Search Results for 'story'

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete

“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.

“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”

LizAnn chose to ignore her old freind Pig Littleton and continued to read.

And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.

LizAnn snorted.

She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;

“Aha Ha Ha Ha”

she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations

“Yes, where the devil IS Becky, Gordfry? or is it Godon?”

#87 Quintin had a woman near London ~ a strange small replicate, put here for gracious officials. Strangely linked to the story, was Dory. The other participants didn’t really expect this quaint dream…

Dory made Quintin in Madagascar for the first time. Funny, but now they seemed to connect to Arona. Malvina disappeared, and once again Arona found this quite irritating. She could barely remember the music.

Really, things are shifting. In the name of heaven use magic I Scream or something!

A Man emerged from Arona’s lap. This is great, more comfortable than the ground.

Oh cute, said Arona, a talking Man, love your cape by the way.

Arona stroked Man. It was all feeling heat and humidity… and especially her hunger. Man sighed in an eggs sort of a way. She exclaimed delightedly, hugging the Man.

[¹] Note from the editor: Man being a noble reader

~~~~

Dory was dry, with strange hard shoulders and face. Her shawl finally surfaced flapping in time to a cloud of dust.

PPFFT! I’m all on my own. Dory was momentarily speechless.

Ann had to admit it wasn’t a bad idea. She wondered why she hadn’t thought of that herself. Why haven’t I been expressing more of the perecption in front of my eyes, I wonder? The more she thought about it, the more confused she became. It did sound like a good idea, and she was pleased that she had created another ‘her’ as it were, to mention it.

On the other hand, of course, there was nothing stopping Walter (or was it Gordon? No, Godfrey…wait, wasn’t it Al?) from creating another one of his ‘hims’ masked as an Ann to express more of her perceptions in HIS own ‘It’s All You’ story.

Am I getting this right? Ann whispered to her left ear.

Ann spent the morning (or a mere half hour, if truth be told) enjoying her physicality in the gentle autumn morning sun before returning indoors. The drop in temperature was still new enough to remember to appreciate fully. She felt at peace with her world, a happy balance of words and sunbeams, that is until she perused the latest additions to the BA (Bash Ann, by the looks of things) group project.

Ann frowned. Who the heck was Harvey? It was almost the last straw, despite Ann’s sunny mood. The very idea of trawling back through the paperwork to find out who he was, and indeed who everyone else was, was too daunting. “If it’s not fun don’t do it!” That’s what they all said. Over and over again they said “if it’s not fun don’t do it”.

The writing was fun, and the random reading was fun, but it wasn’t fun ~ in fact, it gave her a headache ~ to try and remember who and when and where everyone was. Perplexed, Ann wondered if she simply wasn’t cut out for working in a group. On the other hand, she simply wasn’t a loner either.

“Be remebering,” the disembodied voice whispered in her left ear, “That they are all YOU.”

Oh! Right, yes….herm….well where does that leave me?

“Right at the centre of it all, as always,” the voice replied.

Er, so it’s all MY story, then? The whole thing is all me, all mine? All the characters are ME?

“Quite!”

So I can do whatever I want, then?

“Of course!”

Right then, so I can write whatever I want, which is fun, and not write what I don’t want, which isn’t fun, and that will be quite alright, will it?

“Correct!” the voice chuckled indulgently. “And it may behoove you” it continued in a conspiratorial tone, “To remember than any flak from the others in the group, is in fact, YOU giving YOURSELF a flakking reflection.”

Oh. Well Right Ho, then. Toot! Toot!

Ann slapped her forehead when she realized her mistake, notwithstanding that there were no ‘mistakes’ as such.

The story is for the writer that writes it, not the reader.

What the repercussions of that were for the future of publishing, Ann wasn’t quite sure.

“Oh, I can answer that for you, dear” Lavender responded. “On my recent trip to the future I went to the Pick Your Own Pages book store. There’s a wonderful Pick ‘N’ Mix section, and a Lucky Dip. You can pick various quantities, such as chapters, pages, paragraphs or sentences, and you arrange them yourself.”

“What a wonderful idea!” Ann replied.

“Oh, the idea was an old one, very old!” Lavvie explained. “People were doing it all along, though they didn’t realize it. The idea of being spoon fed an entire story went out with the Ark. It was the advent of random quote generators that started the ball rolling.”

Ann beatled off to check the random quote for the day….

“Arona! Sanso! Oh, how wonderful to see you guys again! Come and meet Lavender and Walter, we’re discussing continuity….”

“Let’s put it this way” Ann continued, “Tis better to allow the snippets to flow out than to bottle them up, which is where the expression ‘to rack ones brains’ comes from. Rows and rows of bottles of thoughts on metal racks in a dusty cellar, contained within the confines of the glass, denied freedom of expression, and all because the Bottle Rack Attendant, or BRA for short, refused to set them free to find their own way in the world of infinite individual storylines.”

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”