past connected with strong emotions.
At one end, there is a little boy that shoots magma out of his incandescent body. It irradiates the land through veins of lava, and as it cools down it darkens the land even more. He seems to be caught up in a circle of rage or fear, fear of never seeing the light again. I listen to him without words, and realize he’s afraid of letting go.
I’ll show him the light is covered by his own cinders, and he needs to cool down and let nature grow back again around him, and I’m showing him I’m willing to help. It seems to resolve as light opens in the sky, and a tree starts to grow again… At the end, I seem to connect the scene to certain memories.
There is another one that comes in, where the ape is doing a certain pose where it walks on its hands. The posture catches my attention, as if to remind me of something. I’m encouraged to turn around to see the world as it sees it. As I do it, the world changes and spins, and the music starts to indicate the end of the trip. I thank the animals and finish with the snake before leaving…
the end
well, it’s very condensed, there was lots happening
It’s like I was doing many stuff at the same timeFlove
(no recollection)Jib
I have difficulties stabilizing my attention first, there is this kind of veiled perception I’ve been having lately. As I call my power animal for soul recovery I have a strong impression of a bear and then a raven. There is a kind of snake too, and I also feel a wild boar. I refocus back on the whale and say I’ll come back later. The whale leads me in the depth of the earth to a magma chamber. It becomes scrambled again and I just take a moment to refocus on my penguin.
First soul recovery
I ask him to find the piece of soul that would be best for me to recover now, and we go fly above something. The penguin flies like a rocket, super fast. I soon find a kid feeling presence. I have no real visual, and I keep having visuals of lemur, or raccoon interfering.
Then I feel that the presence is also camouflaging behind projections to be left alone. He left me when I was little, around 8 because the world seemed to disappointing. I have some difficulties at first to convince him to come back with me, and I show him what I’m already doing that’s fun and that’s worth doing and exploring. After a while, he agrees and I feel a nice warm feeling inside my belly as he is reintegrating me. I thank him for coming back. The only thing I need to do is take the time to reassure myself when the world seems too dangerous.
Visiting the bear and the raven
Then I decide to go back visit the bear and the raven.
I’ve already seen them before and they seem to be there for me. There is an impression of power with the bear and also mother here for her kids. With the raven, it’s more a mystical stuff, and the power of observation and seeing through things.
I am offered a kind of raven skull symbol of power and energy manipulation staff or something like that. I take it and it feels quite powerful, I have the impression the energy or the “spirits” would follow it when I demand it. Like make blocked energy move.
Second soul recovery
I decide to do a second soul recovery and ask the whale to lead me. I have the impression of changing plane, the focus is different, I am more on the middle world, and we go somewhere icy like Antarctic. Maybe near a shipwreck. There is a man, depressed and gloomy. I begin to ask him why he’s here, but he seems to want to come back and don’t ask anything. I feel very warm and loving. The drums begin to beat the return and I thank everyone for participating and come back. Saying I’ll take time to assimilate.
Eric’s account remind me of a few stuff
that reminded me a few stuff too because at one time I had to follow a spider and with the raven I flew over a magma land and the raven became a phoenix to be able to fly because it was so hot
thanks I forgot thatTracy
went down the stone steps, the unicorns on the left looked up as I passed. Zebra joined me from the right, said thanks but forgot his name! Then a white bear joined me, said his name was Waldo (or at least that name would do for now, impression)
He was huge but was very light on his feet the whole time. Came to a tall tree with a single very red apple on it. The white bear scampered up the tree and I followed. Various other fruit but mainly the red apple stood out.
At the top of the tree leveled out to a large plaza with gameboard design, the white bear demonstrated frolicking from one part to another playfully leaping in lightness.
Flash to me as a small child being woken up in the night by concerned parents for nasty medicine for chicken pox.
Same house but in the field behind, me as a small child alone by the wigwam of sticks dad made, frowning, alone. Next door to the neighbours pond, frozen over. White bear kept dancing on the thin ice part that we didn’t skate on, huge heavy bear, such a light step didn’t break the ice
Zebra was hanging around incidentally, kept feeling reassuring warm breath and muzzle on my shoulder. Breathing restrictions started, left the pond, down a path in the woods, came to a fork. Went left ~ papers everywhere, letters, words, snowed under with words and letters, monkeys pulling sheafs and sheafs of letters and papers and words.
Then a school of tiny silver fishes swan inside me and started chomping at all the letters in my solar plexus and spewing out coloured threads and ribbons from my mouth.
Breathing difficult. (several times just sank into intense colours for awhile with no imagery, plenty purple and green). I started doing sort of swimming motions with my arms with the breathing and fishes, had a sudden blast of energy in the chest and then later a much stronger one just before the video ended.
I should add the impression of less thinking/intellectualizing, less buried under a mountain of words, in favour of more purely physical expressionAugust 24, 2014 at 11:35 am #3481In reply to: Shamanic Journey Achronicles
Second Journey ~ August 24th, 2014
Duration 24 minutes
Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.
Accounts
Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.August 18, 2014 at 6:43 am #3459In reply to: Rafaela’s Random Ramblings
“The zebra’s gifts include seeing in black and white, clarity without filters, balance, agility, uniqueness, power, sureness of path, keeping up individuality within the herd.
Questioning reality and illusion is common amongst people with zebra medicine, though an over analytic intellect can be a hindrance for some with this totem. In others the imagination must be awakened.
The zebras pattern of black on white, or white on black implies that what you see is not always what you get. Occult knowledge seen and unseen, dimensional shifts, new journeys and worldly endeavours are all aspects of this.
Zebras are master magicians, who utilise the energy of light and dark to shift realities and expand our consciousness, helping us see past our preconceived beliefs as they lead us into the mystery and magic of the unseen. Zebras seek balance in what they do, and they are sure of themselves, standing confidently in the middle of opposing forces. Those with this power animal are taught similar skills.
When the zebra comes into your life, change is signified in one or more areas of your life and hidden knowledge will be uncovered. Stand strong, develop trust and simply flow with the rhythm of a new creation. “
August 17, 2014 at 10:42 am #3452In reply to: The Time-Dragglers’ Extravaganzas
“There is a secluded pocket that would be an ideal safe landing spot on the north coast of the Bay of Beliefs” was the message that Downson received from the Magi. “El Refugio; it was a private shamanic holiday camp, but it was abandoned years ago. There are empty cabins and some basic facilities that could be restored and repaired.” And it’s not too far from Karmalott, Downson thought, It will have to do, for now. At least for the first batch of evacuees.
August 17, 2014 at 10:14 am #3451In reply to: Shamanic Journey Achronicles
Oh I just remembered that when I was at the old shaman’s place, I used my cape as if I was the map dancer, put it on the floor and let it transform into the land and walked into it. I love this cape.
August 17, 2014 at 10:06 am #3450In reply to: Shamanic Journey Achronicles
Accounts of the Journey to the Lower Realm
Eric
I was at a steppe first, like I was meditating in the desert, then went through a forest entrance, and stayed under a tree. There were lots of sounds and animals life, flapping wings sounds, deers, ants, but the most vivid presence was that of snake, and I was a bit suspicious, but it came back very gently, inviting, and after I recognized it, it made me journey, travelling like a dragon or feathered multicolored snake to an ancient place.
The snake analogy with shedding old skin comes to mind, after accepting it, it makes a lot of sense.
I saw green and purple at times.
I felt a horse too but it was just a hooves’ sound.Flove
I went through the entrance to a cave. I asked my power animal to come. An ancient tortoise came up to me. I asked if this was my power animal but i felt such love for the tortoise that i felt that was my answer. We explored energetically what the tortoise wisdom i need is. I put my hand around the tortoise neck and we swam in the water.
I wanted to cry, I loved the tortoise energy so much. And the protection of the tortoise shell.
I saw a snake.
The horse was the first animal I felt, right as I went in the entrance. I stroked the horse as i went by.
I saw a unicorn too, [and ]was surprised by the unicorn.
I didn’t sense many creatures. just the horse, the snake and the unicorn.Jib
First I saw little white skulls, whistling like the shells of the guy in the video.
Then I become my shaman self and I have my magic cape. I find the entrance [to the lower realm,] which was kind of difficult at first as if there was some distracting energy.
I finally enter the lower realm and find my horse right away, he’s very excited and I ride with him for some time, just for the pleasure of being with an old friend.
Then I ask him to lead me to Abalone and show me whatever is interesting.
He leads me to see an old shaman, man or woman I don’t know.
The shaman makes me sit in his room and offers me tea, then tells me to relax and wait.
So I relax and I begin to project to Abalone as the Giant beanstalk, I begin to grow and grow and grow and have the city built on top of me. I am the whole island.
I have the impression that the beanstalk is in the center of Gazalbion or very close to it
Then I come back to the place and have the impression the Shaman wants to delay me, so I say thanks and ask my horse to show me the rest.
We go the the old Temple and I feel that there is something special there, once again he tells me to relax and just allow not look for things.
So I wait and feel that the time and space is weird that it flows around the stones in a particular way, like when you follow a certain path or corridor, you may go forward in time and another way lead you back in time. If you take a wrong turn you can end up in a loop.
Then the signal for the return begins, so I go back from where I come from and thank my horse.
It was cool and fun to be there again.
I projected at some point to check if everyone was ok, and felt like it was fine.
I saw a unicorn too.Tracy
That was interesting, about half way through a zebra started follwing me, well on my right. I saw all kinds of animals, but they were all doing their own thing or turned away, except for the zebra, until the change of tempo and then I was swept up in a flock of cranes I think (or herons or storks but I think cranes), but then the zebra was waiting at the top. I could feel his warm muzzle sort of on my right shoulder.
First was a field full of unicorns on the left but they were just grazing, then a bison head who turned away, then the group of deer I thought, but the zebra walked over to me grazing. Me and the zebra waited for goats to cross our path.
The feeling of being in amongst the cranes was amazing and the zebra fell back while that was happening, but then at the end he was waiting.
I was surprised by the unicorns cos I don’t even think about them usually.
There were lizards sucttlign around under the cranes.
A couple of times I strongly saw purple and green, and thought of Jib.<i> not really ask [the zebra if he was the power animal] in words, but his presence calmly walking beside me with the feeling of his muzzle on my shoulder was comforting.
When the cranes distracted me from him he fell back, but he was waiting at the top.
The cranes feeling was marvelous, really, they were all flapping gracefully all around me on the ascent. So cranes and zebra stand out the most.
[At some point] I started going down old stone steps, at first me and FP were kids holding hands, with jib and eric behind us, then I thought, wait, I’m supposed to be doing this alone.
The unicorns in the very beginning were in a castle courtyard type place but they ignored me.
Then a bison head who turned away these were in niches in the stone walls
I ended up in a stalactites type cave, but there were mostly old old stone steps with stone walls along the sides.
There was a crowd of people, well a small gathering, towards the bottom, but they were, er, faceless. Innocuous.
I am quite amazed at how great that was! and how many creatures actually popped up
and how the feeling was of the zebra and the cranes.
The zebra was stoic and steadfast and comforting, the cranes were exhilarating and uplifting.</i>August 17, 2014 at 9:24 am #112Topic: Shamanic Journey Achronicles
This thread is meant as an account to the journeys we do to explore the story thread.
We’ll post the directions and our individual accounts.July 22, 2014 at 7:51 am #3285In reply to: The Time-Dragglers’ Extravaganzas
Secretly, Sadie had a beautifully laid out plan in her head, like a vacation plan with stop-overs at luxury hotels, and activities to entertain the children.
That made her slightly miffed about the succession of sidetrack adventures and the lack of focus of her protégés.The plan was simple enough, they had to take the magical crystal from under the whale’s noses, and get back to the closest Time sewer, where they could funnel up (her fancy verb for “complete”) the special reboot edition of the Time Draggler’s show.
Surprisingly, Linda Paul’s interest and instructions seemed to have weakened and her usually generous and unwarranted input have been inordinately limited. Maybe the summer heat wave had mollified her, or her projects had shifted since the pilot of the Time Draggler’s show had failed to grab the network’s attention and fulfil its promises.
She couldn’t say. But something in what the techromancer told her had stuck, and she couldn’t quite shake it out. “A train will come for you, and you will have to catch it, this Time is your train.”
The hell if she knew what Time that was anyway.
But one thing was sure, this one-time gig was growing on her, and she didn’t want to get back to dog food tasting. So one way or another, she’d have to make it work, and move the drag’s lazy butts to make a heck of an entertaining show.“Look! I vink vey’re over vere!” Maurana was getting the gist of the telepathic conversation.
It was lucky the interior of the cave was lit, as outside the night had fallen like a cold black carpet on a pack of dust bunnies, dropping the water’s temperature. Luckily, the suits seemed to have their own warming as well as glowing mechanism.
Terry was over Consuela, who seemed unconscious and in a REM sleep.
“Hey! Consuela learnt your eye rolling technique!” Maurana gleefully tuned towards Sadie.
“Don’t be silly, I think he’s in shock, pass me that electric eel, to wake that bitch up.” Terry was always for a bit of drama. It seemed to do the trick.“Woah, you can’t believe the stuff I’ve seen…” Consuela’s pupils were dilated so much it was hard to see the whites of her eyes.
“Classic case of red algae intoxication, no need to consult the ezapper for that” Sadie said. “It is known that dolphins use it as a shamanic tool to astral. The concentration in these waters is surprinsingly high. Nothing than some fresh water can’t cure.” Too much time under water, she started to babble like a fish.
The Time window wouldn’t stay indefinitely open. She needed to get them move, and take back her authority. With children like them, one thing that worked was to shake some shiny stuff in front of them and let them follow it.
“Anyone interested in a Whale Queen’s Race?”January 3, 2013 at 3:43 am #2896In reply to: The Surge Team’s Coils
While her Western colleagues were busy chasing illegal time travellers in Spain, Katarina was busy overseeing the light flux changes at an Ukrainian old pyramid site.
She’d read about the snow on the Gizeh site, and was quick to make the link between this pyramid and hers. In fact, the land had been under a spell of high temperatures and draught, unusual for winter. Intense continuous aurora activity was even spotted further north, sometimes lasting during the pale daylight.
She wondered if this was localized or could have affected other parts of the pyramid network.
She’d tried without success to contact Elza, her Middle East colleague, but she seemed to have disappeared without a trace… Not only was she unreachable on her com devices, but worse, her location chip was deactivated.
Never mind those stupid techs, Katarina had the resources of a long lineage of shamanic priests running in her blood — finding a missing person shouldn’t be more difficult than doing some soul bits retrieval. Unless… Elza was deliberately hiding from the Team…April 20, 2010 at 7:43 pm #2450In reply to: The Eights’ Shift, Stories
Good thing for Pee and the others deep in the furcano; having no head to start with, they didn’t suffocate from the heinous Mother Blubbit attack.
Nothing of that sort could be said for the adventurer in the Fly Boat, as they sadly had to go back to the heliport, owing to the dreadful weather condition.
“WHAT IN THE NAME OF TARTINUN IS HAPPENING NOW!?” asked in a terribly raucous voice Pee, unable to see his way through the smoke. (Tartinun was the goddess of Peagemite, a holy yeastly paste made of fermented peas, consumed by shamans in order to bridge the gaps to the Great Unhead Aknown).
Unable to withstand the sheer amount of decibels of that raucous cry of despair, Mother Blubbit suddenly drop dead of a spleen failure.
January 4, 2010 at 10:19 am #2396In reply to: The Eights’ Shift, Stories
Meanwhile somewhere else in the Eight’s, where the cuckoo sang the new year’s song
Harvey had been quick to wish his friends Aspidistra a merry new year full of reindeer pee by the gallon dripping from the roof. That’s how they wished the best to their friends here. And sure he wanted the best for Aspidistra.
Now he had to find the shaman, because that shadow leaping on the wall was that much he couldn’t bear. He had to buy that new light sprayer and have it cursed by the shaman of the Space Bar of the Fool Breadth (or was it Foul Breath?) to have it move to the light, and quick, that frigging bugger of a shadow.
In the meantime, he firmly believed that were he to keep being merry, it would repel it away further and further.
So, his mood was twittery, and he felt like singing, and dancing, and hoola hooping with all the furniture and cutlery available in the mouldy cupboards all finely balanced on his nose and appendages, all the way down to the metro.May 10, 2008 at 10:56 pm #1798In reply to: Synchronicity
Some interesting syncs:
Discussing the comment on Franiel and Vincentius with Francie, some things of interest:
F: hahaha i laughed at the egg bit
E: bit silly I reckonbut somehow it synch’ed with two movies we’ve been watching yesterday
F: yes, good to have a bit of silly in our otherwise serious story
E: In one, there is thatghost girl who stalks her husband new love affair, and ends up speaking through a parrot
And the other, there is this shaman old woman who remote-views her people went on a quest, and ends up dying in stead of a girl, so that the young one lives…F: oh that is like your plants in the courtyard dream too —just had a recollection of you saying one gave up its pot for the other one
E: Oh yes, true… Perhaps it’s just like a layering, like you do for strawberries, you use parts of the roots to do new plants…
“Layering is more complicated than taking cuttings, but has the advantage that the propagated portion can continue to receive water and nutrients from the parent plant while it is forming roots.”E: “In air layering (or marcotting), the target region is wounded and then surrounded in a moisture-retaining wrapper such as sphagnum moss “
“Peat moss is also a critical element for growing mushrooms” that’ll make Tracy happy
“In New Zealand, care is taken during the harvesting of sphagnum moss”F: “it can also be used as a substrate for tarantulas as it is easy to burrow into”
E: “Such Sphagnum bogs can also preserve human hair and clothing, one of the most noteworthy examples being Egtved Girl , Denmark”. Egg and B.C. sync
F: cool name, Egtved. Oh thats interesting about the Egtved girl: due to be public this month
E: oh, well spotted!
F: shall we all pop over and check it out
E: Ahahaha sure…
May 5, 2008 at 4:52 pm #834In reply to: Circle of Eights, Stories
Five months.
If he recalled well, it was barely five months (five months and five days perhaps) he’d had that dream… Yurick was thinking distractedly, while munching on his toast of vegemoth, crumbs falling in his cup of lotus flavoured tuo-cha.
Only five months! It had felt like ages had passed, lifetimes even…
Energy realisations went really fast these days, once the prime idea was here. And for sure it had been floating around for quite some time, but truly it had been a quick birthing, and rather painless too.He was suddenly brought to his sense —and a certain idea of reality— when he saw Dory’s chat window flicker. He almost spluttered his tea on the screen as he saw the egg pictures she had just posted on her new social playground. A dark website of kinky appearance, where her new friends would probably guess eggs where her fetish and fifty-seven an exotic tantric position they’d be blissfully whipped with a wisp of fresh nettles to get taught.
Well energy could take many shapes and forms, and for sure, five months ago, he wouldn’t have guessed one of these forms would be vegemoth and oval-shaped sex-toys.Speaking of vegemoth, he smiled as he saw the level of the dark brown salty paste noticeably diminishing in the small jar. Since he and Yann had been initiated by Dory to that strange Australian shamanic drug, and the unknown pleasures and twisted dream and trance induction it provides, they had been surprised to find it legally displayed for sell on their usual store at the exotic-mysterious-and-potentially-lethal-Eastern-products shelf. Along with an even stronger version of it, they’d been told… MARMOTH that Yann had consented they would get after the vegemoth would be eaten.
Ahahaha… At that rate, that would happen before they know it!
February 19, 2008 at 8:03 am #1898In reply to: Rafaela’s Random Ramblings
tjmarshall57: hahahaha as if it’s not bad enough with the weeding, now poor girl has blotches all over her face!
tjmarshall57: wedding not weeding
tjmarshall57: do russian wear velis?
tjmarshall57: veils
tjmarshall57: hhhm, blessing by a shaman, plaiting together of the couples hair….(is Becky still blad?)
tjmarshall57: The biggest concern at the wedding is to have enough liquor. A Russian Wedding is an event where everybody must be drunk. No one will be surprised if people drink themselves to unconscious on the wedding – and many do.
tjmarshall57: well, that will appeal to Sean
tjmarshall57: You are probably surprised to find out that a Russian wedding lasts for 2 days!! (Well, at least. Some weddings last as long as a week, and this is something to be proud of and remember for years: it means the couple had enough liquor to go on and on, and enough devoted friends to stay.)
tjmarshall57: The Russian church ceremony is colorful and solemn but the complete traditional ceremony is very long, and as guests and the couple have to stand during the ceremony (there are no benches in Russian churches at all; people must stand during all church services), faints are not rare.
tjmarshall57: right, so a fair amount of fainting and drunkeness then
tjmarshall57: Then the witnesses continue running the wedding, reading jokes and poems, and sometimes asking the new couple questions to make fun of them.
tjmarshall57: Franci will you be my witness, you’d be perfect
tjmarshall57: “Za molodykh!” (“For the newlywed!”)
tjmarshall57: Traditionally money is considered as the best gift, and is given in an envelope. Some time after the beginning of the reception when people start to become drunk the witnesses will ask everybody to give their gifts and one of the witnesses will collect envelopes from the rest of the guests with a tray.
tjmarshall57: Then people have time to dance. First dance is opened by the new couple. After the music starts, there is no exact script anymore, and witnesses can relax a little. They still occasionally announce a toast but do not entertain the guests with jokes and poems; guests by this time are already having lots of fun and are able to entertain themselves.Movements become quite hectic; some people go out “to refresh”, and at some moment in this movement the bride gets… “stolen”! She disappears, and when the groom starts looking for her, he is faced with a request for a ransom. Usually it’s his buddies who “steal” the bride. A more or less short wrangle about the amount, and he can have his new wife back. But he must watch out – the bride sometimes may be stolen a few times!
tjmarshall57: right, so we have drunkeness, fainting, jokes, poems and insults, and theft and abduction
tjmarshall57: Then there are the bride’s friends – they steal the bride’s shoe. The groom must pay ransom for the shoe too – the guests enjoy watching wrangles.
tjmarshall57: Often guests leave the wedding in such a condition that they cannot remember what happened. If this was the case with the majority of guests, then the wedding was a huge success
tjmarshall57: AHA! This is the key! I will write about it after the wedding, when nobody can remeber anything about it
tjmarshall57: Day two of the wedding:After the meal the bride must “clean” the floor in the room. The fun part is that guests are allowed to mess as much as they want while she is cleaning
tjmarshall57:
tjmarshall57: another part for you!
tjmarshall57: guests on a Russian wedding enjoy it much more than the newlywed couple who are all the time made fools of.
tjmarshall57: The most popular period for wedding ceremonies in Russia was between the Christmas and Shrovetide (a week before the spring fast). This period was called the wedding period.
tjmarshall57: well, the timing is right
tjmarshall57: One of the many superstitions still prevailing among the peasant population of Russia is that, on the occasion of a marriage, the happiness of the newly-married couple is not assured unless the parents of the contracting parties are soaked with water from head to foot. When a marriage takes place in summer this is easily accomplished by ducking the fathers and mothers in the nearest river, but in winter they are laid on the ground and rolled in the snow.
tjmarshall57: who are the parents?
tjmarshall57: Among the Koraks of Siberia a young man seeks for a maiden with considerable dowry in the form of rein-deer
tjmarshall57: oh, well we can have psychoactive reindeer pies, anyway
tjmarshall57: Kovalevsky has well shown that many of the marriage customs of this country are survivals from a primitive and prehistoric age when the woman ruled the household and had more than one husband.
tjmarshall57: hhmmmm
tjmarshall57: it all points to a distant age when the matriarchal system prevailed, and the brother was his sister’s guardian. In Little Russia the brother’s sword is decked with the red berries of the rowan tree, red being the emblem of maidenhood.
tjmarshall57: red fruit sync!
tjmarshall57: no wonder I threw the cherries away!
tjmarshall57: ahahahahha!
franci_free: oh hrllo
franci_free: goodness
franci_free: will need to read back
tjmarshall57: hahahah oh there you are
franci_free: well what a complicated theme
tjmarshall57: haahah well
franci_free: you will have to write about the wedding
tjmarshall57: the key to the whole thing is that everyone was so drunk that nobody can remeber any of it aftrwards
franci_free: hahahah
franci_free: great!
tjmarshall57: thats my angle, I think
franci_free:
tjmarshall57: and s few things fit perfectly
tjmarshall57: the red fruit
tjmarshall57: the time of year
tjmarshall57: the drunkeness, Sean will love that
franci_free: the splotches?
tjmarshall57: well, nobody will remeber that
tjmarshall57: afterwardsOctober 18, 2007 at 9:13 am #1448In reply to: Talks on the latest Instalments
http://www.north-of-africa.com/article.php3?id_article=418
This might be a better link for the comment about the connection between Egypt and Tuaregs
as well as the Egypt connection :
At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.
I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….)
~~~~~~~~~
AND: The Tassili n’Ajjer
…..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……
There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).
(this reminds me of Oversoul Seven! # book by Jane Roberts)
Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”more:
http://www.philipcoppens.com/tassili.html
~~~~~~~~~~~~~~~~~~~~~
ENORMOUS CATS??????
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Topic: Shamanic Journey Achronicles
This thread is meant as an account to the journeys we do to explore the story thread.
We’ll post the directions and our individual accounts.