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In reply to: Random RewrEights – The Del’Eights thread
Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.
We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.
Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.
In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.
“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”
In reply to: The Eights’ Shift, Stories
“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”
“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.
“Shh!” said Finnley.
“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.
“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”
“Tell me about it” remarked Godfrey drily.
The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”
“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”
Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”
In reply to: The Eights’ Shift, Stories
“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.
“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”
“Lost your thread, LizAnn?” inquired Gordon, smugly.
“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”
“Finish? Well, that will be a first.”
“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”
“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”
In reply to: Significant Random Quotes?
Mention of myopic and fishnets in the story, the day before I went on the laser eye surgery; on the metro, sitting right in front of us, a lady (speaking in English), with red glasses, a green and red flower patterned dress, and lime fishnets…
In reply to: Random RewrEights – The Del’Eights thread
Margaret reckoned she’d made a rather amusing essence, whose vibrational tone translated as the name Pigoosus. A dirty park littered with pigeons droppings had been so full that she had barely noticed the “ubiquitously absent” Finnley…
The inspiration to take a break from that strange coollage of magpies was full of surprises, indeed still in fairy land, apparently with some invisible being that she was considering working with. Hesitant at publishing her book, Finnley swore out loud at that Mr Arak, forcing her to work with Al.
Finnley was still wondering who this Al was. Perhaps he had a damn good coontract.
In reply to: Strings of Nines
New Venice, October 2117
Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.
Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.
Let me see… there were a few threads going on there, and all we need is untangle some of them…
She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.
As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).
Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.
Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.
So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.
She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?
In reply to: The Eights’ Shift, Stories
Unbeknown to the young Goldie, weeping at the Fluboat terminal in Gibbonsville….
(Ann had to laugh at the typo. She had just hard a joke about ‘catching swine flu’ being a code word for shagging a fat bird)
……there was another probable self of hers already at the Worserversity. Harvey Tater would recognise this other version of Goldie when he met her, and although he would be confused as to where she came from, or who she really was, or where he’d seen her before, he would sense a feeling of familiarity. By the same token, the Worserversity self of Goldie (who had been stolen by itinerant French potato pickers shortly after her birth, and renamed Pomme de L’Air) sensed the same feeling of recognition, but had no knowledge of her, er, roots, so to speak, or any of her other potatable selves.
In reply to: The Eights’ Shift, Stories
Though the more Ann thought about Monica, the funnier it seemed. Guilt was such a tiresome emotion.
“Fancy old Bronkel deciding to go for a sex change! I must have sensed something when I wrote him in as the crazy, brilliant, cross dressing Dr Bronkelhampton in the Island novel!”
She thought for a moment, “did I ever finish that novel?”
Ann sighed. What was she like eh! Always starting novels, never finishing them. No wonder old Bronkel, ahem, Monica, got so fed up with her.
Anyway, perhaps she would give Monica another chance as her pooblisher? He … she… was certainly much kinder and easier to deal with now. That Godfrey, or whatever the heck his name is, wasn’t doing much for her career.
The writer wondered again how to strike out text and correct the inadvertent slip into the Ooh dimension.
An idea for another novel was forming in the murky convoluted depths of Ann’s brain, something about a gorgeously cuddly big teddy bear man, with his unruly tumble of brown curls and his colourful FairIsle sweaters, who had flown the nest from a potato farm in deepest darkest Idaho to pursue his dream of being an Elsespace Guide at the Worserversity.
“Brilliant, Moonica will loove it!”
In reply to: The Eights’ Shift, Stories
Ann felt a bit guilty for being so rude to Monica, but it had made her laugh, so it was worth it. She had made it sound as if it was a big secret why she was feeling odd, but the fact of the matter was she wasn’t really feeling odd anymore, and was bored with talking about it.
As well, she was remembering what Walter had said to her (or was it Harvey? The gorgously cuddley big teddy bear man, with his unruly tumble of brown curls and his colourful FairIsle sweaters, who had flown the nest from a potato farm in deepest darkest Idaho to pursue his dream of being an Elsespace Guide at the Worserversity.)
In reply to: The Eights’ Shift, Stories
Lavender was a little peeved she did not win the trip to the Worserversity for her fine limerick. She was wondering if she may drop out of Gubby’s course and enrol in one of Prof Moosy’s underwater dolphin experiences.
In reply to: The Eights’ Shift, Stories
Ann sighed. She suddenly realized that she’d spent the summer time travelling, back to the Summer Before the Great Shift Trauma. She’d completely forgotten that the Worserversity was Post Shift. Oh well, she would write a historical account of The Times Before The Great Trauma Started.
“What Great Trauma?” asked Monica, who had been reading her mind again. “There was no Great trauma in MY shift experience.”
“Really?” Ann was momentarily puzzled. “There wasn’t in mine either.”
“If you’re going to write about trauma, you’ll have to make it all up.” Monica replied.
“Why would I want to do that?” Ann was still puzzled.
“For the fun of it?” Monica suggested.
“Oh yes, of course…for the fun of it…”
Ann was still puzzled.
In reply to: The Eights’ Shift, Stories
The summer Holidays were nearly over, or the Hollow Days, as they were known to some. The last days of summer had been a bit hollow for Ann at any rate, rattling around inside her own head, not really knowing whether it was full or empty. Ann had spent most of the summer sleeping, and with virtually no dream recall, it seemed as if half of the summer was missing. Probably just as well, what with it being such an odd summer. She wondered if she would simply sleep through the shift, like Ned Young slept through the mutiny. Didn’t seem like such a bad idea.
“Normally” the Worserversity students started rolling back towards Poubelleville round about now, but the word “normally” was becoming obsolete. What was normal, what could be expected? Ann didn’t know. She packed her coloured pencils, her detachable hand and her wooden men, and fished out her homework assigments for the holidays that she had only just remembered.
Alliteration. Bugger bollocks and blast, blimey but what a bother, too bloody hot and bored.
That’s a bit bloody depressing, she muttered to herself, try another letter.
Sweltering summer of sweat and sand, sleeping and sleeping, sublime surruptitious snooze, sail away in the sunset swell, sunrise surrender, ships ahoy!
Fan the flames, far sighted fellows! There’s a flash in the funnel for fast falling fishermen. Far flung, fun fueled, oh fast fleeting fantasies, follow the folks with the flags! Flounder not, fresh fishies, for fun feels fantastic!
Ah, wallow in wisps of wordless wonderings, weather the winds of wandering whispers, while weighty wells of wishes work winsome wonders, woven with worn wool and worrisome white weathered windows. Whether we will, whether we won’t, who will win, what will work, will we watch it water the weeds….
In reply to: The Eights’ Shift, Stories
That unexpected call from the Dean had put the Fisherman in abyss of perplexity.
The fishes weren’t really his prime concern. He only needed to paint a little red nose on one of the cloud fishes to stir the others out of their unerratic routine.
The matter wasn’t really worth his coming back to the Worseversity, but he and the Dean knew better. If the fishes had snapped into that randomless routine, it was most probably a protective reflex to anticipate some trauma.Trauma hadn’t really been seen in ages —in fact, not even once since the Great Shift, which had been an orgiastic experience of trauma of all kinds for people prone to indulge into this emotional drug. The coincidence had not been lost on the two old men. Of all the Worseversity’s, there were very few true artifacts remaining from before the Great Shift; barely a handful of them. Most of the known artifacts were in actuality clever re-creations from older designs, but not the “real” thing. And for good reason actually; most of the laws of physics had changed since, and made almost all of the older designs broken and unusable.
The pool was hiding one of these few artifacts that had mysteriously gone through the Great Shift without decaying. Furthermore, this very artifact was quite old, and signed by the visionary architect Rumbold the Pale boasting in carved letters which had once been golden, now mostly erased by the passing of times: “The real game is only played whence it started”.
That fishy omen seemed so dire that it couldn’t help but put the Fisherman out of his lifelong passion questing for the great Trouts of the Universe.
In reply to: The Eights’ Shift, Stories
Gremwick was glad the Fisherman had come to repair the Cloud Fishes of the Inner Aerial Pool of the Worseversity.
It’s been a few days that he’d noticed an unusual lack of randomness in the swimming patterns of the little Cloud Fishes.
As they were usually used for the divination courses, no sooner was the issue identified than the students had to temporarily recourse to the use of pigeons for their assignments —which sadly left a stinking trail of devastation on the usually pristine marble floors that greatly infuriated Charity, the cleaning lady, otherwise known for her great patience and candor, who’d kept cursing like a sailor against the winged demonic creatures the last past weeks.The incident in itself was not of immense consequence in the grand scheme of things, but it felt worrisome for the Dean that these swimming creatures known for their quite reliable and, yes, totally unfloundering randomness had suddenly decided to adopt a monotonous pattern.
In that disposition, they were merely echoing the requester’s requests in a manner of a mirror instead of evoking strange and obscure meanings from the depths of the universe.It had amused the students very much, as it was making their assignments apparently far easier —there was no thing left in need of deciphering, unless the students’ requests were themselves incoherent, which could on occasion happen especially after the Special Crop Circle Lessons. As no incident was without meaning, the Dean had pondered this one, but without any satisfactory answer as of yet.
At least, it had been the occasion to meet the Fisherman, and to ponder on the plainness of a world without unpredictability.
In reply to: The Eights’ Shift, Stories
“To be perfectly honest dear, I wouldn’t be very outwardly lovely if I were to be honest.”
“Another of your convoluted ways to say it’s rubbish” Lavender said with a smile “But that’s fine, you know. It’s also meant as a test of honesty… And as I’m not sure you heard it properly anyway, a little honesty wouldn’t have hurt you know.”But it seemed Harvey’s attention had already gone somewhere else. “Are you even listening to me?” Lavender said with a lovely voice practicing the delicate guttural accents of Sloopernoff, snapping back Harvey’s attention to the conversation.
“Oh, you were speaking… I’m sorry, I’m starting to worry that Ann’s narcolepsy is contagious.”
“Always the worrywort…”As they were talking surrounded by the soft dusty specks of the library (which every time annoyed Lavender quite extensively, as she wasn’t so fond of the taste of dust bunnies and didn’t see with the same eye as Ann the archaeological value of burying useful things in dust), Gremwick the mad Dean of the Worseversity passed by with a yellow sticker stuck to the back of his trench coat.
“Looks like mad old Gremwick isn’t doing so good recently hey… Seems like he was droning about taking the students’ courses to check on their quality last time we heard of him…” Lavender looked empathetic.
Harvey was smiling “If you ask me, he might just be wanting to know if the rumor of Prof Gubby’s nine nipples were true or only sheer fantasy”
“I wonder which perverted mind’s fantasy it could be” sighed Lavender unimpressed.In reply to: The Eights’ Shift, Stories
Meanwhile, Pr. Gub was preparing her new course in Artistic Making of Interdimensional Bleedthroughs (AMIB for short), which her alien origin made her extremely entitled to teach. The course was more commonly known as “Crop Circle Making” inside the Worseversity, and was quite a hit every year (and one could believe not only because of the mistaken association of ‘Crops’ with Special Crops
), so that only the most motivated and creative students could enlist.Aaeiulie Gub’s new design was done. Among copious sacred and profane geometric, she had chosen for it the overall shape of her favourite animal on this planet, a glaring glamorous owl. Now that the design was almost done (there was always a little leeway for improvisation every time, especially when the farmers wouldn’t like it), they would gather in one of the serene spots of the Worseversity’s park to manifest it in other dimensions…
In reply to: The Eights’ Shift, Stories
Professor Gub smiled kindly at the young student. It was a common trait of the individuals in this dimension that they needed endless repetitions of information before they could assimilate it, and Prof Gub assumed that this was simply another example of the density of the inhabitants. It hadn’t occured to him that his words weren’t clear enough, as in his own dimension, the words were always accompanied by the clarity of the energy of the meaning behind the words.
“The assignment is to explain the symbolic significance of a statue of Walter Melon with pigeons sitting upon it. “ he explained. “Simple and profound, lengthy and convoluted, the choice is yours.”
Turning to Lavender, he asked “Are you understanding?”
“Oh yes, thank you, now I am” replied Lavender politely. The student sitting next to her, the enigmatic and dashingly handsome Dieter had helpfully passed her a note with Prof Gub’s words translated into plain English.
In reply to: The Eights’ Shift, Stories
“And anyone” continued Professor Gub “who hands in their assignment written in Slooperniff instead of English will be eligable for the draw for the trip to the Worserversity in September. Any questions?”
In reply to: The Eights’ Shift, Stories
Godfrey stood looking up the pigeons sitting on the statue of the Academy’s founding father, Walter Melon, pondering the symbology.
“What do you reckon the symbology of that is, Aaeiulie?” he asked his colleague, this years alien-Xchange visiting professor, Aaeilulie Gub, from the Worserversity in the Slooperniff Dimension.
“No idea, God, I’ll use this as my next class assignment, see what the students come up with. Anything else, or just the statue and the pigeons? Keep it simple, profound? Or convoluted but with lots of options?”
“Oh keep it simple, if I know those students, they will manage to convolute even the simplest ideas.”
“If they didn’t, we’d be out of a job” said the alien.
“We don’t call them ‘jobs’ anymore, we call them S.M.I.L.E.S, or Something Marginally Interesting, Lucrative & Enlightening.”
With a perfectly straight face the alien replied “What rubbish.”.
In reply to: The Eights’ Shift, Stories
Arona had no idea what dimension she was in. Or indeed, whether she was where she was at all. Oddly enough, and it was not often now that Arona found anything odd, she was finding the experience rather freeing.
“Weeeeeeeeeeeeeeeee Hoooooooooooooooooo” she shouted, and holding her arms wide open, began to whirl joyously around, till dizziness overcame her and she landed in a heap on the ground. She expected to land in a heap on the ground in a soft meadow with pretty spring flowers, but to her consternation realised that she had landed on what felt like polished concrete. She was even more concerned when she realised that she had a large audience watching her with interest, although at that stage all she really took in was a sea of feet around her. On further inspection she appeared to be in what looked like an enormous building full of shops, and, shoppers.
“Are you okay?” A kindly gentleman asked her in a concerned voice. At least that is what Arona thought he said. Although the words were familiar, the accent was strange, and not one she had heard before.
“I am fine, thank you,” replied Arona, trying her best to appear composed and rise gracefully from her sprawled position all at the same time. She must have looked convincing because, after a few more curious looks in her direction, the crowd began to disperse.
Good Grief, where am I now? she wondered. Determined not to be alarmed and to go with the flow, however rapid that flow may be, the intrepid Arona set off to explore her new surroundings.
“Wait!”
Arona looked around. It was the strangely spoken gentleman who had first offered assistance. He was brandishing a book towards her.
“Take this book. It is no good for me.”
Arona hesitated. The last time she had heard those words she had ended up with a funny little baby to look after. The man was insistent though, so, thanking him politely Arona accepted the gift.
“Hmmmm, How to Write Fiction, how very peculiar!” Flipping it open randomly she read:
[Random Words Epigraph] Step One: Randomly choose 5 entries from your dictionary. Just flip through the pages, close your eyes, and put your finger down on the page. Copy down the word that is closest to your finger. If your finger lands on a word that you don’t know, you can choose the word just above or just below it. For the purposes of this assignment, count paired words as a single entry (for instance, “melting pot” is listed as a single entry). Step Two: Shape your list of dictionary entries into a poem or story, using all of the entries.
“bugger that,” snorted Arona.
