Search Results for 'story'

under phone keys box ocean huge story sometimes contact funny word power wait irina rain continued obviously discussion watch earth secret

Adele Delilah Dalgleish, more familiarly known as Aunt Idle, Clove and Corrie’s paternal aunt, and care giver and guardian of the twins, the son and the younger daughter. Aunt Idle has a colourful history of improbable temporary jobs and pursuits, and eccentric liasons with the shifterati of the day, including hypnotizing chickens in a travelling circus, and selling magic spells on Flukebook. From time to time a bizarre character from the past turns up on their smalltown outback doorstep, and for many diverse reasons. Aunt Idle loves to travel, but travel has been limited due to her responsibilities to her brothers children and their location, so she has been practicing projecting and out of body travelling religiously for some years, and is becoming more confident, although it’s all still fairly sketchy.
When asked about her brother and his wife, her lips are sealed. As long as somebody’s looking after them, so what? she’d say. If the children asked, she’d say How would I know? I haven’t seen them lately. As if they were asking about a dress she had 10 years ago, mildly puzzled at their interest. Or that was the impression that she gave. It was a small town, people wondered. Especially as they had disappeared right around when those “weird tales from the unexplained outback” had started appearing in the popular press.

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

First Journey ~ August 17th, 2014

The drum will beat rhythmically for some time, more or less in the same way. Then when it’s time to go back it will stop do some slow drumming and accelerate the rhythm so you know it’s time to travel back from your journey.

I propose to go to the lower realm and find your power animals.
You can have a notebook or paper if you want to write stuffs, jot down words or make doodles, whatever works for you. You may just enjoy the meditation and do nothing in particular. Just allow the drum to carry you on this journey.

To go to the lower realm, you first find the entrance, it may be a cave, a hole of some sort or a door in the basement, maybe an elevator going down.

The lower realm is where you find the power animals. You can meet several of them, some will come and see you, and others won’t pay attention to you.
You can call your power animal and see which one is coming, or ask the ones you meet if they are the one.
Just trust yourself and don’t trust all they say, some are tricksters.
Just ask if they are your power animal and if the answer is yes you’ll know it, even if it’s not with words.
After that you can go with your power animal explore Abalone or whatever element of the story, just ask them to guide you and show you what you need to see.

Despite rumours to the contrary, Sanso was not in another story, although, technically it could be said he was in another storey of reality.

The elephant’s trampoling had come as a surprise, and came as a shock that was welcome.

For a moment, he was in a dream environment, probably influenced by sea cucumber digestion of his entrails, where a Chinese cat-looking soothsayer was reading him the Yiking. “51, she said, is the AROUSING!”
She purrsued “The shock of unsettling events brings fear and trembling. Move toward a higher truth and all will be well.”
What the heck does that mean he thought, thinking of his arousing French travelling companion.
“Stay still, you rascal, and hear me out: The tendency of human beings is to rely on the strategies of the ego: to desire, plot and strive. When we do this, our spiritual development stops, and the Universe must use shocking events to move us back onto the Path. This sign, young man, indicates an IMMEDIATE need for self-examination, self-correction, and a re-devotion to following the path of the Sage.”

With that being said, she rang her huge bell twice loudly, which awoke Sanso right back where he started, in the midst of people running everywhere at the borders of crumbling Gazalbion.

He could spot an elephant riding at him, which seemed a nice way to travel, until he realized the man riding it was none other than Cheung Lok.
As Sanso was ready to make a strategic yet hasty retreat, he noticed another dangerous grim looking man with a hook-leg and a turban was coming at him with a grin that meant business.

Jube, the P’hope, was quite alarmed by the rate at which the beanstalk seemed to wilt.
The beanstalk was a symbol of his power, as he was the first to believe about it, that the City of Karmalott could be lifted up of the island. At least, that was how the story grew after years of rewrite and belief honing.
He would usually take such news with passion, and use it to his advantage, but this was different.
Something or someone had started to shift and mess the balance of beliefs that he had carefully put in place during his many years in charge.

If any indication, the mass belief organs’ melody was more frequently played out of tune, and he even noticed the strangest birds fly around and in his garden —birds that weren’t supposed to be created in the first place.

One of the biselords greedier than the others, vying for more power would be a rational explanation. Usually that would happen, and be a good cause for public trial and execution by flying them through the beansdoor. For people’s protection of course.

But this case seemed more profound, more serious.
The last report from the team of magi was filled with such unusual unbelievable rubbish, that he wondered if the hairy scent of a revved olution was coming from down below. Now he had allowed the tool called snorkel into mass beliefs, he had a use for some skilled snorkelling spiessassins. He called for Berberus, his turbaned minion with a hook-leg —he’d lost it to a tiger slug, which then paid for it dearly. Berberus being a defrocked magi meant he had training enough to survive the conditions outside the city, and his skills as a master of arms (and legs) would be required.

After Berberus was gone for his undercover mission, Jube wondered if someone had found out yet the lost ruins of the old temple —they were secured and buried deep under a very long time ago and memory of them erased. He shivered at the thought of them being rediscovered.

“Mind joining me on an adventure?” Sanso said while continuing to walk at a rapid pace on the trail in the middle of running people carrying buckets of water, as though he knew exactly were he was going. “Of course not” he took no time to wait for an answer, as clearly the young lady was way over her head in her first attempt to teleport.

“I should be called the Sanso Bernar of Teleporting Mishaps, you know, it’s like I have this seventh sense to precisely arrive where stranded teleporters need me… that and lost socks, but that’s an entire different story, although I could recall quite many times where both had me landing on dirty launderettes…”

He paused to look at the panting Fanella. “But you don’t get a word of what I’m saying do you?”
She shrugged timidly, batting her doe eyes in a seductive manner, as she had learnt to do at the Versailles Palace when caught her hand in the honeypot, so to speak.

“Oh, never mind.” He went on. “Well,… ugh, burp, excuse me, this sea cucumber isn’t sitting well me…”
Fanella signaled she needed a moment to catch her breath too, and sat on a flat rock, covering her legs with her arms, suddenly self-conscious of her modesty.
“What was i saying already? Oh, yes, I have to deliver a message to a sea cucumber, sorry, I mean a lady cucumber, who may be in grave danger of death… possi—blurp— by sea cucumber indigestion.”

He looked at her from head to toes: “Well, you look reasonably pliable… That trick should work. I suppose you don’t have any wax, clay, salt dough or… well never mind, I have… just what I need here…”

All the while babbling on, he started to unfold a large piece of patchwork, which was somehow folded in his satchel.

“The map dancer, you see… well, he’s a bit of a pain in the butt to find. But here, hold that for a moment. With that bit of,… there, put your finger there, no, not here, yes, riiight there… with a bit of patience, and… tada!”

Fanella looked puzzled at the cloth now wrapped around them, snug and tight.

“Oh well, I know, the resemblance is passable, but that will do. Believe it or not, I have done a lot of sewing in the past, patchwork quilts, miniature needlepoint rugs for doll houses, curtains, upholstery… Oh sweet times. It’s been a while I’ve had to travel via rag doll. A bit rough, but leaves little trace to follow.”

Fanella broke her silence “are you making it along as you go, or you really have a plan to get us out of this awful middle age place?”

Sanso tittered softly, apparently pleased with himself.

“Now, you may want to relax, the trick is in letting go and drifting through Time’s flow.”

This one is not a Lemone quote but could have been.
It’s from a series called Perception (S03E05)

Daniel: Think of your life as a story. Actually, you already do.
fMRI studies show us that following a story, a narrative with a beginning, middle, and end causes our brains to release cortisol and oxytocin.
These chemicals give us the uniquely human ability to connect with someone, even a total stranger, and empathize. In other words, stories are what we use to find meaning in our lives.
Now, imagine for a moment that we lived without the understanding that our story must eventually end.
What if our lives were as infinite as the universe, if the ticking clock never stopped?
What would our story be then? Would we… still love? Or care?
Would those tiny, fleeting moments that mean everything… Mean anything at all?