-
Search Results
-
In reply to: Synchronicity
Peasland’s Furcano, and the Iceland Volcano!
I had in the past hypothesized the time rate of manifesting to be roughly 6 months (leave or take a few weeks)… It’s been hardly 2 months this time. I suspect we’re getting better at this
Pretty scary, eh. Gotta brace yourself and mind your thoughts
In reply to: The Eights’ Shift, Stories
While Doily was having her back turned in utter bewilderment, Muckus put the icons back to the way they were —he really didn’t expect to have headless Peaslanders (some less headless than the others too) remarking any of that signalization stuff (and least of all the blond Doily who still managed to forget to maintain her head fast on her shoulders, as she had not yet found another replacement for her lost head fasterer).
In reply to: The Eights’ Shift, Stories
The clever Peasland Majorburgmester who had been informed of the unlikely and much untimely return of Pee’s group, had indeed asked his minion Muckus to move around some of the signalization icons in the hope of luring and losing the group in the part of the land where the Blubbit Mother of Them All was ruling in a fierce and unchallenged (and he would add ruthless) manner.
In reply to: The Eights’ Shift, Stories
Sadly, Phurt’s couldn’t make any cobwebs other than all wireless —kind of defeated the purpose, when you gave it thought.
Reception and connection weren’t any of the new dwelling’s forte for now.So she wrapped herself in a cozy dark corner of her new cave, tucked in a blanket of great warmth and subtle mucous design, and her nine eyelids being closed one after the other (from right to left, and top to bottom), started to dream of delicate and headless sheep.
In reply to: Strings of Nines
Messmeerah (Winky) Maymhe, High Priestess of the Pendulous and Loose Otherworldly Threading, was going for a bath into the Pool of Rejuvenation. Her ineffable beauty had started to show the early signs of time tampering —signs she’d learnt to notice as soon as they’d appear. Luckily, the moons were in perfect alignment for the rituals of Spring Beautusk*.
News were good, very good indeed —which would certainly help in maintaining her perfect brow and forehead in pristine smoothness.
News were so good that she’d sent her minion Minky fetch the boy just right after her white crow Saggin had came back with news of finding him… after all those years (not that years did matter to her anyway, she prided herself on that).It’d been close to an eternity, and she weighted her words… (in actuality it was a few teens and futile years at most) that she’d been trying to recover the boy, but the dwarfs had played her, and had managed to hide him from her sight.
She had not thought he could be concealed by anyone powerful enough, and it was surely not by the magic of that headless Malvina and her pesky dragons. In fact, the boy had been concealed even after Malvina and her menagerie had left the boy and his caretaker. She was thinking the caretaker in question had a concealment charm far more powerful she thought could exist.But Minky would surely take care of that.
—
- It should be said that one of the effects of the rituals of Spring Beautusk were a slight stiffness of the overall face (and other dipped body parts), which earnt Messmeerah the cute and albeit ironic sobriquet of Winky, as she hardly managed to blink and was often victim of bouts of winking when she tried too hard.
In reply to: Yuki’s Livrary
January 21 st, 2010
About Worlds creating and dreamwalking
Has it occurred to you that your current technologies [such as social websites] are more than a little reflection of what you are doing as essence.
It is more indeed, and very useful as an analogy.
You have, for one, certainly noticed how different the “feel” of certain of these “sites” is, even when you are most of the time surrounded by the same set of friends and relationships? Yes you have.Let us call these sites “dimensions”. Yes, it sounds familiar, doesn’t it. You all participate in some manner into these, and you all have persona of yourself in various of these. They compete for your attention, and some of them are more popular than others —these are the ones which offer you the most fulfilling experience, not necessarily the most pleasant.
In many ways, you connect as essence through these dimensions, which reveal aspects of your personalities, aspects that are not always visible or noticed in a direct interaction. When you congregate through these sites, you also start to realize, you have access to all of the others as essence, either through proxy of friends, or by direct interaction. You are all connected.
They all have different rules, or shall we say, conventions; you can do certain things, certain others you cannot (or not yet), and others, you can, but they are not well tolerated or accepted.
We let you do all the fine analogies, you mostly get the idea. The technical rules behind those sites are like your mass beliefs. They are helpful to maneuver your “avatar” —that focus of yourself inside the system— and without them, there would simply be no interest, no interaction, no experience.
Of course, these beliefs can be bent ; with applications, made by these people wanting to develop new systems plugged into the architecture, to offer new functions, or interactions with others of these sites or dimensions.The creators of these dimensions are similar to dreamwalkers; some of them are bent on technology and development of the system at its core, but not all of them. Many in fact come with other intents, such as making the dimension a more beautiful, interactive, attractive or pleasant place. They all work together to bring the experience of the envisioned dimension to the other essences —and at some point, they also choose, themselves to interact, as a focus, fully part of their created dimension.
Having that in mind, would it not seem natural that you would integrate more functionalities to these sites, if they respond to the promises of keeping focuses interested? What you call “upgrades” are in fact a major part of the conception of these dimensions, and occur quite frequently, either driven by popular demand, or by technical need.
Such is the nature of the shift you are experiencing, which is above all a tremendous upgrade [of mass beliefs] towards a more integrated experience, without simply dropping the current dimension for another.We would finally like you to notice also that even if the biggest of these dimensions are calling for a great part of your attention, you also are attracted daily to countless others, little sites and areas, the purpose of which is different, but not less significant to your whole self.
In reply to: The Eights’ Shift, Stories
“AHAHAHA” the man in a loincloth greated them “or…” he added with a mischievous wink “perhaps shall I say Oooh ooh ooh.”
Mewrich wasn’t a man short of a some raspiness and prickliness in his voice either.
“MY FRIENDS, you are a most welcome and delightful breath of headlessness coming to this house” he said, vaguely designing the moistly and mossy hole behind him.“Your cave!?” retorted Lilli a bit bossily and raucously
“Don’t be rude S’illy!” Pee said through his breath (S’illy was the little family moniker standing for Sis’ Lilli).“Yes my cave, dear ones. And I’m not silly!”
“Well of course you’re not her” Pickel muttered, still angered at the failed appreciation of his earlier prank. He wished he had left his posterior at home too now.
“Don’t try to confuse me! These confuddling talents would be best kept for when you are in ED. But let us not waste precious and mucous time. Let me show you my bird.” he added without further ado.In reply to: The Eights’ Shift, Stories
“Ah there you are at last,” muttered Fwick to the cloaked man. “Before you leave I must get you to sign this form.”
“What is it?” asked Pee.
“Good Lord, what the F was that noise!” shouted Fwick, looking around in fright. “Ah! I see you have been endowed with a remarkably raucous voice! You startled me!” Taking some deep breaths to calm himself, Fwick continued.
“It is a disclaimer … a technical matter, basically saying be it on your own heads …” Fwick paused to chuckle at his own joke, “Ahem as I was saying, basically absolving me from any responsibility should you encounter any difficulties on your excursions into the Eight Dimension, or ED as we Saucerers call it. When you have signed, I can give you the four notes which will open ED for you.”
In reply to: The Eights’ Shift, Stories
With a resigned sigh, Pee said yes to his son… and Gnarfle.
In reply to: Scrying the Word Cloud
nonsense help remembered creating
fellowship yurick worry prof class obvious
create details wanted mention stay
assignment moment family god giving
somewhatIn reply to: Strings of Nines
There’s something, er, fishy, about this here dead cow, Sanso surmised. He was still a little fuzzy after his peregrinations in the Dense Dimension. Suddenly he slapped his forehead and exclaimed D’Oh! This dead cow is no accident! He shook his head, as if trying to shake the cobwebs loose. The effects of the brocolli hadn’t worn off completely yet. I can’t beleive I chose the Brocolli from the ‘You Fool’ Jar instead of the ‘Thank You’ Jar. I should have realized, Sanso was still shaking his head, what the ramifications would be of choosing discounting instead of appreciation. D’OH! he exclaimed again. Really, I had no idea how far reaching and all encompassing the effects would be of that Brocolli choice. I suppose it’s no accident the vegetable in question was brocolli, either, with all those probability branches and probable florets.
Right then Sanso, Old Bean, pull yourself together, he told himself firmly. This here dead cow is a sign. He approached the dead cow slowly, sniffing the ether, in a manner of speaking, for clues. He recalled the Dead Cow Cult
from another elsewhen, and their affiliation with the Arduino
Time Travelling Internet Server, and wondered if there might be a connection.The Fool Fog of Discounting, caused by the brocolli Choice, in Sanso’s head was starting to clear, and he began to access information. The Cult of the Dead Cow had merged with the Arduino Enterprise at some point, creating an offshoot called the Pirates Association of Time Hackers, otherwise known as P.A.T.H. They had been recruiting members from many times and places, and as usual, had attracted large numbers of teenagers.
One teenager in particular appeared to stand out in Sanso’s mind, a peculiar young man who went by the alias “Holy Cow”.
Oh My God! Sanso slapped his forehead again. (I really must get these AHA moments under control, he said to himself, rubbing his bruised head) It can’t be! Yes, it is! It’s Yikesy!
In reply to: Strings of Nines
Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”
How very strange that he’d forgotten that. That brocolli was powerful stuff.
“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”
Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.
For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.
There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.
Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.
However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.
Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.
In reply to: The Eights’ Shift, Stories
Ann realized she was late for her Flimsy Unravelled Continuity Knowledge class. A couple of months late, in point of fact, as Worserversity classes had resumed two months previously.
“Where have you BEEN?” Lavender whispered as Ann slid as inconspicuously as possible into the seat beside her, while the professor at the front of the class was facing the blueboard.
“Do I know you?” asked Ann, with a puzzled expression. The girl beside her did look vaguely familiar.
“Oh how rude you are, Ann. Are you trying to be funny?”
“Oh no, not at all!” Ann’s eyes filled with tears.
Lavender frowned. It wasn’t like Ann to start blarting and blubbering in public. “What’s the matter?” she asked kindly.
“I’ve lost my memory!” exclaimed Ann. “I can’t remember a thing!”
“Oh, is that all,” replied Lavender dismissively. “I’d have thought you’d be used to that by now.”
“No, no, you don’t understand! I can’t remember anything at all now, it’s all gone, poof! Gone!” Ann wept and started to wring her hands.
“Well the first thing you need to do is stop that bloody snivelling and wipe your nose. Here” she said, handing Ann a tissue. “And the next thing you need to do is stop worrying about it, and just fake it until you get your memory back. Worrying about it won’t help, you must focus on the things you do remember.”
“But it’s all jumbled up and muddled in my head, I remember bits, you know? But I can’t fit them all together. I CAN’T FIT THEM ALL TOGETHER!”
“SHHH!” snapped Lavender. “Try not to draw any attention to yourself! I’ll help you, don’t worry.”
“You’re so kind” Ann smiled weakly. “What did you say your name was?”
“Lavender. My name is Lavender, and I’m going to help you remember. Just remember this, for now: what you can’t remember, don’t worry about, the important thing is to carry on. Just CARRY ON REGARDLESS, ok?”
“OK.” Ann sighed with releif. “What’s the Professor going on about?”
“The next assignment. We’re to read that cryptic old classic book Circle of Eights and try to decipher it.”
“Good greif! Nobody has ever managed to decipher that book!”
“You see?” said Lavender. “You can remember that! Well done, girl!”
In reply to: Random RewrEights – The Del’Eights thread
Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.
We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.
Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.
In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.
“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”
In reply to: Scrying the Word Cloud
Morning cat work meaning Tina assignment
dragons taking news planet beautiful start
wondered away harvey truth yourself
communications large full surpriselinks random needed fishes please
remarked friend forgotten story
seem tree message gone
stay under create body
weaving somehow answer rememberIn reply to: The Eights’ Shift, Stories
“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”
“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.
“Shh!” said Finnley.
“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.
“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”
“Tell me about it” remarked Godfrey drily.
The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”
“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”
Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”
In reply to: The Eights’ Shift, Stories
“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.
“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”
“Lost your thread, LizAnn?” inquired Gordon, smugly.
“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”
“Finish? Well, that will be a first.”
“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”
“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”
In reply to: Strings of Nines
New Venice, October 2117
Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.
Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.
Let me see… there were a few threads going on there, and all we need is untangle some of them…
She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.
As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).
Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.
Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.
So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.
She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?
In reply to: The Eights’ Shift, Stories
“So how was your lunch date with your new best friend?” Harvey sounded distinctly sarcastic, even to Lavender’s forgiving ears.
“Oh, you know …”
Harvey raised his eyebrows. No mean feat when you have a book balancing on your nose. He sighed, and let the book fall. A few months ago he was balancing four poster beds, and now he could barely manage a Lemoine novel. Heavy as they are! He sniggered to himself. Oh well, at least I havn’t lost my sense of humour, along with my sense of smell!
“Well, to be honest Harvey .. I think I may have been possessed by those pesky aliens. I suddenly came to and I was talking all this rubbish about ‘random quote generators’ and using words like ‘dear’.
Lavender shuddered in horror at the memory, and then rolled her beautiful eyes and sighed. “Poor Ann, I think she is a really tortured soul.”
The writer wondered if it was time to add a dark side to Lavender’s personality. All this beautiful eyes business was getting a tad irritating, the beauty of Lavender’s eyes not withstanding. Not to mention her lips which she painted a bright shade of amaranth for every day wear, and on special occasions, rose madder. The writer wondered if the last thought made sense and wondered again how to strike out text. The writer decided to try that last line again.
Lavender shuddered, and then with an enigmatic smile which even her good friend Harvey found hard to decipher, she said softly, “I ate olives for lunch. They were yummy.”
The writer sighed and then noticed the random quote generator said “mean cleaner coming soon.” The writer wondered if it was a sign.
In reply to: The Eights’ Shift, Stories
“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.
“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”
“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”
Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)
“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”
