Search Results for 'symbols'

With the flood of water that was spilled on the land after the crash of the plastic-wrapping-the-now-melted-iceberg-ship dragged along by the strong pull of the engine for miles inside the lands, a huge pool had started to form that began to gather animals around.

The blessings of the fresh water was in fact such that, not long before they managed to have their feet back on terra firma, the three valiant musketeers Sharon, Gloria and Mavis with their chivalric Akita and his faithful spirit dog Kay were surrounded by the most diverse fauna they’d been seeing in days.

— Lookit that! Can ye believe it?!
— Zebra, zebra,… ZEBRA!
— What’s up with your underwear Glor’?
— Zee-bras, no bloody brassieres! See?!
— Well, no bloody wonder, it just looks like the Serengeti
— What bloody gothic serum?
— Jeeze, Serengeti! In Tanzania… Africa, the land of the Maasai, bloody Lake Victoria et cætera
— Oh, you don’t start getting that snotty tone again…

Leaving for a moment the ladies at their cultural talks, Akita went for a walk with Kay, looking for some clues on how to get moving in this faraway place. He’d hoped to reach Egypt and the Suez Canal to get the ladies back to Europe, but obviously the single-use strange iceberg-ship was planned for Africa, and not much further.

Kay always had most puzzling associations to bring up in their conversations. “Well,” he’d say “besides all these blue bulls isn’t it funny that the zebras are a variety of indigo’s…”

“You’re a funny dog”, Akita told him “what is that supposed to mean?”
“Obviously it’s an analogy…”
“A bit too bloody subtle” Akita was starting to talk awfully like the ladies…
“Zebras are symbols for a people who have a funny way of blending in… Or actually to not blend in. They’re symbols of the weirdos of your societies. Affectionately said, of course. I do consider you and your girlfriends a bit on the weirdo side by the way…”
“Well, that’s nice… I suppose?”
“It’s all symbols, and it’s dream-time, so pay attention dear one.”
“If you say so” Akita said with a shrug
“It is not uncommon to find in dream interpretation books some funny sentences like

Dreaming of zebras running fast indicates you are interested in fleeting enterprises. If you dream of a wild zebra in its native environment, you might try a pursuit that could bring unsatisfactory results. Beware of those with multicolored stripes.” The Everything Dreams Book

“Now,” Kay was continuing his near-monologue as they were still walking “what is that supposed to mean; if that were a dream you were dreaming, would you use that one-fits-all approach to interpret that zebra dream?”
“Who cares, really, it’s not as if I’m dreaming anyway…”
“Of course, you’d know better; but anyway, that brings me to the multicoloured zebras. There are children who have started some years ago to manifest en masse on this planet with different views, a wildly different approach on life. People around your world have started to label them “indigos”, another shade of blue if you will. I wouldn’t be so circumspect in my dealing with funny coloured animals, if I were you…”
“I’ll be damned if I understood a word of what you just said… Perhaps you’re right and I’m dreaming after all…”
“You can say that again.”

It felt like she’d been projecting for hours —in and out of her body, often brought back by the incomfort of the warm and moistly room, where the rheumatic fan was blowing a measly wind full of humidity.

The rabbit she’d seen a few hours ago was ‘wanishing’, like a gentle feeling of pure joyful happiness holding by a thread that you try to reminisce before lapsing back into the old patterns of self-doubts.

She didn’t have to strain herself so much, she suddenly realized; it never worked well when she tried to push it. She wanted the clarity of the projection to be deeply anchored within herself, and not some stroboscopic view of her grim reality sandwiched in glimpses of blissful clear lightness.

So, she decided to wait for the moment to be back. Time didn’t really matter once you projected, but here in this reality time still mattered, and you had to find the proper exit-way. Not all moment seemed to work well.
There were old books in this room, most of them, her son probably did pile up without even reading them. Some of them evoked the the birth pangs of the new era they were still building, which had started about 30 years ago. Now, in 2038 she was old, but back then she was in her mid-life and fully aware of the good aspects and not so good aspects of this life. She had yearned for the changes, and it had come; she had outlived most of them, and the books probably wouldn’t tell her much that she had not actually lived. Probably her son was keeping them because of his beliefs on wasting his investments.
She, for one, couldn’t care less about them.

She picked a little book, with a few words and mostly drawings and symbols on it, and she smiled. She’d seen some of these symbols in her dreams, she related to them; she didn’t need the words explaining them; words were just the authors’ translations, and she trusted her own before them. But the book was making her feel good.

She leaned back in her bed, maneuvering the rolling bed to be in front of the last beams of light of the day.
She could see the full moon rise, and she felt peaceful.

When she noticed she was in front of the cave, she wondered how long she’d been out of her body without knowing.
She could see the moon higher in the sky than when she was in her room, and she could feel an energy of excitement.

Anita was finally coming out of this underground trip with her parents. Seeing the little girl in the flesh would be such a revelation for her, she was thrilled to the point of even forgetting her doubts about the possibility that she was really becoming insane.
She didn’t know why or how, but she would convince her son to offer them some shelter, so that they could settle before getting home. She had so much to learn from the little one she could feel. She was really wise beyond her age…

Voices where starting to fill the silent space:

“Anu! It’s been hours now we’ve been in these damp corridors, are you sure you know the way?”
“Yes Mum, we’re almost there…”
“Here, I can see the light Lily!”
“Yes, I can see it too Aaron!”
“Wow, the moon is full, it’s so lovely”

After the couple had emerged, Balbina could see Anu wink at her. She was seeing her! Now, she only need show her the way to the house!

Lady Eagleston enjoyed staying in the warm potting shed, taking her time to enjoy, appreciate and admire the ecstatic beauty of the blooming orchids. She let her thoughts wander for a few moments in the pleasant place smelling of cedar.

Her old friend, Hector Coon had sent her a rather unusual present this morning: a few bits coming from a watermelon’s rind strangely carved with unusual symbols. What an eccentric charming old fool this Hector…
They both loved to do each other unexpected presents of which they would then try to find some underlying meaning. Not that there was any such meaning to be identified most of the time, but it was some time pleasantly spent.

So, she had thought the only place safe to bring the bits to was here — mostly to protect them from the furious cleaning practices of Finnley, who wouldn’t have the pleasure to throw them to the garbage this time. She had seen his disgusted look when she had opened the package with excitement.
Well, now what would he imagine she was doing in there?…

As she was sinking to the bottom of the raging sea, Madame Chesterhope first felt like a boiling rage inside her, at all the thwarted attempts, all the unfulfilled promises.
Not a solid thing on which to carve a few runes or symbols to get herself out, not a single living being to use at her profit, she was alone, at the mercy of gravity.
Not unexpectedly, flashes of her life, of her many lives, flickered like incoherent pieces of an unfinished mosaic in her mind.

When did it went wrong? she thought… When did she lose touch with her magic.
Not the mundane magic, not the one she used for these parlor tricks devoid of meaning, like that beautiful flying motorbike which was drowning even faster than her… She was speaking of her inner magic, her sense of connection with the elements, with herself, Phoebe.

What had become of the frail grey-haired lady the apparency of whom she was so fond of taking years ago?
She was tempted to blame many things; the twenty-first century of her own dimension, for one, which had made her rough and tough, out of need perhaps, and perhaps a bit out of laziness. It was out of tiredness mostly, tiredness to have to constantly justify her appearance to others, that she had chosen a more convenient one; that of the crone with more rotund forms, of whom one would only expect austerity and strength.
You can see where it had led you. she was thinking.

A few more miles further down, and perhaps she would meet the mermaids, like the guy said in that Big Blue motion picture…
Maybe there was some purity left in her heart, that would make the inhabitants of the depths greet her wretched soul. Or perhaps they all died before her, from the pollution of this strange world mutating in pangs and spasms of a painful childbirth.

And what would you do now, if you have the choice? that sweet voice, like that of a thin grey-haired mermaid, was it her own, testing herself?
The quest for magical artifacts seemed so far away at this moment. It had begun a long time ago, led her to discover new other-dimensional places… new tricks, all of them for what? To gain control over the elements, the others, everything that could threaten her, force her to change. How ironic. That the fear of change made her change so drastically.
She wanted to make peace with all of that. The mermaids weren’t coming, but her own voice was still there for her. Perhaps she could muster the strength. To continue…

Mustering all her force, she forcibly expressed the most propelling “prout” she’d ever made. Of course, she’d been learning a few tricks from the legendary Fartiste back in her youth when she went to Paris to perform at the Moulin Rouge… Sweetest time of her life, she had to admit…

On the surface of the waters, bubbles started to form.

Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

In the flying car, Al was mentally reciting mantras and drawing symbols, and was distractedly participating in the conversation which he could follow thanks to telepathic transfers he grasped from his friends conversations.
His gums were now much better, and he had recovered a wonderful smile with shiny pearl-white teeth.

The car interior was now a bit small for them five, and Tina’d had to press herself on Al and Becky, who was almost disappearing in her boubou full of folds, her head wedged against the hat and the hat against the roof of the car.

— Can’t we get some air in there? asked Tina, who was feeling she needed to breathe more.
— Err… Let me check

Sam’s friend was looking clumsily at some buttons for one to release the hood.

— Watch out! Becky cried, propping up her hat which had fallen on her eyes.

They had narrowly missed a bunch of balloons floating in the middle of the buildings.

— Jeeze! It’s no better than the submarway this thing… Becky was being fidgety at everything and was wishing for the whole wedding preparations to soon be over.
— Is that a frog we hear? asked Armando who had finally released the hood, having Becky clutch her hat, as well as little Chump, with the strong wind now blowing on their heads.
— WHAT? FLOG A TIRE? Tina was shouting now, seeing now all the benefits of being able to telepathically communicate…

A click on a button. The hood was again put on top of the car.
— Bit too noisy, hey? said Armando
— Well, didn’t really mind said Albert dreamily

— Oh dammit! Is there a damn frog in that car’s engine or what? Armando was stressed.

Tina looked at Sam in the rear-view mirror and spluttered affectionately. Al had just mentally expressed he was experimenting with new yeast actions in his digesting system, and that there was some minor inconveniences on which he would have liked some discretion… His belly was swelling funnily and making gargoyling noises…

— Ahahah, a frog… perhaps even a blue-bullfrog with all that frogging noise! Tina was feeling surprisingly exuberant.

Before leaving the castle, the fake Viscountess needed to check something on the skull…
Was it a genuine one? She had almost trusted the so-called experts of the auction room, while she knew perfectly well that they only could see what they knew. And they didn’t know as much as her.

To her knowledge, there was only a handful of genuine old crystal skulls. But counterfeits were legions and a plague for such a skillful cat burglar as she was. Well, cat-burglar,… perhaps not as acrobatically as she used to… As a matter of fact, her life-long search for these skulls had suffered the competition of a little embonpoint… — the good thing being that those few sticky superfluous pounds had been perfect to impersonate the Viscountess.
In the past, she had come across a few of these fake skulls and most of them bore very similar indications leaving her to think stakes were high that they were coming from the same con-artist.

She methodically drew a little dagger from a scabbard at her belt. Going to one of the window, she drew one of the curtains a few inches to reveal the pale sun of Shropshire which was already fading.
Then, she turned the jeweled hilt in such a special manner that a soft clicking sound was heard, and a beam of light started to converge from the sun rays into the dagger. She directed the ray coming from the tip of the dagger’s blade into the bottom of the skull, and hold her breath in expectation.

Soon the skull started to glow a bluish light, and light poured out of the skull onto the walls in dancing symbols, while a soft buzzing sound was being heard around, started to drown her in a slightly dissociated state.
She cut the dagger’s beam very quickly, her heart pounding at the validation. It was a genuine skull. One of the six.

She had to hurry, she needed to proceed on her investigations to find the missing ones.

The trunk was there. She took another key that she had around her neck, leaving the first one on the cupboard’s lock for the Viscountess to be freed as soon as she would be out.
With the key, she proceeded to open the high-tech lock of the armored trunk which opened with a blow of air.

Her jumpsuit was here, along with the two turbo-reactor powered condor-wings that she strapped on her jumpsuit in very professional movements.

A few moments later, with her big dark sunglasses that gave her the appearance of an obese fly, Carla was flying high over the countryside of England, enjoying the soft gliding on the slightly damp air.

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

New Venice, November 2101

Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
She had given him the old parchment.

Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
So unlike Bill’s disengagement, which was peaceful and full of love.

So yes, people were not far from the truth when they saw them as brother and sister.
According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

Egypt, 2657 B.C.

Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

He needed sleep before hiding the text with the mummy.

Paris, 2007

That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

Let’s insert it again then, he smiled to himself.

When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother Becky… Bart wasn’t too sure…

Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

“There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

“And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

“And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

“And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

“And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins