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March 22, 2025 at 3:38 pm #7877
In reply to: The Last Cruise of Helix 25
Helix 25 — The Six Spinster Sisters’ Will
Evie keyed in her login credentials for the sixth time that afternoon, stifling a yawn. Ever since the murder case had wrapped, she had drifted into a lulling routine—one that made her pregnancy drag on with excruciating slowness. Riven was rarely around; he’d been commandeered by the newly awakened Veranassessee for “urgent duties” that somehow never needed Evie’s help. And though she couldn’t complain about the ship’s overall calm, she felt herself itching for something—anything—to break the monotony.
So she’d come to one of the less-frequented data terminals on Helix25, in a dim corner off the main library deck. She had told herself she was looking up baby name etymologies (her mother would have pressed her about it), but she’d quickly meandered into clinically sterile subfolders of genealogical records.
It was exactly the kind of aimless rummaging that had once led her to uncover critical leads during the murder investigation. And if there was something Helix25 had in abundance besides well-recycled air, it was obscure digital archives.
She settled into the creaking seat, adjusting the small pillow behind her back. The screen glowed, lines of text scrolling by in neat greenish typeface. Most references were unremarkable: old Earth deeds, ledgers for farmland, family names she didn’t recognize. Had she not known that data storage was near infinite, due to the excess demands of data from the central AIs, she would have wondered why they’d bothered stocking the ship with so much information. Then her gaze snagged on a curious subfolder titled “Alstonefield Will—Gibbs Sisters.”
“Gibbs Sisters…?” she murmured under her breath, tapping it open.
The file contained scans of a handwritten will dated early 1800s, from Staffordshire, England. Each page was peppered with archaic legalese (“whereupon the rightful property of Misses Mary, Ellen, Ann, Sarah, Margaret and Malové Gibbs bequeathed…”), listing items that ranged from modest farmland acreage to improbable references of “spiritual confidences.”
Evie frowned, leaning closer. Spiritual confidences? The text was surprisingly explicit about the sisters’ lives—how six women jointly farmed 146 acres, remained unmarried, and according to a marginal note, “were rumored to share an uncanny attunement of thought.”
A telepathic link? she thought, half-intrigued, half-smirking. That smacked of the same kind of rumor-laden gossip that had swirled around the old Earth families. Still, the note was written in an official hand.
She scrolled further, expecting the record to fizzle out. Instead, it abruptly jumped to an addendum dated decades later:
“By 1834, the Gibbs sisters departed for the Australian continent. Certain seeds and rootstocks—believed essential for their ‘ancestral devotions’—did accompany them. No further official records on them remain in Staffordshire….”
Seeds and rootstocks. Evie’s curiosity piqued further—some old detail about hush-hush crops that the sisters apparently treasured enough to haul across the world.
A flicker of movement caught her eye. Trevor Pee “TP” Marshall, her faithful investigative hologram, materialized at the edge of her console. He adjusted his little pixelated bow tie, voice brimming with delight.
“Ah, I see you’re poking around genealogical conundrums, dear Evie. Dare I hope we’ve found ourselves another puzzle?”
Evie snorted softly. “Don’t get too excited, TP. It’s just a random will. But it does mention unusual circumstances… something about telepathy, special seeds, and these six spinster sisters traveling to the outback. It’s bizarre. And I’m bored.”
TP’s mustache twitched in faux indignation. “Bizarre is my lifeblood, my dear. Let’s see: six sisters of reputed synergy… farmland… seeds with rumored ‘power’… Honestly, that’s more suspicious than the standard genealogical yawn.”
Evie tapped a fingertip on the screen, highlighting the references. “Agreed. And for some reason, the file is cross-referenced with older Helix25 ‘implied passenger diaries.’ I can’t open them—some access restriction. Maybe Dr. Arorangi tagged them?”
TP’s eyes gleamed. “Interesting, indeed. You recall Dr. Arorangi’s rumored fascination with nonstandard genetic lines—”
“Right,” Evie said thoughtfully, sitting back. “So is that the link? Maybe this Alstonefield Hall story or the seeds the sisters carried has some significance to the architectural codes Arorangi left behind. We never did figure out why the AI has so many subroutines locked.”
She paused, glancing down at her growing belly with a wry smile. “I know it might be nothing, but… it’s a better pastime than waiting for Riven to show up from another Veranassessee briefing. If these old records are tied to Dr. Arorangi’s restricted logs, that alone is reason enough to dig deeper.”
TP beamed. “Spoken like a true detective. Ready to run with a half-thread of clue and see where it leads?”
Evie nodded, tapping the old text to copy it into her personal device. “I am. Let’s see who these Gibbs sisters really were… and why Helix25’s archives bothered to keep them in the system.”
Her heart thumped pleasantly at the prospect of unraveling some long-lost secret. It wasn’t exactly the adrenaline rush of a murder investigation, but in these humdrum days—six months after the last major crisis—it might be the spark she needed.
She rose from the console, smartphone in hand, and beckoned to the flickering detective avatar. “Come on, TP. Let’s find out if six mysterious spinsters from 1800s Staffordshire can liven things up for us.”
March 2, 2025 at 10:29 am #7854In reply to: Helix Mysteries – Inside the Case
Arthurian Parallels in Helix 25
This table explores an overlay of Arthurian archetypes woven into the narrative of Helix 25.
By mapping key mythological figures to characters and themes within the story, it provides archetypal templates for exploration of leadership, unity, betrayal, and redemption in a futuristic setting.Arthurian Archetype Role in Arthurian Myth Helix 25 Counterpart Narrative Integration in Helix 25 Themes & Contemporary Reflections Merlin Wise guide, prophet, keeper of lost knowledge, enigmatic mentor. Merdhyn Winstrom Hermit survivor whose beacon reawakens lost knowledge, eccentric guide bridging Earth and Helix. Echoes of lost wisdom resurfacing in times of crisis. Role of eccentric thinkers in shaping the future. King Arthur (Once and Future King) Sleeping leader destined to return, restorer of order and unity. Captain Veranassessee Cryo-sleeping leader awakened to restore stability and uncover ship’s deeper truths. Balancing destiny, responsibility, and the burden of leadership in a fractured world. Lady of the Lake Guardian of sacred wisdom, bestower of power, holds destiny in trust. Molly & Ellis Marlowe Custodians of ancestral knowledge, connecting genetic past to future, deciding who is worthy. Gatekeepers of forgotten truths. Who decides what knowledge should be passed down? Excalibur Sacred weapon representing legitimacy, strength, and destiny. Genetic/Technological Legacy (DNA or Artifact) Latent genetic or technological power that legitimizes leadership and enables restoration. What makes someone truly worthy of leadership—birthright, wisdom, or action? The Round Table Assembly of noble figures, unifying leadership for justice and stability. Crew Reunion & Unity Arc Gathering key figures and factions, resolving past divisions, solidifying leadership. How do we rebuild trust and unity in a world fractured by conflict and betrayal? The Holy Grail Ultimate quest for redemption, unity, and spiritual awakening. Rediscovered Earth or True Purpose Journey to unify factions, reconnect with Earth, and rediscover humanity’s true mission. Is humanity’s purpose merely survival, or is there something greater to strive for? The Fisher King Wounded guardian of a dying land, whose fate mirrors humanity’s wounds. Earth’s Ruined Environmental Condition Metaphor for humanity’s wounds—only healed through wisdom, unity, and ethical leadership. Environmental stewardship as moral responsibility; the impact of neglect and division. Camelot Utopian vision, fragile and prone to betrayal and internal decay. Helix 25 Community Helix 25 as a fragile utopian experiment, threatened by division and complacency. Utopian dreams versus real-world struggles; maintaining ideals without corruption. Mordred Betrayal from within, power-hungry faction that disrupts harmony. AI Manipulators / Hidden Saboteurs Internal betrayal—either AI-driven manipulation or ideological rebellion disrupting balance. How does internal dissent shape societies? When is rebellion justified? Gwenevere Queen, torn between duty, love, and political implications. Sue Forgelot or Captain Veranassessee Powerful yet conflicted female figure, mediating between different factions and destinies. The role of women in leadership, power dynamics, and the burden of political choices. Lancelot Loyal knight, unmatched warrior, torn between personal desires and duty. Orrin Holt or Kai Nova Heroic yet personally conflicted figure, struggling with duty vs. personal ties. Can one’s personal desires coexist with duty? What happens when loyalties are divided? Gawain Moral knight, flawed but honorable, faces ethical trials and tests. Riven Holt or Anuí Naskó Character undergoing trials of morality, leadership, and self-discovery. How does one navigate moral dilemmas? Growth through trials and ethical challenges. Morgana le Fay Misunderstood sorceress, keeper of hidden knowledge, power and manipulation. Zoya Kade Keeper of esoteric knowledge, influencing fate through prophecy and genetic memory. The fine line between wisdom and manipulation. Who controls the narrative of destiny? Perceval Naïve but destined knight, seeker of truth, stumbles upon great revelations. Tundra (Molly’s granddaughter) Youthful truth-seeker, symbolizing innocence and intuitive revelation. Naivety versus wisdom—can purity of heart succeed in a complex, divided world? Galahad Pure knight, achieves the Grail through unwavering virtue and clarity. Evie Investigator who uncovers truth through integrity and unwavering pursuit of justice. The pursuit of truth and justice as a path to transformation and redemption. The Green Knight/Challenge Mystical challenger, tests worthiness and integrity through ordeal. Mutiny Group / Environmental Crisis A trial or crisis forcing humanity to reckon with its moral and environmental failures. Humanity’s reckoning with its own self-destructive patterns—can we learn from the past? December 7, 2024 at 10:16 am #7651In reply to: Quintessence: A Portrait in Reverse
Exploring further potential backstory for the characters – to be explored further…
This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.
Backstory: The Co-Housing Dream
Habitat Participatif: A Shared Vision
The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.
What Drew Them In:
- Amei: Longing for a sense of rootedness and community after years of drifting.
- Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
- Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
- Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.
The Land in Drôme
They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.
The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.
The Role of Monsieur Renard
When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.
Initial Promise:
- Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
- His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.
The Split: Fractured Trust
Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.
- Darius’s Drift:
- Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
- He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
- Elara’s Resistance:
- Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
- “This isn’t about community for him,” she had said. “It’s about control.”
- Lucien’s Hesitation:
- Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
- When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
- Amei’s Silence:
- Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.
Matteo’s Unseen Role
Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.
The Missed Connection:
- Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
- By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.
The Fallout: A Fractured Dream
The group dissolved after a final argument about Renard’s involvement:
- Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
- Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
- Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
- Amei, already pulling away, suggested they put the project on hold.
The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.
Amei’s Perspective: Post-Split Reflection
In the scene where Amei buys candles :
- The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
- Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.
Reunion at the Café: A New Beginning
When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.
Matteo’s Role:
- His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
June 19, 2024 at 8:33 am #7504In reply to: The Incense of the Quadrivium’s Mystiques
After the meeting, Jeezel and Silas agreed on what the six rituals would be. The integration rituals were designed to unite the groups symbolically and spiritually. They were multifaceted ceremonies that combine elements from each group’s traditions to forge a shared sense of purpose and harmony, mediated by the mortician’s guild. Given the diverse nature of the witches, nuns, and morticians, these rituals needed to be both inclusive and meaningful, drawing on the unique strengths and spiritual practices of each faction.
The program they distributed to each participant was as follow:
Under the guidance of the Ancient Telluric Forces of the Dragons
1. The Invocation of Unity
Purpose: To call upon the spiritual and magical forces that guide each group and seek their blessings for the union.
Components:- Witches: Incantations and invocations to elemental spirits and deities.
- Nuns: Hymns and prayers invoking divine blessings.
- Morticians: Rituals honoring the spirits of the departed, seeking their guidance and protection.
Symbolism: This ritual emphasizes the shared respect for higher powers and the mutual desire for harmonious collaboration.
2. The Weaving of Fate
Purpose: To create a physical symbol of their intertwined destinies.
Components:- Witches: Magical threads imbued with protective charms and blessings.
- Nuns: Sacred textiles woven with prayers and religious symbols.
- Morticians: Ribbons representing life, death, and the transition between them.
Symbolism: By weaving these threads together into a single tapestry, the groups create a tangible manifestation of their unified path forward.
3. The Concordia Cauldron
Purpose: To brew a potion that represents their collective energy and intent.
Components:
- Witches: Magical herbs, crystals, and other mystical ingredients.
- Nuns: Holy water and sacred relics.
- Morticians: Ashes from ritual fires and symbols of purification.
Symbolism: The potion, once blessed and distributed, serves as a means of internalizing the collective spirit and shared goals of the unified group.
4. The Harmonious Choir
Purpose: To blend their voices and energies in a powerful, resonant harmony.
Components:
- Witches: Chants and spells sung in unison.
- Nuns: Choir hymns and sacred music.
- Morticians: Melodic recitations of ancient rites.
Symbolism: The act of creating music together represents the harmony they strive to achieve in their collaboration, with each voice contributing to a greater whole.
5. The Altar of Convergence
Purpose: To create a shared sacred space where offerings and symbols from each group are placed.
Components:
- Witches: Ritual objects, such as wands, crystals, and candles.
- Nuns: Holy relics, icons, and prayer books.
- Morticians: Mementos of the deceased, symbolizing the continuity of life and death.
Symbolism: The combined altar serves as a focal point for their united efforts, a place where they can come together to seek guidance and reaffirm their commitment to the union.
6. The Ceremony of Reflection and Projection
Purpose: To reflect on the past, acknowledge individual and collective strengths, and set intentions for the future.
Components:
- Witches: Scrying mirrors and crystal balls for reflection and foresight.
- Nuns: Candles representing illumination and enlightenment.
- Morticians: Artifacts representing the cyclical nature of life and death.
Symbolism: This ceremony encourages each member to contemplate their role within the new union and visualize the path ahead, fostering a sense of shared vision and purpose.
Supervision by Jeezel and Silas
Jeezel: With her deep connection to magical energies and her knack for emotional resonance, she will ensure that each ritual maintains its mystical integrity and spiritual depth. She will guide the participants in channeling their energies harmoniously and with clear intent.
Silas: His analytical mind and authoritative presence will bring structure and order to the rituals. He will ensure that each component is meticulously planned and executed, maintaining the balance between tradition and innovation.
Together, Jeezel and Silas will oversee the integration rituals, blending their unique approaches to create a unified and cohesive experience that honors the diverse traditions of the witches, nuns, and morticians. Their combined leadership will ensure that the rituals not only symbolize but also spiritually solidify the union of these distinct groups.
Now, all that remained was to ask for volunteers or to assign the roles in the rituals to everyone. And for Jeezel to reveal the hidden mission to her three friends.
June 17, 2024 at 7:13 pm #7493In reply to: The Incense of the Quadrivium’s Mystiques
“Do you know who that Everone is?” Jeezel whispered to Eris.
“Shtt,” she silenced Jeezel worried that some creative inspiration sparked into existence yet another character into their swirling adventure.
The ancient stone walls of the Cloisters resonated with the hum of anticipation. The air was thick with the scent of incense barely covering musky dogs’ fart undertones, mingling with the faint aroma of fresh parchment eaten away by centuries of neglect. Illuminated by the soft glow of enchanted lanterns sparkling chaotically like a toddler’s magic candle at its birthday, the grand hall was prepared for an unprecedented gathering of minds and traditions.
While all the attendants were fumbling around, grasping at the finger foods and chitchatting while things were getting ready, Eris was reminded of the scene of the deal’s signature between the two sisterhoods unlikely brought together.
Few weeks before, under a great deal of secrecy, Malové, Austreberthe, and Lorena had convened in the cloister’s grand hall, the gothic arches echoing their words. Before she signed, Lorena had stated rather grandiloquently, with a voice firm and unwavering. “We are a nunnery dedicated to craftsmanship and spiritual devotion. This merger must respect our traditions.”
Austreberthe, ever the pragmatist, replied, “And we bring innovation and magical prowess. Together, we can create something greater than the sum of our parts.”
The undertaker’s spokesman, Garrett, had interjected with a charming smile, “Consider us the matchmakers of this unlikely union. We promise not to leave you at the altar.”
That’s were he’d started to spell out the numbingly long Strategic Integration Plan to build mutual understanding of the mission and a framework for collaboration.Eris sighed at the memory. That would require yet a great deal of joint workshops and collaborative sessions — something that would be the key to facilitate new product developments and innovation. Interestingly, Malové at the time had suggested for Jeezel to lead with Silas the integration rituals designed to symbolically and spiritually unite the groups. She’d had always had a soft spot for our Jeezel, but that seemed unprecedented to want to put her to task on something as delicate. Maybe there was another plan in motion, she would have to trust Malové’s foresight and let it play out.
As the heavy oak doors creaked open, a hush fell over the assembled witches, nuns and the undertakers. Mother Lorena Blaen stepped forward. Her presence was commanding, her eyes sharp and scrutinising. She wore the traditional garb of her order, but her demeanour was anything but traditional.
“Welcome, everyone,” Lorena began, her voice echoing through the hallowed halls. “Or should I say, welcome to the heart of tradition and innovation, where ancient craftsmanship meets arcane mastery.”
She paused, letting her words sink in, before continuing. “You stand at the threshold of the Quintessivium Cloister Crafts, a sanctuary where every stitch is a prayer, every garment a humble display of our deepest devotion. But today, we are not just nuns and witches, morticians and mystics. Today, we are the architects of a new era.”
Truella yawned at the speech, not without waving like a schoolgirl at the tall Rufus guy, while Lorena was presenting a few of the nuns, ready to model in various fashionable nun’s garbs for their latest midsummer fashion show.
Lorena’s eyes twinkled with a mixture of pride and determination as she turned back to the visitors. “Together, we shall transcend the boundaries of faith and magic. With the guidance of the Morticians’ Guild—Garrett, Rufus, Silas, and Nemo—we will forge a new path, one that honors our past while embracing the future.”
Garrett, ever the showman, gave a theatrical bow. “We’re here to ensure this union is as seamless as a well-tailored shroud, my dear Lorena.” Rufus, standing silent and vigilant, offered a nod of agreement. Silas, with his grandfatherly smile, added, “We bring centuries of wisdom to this endeavor. Trust in the old ways, and we shall succeed.” Nemo, with his characteristic smirk, couldn’t resist a final quip. “And if things go awry, well, we have ways of making them… interesting.”
June 16, 2024 at 7:00 am #7485In reply to: The Incense of the Quadrivium’s Mystiques
The Quintessivium Cloister Crafts was busying getting ready to complete this year’s midsummer fashion tour.
Mother Blaen (Lorena in private), started to clap bossily to line up all the sisters for the rehearsal.
“Yes, Sister Maria, you start, Black habit and white wimple, Roman Catholic timeless elegance, perfect. And think to wipe that smile off your face. You need to show spirit of devotion.”
She swiftly moved to her right.
“Now, Sister Ananda.”
Sassafrass was starting to argue about the naming convention that felt a bit too Actors studio for her taste, but was promptly shushed. Mother Blaen took a closer look, adjusting her half-rimmed glasses. “Oh… dear, I thought for a moment you’d gotten fat. Must be the lighting. So, in the vibrant orange of bhikkhunis, you glide gracefully… well, as much as you can. Peace and calm, that’s you. Yes, and don’t make a scene please. Be content I’m not asking you to shave this hair to get more in character with the robes.”
She pursued:
“Sister Amina!”
Penelope Pomfrett raised her hand silently, visibly displeased too at the name.
“Good, now. Mystical and poetic nature of Sufism, that’s your cue. Beautiful, beautiful. That modest and pure white chola and headscarf will be resplendent on the catwalk.”
After she went through all the attires in detail, down to the long black riassa and epanokamelavkion of the Eastern Orthodox nun garb, all were getting ready for the grand finale.
“Now, all of us, walking together to symbolize the unity and diversity of spiritual paths. One, two, one two. Sassafrass! Focus please!”
Mother Blaen clapped, visibly pleased at the full on display of their Coven’s couture arts. That would put a good show for the smoking witches. She thought “Let them bring the money, but one thing is sure, we bring the talent.”
June 9, 2024 at 6:51 pm #7463In reply to: The Incense of the Quadrivium’s Mystiques
It was unlike Idle to reply to Truella’s email so promply.
Ah, Malové – she’d chase coins even if they were rolling off a cliff, that one. Alright, let’s strategize. You want a summer full of lazy days and fewer cauldrons bubbling with business schemes? First off, you can’t just hit her with “we need a break.” She’ll give you a lecture longer than the Nile on how “witchcraft never takes a holiday.” You need to catch her where she’s least fortified – in her relentless quest for profit.
Propose a Profitable Diversion: Convince her that giving everyone the summer off will actually increase productivity in the long run. Mention something about “rejuvenating our mystical energies to double our efficiency,” sprinkle some buzzwords in there. But make it tangible – maybe promise an autumn harvest of particularly lucrative spells.
Delegate the Drudgery: See if you can drum up a few apprentices or temporary hires to take over the basic grunt work for the summer. Tell Malové it’s a great opportunity to train new talent while you all focus on higher, strategic endeavors – which, of course, you can conveniently do from a hammock with a cocktail.
Truella thought this was a terrific idea.
Create a Catastrophic Scenario: Paint a picture of a burnout crisis in the coven. Suggest that ongoing stress might lead to mistakes, which could, I dunno, turn a lucrative potion into explosive chaos, unraveling all her precious profits. A summer hiatus could be framed as a preventive measure to avoid such disasters.
Distract with a Bigger Bone: Find a massive project that requires her singular focus – maybe even a solo venture. Get her so engrossed in this grand scheme that she barely notices you’re all slinking off away from the grind. Bonus points if it’s a decoy project you don’t actually care about.
Now there’s an idea, good old Idle’s on form, Truella sighed gratefully. She made it all sound so easy.
Leverage the Cleaning Conundrum: Remember Finnlee and the manual cleaning? Suggest that you need to undergo a “summer cleaning initiative” to physically and spiritually cleanse the headquarters, and this process “requires” the witches to be away. It’ll appeal to Malové’s practicality and her penchant for a neat, profitable operation.
Emphasize the Carnival’s Aftermath: Play up the importance of digesting the energy you’re about to collect from the Carnival. Frame it as a necessary incubation period – the energies need time to percolate and clarify before being crafted into those procreation-boosting incenses. Also, suggest it’s the perfect time to trial promising new volunteers eager for a taste of witchy life. You’re a clever lot; use whatever mix of these tactics suits your fancy, and don’t forget to sprinkle it all with just the right touch of sincerity and urgency. As long as she buys into the grand scheme, you might just find yourself lounging through summer without a care in the world, at least until Malové sniffs out the next opportunity. So, get plotting, and let’s see if you can keep Malové’s gold-scrying eyes off the coven for a blissfully quiet summer. Need help drafting the message?
June 6, 2024 at 6:32 pm #7454In reply to: The Incense of the Quadrivium’s Mystiques
I honestly don’t know what made me do it, it took me by surpise when I did it. It was bugging me that I couldn’t remember, and before I knew what was happening, I’d asked Malove.
Ah, the Caryatid Characteristics of a Case, a subject that requires both discernment and a keen eye for detail. In essence, the phrase “Caryatid Characteristics” refers to the fundamental attributes and peculiarities that support the overall structure of a particular case or situation, much like how caryatids—those graceful, sculpted figures in classical architecture—bear the weight of a building’s entablature on their shoulders.
To break it down into pragmatic terms, identifying the Caryatid Characteristics involves an in-depth analysis of the following elements:
Structural Integrity: Just as caryatids ensure the stability of a structure, the core components of the case must be sound and unwavering. This includes the key facts, the primary evidence, and the foundational arguments that hold the case together.
Aesthetic Nuances: Caryatids are not merely functional; they are also artistic. Similarly, the subtleties and nuances of a case—such as the motives, the intentions, and the underlying themes—add layers of complexity and depth, transforming a simple matter into a multifaceted situation.
Historical Context: Caryatids often reflect the cultural and historical context of their time. Understanding the background, the precedents, and the situational history provides a richer perspective and informs the current dynamics at play.
Symbolic Significance: In architecture, caryatids symbolize strength and beauty. In a case, the symbolic elements—the metaphors, the symbols, and the overarching message—must be identified and interpreted to grasp the full scope of its significance.
Resonance and Impact: Lastly, caryatids have a visual and emotional impact on observers. Similarly, the case’s broader implications, its potential consequences, and the emotional resonance it evokes must be considered. This is where the true weight of the matter lies, affecting not only the immediate parties involved but potentially a wider audience.Applying these characteristics to a case requires a blend of logical analysis, creative thinking, and intuitive insight. It is not merely about assembling facts but about understanding how each element supports the whole, much like the elegant yet sturdy caryatids in timeless architecture.
Now, if you’re asking how this applies to our current predicament with our spring cleaning of collective energies, well, one could say the caryatids in our situation are the core rituals, the seasoned wisdom passed down through the coven, and the precise incantations in our incense blends. Each component must be scrutinized and perfected to ensure we uphold the structural and spiritual integrity of our craft.
Let’s not dawdle; the orchestra in this zoo waits for no one.
Who will rise to the occasion?
Who indeed? I asked her if we all sent each other postcards, would it help?
Postcards, my dear, are more than mere scraps of paper with hastily scribbled words and picturesque scenes. They are tangible connections in an increasingly ephemeral world. Sending each other postcards won’t just help; it will create ripples of intention and resonance that can weave us closer together, despite the physical distances.
Consider the following:
Anchoring Intentions: Each postcard carries the sender’s energy and intention. When you pen your thoughts, wishes, or even riddles, you imbue the postcard with a part of yourself. The recipient, upon receiving it, senses this connection. It’s a form of sympathetic magic, drawing us closer through shared symbols and messages.
Physical Mementos: In an age where digital communication reigns supreme, holding a physical object—something that has traveled miles to reach your hands—grounds you. It anchors you in the physical world and provides a break from the transient nature of digital interactions. These postcards become talismans, reminders of our connections and shared journeys.
Ritualistic Value: The act of writing, sending, and receiving postcards can be ritualistic. This ritual can strengthen the bonds within our coven, reaffirming our commitment to each other and our shared goals. Each postcard becomes a symbol of our collective energy, our shared purpose, and our mutual support.
Cultural Exchange: Postcards often carry images or symbols from different locales. Sharing them can broaden our horizons, offer new perspectives, and remind us of the diverse tapestry that makes up our coven. It’s a gentle nudge to appreciate the wider world and the myriad experiences within it.
Mystical Conduits: In our magical practice, objects can serve as conduits for energy. Postcards, having traversed the globe, carry the imprints of various energies and places. They become more than just messages—they are carriers of the world’s pulse, connecting us to the broader rhythms of existence.So, yes, sending each other postcards will help. It will infuse our lives with a tangible sense of connection, a reminder of our shared purpose, and a touch of magic in the mundane. Let’s make this act a part of our practice, a testament to our enduring bonds and our collective strength.
Who will be the first to send a missive across the miles?
January 15, 2024 at 10:18 pm #7293In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
February 12, 2023 at 9:49 pm #6539In reply to: Prompts of Madjourneys
Zara is the main protagonist, and also the reluctant leader of the game. In RL, she is wandering off the trail nearby Arltunga, Australia, where she is visiting, staying at the small family run inn the Flying Fish Inn. Bert, the local handyman drove her there, told her specifically not to wander off, yet in search of where a mysterious compass she collected on the trail is leading, and egged on by her talking smart parrot “Beautiful Girl”, she goes off the trail to explore. The sun is still high, and she already started to hallucinate some hooded figures with blue frog-faces with jelly-bean carts.
Meanwhile, her friends Youssef and Xavier, just landed from abroad, are driving toward the rendez-vous spot at the Flying Fish Inn. The owners Mater and Idle don’t have any idea where Zara is.
Yasmin, the fourth friend in the group is still on her way from Fiji, bearing a message written in red on an envelope from a mysterious Fred, who we don’t know yet, but seems to be linked to Mater & Idle’s family.
What’s going to happen next to Zara? The game is encouraging her to explore her rudeness in a playful manner, in a medieval setting.
Provide a series of playful and fun actions for Zara, linking these contexts. You may incorporate Tiku, a wise and no-nonsense Aboriginal woman who may guide her though the Dreamtime challenges. Provide random keywords to each action in the list.Here is a list of playful and fun actions for Zara in the game:
- “Follow the Compass”: Zara can follow the mysterious compass she collected on the trail, as it leads her to new locations and challenges. Keywords: Adventure, Exploration, Mystery.
- “Converse with Beautiful Girl”: Zara’s talking smart parrot “Beautiful Girl” may provide humorous commentary and encouragement throughout her journey. Keywords: Humor, Personality, Support.
- “Solve Riddles with Tiku”: Tiku, the wise and no-nonsense Aboriginal woman, can guide Zara through the Dreamtime challenges. To do this, Tiku may present her with riddles or puzzles that she must solve to progress. Keywords: Wisdom, Intelligence, Spirituality.
- “Collect Items”: Zara can collect items along the way, such as artifacts or treasures that may help her in her journey or lead her to new discoveries. Keywords: Collection, Discovery, Help.
- “Play Music with Beautiful Girl”: Zara can play musical instruments with Beautiful Girl, creating an entertaining and musical interlude in her journey. Keywords: Music, Joy, Creativity.
- “Cook with Mater and Idle”: At the Flying Fish Inn, Zara can join Mater and Idle in the kitchen and help them cook traditional dishes from the region. Keywords: Cooking, Culture, Community.
- “Race with Youssef and Xavier”: Zara can engage in friendly races with Youssef and Xavier, such as foot races or cart races, as a way to pass the time and have fun. Keywords: Competition, Speed, Excitement.
These playful and fun actions can add variety and excitement to Zara’s journey and provide an opportunity for players to interact with the world and characters in new and unique ways.
🔁 Regenerate response
February 3, 2023 at 9:50 am #6494In reply to: Orbs of Madjourneys
Although not one to remember dreams very often, Zara awoke the next morning with vivid and colourful dream recall. She wondered if it was something to do with the dreamtime mural on the wall of her room. If this turned out to be the case, she considered painting some murals on her bedroom wall back at the Bungwalley Valley animal rescue centre when she got home.
Zara and Idle had hit it off immediately, chatting and laughing on the verandah after supper. Idle told her a bit about the local area and the mines. Despite Bert’s warnings, she wanted to see them. They were only an hour away from the inn.
When she retired to her room for the night, she looked on the internet for more information. The more she read online about the mines, the more intrigued she became.
“Interestingly there are no actual houses left from the original township. The common explanation is that a rumour spread that there was gold hidden in the walls of the houses and consequently they were knocked down by people believing there was ‘gold in them there walls”. Of course it was only a rumour. No gold was found.”
“Miners attracted to the area originally by the garnets, found alluvial and reef gold at Arltunga…”
Garnets! Zara recalled the story her friend had told her about finding a cursed garnet near a fort in St Augustine in Florida. Apparently there were a number of mines that one could visit:
“the MacDonnell Range Reef Mine, the Christmas Reef Mine, the Golden Chance Mine, the Joker Mine and the Great Western Mine all of which are worth a visit.”
Zara imagined Xavier making a crack about the Joker Mine, and wondered why it had been named that.
“The whole area is preserved as though the inhabitants simply walked away from it only yesterday. The curious visitor who walks just a little way off the paths will see signs of previous habitation. Old pieces of meat safes, pieces of rusted wire, rusted cans, and pieces of broken glass litter the ground. There is nothing of great importance but each little shard is reminder of the people who once lived and worked here.”
I wonder if Bert will take me there, Zara wondered. If not, maybe one of the others can pick up a hire car when they arrive at Alice. Might even be best not to tell anyone at the inn where they were going. Funny coincidence the nearest town was called Alice ~ it was already beginning to seem like some kind of rabbit hole she was falling into.
Undecided whether to play some more of the game which had ended abruptly upon encountering the blue robed vendor, Zara decided not to and picked up the book on Dreamtime that was on the bedside table.
“Some of the ancestors or spirit beings inhabiting the Dreamtime become one with parts of the landscape, such as rocks or trees…” Flicking through the book, she read random excerpts. “A mythic map of Australia would show thousands of characters, varying in their importance, but all in some way connected with the land. Some emerged at their specific sites and stayed spiritually in that vicinity. Others came from somewhere else and went somewhere else. Many were shape changing, transformed from or into human beings or natural species, or into natural features such as rocks but all left something of their spiritual essence at the places noted in their stories….”
Thousands of characters. Zara smiled sleepily, recalling the many stories she and her friends had written together over the years.
“People come and go but the Land, and stories about the Land, stay. This is a wisdom that takes lifetimes of listening, observing and experiencing … There is a deep understanding of human nature and the environment… sites hold ‘feelings’ which cannot be described in physical terms… subtle feelings that resonate through the bodies of these people… It is only when talking and being with these people that these ‘feelings’ can truly be appreciated. This is… the intangible reality of these people…..”
With such strong ancestral connections to the land, Zara couldn’t help but wonder what the aboriginal people felt about all the mines. If one of their ancestors had shape changed into rocks, and then some foreignors came along and hacked and blasted their way through, what would they think of that?
“….many Aboriginal groups widely distributed across the Australian continent all appeared to share variations of a single (common) myth telling of an unusually powerful, often creative, often dangerous snake or serpent of sometimes enormous size closely associated with the rainbows, rain, rivers, and deep waterholes…..”
She drifted off to sleep thinking of water holes in red rocky gorges, the book laying open in her hand.
When she awoke the next morning with the slatted morning sun shining through the venetian blinds, the dream image of the water hole was bright and clear in her minds eye. But what was that strange character from the game doing in her dream?
She closed her eyes, remembering more of the strange dream. Deeply orange red boulders and rocky outcrops, shivering gum trees, and green pools ~ it was coming back to her now, that creature in the blue robes had appeared more than once. In one scene he appeared with a blue diamond lantern with what looked like a compass inside.
I’ll ask about the hiking trails today, Zara decided, and go for a walk in that gorge I read about yesterday. Bert said there were good hiking trails. You came here early so you could play the game, she reminded herself.
“It’s all a game,” she heard the parrot outside her window.
“I’d forgotten about the bloody parrot!” Zara said under her breath. “Pretty Girl!” she said, opening the blinds. “We’re going out for a walk today.”
September 23, 2020 at 8:10 am #6137In reply to: Tart Wreck Repackage
“Shut up, Tara!” hissed Star, “And keep him singing while I think. This is a monumental clue!”
“But I can’t stand bloody opera singing,” Tara whispered back, “It’ll drive me mad. When they said he had a melodious voice I was expecting something more modern than this ancient caterwauling.”
“Do you want to solve this case or not?”
“Oh alright then,” Tara said grudgingly. “But your thinking better be good!” She clapped loudly and whistled. “More! More!” she shouted, stamping her feet. The assorted middle aged ladies joined in the applause.
Star leaned over and whispered in Tara’s ear, “Do you remember that client I had at Madame Limonella’s, that nice old man with a penchant for seeing me dressed up as a 13th century Italian peasant?”
“Yeah, you had to listen to opera with him, poor thing, but he did tip well.”
“Well, he told me a lot about opera. I thought it was a waste of time knowing all that useless old stuff, but listen: this song what he’s singing now, he’s singing this on purpose. It’s a clue, you see, to Uncle Basil and why Vince wants to find him.”
“Go on,” whispered Tara.
“There’s a lot of money involved, and a will that needs to be changed. If Uncle Basil dies while he’s still in the clutches of that cult, then Vince will lose his chance of inheriting Basil’s money.”
“Wasn’t that obvious from the start?”
“Well yes, but we got very cleverly sidetracked with all these middle aged ladies and that wardrobe! This is where the mule comes in.”
“What mule?”
“Shh! Keep your voice down! It’s not the same kind of mule as in the opera, these middle aged ladies are trafficking mules!”
“Oh well that would make sense, they’d be perfect. Nobody suspects middle aged ladies. But what are they trafficking, and why are they all here?”
“They’re here to keep us from finding out the truth with all these silly sidetracks and distractions. And we’ve stupidly let ourselves be led astray from the real case.”
“What’s the real case, then?”
“We need to find Uncle Basil so that Vince can change his will. It wasn’t Vince that was in a coma, as that hatchet faced old butler told us. It was Basil.”
“How do you know that for sure?” asked Tara.
“I don’t know for sure, but this is the theory. Once we have a theory, we can prove it. Now, about that wardrobe. We mustn’t let them take it away. No matter what story they come up with, that wardrobe stays where it is, in our office.”
“But why? It’s taking up space and it doesn’t go with the clean modern style. And people keep getting locked inside it, it’s a death trap.”
“That’s what they want you to think! That it’s just another ghastly old wardrobe! But it’s how they smuggle the stuff!”
“What stuff are they smuggling? Drugs? That doesn’t explain what it’s doing in our office, though.”
“Well, I had an interesting intuition about that. You know that modified carrot story they tried to palm us off with? Well I reckon it’s vaccines. They had to come up with a way to vaccinate the anti vaxxers, so they made this batch of vaccines hidden in hallucinogenic carrots. They’re touting the carrots as a new age spiritual vibration enhancing wake up drug, and the anti vaxxers will flock to it in droves.”
“Surely if they’re so worried about the ingredients in vaccines, they won’t just take any old illegal drug off the street?”
Star laughed loudly, quickly putting her hand over her mouth to silence the guffaw. Thankfully Vince had reached a powerful crescendo and nobody heard her.
Tara smiled ruefully. “Yeah, I guess that was a silly thing to say. But now I’m confused. Whose side are we on? Surely the carrot vaccine is a good idea? Are we trying to stop them or what? And what is Vince up to? Falsifying a will?” Tara frowned, puzzled. “Whose side are we on?” she repeated.
“We’re on the side of the client who pays us, Tara,” Star reminded her.
“But what if the client is morally bankrupt? What if it goes against our guidelines?”
“Guidelines don’t come into it when you’re financially bankrupt!” Star snapped. “Hey, where has everyone gone?”
“They said they had to pick up a wardrobe,” said the waitress. “Shall I bring you the bill? They all left without paying, they said you were treating them.”
“Pay the bill, Tara!” screamed Star, knocking over her chair as she flew out of the door. “And then make haste to the office and help me stop them!”
May 26, 2020 at 10:06 am #6086In reply to: Tart Wreck Repackage
“A dil-do factory?” She was aghast. “A fucking carrot dildo factory?”
“Admit it, we’re rubbish at this” Tara said. “Even Rosamund may be better at this than us.”
“Oh don’t push it.” Star lit a large cigar, a nasty habit that cropped up when she was nervous. She blew a smoke ring and sighed. “At least the rogering was a nice change. Good clean sex, almost a spiritual experience.”
“Oh come now, with all the don’t-need-to-know details…”
“Well, don’t be such a prude, you were there after all. With all that luscious moaning. Haven’t seen you so flushed in ages…” Star tittered in that high-pitched laughter that could shatter crystal flutes.
“Wait… a minute.” Tara was having a brainwave. “We may have overlooked something.”
“What? In the sex department?”
“Shush, you lascivious banshee… In the flushed department.”
“What? Don’t speak riddles tart, I can’t handle riddles when my body’s aching from all that gymnastic.”
“Can’t you see? They got to get rid of the dissident stuff unfit for cultish dildoing, if you catch my drift.”
“Oh I catch it alright, but I’ve checked the loo… Oh, what? you mean the compost pile?”
“I’ve seen trucks parked out the back, they where labelled… Organic Lou’s Disposal Services… OLDS… That’s probably how they remove their archives, if you see what I mean.”
“Alright, alright, we’ll go investigate them tomorrow. Meanwhile, what about Mr French?” Star was puffing on her cigar making a good effort at trying to remember and link the details together.
“I have a theory. Although it usually would be more in your area of theories.”
“What? Alien abduction?”
“No, don’t be ridiculous. I’m talking time travel… Haven’t you noticed the scent of celery when we were at the mansion and the appartment?”
“A dead give-away for time-travelling shenanigans!”
“Exactly. And if I’m correct, might well be that it’s Mr French from the future who phoned us, before he returned to his timeline. Probably because he already knows we’re going to crack the case. Before we know.”
“Oh, that’s nice. Would have been nicer if he’d told us how to solve it instead, if he knew, from the future and all? Are you not sure he’s not from his past instead, like before he got in that dreadful car accident?”
“Oh well, doesn’t matter does it? And probably won’t any longer once we locate the Uncle Basil in the Drooling Home of Retired Vegetables.”
October 23, 2019 at 9:27 am #4858In reply to: Pop﹡in People Tribulations
“Well, where were we?” Jerk took the articles where he left them when he got up to check the price on one lacking a barcode.
The blip blip resumed, with the impatient twitching lady pouncing on the items as soon as they passed the scanning, to cram them into her compostable bag.Days were stretching in ennui, and he started to feel like an android. At least, the rhythmical blips and “Have a good day, thank you for your purchase” were now part of his muscle memory, and didn’t require much paying attention to.
He’d renewed the yearly fee to maintain his group website yesterday, but he wasn’t sure why he did it. There were still the occasional posts on the groups he was managing, but the buzz had died already. People had moved to other things, autumn for one. Really, what was the point of maintaining it for 3 posts a week (and those were good weeks, of course not counting the spam).
There was fun occasionally, but more often than not, there were harangues.
He wondered what archetype he was in his life story; maybe he was just a background character, and that was fine, so long as he wasn’t just a supporting cast to another megalomaniac politician.The apartment blocks were he was living were awfully quiet. His neighbours were still in travel, he wondered how they could afford it. Lucinda was completely immersed in her writing courses, and Fabio was still around amazingly – Lucinda didn’t look like she could even care of herself, so a dog… Meanwhile, the town council was envisaging a “refresh” of their neighborhood, but he had strong suspicion it was another real-estate development scheme. Only time would tell. He wasn’t in a rush to jump to the conclusion of an expropriation drama —leave that to Luce.
Friday would have been her 60th brithday (funny typo he thought). Their dead friend’s birthday would still crop up in his calendar, and he liked that they were still these connections at least. Did she move on, he wondered. Sometimes her energy felt present, and Lucinda would argue she was helping her in her writing endeavours. He himself wasn’t sure, those synchronicities were nice enough without the emphatic spiritualist extrapolations.
“Happy birthday Granola.” he said.
Another crack appeared on the red crystal into which Granola was stuck for what felt like ages.
“About time!” she said. “I wonder if they have all forgotten about me now.”
She looked closely at the crack. There was an opening, invisible, the size of an atom. But maybe, just maybe, it was just enough for her to squeeze in. She leaned in and focused on the little dot to escape.
July 18, 2019 at 10:09 am #4692In reply to: The Chronicles of the Flying Fish Inn
BERT:
The old secrets are going to get me in the end. But you know what, it’s still better than choking on the goddamn lizard’s stew.
I tried to protect the family from all the bloody secrets, but they’re working against me, Dodo for one, who doesn’t like secrets, the sweet twat. Time is against me too.
Of course I didn’t want to sell the Inn, even if it wasn’t for what’s hidden there, and all the secret entrances to the old mines, it was still Abby’s legacy. Her mother had to endure that sorry abusive husband of hers for years, it’s only fair she got something in return. The bastard didn’t know it, but the best thing in his life, his daughter Abscynthia wasn’t even his, she was mine. In the end, I’m glad she buggered off this town, her so-called “disparition” that made everyone run in circles for months. For her own sake, wherever she is now, she was better off.
Only probably Mater knows now about our crazy ties, and she’ll take this secret to her grave I’m sure. But I still want to take care of my grand children, the little buggers. Even had founded that smartass Prune for her dreams of university. Good for her.All those sudden booking at the Inn? Don’t trust ‘em. Be here for the spiritual voodoo is one thing, but me, can’t fool me with that. The package, it never arrived. I’m sure it’s no coincidence, they’re onto us.
And they’re here for one thing.
The chests of gold.
February 17, 2016 at 6:36 am #3934In reply to: The Precious Life and Rambles of Liz Tattler
“Why do you suffer pain? You have compressed yourself into a form and an identity, hence the suffering. You pursue spirituality from the same limited and conditioned standpoint and hence you cannot secure any foothold in these pursuits. In whatever subject you are absorbed, you deal with it from the standpoint of a personalized entity, and not as dynamic manifest consciousness…”
“Hear that Liz’ ?” Godfrey beamed in delight “It was not Roberto or any bloody character, it was only your dynamic manifest consciousness!”
“In other words, are you saying it was all my fault again, cheeky blithering fool?” Liz’ couldn’t contain her petulance.“I think you’re missing the point, dear,… but yes.” He added after a dramatic pause “or you can blame it on Cynchtia Dipity, or her twin sister, Serene.”
October 14, 2015 at 11:47 pm #3800In reply to: Mandala of Ascensions
Dispy was starting her own secret Descended Dissent Classes.
It was not long ago that she had a very sudden and all-encompassing revelation at one of her flights above the great tundra of Siberia, which she liked for some reason to fly over, counting the red spots made by the fly agaric mushrooms in the tundra.
She’d been very disturbed by the revelations about her assignment to the Mars mission. She’d genuinely thought she was in for the support of the greatest advancement of humanity since quite many decades, and to realize it was all a quite twisted experiment made her uneasy at her core. She had some profound respect for her teacher, and despite her usual impulses to immediately confront Medlik for the inherent contradictions in his self-professed compassion and wisdom talks, something in her had told her to remain quiet and observe. And more surprisingly, she had complied. And observed very attentively.
During her flight afterwards, the same strong impulse had told her to land in the tundra, right next to a very nice patch of red. Being ascended had the wonderful benefit she wouldn’t feel the bone chilling cold, and she could just immerse herself in the joy of the scenery, and at the same time felt all very quiet and full of love and, strangely, a sort of distant regret for not being able to feel more of the cold and the whole scenery. And in the silence, she had a sudden unraveling of reality like never before. She could see the contradictions she noticed, one after another, destroying every layer of what she thought she knew, only to be left as a silent, quiet and very aware presence. She could have stayed like this a long long time, but she felt the call for the next Ascended class, for which she was late, as usual.
She continued to ponder while she teleported back, and without word (again, quite unusual), formed the resolve to expose more of the truth she’d grasped. Create a fifth column for the Descended, something her old friend who liked spy fictions would definitely have loved to hear about. But for now, she would have to keep it quiet, and maintain her cover at the Order of the Ascended Masters. She’d worked quite hard (well, not as hard as many, but that wasn’t the point) to get to her coronation, so she now had a nice Light Clearance that allowed her to tap into the Coloured Light Rays. This would be helpful.
In the beginning, she’d thought naively that concealing her true motives and secretly recruit like-minded students would be terribly difficult, but to the contrary, she found the light to be very responsive and easy to bend into subtle illusions of the truth. In short, she could still lie very well, and quite effectively. As though the light helped her in her attempts.
At the moment, she just had one student, Domba. They were meeting out-of-body at a hut in Chernobyl. The place was actually quite nice, and teaming with wildlife and surprisingly gorgeous nature. The perfect hideout.
Her course, well, was a course in spontaneity mostly. She would help people question reality, and authority. Something she had been lightwashed to forget for awhile too.
Domba had a pure heart, and was full of illusions. It had been easy to recruit him. She had to start with what he brought to her. At the beginning, mostly quotes of spiritual teachers. She had to teach him to question and see by himself.
“The Buddha said that when we dedicate merit, it is like adding a drop of water to the ocean. Just as a drop of water added to the ocean will not dry up but will exist as long as the ocean itself exists, so, too, if we dedicate the merit of any virtuous deed, it merges with the vast ocean of merit that endures until enlightenment.” – Padmasambhava
That quote he brought was interesting. The idea of being a drop of water lost in the ocean was enough to make her lightskin crawl. Because it reminded her all too well of the manipulations of the ascended masters. Twisting just barely enough the Love stream, so that It would be redirected just were they wanted.
So they meditated on that for now.
November 29, 2014 at 9:24 pm #3584In reply to: The Chronicles of the Flying Fish Inn
It was Mater who decided they needed to get some cleaning help. She commandeered Clove to do some research on the internet and eventually found a woman from New Zealand, Finly, who was offering her cleaning services in exchange for room and board.
“Bloody kiwis,” said Bert when he heard. “The place is riddled with them. Bloody come and take our jobs. Haven’t we got more than enough of them here already? I am having a hard enough time avoiding that Flora, going on about her spiritual bloody awakening.”
“If you can find anyone local who would be willing to do the cleaning in exchange for a place to stay, I will be glad to consider them,” retorted Mater sternly. “But in the meantime this place is fast becoming a pig-sty and Dido is too busy smoking and drinking to see it.”
Naturally Mater got her way and a few days later Bert, still grumbling, agreed to go and pick Finly up from the airport. Mater assembled the family in the main living room.
“Now remember, the main thing is to be courteous. God only knows why she agreed to come to this backwater of a place, but we don’t want to put her off.”
”Don’t we indeed?” smirked Aunt Idle.
“Yeah exactly, it is friggin’ weird I reckon. Why would she come here?” asked Clove, privately deciding she had better run a more thorough background check on Finly.
“I thought Finly was a boy’s name,” said Coriander. “That would be cool. A boy cleaner. I hope he’s hot. He can clean topless”
Aunt Idle, who had already been into the gin even though it wasn’t yet 10am, put her hand over her mouth and started to giggle.
“It can be a girl or a boy’s name and someone called Coriander is in no position to throw stones. And mind your language, Clove.” responded Mater tartly.
Clove rolled her eyes and sighed dramatically. “Well as long as she doesn’t try and boss me around, it might be quite fun to have a slave to clean up after me.”
Prune had been keeping an eye on the window. “Shush, she’s here!” she shouted excitedly.
August 18, 2014 at 5:41 am #3457In reply to: Rafaela’s Random Ramblings
The Zebra
“Zebra energy will help you to take the apparently conflicting parts of your personality and weave them into a pattern which is unique, distinctive and beautiful. As a zebra, the artist within you can live in harmony with the businessperson, the spiritual explorer with the secular decision-maker, the dreamer with the practical goal-setter, neither overpowering the other, each retaining its place of importance and full expression. The zebra will teach you to honor the black and white sides of yourself without compromising yourself into a dull gray.
The zebra will also teach you how to seek out others who are like you, finding comfort and company in groups, while maintaining your own unique identity, your pattern of stripes like a fingerprint, unlike any other. This combination of individuality within community will be a very powerful force in your life.The zebra energy is also the energy of physical health, long life and great stamina. Breathe in this vital source of very real physical power. Feel how you are capable of running across the plains for hour after hour, each step filling you with vibrant earth energy, so that the more you exercise, the more energized you become. Then just kick up your heals with joy, for you are the zebra, vital and alive. How fortunate you are!”
August 12, 2014 at 9:39 am #3429In reply to: The Time-Dragglers’ Extravaganzas
Despite rumours to the contrary, Sanso was not in another story, although, technically it could be said he was in another storey of reality.
The elephant’s trampoling had come as a surprise, and came as a shock that was welcome.
For a moment, he was in a dream environment, probably influenced by sea cucumber digestion of his entrails, where a Chinese cat-looking soothsayer was reading him the Yiking. “51, she said, is the AROUSING!”
She purrsued “The shock of unsettling events brings fear and trembling. Move toward a higher truth and all will be well.”
What the heck does that mean he thought, thinking of his arousing French travelling companion.
“Stay still, you rascal, and hear me out: The tendency of human beings is to rely on the strategies of the ego: to desire, plot and strive. When we do this, our spiritual development stops, and the Universe must use shocking events to move us back onto the Path. This sign, young man, indicates an IMMEDIATE need for self-examination, self-correction, and a re-devotion to following the path of the Sage.”With that being said, she rang her huge bell twice loudly, which awoke Sanso right back where he started, in the midst of people running everywhere at the borders of crumbling Gazalbion.
He could spot an elephant riding at him, which seemed a nice way to travel, until he realized the man riding it was none other than Cheung Lok.
As Sanso was ready to make a strategic yet hasty retreat, he noticed another dangerous grim looking man with a hook-leg and a turban was coming at him with a grin that meant business. -
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