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In reply to: Yuki’s Livrary
January 21 st, 2010
About Worlds creating and dreamwalking
Has it occurred to you that your current technologies [such as social websites] are more than a little reflection of what you are doing as essence.
It is more indeed, and very useful as an analogy.
You have, for one, certainly noticed how different the “feel” of certain of these “sites” is, even when you are most of the time surrounded by the same set of friends and relationships? Yes you have.Let us call these sites “dimensions”. Yes, it sounds familiar, doesn’t it. You all participate in some manner into these, and you all have persona of yourself in various of these. They compete for your attention, and some of them are more popular than others —these are the ones which offer you the most fulfilling experience, not necessarily the most pleasant.
In many ways, you connect as essence through these dimensions, which reveal aspects of your personalities, aspects that are not always visible or noticed in a direct interaction. When you congregate through these sites, you also start to realize, you have access to all of the others as essence, either through proxy of friends, or by direct interaction. You are all connected.
They all have different rules, or shall we say, conventions; you can do certain things, certain others you cannot (or not yet), and others, you can, but they are not well tolerated or accepted.
We let you do all the fine analogies, you mostly get the idea. The technical rules behind those sites are like your mass beliefs. They are helpful to maneuver your “avatar” —that focus of yourself inside the system— and without them, there would simply be no interest, no interaction, no experience.
Of course, these beliefs can be bent ; with applications, made by these people wanting to develop new systems plugged into the architecture, to offer new functions, or interactions with others of these sites or dimensions.The creators of these dimensions are similar to dreamwalkers; some of them are bent on technology and development of the system at its core, but not all of them. Many in fact come with other intents, such as making the dimension a more beautiful, interactive, attractive or pleasant place. They all work together to bring the experience of the envisioned dimension to the other essences —and at some point, they also choose, themselves to interact, as a focus, fully part of their created dimension.
Having that in mind, would it not seem natural that you would integrate more functionalities to these sites, if they respond to the promises of keeping focuses interested? What you call “upgrades” are in fact a major part of the conception of these dimensions, and occur quite frequently, either driven by popular demand, or by technical need.
Such is the nature of the shift you are experiencing, which is above all a tremendous upgrade [of mass beliefs] towards a more integrated experience, without simply dropping the current dimension for another.We would finally like you to notice also that even if the biggest of these dimensions are calling for a great part of your attention, you also are attracted daily to countless others, little sites and areas, the purpose of which is different, but not less significant to your whole self.
In reply to: The Eights’ Shift, Stories
I ache all over… arrrrgghhhhhhhh Aspidistra was complaining on the phone all the while being intrigued by Harvey’s positively good mood.
“Oh you know,” Harvey began to tell her “the secret of the hyper-mel mode (a.k.a. “HMM”) is to be happy and screaaaaaming at the top of your lungs all your merriness no matter whut.”
“And of course,” he added, “punctuating it with occasional profuse weehooes (and some wheehoees now and then).”“Woa… I will need more coffee for that” she said yawning while Harvey was continuing “and put your hands in the air, your fingers mimicking stars glitter! Wheeeha katcha twinkle twinkleepooh!”
“Oh, don’t mention hands, I dropped the milk twice this morning” Aspidistra was distraught again.
“Owlright, and have you rejoiced on having milk spilled all over the goddess body?! Mmhhh? YES! YES!”
“And I’ve got arthritis in my thumb!”
“Uh-oh, arthritis… even better! rhymes with Weehooohees! … or giant squid… architeuthis!”
“Achy tits, yeah…” she moaned plaintively. “And all that milk spilled with my poor thumbies…”
“You see, you get the hang of it,” Harvey was bouncing “got to go dearee, spread the good joy,… see you soon! Weeee…”
And off he was, hanging on Aspidistra while her ears where still full of the echoes of weehooees.
In reply to: The Eights’ Shift, Stories
The poor Peaslanders were utterly disoriented by the blatant lack of sense in the Eighth Dimension. It was such a blessing they had for most of them already lost their head, kept safe by a dear member of the family.
Once in front of them, the glowing figure uttered ominously:
“opened everyone eye ball,
Worserversity nonsense portal deep
sheila Elizabeth bird gone surprise
come speak thread
face cat Godfrey later create”And then the figure disappeared in a fit of oink oink’s.
“I think it’s her shoes that make the strange sucking sounds in the mud” aptly remarked little Pickel.
“How come you know it was a ‘her’, it could have been a cloud as far as I know…” retorted Autie Toot who never got a chance to get a good look, with her head upside down in her arms.“Silence!” ordered Pee Stoll more raucously than he had wished to “We need to concentrate! This riddle may be the clue to the plague of blubbits, can’t you see?!”
“Well… It’s not that easy, you know” Auntie Looh objected sheepishly, while still struggling with her garments as well as with her head.“I think it’s fairly simple” ventured S’illy (whom nobody ever listened to, probably owing to her tender age as well as her melodious voice) “We got to find the Worseversity, they probably have worked on a cure; our contacts there will be a sheila called Elizabeth… and a Godfrey will provide a cat to eat the bird and put us back to our dimension…”
“Darn riddle!” sweared Pee furiously who hadn’t paid any attention “It’s probably just another bunch of nonsense!”
“I guess we’ll just go anywhere then!” merrily suggested the Aunts each going in opposite directions while the bird rolled its eyes.In reply to: Strings of Nines
While Malvina had been enjoying the fishy delicacies of Olliburthon, she had gathered again a sense of purpose.
“Not quite yet, but working on it…” she snapped at Leörmn, who was always quick to point out what wasn’t quite actualized. “You see, it is merely a matter of concentrating and soon it’ll be. Anyway, the fish is good here; look at those divinely prepared dishes! Leo would have loved them.”Leörmn wasn’t very concerned by the seeming (he almost thought “seaming” in another probability) lack of direction of late errands, as he was well aware they all served a purpose. Oh, he knew that very well indeed, so very well… — but bugger if he could explain what said purpose was. Of course he, like any dragon of his age, could have easily said, if the proper motivation, question or else had prompted him to investigate further. But in its own nature, a dragon wasn’t inquisitive. He was accepting, for all that is before him, is all that is.
So when the idea germinated inside Malvina’s head, he already knew it would lead to a manifestation of some form, sooner or later.
So how could he have been surprised when she told him.“You could at least play a little surprised!” she said “Doesn’t it sound fun and exciting to have our own Temple of Flove?”
“I hope it won’t smell too much of fish, or you may repel your patients…”
“Don’t be silly, we can’t be doing that here, you know that much better than I do!”
Leörmn cracked a smile, knowing indeed very well where this would all lead.
“And I will have a lovely white embroidered gown to officiate” Malvina was unstoppable “with pearls and shiny moonstones…”
“Oh, of course, and rubies for the boobies” Leörmn couldn’t really remain serious.
“That’s an idea!” Malvina was so enthralled she wasn’t really paying attention. Tomorrow she would bid farewell to Kalliona’s lovely company and Olliburthon charming gastronomy, and set her new journey’s destination to the Land of her ancestors, near the Great Lake of Umphillax, where her journey started, long before she even met her sisters.“Tally-oh!” Leörmn cheered, loving the way magic could make packing and unpacking so easy.
In reply to: The Eights’ Shift, Stories
Fwick con Troll, one of the great Wartlocks of Mungibbs, was quite preoccupied with the situation. This sudden abundance of blubbits was no doubt an evil craft at work.
Fwick wasn’t extraordinarily enthralled at the Majorburgmester’s idea to send someone through the Eight Portal, as for one, it was quite an antiquated piece of technology which had not been used since the Great Influence of Haitian Henwan, and second, people from the eighth dimension weren’t really easy people to follow.
Shaped as a big eight, the portal also had some secondary effects of twisting one’s minds into loops of endless wonderment and bedazzlement. Surely no New Pealander in his own mind would dare succumb to these effects so alien to their culture.Nevertheless, he was a bit short of ideas, as most of his spells had failed miserably at evicting the thriving blubbits. He was lost in these thoughts when a frantic barking resounded at his door.
In reply to: The Eights’ Shift, Stories
Ann was savooring a coughee with Lavender and Phenol. It was certainly not easy to follow a conversation when you were coughing all the time after a sip of coughee but it was quite savoory and tasty, and Flove knows why it was soo expensive.
Phenol was one of those students at the worserversity with acne and he or she wouldn’t allow another person to see his or her real face. So maybe for convenience only we can call him or her: IT.
It was the only moment you could hear a sound coming out of ITs hood, during thoose coughee sessions it was hard to keep completely silent.
Ann was very curious though, and it could be the only reason that she kept asking Phenol to come. She was still in search of clooes about that when a man arrived.He was wearing a black hood and speaking with that particular raucous voice you only hear in movies… She got the chills and asked him to join their company. Lavender rolled her eyes because the man with the raucous voice stepped on her right foot. Not that she suffered much, because she couldn’t feel her right leg since that accident a few years ago.
The man ordered a coughee with croombs and stayed there, saying nothing. That was not unpleasant at all, since Ann was chatting and coughing, taking the coughs of the others as a yes or a no to her questions. At least an acknowledgment that she was heard.
In reply to: Strings of Nines
Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”
How very strange that he’d forgotten that. That brocolli was powerful stuff.
“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”
Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.
For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.
There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.
Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.
However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.
Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.
In reply to: The Eights’ Shift, Stories
Ann realized she was late for her Flimsy Unravelled Continuity Knowledge class. A couple of months late, in point of fact, as Worserversity classes had resumed two months previously.
“Where have you BEEN?” Lavender whispered as Ann slid as inconspicuously as possible into the seat beside her, while the professor at the front of the class was facing the blueboard.
“Do I know you?” asked Ann, with a puzzled expression. The girl beside her did look vaguely familiar.
“Oh how rude you are, Ann. Are you trying to be funny?”
“Oh no, not at all!” Ann’s eyes filled with tears.
Lavender frowned. It wasn’t like Ann to start blarting and blubbering in public. “What’s the matter?” she asked kindly.
“I’ve lost my memory!” exclaimed Ann. “I can’t remember a thing!”
“Oh, is that all,” replied Lavender dismissively. “I’d have thought you’d be used to that by now.”
“No, no, you don’t understand! I can’t remember anything at all now, it’s all gone, poof! Gone!” Ann wept and started to wring her hands.
“Well the first thing you need to do is stop that bloody snivelling and wipe your nose. Here” she said, handing Ann a tissue. “And the next thing you need to do is stop worrying about it, and just fake it until you get your memory back. Worrying about it won’t help, you must focus on the things you do remember.”
“But it’s all jumbled up and muddled in my head, I remember bits, you know? But I can’t fit them all together. I CAN’T FIT THEM ALL TOGETHER!”
“SHHH!” snapped Lavender. “Try not to draw any attention to yourself! I’ll help you, don’t worry.”
“You’re so kind” Ann smiled weakly. “What did you say your name was?”
“Lavender. My name is Lavender, and I’m going to help you remember. Just remember this, for now: what you can’t remember, don’t worry about, the important thing is to carry on. Just CARRY ON REGARDLESS, ok?”
“OK.” Ann sighed with releif. “What’s the Professor going on about?”
“The next assignment. We’re to read that cryptic old classic book Circle of Eights and try to decipher it.”
“Good greif! Nobody has ever managed to decipher that book!”
“You see?” said Lavender. “You can remember that! Well done, girl!”
In reply to: Strings of Nines
After her little escapade with Yimho, and then with Brennan, and then with Gormitohl, and with each escapade, a new home, new relationships and relatives, Malvina was starting to feel homesick. ‘Home’ wasn’t really any place of course, but we all know when we feel at home or not. And right now, the feeling was clear and loud that she wasn’t.
Not only that, but her selfless outpouring of love (which dear Arona always found slightly exaggerated for her tastes) had oftentimes put her in awkward situations.
People weren’t always aware that even though her love was given so strongly to all of creatures, it could be found everywhere, in every creature. Ancients called that stream viwre. The only difference with her and the others was that she wasn’t discriminating and her love was outpourring in every direction, regardless of the intentions of the receiver. And that could become a terrible power.Well, after all the traveling with her teal-coloured dragon Leörmn, and occasional visits from the young dragon breeder Irtak she felt more than ever the need to reconnect. It’s been too many years now, and the world of the (still) warring Kingdoms didn’t feel much of a better place. So there was still work to be done.
Of all people, she knew where to turn to.
It was too early to start her trip around the world to physically reunite with her sisters. A lifelong project which had strangely stalled ever since they started to mention it.
But she remembered Kalliona, a beautiful woman living south of the Marshes of Doom. She wasn’t really a woman either, but rather an E’elim of the woods, but she appeared as a beautiful woman to almost anyone.
She would help her realign with her path.“Leörmn!” She called “We’re packing!”
“To where, may I ask?”
“Olliburthon”
“Oh great… A stinking harbour now.”In reply to: Random RewrEights – The Del’Eights thread
Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.
We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.
Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.
In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.
“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”
In reply to: The Eights’ Shift, Stories
“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”
“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.
“Shh!” said Finnley.
“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.
“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”
“Tell me about it” remarked Godfrey drily.
The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”
“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”
Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”
In reply to: The Eights’ Shift, Stories
“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.
“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”
“Lost your thread, LizAnn?” inquired Gordon, smugly.
“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”
“Finish? Well, that will be a first.”
“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”
“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”
In reply to: Significant Random Quotes?
Mention of myopic and fishnets in the story, the day before I went on the laser eye surgery; on the metro, sitting right in front of us, a lady (speaking in English), with red glasses, a green and red flower patterned dress, and lime fishnets…
In reply to: Random RewrEights – The Del’Eights thread
Margaret reckoned she’d made a rather amusing essence, whose vibrational tone translated as the name Pigoosus. A dirty park littered with pigeons droppings had been so full that she had barely noticed the “ubiquitously absent” Finnley…
The inspiration to take a break from that strange coollage of magpies was full of surprises, indeed still in fairy land, apparently with some invisible being that she was considering working with. Hesitant at publishing her book, Finnley swore out loud at that Mr Arak, forcing her to work with Al.
Finnley was still wondering who this Al was. Perhaps he had a damn good coontract.
In reply to: Strings of Nines
New Venice, October 2117
Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.
Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.
Let me see… there were a few threads going on there, and all we need is untangle some of them…
She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.
As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).
Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.
Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.
So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.
She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?
In reply to: The Eights’ Shift, Stories
Unbeknown to the young Goldie, weeping at the Fluboat terminal in Gibbonsville….
(Ann had to laugh at the typo. She had just hard a joke about ‘catching swine flu’ being a code word for shagging a fat bird)
……there was another probable self of hers already at the Worserversity. Harvey Tater would recognise this other version of Goldie when he met her, and although he would be confused as to where she came from, or who she really was, or where he’d seen her before, he would sense a feeling of familiarity. By the same token, the Worserversity self of Goldie (who had been stolen by itinerant French potato pickers shortly after her birth, and renamed Pomme de L’Air) sensed the same feeling of recognition, but had no knowledge of her, er, roots, so to speak, or any of her other potatable selves.
In reply to: The Eights’ Shift, Stories
Though the more Ann thought about Monica, the funnier it seemed. Guilt was such a tiresome emotion.
“Fancy old Bronkel deciding to go for a sex change! I must have sensed something when I wrote him in as the crazy, brilliant, cross dressing Dr Bronkelhampton in the Island novel!”
She thought for a moment, “did I ever finish that novel?”
Ann sighed. What was she like eh! Always starting novels, never finishing them. No wonder old Bronkel, ahem, Monica, got so fed up with her.
Anyway, perhaps she would give Monica another chance as her pooblisher? He … she… was certainly much kinder and easier to deal with now. That Godfrey, or whatever the heck his name is, wasn’t doing much for her career.
The writer wondered again how to strike out text and correct the inadvertent slip into the Ooh dimension.
An idea for another novel was forming in the murky convoluted depths of Ann’s brain, something about a gorgeously cuddly big teddy bear man, with his unruly tumble of brown curls and his colourful FairIsle sweaters, who had flown the nest from a potato farm in deepest darkest Idaho to pursue his dream of being an Elsespace Guide at the Worserversity.
“Brilliant, Moonica will loove it!”
In reply to: The Eights’ Shift, Stories
Ann felt a bit guilty for being so rude to Monica, but it had made her laugh, so it was worth it. She had made it sound as if it was a big secret why she was feeling odd, but the fact of the matter was she wasn’t really feeling odd anymore, and was bored with talking about it.
As well, she was remembering what Walter had said to her (or was it Harvey? The gorgously cuddley big teddy bear man, with his unruly tumble of brown curls and his colourful FairIsle sweaters, who had flown the nest from a potato farm in deepest darkest Idaho to pursue his dream of being an Elsespace Guide at the Worserversity.)
In reply to: The Eights’ Shift, Stories
Lavender was a little peeved she did not win the trip to the Worserversity for her fine limerick. She was wondering if she may drop out of Gubby’s course and enrol in one of Prof Moosy’s underwater dolphin experiences.
In reply to: The Eights’ Shift, Stories
Ann sighed. She suddenly realized that she’d spent the summer time travelling, back to the Summer Before the Great Shift Trauma. She’d completely forgotten that the Worserversity was Post Shift. Oh well, she would write a historical account of The Times Before The Great Trauma Started.
“What Great Trauma?” asked Monica, who had been reading her mind again. “There was no Great trauma in MY shift experience.”
“Really?” Ann was momentarily puzzled. “There wasn’t in mine either.”
“If you’re going to write about trauma, you’ll have to make it all up.” Monica replied.
“Why would I want to do that?” Ann was still puzzled.
“For the fun of it?” Monica suggested.
“Oh yes, of course…for the fun of it…”
Ann was still puzzled.
