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In reply to: Circle of Eights, Stories
As soon as Anadron noticed the signal, he sent an energy thread to his friend Goldarny. The whole community was buzzing in the collective innernet of Asaris, the signal couldn’t have been clearer. It was one of the legendary devices sent to this world a few centuries ago. There were originally 9 of them. One had been broken or “lost”. The eight other devices had been silent for many years, and the Asarisi had thought the knowledge of these devices had been lost by the inhabitants.
Among many collective threads and more private ones, Anadron and Goldarny were exchanging energy.
The device had been lost for so many years that the Council had suspended the explorations to this world many years ago. Following the Salitre Massacre, their policy was if they were not contacted first they would not interfere. One of the eight remaining skulls had been almost activated for communication. Not quite yet. So they would not send anyone.
Both friends were thinking the same thing. Andrimiñ was currently away in another dimension, one with many portals… could he loose his way home? They were both quite novice at these explorations and they were indeed curious, very curious.
What was considered a green star was shining upon the land of Nerumyil, giving the purple sand of the beaches some shimmering magpie shades. Falghrus had been observing the human since one of the Daughters of the Sea had brought him here. He couldn’t see any reason for her action… The Zentauras were discrete and respectful creatures… mostly respectful of one’s position in the society, and Falghrus was not one of the few Ambassadors of his People. Interfering would have been very misplaced. All he could do was send a magpie to alert the Council, and it would decide the right thing to do.
One of his first reactions would have been to kill the man. None of them was allowed in this territory. Nerumyil had been hidden to their perception long ago. If that creature of the Sea hadn’t brought him here, he could never have reached the beach on his own. He had respected his position until now, though he had tried to dissuade the man to stay longer with his mental abilities. He was one of the Gatherer, but he had a few skills that he could have developed if he had chosen the path of a Healer.
But that creature again had warned him, almost breaking the rule. The man was under her protection.
The beach was a neutral territory. Between the Land and the Sea, no soul should be harmed. This was usually respected between the Zentauras and the People of the Sea. The humans were not part of this rule. And Falghrus had them in particular distaste.This one seemed quite weak. He would have helped him end his suffering without the protection she had decided to accord to him so graciously. But he won’t stop his observation… he would find a way.
In reply to: Circle of Eights, Stories
Instantly Elizabeth regretted her spikey, voodish behaviour and scrambled to retrieve the telepooh. Her mother was Vood by nature, a particularly dysfunctional personality type, and Elizabeth had struggled all her life to avoid similar behavioural patterns. Her friends, and certainly her ex-husbands, would say perhaps with only partial success.
Apologies Bronkel, I was engrossed in my writing. How can I help you?
Bronkel appeared to be covered in bandages from what she could see of his upper torso, giving him the appearance of a rather odd mummy like creature. He was constantly searching for new beauty treatments to extend his youthful goodlooks, however at 167 years more and more desperate measures were being called for.
Elizabeth! Thank God, Where in Flork’s name have you been? he shouted at her. His pudgy, prouty little face was scrunched in peevish vexation. I can’t talk for long, I am on the Island for a month and the connection is flork. Where in the name of Fock is the story you promised me?
She could not find the words to reply to Bronkel. I wonder if I am mindblown? she mused. She had read of this horrible phenomenon, and seen the sad pictures of those thus afflicted. Poor wandering creatures, strange erratic behaviour, always travelling, always seeking. But for what? Hell on Dearth indeed. She shuddered.
It is getting urgent you know, spluttered Bronkel. Every day I am reading of new treatment centers opening for those undergoing crisis due to the prolonged absence of the Fickle Four in their lives.
She sighed, Pull yourself together Elizabeth, her bloodshot and tired eyes were drawn to the planetary horrorscope on the monthly calendar. Todays “Words of Comfort for the Descending” quotation was from the famous philosopher Lemone. She particularly loved Lemone’s ideas. Many considered him a nutter, a few thought he was a genius ahead of his time. For herself, she did not really know, only that his profoundly beautiful words offered a kind of solace or balm to her tortured soul at times such as this :
Sometimes it takes a single sniggly thorny path to go through to reach Elysian avenues much more efficiently ~ Lemone
Absolutely fantastic Bronkel, I think this is going to be the best novel yet! My God what an effort it took to say that, but for some reason Bronkel appeared to believe her and began to calm. Thank you Lemone, I could kiss you! she breathed an inward sigh of relief.
Poke its eyes out! screeched Robert X exuberantly.
A sniggly thorny path indeed, she thought, hanging up on Bronkel. She had fun using him and his island getaway for inspiration in her last novel. Fun, what happened to the fun? Is this what descended beings do, sit around in a dank, dusty office writing trashy novels?
She began nervously smoothing out pieces of paper and tried to decipher the scribbled notes; …big soup party …..pointy teeth like cannibals…..tribal wedding ….
Elizabeth put her head in her hands and groaned in abject despair. Twelve of the twenty mongoats fainted at the fearful sound.
In reply to: Circle of Eights, Stories
I wonder how delightful it may feel to become one with that butterfly, mused Franiel, his attention diverted from the job at hand as he followed the dance of a delicate white butterfly. He closed his eyes for a moment and merged with the creature, how free ! He sighed, trying somewhat reluctantly to pull himself back. Franiel had been sat there for quite some time now, supposedly engaged in the task of writing a short poem of 3 stanzas for Hrih, the Old One.
Of course there was no pressure. Yet in his desire to please, Franiel felt it as such. In his dreams of the previous night Hrih had visited him. He had offered Franiel a golden crown, a silver goblet filled with sweet nectar, and a jewelled sword. Choose! commanded Hrih. Franiel had chosen the goblet and drank thirstily from it, and yet he had felt that Hrih was not pleased with his choice, and upon wakening Franiel had felt a strange uneasiness.
Franiel had not been trained in the way of the pen, and he knew his words would be clumsy. He had been raised in a poor home, where words were not considered to be of much value other than to instruct him in his tasks, or berate him when those tasks were not completed. Being a dreamy child, this had often been the case.
He wished he could harness the power of words and use them to soothe and caress, to create beauty even, he thought, gently running his finger over the plain wooden table where he was seated.
Well for now he would not worry what form his words should take, for it was enough of a task even to know what his highest truth might be!
My highest truth .. my highest truth, … how many times now had he said these words, hoping perhaps if he repeated them enough the gods might take pity on his for his ignorance and provide an answer. How could he possibly know his highest truth? The very concept of such a thing perplexed him.
Day was turning into night before Franiel finally laid down his pen. In the end his words were simple. He sighed, saddened by the thought that they would surely be a disappointment. The best I can hope for is that the Old One will see these words as nothing more than a doorway to my soul. Hrih was wise, Franiel knew this, and trusted the decision of the Old One.
It was in the hands of the gods, for surely if I can’t trust this at least, all my fine talk and learning is for nothing.
I am the driftwood
the wave carried me
I was buried in sandI am the flower
the butterfly touched me
I fell in loveI am the raindrop
the cloud released me
I became the oceanIn reply to: Circle of Eights, Stories
Juan was getting more and more annoyed at his daughter’s boyfriend. A good for nothing who was lazy as a pig.
Paqui was caring for him, and always finding him excuses. Meanwhile, all that Claudio was able to do was to sit in front of the TV and watch the sports channel.More than once, Juan had been close to burst into a fury and throw the parasite out of the house, but Paquita was so enamored with him that he did nothing out of compassion for his daughter.
If only she could see her own beauty, she wouldn’t stick with such a bum.
Her acne had started at her puberty, and it was like she used it to hide herself… Many, and crazy Josefina too, God bless her poor wretched soul, thought it was such a good thing that she had found someone to love her despite her face full of pimples, but that was all rubbish.The pig was out of town to run in a rallye, and that was providing some respite for them all. God knows where he got the money for these expensive entertainments, petty trafficking, most likely… At least, that had left Paqui some clearance to reacquaint herself with her family and with her cousin Joselito, without being shut up at every turn of the conversation by Claudio…
In reply to: Circle of Eights, Stories
Apparently Becky burst out when she saw Sean… poor Sean, Sam thought a moment… but he joined her in her laugh and he felt something very intimate happening between them.
Sean took Becky’s hand and she blushed, she was looking straight in his eyes.
Then Sam saw the most beautiful energy exchange, a loving energy shared between 2 soul mates… as he was a dispersed essence, Sam was feeling naturally the exchange as if he was part of it… he just kept his focus on himself not to disturb this expression of pure and intense love…
Sam felt that Tina and Al were also aware of what was happening.
That was in energy… physically, Becky burst out laughing again, Sean was smiling.
— How about entering that new T.R.A.P. asked Tina?
In reply to: Synchronicity
About Yurara Fameliki (comment # 220)
Yurara (ゆらら の月 Yurara no Tsuki)
Yurara Tsukinowa is a quiet girl who can see spirits and sense their emotions. Not wanting to seem abnormal, she hides her secret until she meets Mei Tendo and Yako Hoshino, two guys who use their spiritual powers to ward off vengeful spirits. The dormant guardian spirit in Yurara arises and a strong-willed beauty with the power to release souls emerges.
In reply to: Circle of Eights, Stories
The Assassin was already in the room when Baul came in… Baul wasn’t sure if he would have prefered him not to be here so he could himself gather his mind. But he was well used to camouflage his feelings and inner struggle and his face was quite smiling, as usual.
Looking at the Assassin’s face, Baul was feeling very uncomfortable, he almost winced… the bluish glow of the dagger tatoo on the forehead of the man was quite disgusting. Baul kept smiling though, he wouldn’t dare show his own weakness to anyone, especially an Assassin. His eyes were piercing his soul, if Baul had believed in such thing he would have run away, but he didn’t believe in anything except himself and the power of money.
As the Assassin was never talking first, Baul presented his offer putting the object he had brought on the table.
— Open the chest. You’ll find your paiement inside.
Ar’Am Khra was waiting, still gazing sharply at Baul, making him feel even more uncomfortable.
The Assassin was quite impressed with how the man Baul could master his own reactions, and though he was quite intrigued by what his client had brought, he wanted to play for a few moments. With a very slight movement of his eyebrows, so slight one wouldn’t have notice, he managed to add an irritation in his look. He saw the movement of fear in his client’s face, but still it was so subtle he could have imagined it. Baul pushed the chest toward the Assassin, a bit nervous, but he could …. a sudden thought came to his mind, wandering like a Strokgnutch in a henhouse. He swallowed imperceptibly… Had someone already put a contract on his head? He managed a smile as he was opening the chest for the Assassin.
This Baul was quite impressive. Ar’Am Khra had known what he was thinking as though he could read his mind.
He lowered his eyes to look at what was in the chest. He really desired being surprised by his clients, and this one had never failed to surprise him…
Once again…
Baul was surprised as the Assassin wasn’t showing any hint of the slightest emotion at all… Would he show anything else than disdain even once!?
— A glubolín
In reply to: Talks on the latest Instalments
http://www.north-of-africa.com/article.php3?id_article=418
This might be a better link for the comment about the connection between Egypt and Tuaregs
as well as the Egypt connection :
At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.
I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….)
~~~~~~~~~
AND: The Tassili n’Ajjer
…..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……
There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).
(this reminds me of Oversoul Seven! # book by Jane Roberts)
Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”more:
http://www.philipcoppens.com/tassili.html
~~~~~~~~~~~~~~~~~~~~~
ENORMOUS CATS??????
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
In reply to: Circle of Eights, Stories
In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…
It said:
I’ve been wandering through the valleys of death
Where time knows no ending and all is gray
And shadows seek nothing but oblivion itself
In mazes of mist, minds’ errands led astray…Perhaps it was time to let go of useless things, Bill thought to himself.
He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.
Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.
She had giggled at his surprise, telling him that yes, she was catching up with him…
The City, year 2255
Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.
It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.
Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.
When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.
Then she opened her eyes.
She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.
— Good morning!
— Good morning Cyprus, you wanted to say something to me?
— In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
— Yes, I thought so. Is it about what I am choosing to do as an activity?
— Correct.
— You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
— Yes, I am aware. And you wanted me to highlight some misconceptions about that.
— Oh, misconceptions?
— Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
— It feels like a tremendous responsibility.
— It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
— OK, I will do that…
— Ahaha, there is another thing, my dear.
— Oooh…
— You also wanted me to make sure you understood what I meant.
— Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
— Nothing is hidden from you, as always.So Janice took a look at the sheet of paper on top of her own school desk.
— I’ll be around if you need me, reassured Cyprus.
— Thank you, said JaniceThe paper was like a spot test, with a few questions on it.
Study on a Few Contradictory Beliefs
1. GUILT
a. An old lord has lost contact with his son, because of harsh things said in the past.
Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.
b. Detail the main beliefs you can see associated with this action of guilt.
2. FEAR
a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.
Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.
b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.
DUPLICITY
In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.
Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.
Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.
In reply to: Circle of Eights, Stories
Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.
So what shall we make now Mandrake? Something we both like maybe?
A fish perhaps? suggested Mandrake
Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.
Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!
Some milk for me, said Mandrake
Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.
Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.
Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.
The glass ball was now filled with a miniature world of sand objects.
Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.
Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.
Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.
She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on
In reply to: Circle of Eights, Stories
When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.
— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest… — Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?
Tina was taken aback…
— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway? — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?
Quintin had answered distractedly, as he was engrossed by his last painting…
Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.
She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…
— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…Wow he had thought, she can really see.
Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.
The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…
— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).
Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.
Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.
The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…
Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.
Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.
She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…
She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.
When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.
Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.
This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.
She started to move again, de-focusing, past the lazy honey drops.
The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.
In reply to: Circle of Eights, Stories
Cuthbert woke up with a start, and called for Nanny Gibbon. What a horrible nightmare he was having!
CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.
Cuthbert trembled and checked his hands. Phew! they looked normal.
GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.
Nanny I just had an awful dream! Cuthbert clutched Nanny Gibbon’s dressing gown, and shuddered. There was this madman, Nanny, by a river, and he kept shouting about an evil hand….
There, there, Bertie, it was only a dream. How about a nice piece of Manon’s Yorkshire parkin and a cup of cocoa?
In reply to: Circle of Eights, Stories
Everywhere Jadra went he could feel hostile eyes upon him. He knew why of course; he knew they were jealous because he had been favoured by the Gods. So he kept his hand safely hidden, wrapped in his shirt
Jadra had a plan. He put his shirt back on and pulled the sleeve on the left arm down as far as it would go, till his left hand could no longer be seen. He modelled a new hand roughly out of twigs and plants and walked to the river. On the way he shouted at the top of his voice CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.
After shouting such sentiments till his voice was hoarse and he knew he had drawn sufficient attention he threw the hand in the river. He had cunningly weighted the hand with pebbles he had found in a cave so it would sink to the bottom of the river.
GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.
HA! He thought, tremendously pleased with himself for executing such a perfectly clever plan. That should throw the evil hounds off the scent of Jadra Iamamad.
He felt he was not far from the cave now.
In reply to: Circle of Eights, Stories
William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.
The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.
The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.
But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.
It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.
« Suffering is not good for the soul, unless it teaches you to stop suffering. »
He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.
The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.
Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.
But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.
Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.
— Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.
— Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…
Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.
— Oh… said Bill who did not expect them to come back so quickly.
Appendix: The Wrick family tree
