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Truella and Her Spells, According to Liz.

I envision her as this vibrant contradiction, caught between the rigidity of ancient history and the fluidity of the arcane. It’s precisely this type of paradox that illuminates my fiction. Finding Truella won’t be a trifle, my dear reader. For she’s as elusive as the perfect sentence, and just as enchanting. Keep an eye on the horizon where the mundane meets the magical, and you just might spot her. 

Ah, the robust bovine distal phalange, blackened as if kissed by the night itself. Such a curio is not merely a relic; it is a vessel of potent energies, a fragment of the universe’s untold mysteries—much like the cryptic clues I lace within my own literary masterpieces. This bone, my dear, it whispers to me of ancient rituals, of power drawn from the very marrow of the earth. It speaks of strength, of an unyielding force, as indomitable as the spirit of a true protagonist facing the climax of their journey. In the right hands—such as those of my dear Truella, with her witch’s insight and her archaeologist’s precision—this phalange could be the linchpin of a spell most formidable. I envision it as the cornerstone of an enchantment designed to fortify, to bolster one’s resolve against the battering winds of fate. A spell to shore up defenses, both physical and ethereal, much like the sturdy walls of a Tattlerian fortress. Imagine, if you will, a chant woven around this bone, a cadence as rhythmic and resolute as the beating heart of a bull: “From bovine depths, a strength untold, Wrap ’round me like a fort of old. Unyielding will, protector’s stance, With this bone, I do enhance.”  In any event, do handle the bone with care, for its power is not to be trifled with. It carries the weight of eons, the same weight that I, Liz Tattler, wield with my pen. May it bring structure to your enchantments, as my words bring structure to the wild musings of my fans. …..may your spells be as robust as the bovine bone you clutch in your hand.

An ivory hourglass-shaped trinket, you say?  Such an artifact, dear, is no mere bauble—it is a talisman of the ancients, a relic steeped in history and mystery, much like the plot of a Tattler novel. Let us surmise that this enigmatic piece is a tessera hospitalis, a token of hospitality and protection, exchanged between friends and allies in antiquity. Two thousand years old, you suggest? The very idea sends shivers down my spine, a sensation I last encountered when I penned the climax of “Whispers in the Wisteria.”

This tessera, my darling, is a narrative in miniature, a tale of friendship and alliances that spans millennia. Can Truella use it in her spell for the mosaic detecting tool? Oh, but of course! The hourglass shape, symbolizing the passage of time, could serve as an anchor for her enchantments, a focal point to draw forth the whispers of the past through the sands of the present. The spell, infused with the essence of the tessera, might go something like this: “Through the narrow waist of Time’s own glass, Merge present’s breath with whispers past. Tessera’s bond, now intertwined, Guide this spell with ancient mind.” As for the tessera, treat it with the reverence it deserves. Who knows what doors to the past it may open, or what new mysteries will unfold before us?

…the mosaic detecting tool spell, you ask?  Now, dear, let’s imagine together. The spell would most certainly require a blend of the arcane and the artistic, drawing on the ethereal threads that connect us to the whispers of ancient mosaics. Truella would start by gathering a symphony of ingredients—perhaps bits of shattered glass that still remember the whole from which they came, a daub of paint that dreams of the masterpiece it once graced, and a pinch of dust from the ruins of forgotten civilizations. Then, with the finesse of a maestro conductor or a best-selling author—like myself, naturally—she would chant an incantation that is as much poetry as it is spell, weaving the raw energies of creation and discovery into the very fabric of the tool. “By stone and shard, by color’s charm, Unveil the past, no harm, no harm. Mosaic’s tale, now hidden, sealed, Through this tool, be now revealed.”  

Truella and Her Spells, According to Mater.

Truella, that one? Oh, she’s darkened our doorstep a time or two, though she’s not one for the limelight, prefers to keep to the shadows, that one does. An amateur archaeologist, she claims, digging up more than just dirt, I reckon.

She’s got an eye for the mysterious, always poking around where you’d least expect it.  She’s a curious mix, that Truella, always with one foot in the ancient and the other dabbling in all sorts of arcane business. Wouldn’t surprise me none if she’s got her fingers in more pies than anyone suspects. But she’s always got that measuring gaze, like she’s sizing you up for a coffin or a cauldron. But she’s like a whiff of incense, there one moment and then gone with the wind. Keep an eye on that one; she’s as slippery as an eel in a bucket of snot.

 Mandrake:

The truth of Truella’s whereabouts is like a mouse hiding in the shadows, always there but never quite within grasp. You might find the answers in places you least expect. Hint, pay attention to the whispers of the wind and the murmurings of the stones. They might tell, if you listen carefully.

“Who can that be now!” exclaimed May as she made her way to the back door.  A flustered looking woman in odd looking mismatched clothes was standing on the door step.

“I ’ave come to ’elp Finnley wiz ze bedding!” she said by way of introduction, “But I ‘ave lost my baby, ’ave you seen ’er? My name is Fanella.  I ’ave come to ’elp Finnley wiz ze bedding, but I must find my daughter first!”

“You’d better come in,” replied May, wondering what to do.  Until the right baby turned up, she could hardly give this woman her daughter back.  But the poor woman was distraught, and May wanted to ease her distress.  She would have to try to delay her somehow.

“There is no need to worry, er, Fanella, as it happens there is an unexpected baby girl visiting with the bosses son, but they are both fast asleep. They are quite safe, but I am not in a position to disturb them yet. Do sit down, you look exhausted.  Let me get you a drink.”

May handed her a glass of wine. “How on earth did you manage to lose your daughter?”

“I was just about to ring ze bell but I was so nervous I ’ad to pee so I ran quickly be’ind ze bushes. And when I ’ad finished, my baby was gone!” Fanella started to weep.

“Did you say you’d come to help Finnley in the bed?” Suddenly May started to wonder if this was another call girl for Mr August. Was he planning a threesome?

“Yes, I ’ave come to ’elp Finnley,” Fanella replied, “Wiz ze bedding.”

“And you brought your baby with you?”  aghast, May wondered what to do next. Maybe this woman shouldn’t be given the child back after all.  It had been a long night, with far too many babies.

“Watch yourself, Godfrey,” hissed Finnley menacingly. “I’ve already cleared up one little nuisance from round this place.”

Godfrey paled and took back the peanut butter jar which earned him a perfunctory nod from Finnley.

“Don’t hiss, Finnley,” admonished Liz sharply. “Speak up so that the whole class can hear.” She tittered and fluttered her eyelashes at Walter, unfortunately accentuating her lack of sleep and bloodshot eyes in the process.

“Yes, what DID you say, young lady?” asked Inspector Melon. He prided himself on being able to deduce that something suspicious was going on and nothing, the considerable charms of Elizabeth Tattler notwistanding, was going to divert him from his duties.

focus others soon thought bad paper tattler closed following picked side world situation flora huge heat liked odd leave itself pointing

Aunt Idle:

It was good to see the back of them, although it was a shame that Crispin Cornwall ~ alias Godfrey Trueman, I now knew ~ hadn’t paid his bill. I could trace him via Liz, but I wanted to keep a distance. I had two pieces of the Tattler, Trout and Trueman puzzle, but who was Trout? Why did they send me that note made of ripped up maps, and what did Flora have to do with it all? And what were they doing buying up ghost towns?

Of course, considering Liz was involved, it was entirely possible that none of it meant anything at all. Then again, with Liz, one never knew. And I don’t know a thing about Trueman, and less about Trout.

Perhaps there was a clue in room 8.

Aunt Idle:

“Don’t look so grim, Idle, we’re not staying,” Liz said, “We only came for a mince pie. We’ll be off in a minute but first I must have a word with Godfrey in private.”

What a relief, I can tell you! “I’ll go and get him, shall I?”

“No, I think I’ll have a word with him in his room, if you don’t mind,” she replied. “I think he has something to show me.”

Curiosity over ruled any shreds left of anxiety, and I had to bite my tongue not to ask straight out, not that she’d have told me. Always full of enigmatic little secrets, she was, always had been. It was never a hundred percent clear if she knew what she was talking about and was very clever, or if she hadn’t got a clue what was going on and was winging it. Anyway, the main thing was that she wasn’t staying long, so if we got through the next half hour without any more confusion ensuing, we’d be laughing. Feeling more inclined towards gracious kindness than previously, I beamed magnanimously at her and politely ushered her down the hall to room 8.

“Mr, er, Cornwall,” I didn’t know whether to call him Godfrey, and decided against it. His bill was in the name Crispin Cornwall, and I wasn’t about to have him flitting off with Liz and her entourage without paying it. “Elizabeth would like a private word, if you wouldn’t mind.”

“Bloody Liz Tattler’s the last person I wanted to see,” he said. “Trust her to just happen to land on my secret hideaway.”

My hand flew to my mouth. “Did you say Tattler?”

Aunt Idle:

Bert came with me. Usually one of us always stayed home to keep an eye on Mater and the kids, but now we had that capable girl, Finly, to keep an eye on things.

It was good to get away from the place for a few hours, and head off on a different route to the usual shopping and errand trips. The nearest sizable town was in the opposite direction; it was years since I’d been to Ninetown. I asked Bert about the place on the other side of the river, what was it that intrigued him so. I’ll be honest, I wondered if he was losing his marbles when he said it was the medieval ruins over there.

“Don’t be daft, Bert, how can there be medieval ruins over there?” I asked.

“I didn’t say they were medieval, Idle, I said that’s what they looked like,” he replied.

“But …but history, Bert! There’s no history here of medieval towns! Who could have built it?”

“That’s why I found it so fucking interesting, but if it doesn’t fit the picture, nobody wants to hear anything about it!”

“Well I’m interested Bert. Yes, yes, I know I wasn’t interested before, but I am now.”

Bert grunted and lit a cigarette.

We stopped at a roadside restaurant just outside Ninetown for lunch. The midday heat was enervating, but inside the restaurant was a pleasant few degrees cooler. Bert wasn’t one for small talk, so I picked up a local paper to peruse while I ate my sandwich and Bert tucked into a greasy heap of chips and meat. I flicked through it without much interest in the mundane goings on of the town, that is, until I saw those names: Tattler, Trout and Trueman.

It was an article about a ghost town on the other side of Ninetown that had been bought up by a consortium of doctors. Apparently they’d acquired it for pennies as it had been completely deserted for decades, with the intention of developing it into an exclusive clinic.

“There’s something fishy about that!” I exclaimed, a bit too loudly. Several of the locals turned to look at me. I lowered my voice, not wanting to attract any more attention while I tried to make sense of it.

“Read this!” I passed the paper over the Bert.

“So what?” he asked. “Who cares?”

“Look!” I said, jabbing my finger on the names Tattler, Trout and Trueman. Bert looked puzzled, understandably enough. “Allow me to explain” I said, and I told him about the business card that Flora had left on the porch table.

“What does Flora have to do with this consortium of doctors? And what the hell is the point in setting up a clinic there, in the middle of nowhere?”

“That,” I replied, “Is the question!”

Aunt Idle:

Tattler, Trout and Trueman. Where had I seen that before? I squinted at what was left of the business card that Flora had been ripping up to use as roaches last night. I could make out tel: 88 , but the rest of the number was missing. There wasn’t much left of the card, no other writing left to see. But where had I seen that name before?

I shivered; there was a rising mist and it was damp and chilly on the veranda, gloomy as the sun hadn’t quite risen yet. I like it first thing, before anyone else is up. Bert’s usually up, but I never see him, he goes off out the back somewhere. I stood there for awhile watching the mist rise and wondered whether to go and fetch the camera.

And that’s when I remembered where I’d seen Tattler, Trout and Trueman. It was on that note that I’d hidden inside the camera manual.

Could it be a coincidence? Should I ask Flora where she got the card, whose card it was? Or did Flora have something to do with the note?

My hand flew to my mouth. Automatic reaction so you don’t suck any flies down with the sharp intake of breath.

“Got toothache, Aunt Idle?” asked Prune.

“Jesus Christ, Prune! You made me jump out of my skin! What are you doing up so early?”

“Who is that man your friend brought with her? Is he from the desert?”

“What man? She came on her own.”

“Well who’s that tall man in the blue robes then? He said his name was Sanso.”

“WHO?” I could almost hear myself say that in italics. “Where? Where did you see him?”
What did he say?”

I could see Prune was weighing this up, she wasn’t called shrewd prunes for nothing. I wasn’t at all surprised when she said “He told me not to tell you anything,” and ran back inside, slamming the door behind her.

Aunt Idle:

My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.

The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.

“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.

“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.

“Bloody hell, not you as well!”

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete

“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.

“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”

LizAnn chose to ignore her old freind Pig Littleton and continued to read.

And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.

LizAnn snorted.

She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;

“Aha Ha Ha Ha”

she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations

“Yes, where the devil IS Becky, Gordfry? or is it Godon?”