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“What? You think I’m shallow? That I spend too much time on my appearance?”
Terry Bubble paused a bit then said “Well, maybe a bit, of course yes! I guess that’s what being a drag queen means. You take care of yourself. You enjoy playing with your appearance. You can’t be amateurish about it, it’s about creating an illusion, it’s about making people believe for a moment,…” then he added pensively “and maybe yourself a little”.

“If you ask me, big beautiful chocolate Maurana Banana, what others think about you is none of your damn nosy business.”

The three of them crammed at the back of a tiny flying tuk-tuk with their glowing perspiration under the sunscreen and layers of makeup, attempting to keep the appearances up for as long as they could was extremely entertaining.

“Get ready! We arrive at the drop-off in a minute!” Sadie shouted. At the front of the hovercraft, she was carefully guiding the driver through the jungle thanks to the energy map on the ezapper.

Huhu dived in an unexpected move and snatched the key while tittering in a manic parrot cackle.
“So long floaters, and thanks for all the fish.”

Obviously it wasn’t by mistake that a parrot was lurking in Versailles biding for its time.

Meanwhile, a cucumber free Irina was trying to get the hang of the commands of the new p-box that could allow for entering the minds of animals.

On the empty box lying at her feet, one could read the usual side effects caveats, especially for the birds section: Birds are very tempting, but a p-boxer may soon lose contact to the mundane things of earth, and want only to fly.

– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

“Alohaaaaa” the frogs sang as they arrived on the place of refuge, Pu’uhonua O Honaunau.

Their wigs were a bit misplaced, but the queens were fine.
It didn’t take seconds before the ezapper buzzed.

“Here’s the plan ladies” Sadie read while trying not to roll her eyes. “Time off on this delightful place to get a rest, then we’ll be invited for a tour in a submarine. The owner is a bit reclusive, so we’ll mostly have that luxury water balloon all for ourselves.
Then we’ll see who stays a Queen in a diving suit. Just for now, enjoy the beach. With Love, Linda Paul.”

Jonbert had developed an interesting theory while doing his morning ablutions about time travel and catching butterflies. He had a gorgeous butterfly nursery inside the submarine, and got the strange idea that trying to fiddle with time was like catching a prized butterfly among lots of others looking alike.

His thoughts were interrupted when the horn signaled they had arrived in 2222 in one of the blind spots of the ocean’s depths close to the particular spot where… some interesting butterflies would be attracted.

The submarine was mostly entirely roboted. There was little for him to take care of, so instead of pacing around in his tartan kilts, he sat back in a comfortable 1980s garish sofa from his antique collections, and revisited his memories in his memory palace.

He had taken him great patience and cunningness to hatch the plan. Through many of his Time Tourist outlets and a few shell corporations, the last of one which was named Vague, he had manipulated events to design and hire the Drag Queen time contest. Drag queens wasn’t the original plan, more of an unexpected deviation, not that it really mattered. All he needed was just one mission. Then, he only had to make sure the contestant would be diverted to a carefully selected time zone, and given a key to smuggle.
The key wasn’t really important, what it collected along the way was.

For him to be able to breach the Time wall of 3333, he needed vast amounts of gold, and to his knowledge, it could only be accomplished through true transmutation.
Artificial gold, like artificial crystal wasn’t created as good as it gets in nature, and for some reason wouldn’t remain stable enough as the machines were propelled too far in time. Of course the irony of that was a conundrum in itself and wasn’t lost to him: after all, wasn’t transmutated gold just artificial too? After what centuries had managed to push as boundaries and envelopes, he wasn’t sure any longer what was artificial or natural. And it was his last ditch effort at living everlastingly.
He didn’t care if he could just chose another of these holobodies to project his thoughts into, he was old school, and stubborn to a fault. He had to see it through, even if, and especially if so many before him had failed.

The key was designed to capture a complete hologram of the person who seemed to have accomplished the transmutation recipe he desired: St Germain.

After almost 33 years on the road doing their their show, Geoffroy and the Théâtre du Soleil had had their share of success.

Of course, with an average age of the troupe being close to 66 years old on the eve of July 1789, they were not all young and restless, nor as high on hallucinogenic mushrooms like every other day.
Admittedly, their fate took a turn for the better after that show cancellation at Versailles the day of the attempt on the King’s life. They were stolen a balloon and a tub of lard, but what they gained in exchange was beyond wondrous. Sparks of inspiration had brought the team closer, and even the occasional quarrel between Lison and Francette was a blessing. Now, there was already a new King in Versailles, not better by far, and the wig fashion had improved only so lightly, but it gave good fodder for sarcasm and witty plays.

It wasn’t so much that their play-writing abilities had improved dramatically, to the contrary, but their common hallucination in the Royal Chapelle that day had unleashed their creative power. Their new plays had become famous overnight all over the Europe, liked by peasants who were enjoying its simplicity and nonsensical timing and plots, or even snotty critics all alike, who were somehow discerning artful and intricate royal satire that maybe they’d just invented to sound clever.

Tonight they would play a revival of their universally acclaimed chef d’œuvre, “The whales and the frogs”. With buffoonish wigs and corsets, and their share of heavy compulsory make-up. For some, the frogs were a symbol of the poor people carrying the heavy queens and kings of old, with crazy old Time as a driver, flanked with Janus the two-headed Janitor. Well, that sounded quite erudite and a tad pompous, and frankly for them, they didn’t care what symbol it was, so long as it brought the final money they needed for their retirement plan in sunny Mediterranean where they would take a boat and sail to the new world.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

“Can’t you use one of these neat rockets of designer? We’re in 2222 for fuck’s sake!”, asked a lean green-faced lady, with her cheeks decorated with cucumber slices, who was lying next to Sanso in the pneumatic rotating bed of the R&R B&B.
“Can’t discuss business with you honey, sorry” he snapped, while looking for his pants and gilded codpiece in the mess of the room.

“And I thought of us as partners in crime…” she shrugged. Nonplussed, and quite naked apart from the cucumber covered parts, she lit a swigarette and switched the holographic display on.

“…when launching a rocket to orbit, a “dogleg” is a guided, powered turn during ascent phase that causes a rocket’s flight path to deviate from a “straight” path. A dogleg is necessary if the desired launch azimuth, to reach a desired orbital inclination, would take the ground track over land (or over a populated area, e.g. Russia usually does launch over land, but over unpopulated areas), or if the rocket is trying to reach an orbital plane that does not reach the latitude of the launch site. Doglegs are undesirable due to extra onboard fuel required, causing heavier load, and a reduction of vehicle performance.”

Sanso turned his head towards the display and raised an eyebrow. “Hell if I understood what it means, but that certainly explains a few things”.

Geoffroy didn’t realize at first. Then something struck him. That people didn’t pay attention to him was of course a bit curious. Then evidences of something witchy became bright as day, such as the fact that he had no consistency and could walk though stone walls, or that he could see things as soon as he thought about them.
All of that was disorienting, even for an acrobat used to twists and turns, and he had to reign himself back from jumping from here to there, in all matters of attention that he would like.
For one, he would have loved to drag his companions out of their own slumber, but they seemed under a powerful spell.
Some sudden doubt crept along, that he was all but dead — seeing his body lying on the floor was a shock. But then he realized he was still breathing and smiling too. And all the things he could witness with the three transvestites was surprising enough for him to know it could not just be a product of his fertile mind… Or was it? He dismissed the thought before it could take hold.

He heard the strange lady talk about ferrets, and became curious. She had a not quite French accent when she’d briefly talked to him, but now, he could almost see her thoughts, without a filter, and they looked dazzling with tinges of the most marvelous green.
He wondered if she was talking about the Imperial Russian Ballet troupe who was invited by the Queen for the avant-première of tonight’s show.
And sure enough, as soon as the though happened long enough in his head, the scenery whirled around and he popped right in front of the dancers …