Search Results for 'sign'

The entrances to Faerie (and indeed to other alternate realities and dimensions) had been shrouded in disbelief for several centuries, but times were changing and the fog of scepticism was dissipating, evaporating like river mist on a hot summer morning. Looking for the entrances deliberately, Blithe found, wasn’t the most efficacious method. Sat Nav alone would be unlikely to reveal them, unless the locating device was used in conjunction with impulse and intuition. Any device and method could be used effectively when combined with random impulse, even Google Earth or Google Moon. Blithe’s friend and colleage Dealea Flare was making good use of this device on her travels, using it as a personal non physical airline and space shuttle service. Dealea could get from A to B and back again in no time at all, or even from A to well beyond Z and back again in no time at all using this device in conjunction with impulse and large dose of intention and focus. Blithe had the impulse down pat but still had difficulty with the focus, which was largely a case of having too many intentions at once, most of them somewhat vague.

The more random and impulsive Blithe was, the better her investigations went, often leading her into a new and exciting exploration which may or may not be linked to the current intention. Such was the case when she went on a mundane shopping trip to the Rock of Gibber. As she sat sipping coffee at the Counterpart Cabana sidewalk cafe listening to the locals conversing in Gibberish, she noticed the extraordinary tangle of pipework on the building opposite. It reminded her of the steampunk world she had been investigating in her spare time. The text book steampunk world was intriguing to say the least, but rather grim, and tediously full of victims and fear. The inhabitants always seemed to be running away from someone. The steampunk world she was beginning to sense in Gibber was quite different in that it was a sunny cheerful alternate reality held together with a vast labyrinthine network of water pipes, scaffold, and connecting cables.

Blithe paid for her coffee and strolled off, noticing more and more scaffolding and tangles of pipes as she climbed the warren of narrow winding streets. The air was different the higher she climbed up the winding uneven steps, the sunlight was sharper and the shadows denser, and there was a crackling kind of hush as if the air was shimmering. Cables festooned the crumbling shuttered buildings like cobwebs, and centuries of layers of crackled sun faded pastel paint coated the closed doors. Open doors revealed dark passageways and alleys with bright rectangles of light glowing in the distance, and golden dry weeds sprouted from vents and windowsills casting dancing shadows on the uneven walls.

The usual signs of life were strangely absent and present at the same time; an occasional voice was heard from inside one of the houses, and there were pots of flowers growing here and there, indicating that a human hand had watered them with water from the pipe network. There was no music to be heard though, or any indication that the cable network was in use, and there were virtually no people on the streets. A lady in a brilliant blue dress who was climbing the steps from Gibber Town below paused to chat, agreeing with Blithe who remarked on the peaceful beauty of the place. The lady in blue said “Si, it’s very nice, but there are many steps, so many steps. If you are coming from below there are SO many steps!”

There was a boy watching a white dog watching an empty space on the pavement, so Blithe stopped to watch the boy watching the dog watching nothing. Eventually Blithe inquired “What is he looking at?” and the boy shrugged and continued to watch the dog watching nothing. Blithe watched for a little while, and then wandered off. A small child was giggling from inside a doorway, and a mothers voice asked what he was laughing at. The child was looking out of the door at nothing as far as Blithe could see.

As the sun climbed higher, Blithe began to descend into Gibber town, winding and weaving through the alleys, wondering how she had failed to notice this place half way up the Rock until now. She came to a crumbling wall with a doorway in it that looked out over the bay beyond the town below. This must be one of the entrances, she deduced, to this alternate world in Gibber. “Entrance”! Blithe had a revelation. “I never noticed that the word ENtrance and enTRANCE are spelled the same.” Later, back at the office, Frolic Caper-Belle said she thought it was probably a very significant clue. “I’ll file that in the Clue Box, Blithe”, she said.

{link: entrance}

It was hot, although not as hot as usual for the month of August on the southern slopes of the Serrania de Ronda. It had rained, the black clouds and thunder a welcome respite from the searing dry heat of an Andalucian summer, plumping up the blackberries and washing the dust from the leaves of the fig trees. Blithe Gambol hadn’t seen her old friend Granny Mosca for months, although she wasn’t quite sure what had kept her from visiting for so long. Blithe loved Granny Mosca’s cottage tucked away in the saddle behind the fat hill and there had been times when she’d visited often, just to drink in the magical air and feast her eyes on the beauty of the surroundings. Dry golden weeds scratched her legs as she made her way along the dirt path, and she was mindful of the fat black snake she’d once seen basking on the stone walls as she reached into the brambles to pluck blackberries and take photographs.

Rounding a corner in the path she gasped at the incongrous and alarming sight of a bright yellow bulldozer just meters from Granny Mosca’s cottage. The bulldozer was flattening a large area of prickly pear cactuses. Unfortunately for the cactuses, it was fruiting time, and Blithe wondered if Granny Mosca had first picked the fruits and suspected that she had, those that she could reach. Nothing that could be eaten was left unpicked ~ Blithe remembered the many sacks of almonds that Granny had given her over the years, very few of which she had bothered to shell and eat.

The bulldozer was making an entranceway to the tiny derelict cottage that was situated next to Granny Mosca’s house. Granny had asked Blithe if she wanted to buy it, and she had wanted to buy it eventually, but the purchase of a derelict building hadn’t been a priority at the time. Now it looked as if she was too late, that someone else had bought it, perhaps to use as a holiday home. Horrified, Blithe called out for Granny, who was often in the goat shed or away across the hidden saddle valley cutting weeds to feed the poultry, but there was no sign of her. Two alien looking turkeys gobbled in response, and the black and white chained dog barked menacingly.

As Blithe retraced her steps along the dirt path it occured to her that whoever was planning to use the derelict cottage might be a very interesting person, someone she might be very pleased to make the acquaintance of in due course. After all, she had noticed that the holiday guests staying at the casitas on the other side of the fat hill were all sympathetic to the magical nature of the location, many of them arriving from a previous visit to a particularly interesting location in the Alpujarras ~ a convergence of ley lines. When questioned as to why they chose the fat hill casitas, they simply said they liked the countryside. Either they weren’t telling, or they were simply unaware objectively of the connection of the locations. Blithe could sense the connections though, both the locations, and that the people choosing to vacation at the fat hill were connected to it.

For one hundred and forty seven thousand years, Blithe had had an energy presence at the fat hill, although it was half a century of her current focus before she remembered it. She had felt protective of it, when she finally remembered it, as if she had a kind of responsibility to it. This place can look after itself quite well on its own, she reminded herself. The fat hill had watched while Franco’s Capitan looted the Roman relics, and watched as Blithe stumbled upon the remains of Roman and Iberian cities, and the fat hill had laughed when Blithe first tried to find the entrance to the interior and got stuck in thorn bushes. Later, the fat hill had smiled benignly when Granny Mosca led her to the entrance ~ without a thorn bush in sight. The cave entrance had been blocked with boulders then. Blithe had given some thought to an excavation, wondering how to achieve it without attracting the attention of the locals, but now she wondered if one day, when the time was right, she would find the entrance clear, as if by magic. Magic, after all, was by no means impossible.

{link: feast for the birds}

Peasland’s Furcano, and the Iceland Volcano!

I had in the past hypothesized the time rate of manifesting to be roughly 6 months (leave or take a few weeks)… It’s been hardly 2 months this time. I suspect we’re getting better at this

Pretty scary, eh. Gotta brace yourself and mind your thoughts

“Ah there you are at last,” muttered Fwick to the cloaked man. “Before you leave I must get you to sign this form.”

“What is it?” asked Pee.

“Good Lord, what the F was that noise!” shouted Fwick, looking around in fright. “Ah! I see you have been endowed with a remarkably raucous voice! You startled me!” Taking some deep breaths to calm himself, Fwick continued.

“It is a disclaimer … a technical matter, basically saying be it on your own heads …” Fwick paused to chuckle at his own joke, “Ahem as I was saying, basically absolving me from any responsibility should you encounter any difficulties on your excursions into the Eight Dimension, or ED as we Saucerers call it. When you have signed, I can give you the four notes which will open ED for you.”

With a resigned sigh, Pee said yes to his son… and Gnarfle.

There’s something, er, fishy, about this here dead cow, Sanso surmised. He was still a little fuzzy after his peregrinations in the Dense Dimension. Suddenly he slapped his forehead and exclaimed D’Oh! This dead cow is no accident! He shook his head, as if trying to shake the cobwebs loose. The effects of the brocolli hadn’t worn off completely yet. I can’t beleive I chose the Brocolli from the ‘You Fool’ Jar instead of the ‘Thank You’ Jar. I should have realized, Sanso was still shaking his head, what the ramifications would be of choosing discounting instead of appreciation. D’OH! he exclaimed again. Really, I had no idea how far reaching and all encompassing the effects would be of that Brocolli choice. I suppose it’s no accident the vegetable in question was brocolli, either, with all those probability branches and probable florets.

Right then Sanso, Old Bean, pull yourself together, he told himself firmly. This here dead cow is a sign. He approached the dead cow slowly, sniffing the ether, in a manner of speaking, for clues. He recalled the Dead Cow Cult
from another elsewhen, and their affiliation with the Arduino
Time Travelling Internet Server, and wondered if there might be a connection.

The Fool Fog of Discounting, caused by the brocolli Choice, in Sanso’s head was starting to clear, and he began to access information. The Cult of the Dead Cow had merged with the Arduino Enterprise at some point, creating an offshoot called the Pirates Association of Time Hackers, otherwise known as P.A.T.H. They had been recruiting members from many times and places, and as usual, had attracted large numbers of teenagers.

One teenager in particular appeared to stand out in Sanso’s mind, a peculiar young man who went by the alias “Holy Cow”.

Oh My God! Sanso slapped his forehead again. (I really must get these AHA moments under control, he said to himself, rubbing his bruised head) It can’t be! Yes, it is! It’s Yikesy!

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Ann realized she was late for her Flimsy Unravelled Continuity Knowledge class. A couple of months late, in point of fact, as Worserversity classes had resumed two months previously.

“Where have you BEEN?” Lavender whispered as Ann slid as inconspicuously as possible into the seat beside her, while the professor at the front of the class was facing the blueboard.

“Do I know you?” asked Ann, with a puzzled expression. The girl beside her did look vaguely familiar.

“Oh how rude you are, Ann. Are you trying to be funny?”

“Oh no, not at all!” Ann’s eyes filled with tears.

Lavender frowned. It wasn’t like Ann to start blarting and blubbering in public. “What’s the matter?” she asked kindly.

“I’ve lost my memory!” exclaimed Ann. “I can’t remember a thing!”

“Oh, is that all,” replied Lavender dismissively. “I’d have thought you’d be used to that by now.”

“No, no, you don’t understand! I can’t remember anything at all now, it’s all gone, poof! Gone!” Ann wept and started to wring her hands.

“Well the first thing you need to do is stop that bloody snivelling and wipe your nose. Here” she said, handing Ann a tissue. “And the next thing you need to do is stop worrying about it, and just fake it until you get your memory back. Worrying about it won’t help, you must focus on the things you do remember.”

“But it’s all jumbled up and muddled in my head, I remember bits, you know? But I can’t fit them all together. I CAN’T FIT THEM ALL TOGETHER!”

“SHHH!” snapped Lavender. “Try not to draw any attention to yourself! I’ll help you, don’t worry.”

“You’re so kind” Ann smiled weakly. “What did you say your name was?”

“Lavender. My name is Lavender, and I’m going to help you remember. Just remember this, for now: what you can’t remember, don’t worry about, the important thing is to carry on. Just CARRY ON REGARDLESS, ok?”

“OK.” Ann sighed with releif. “What’s the Professor going on about?”

“The next assignment. We’re to read that cryptic old classic book Circle of Eights and try to decipher it.”

“Good greif! Nobody has ever managed to decipher that book!”

“You see?” said Lavender. “You can remember that! Well done, girl!”

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”