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[Tracy]

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

[Tracy]

Well I don’t know about you, she said to whoever was listening, but I am inclined to think that something rather than nothing, even if that something is off the track, round the bend, out of line, unsupported by connecting links or threads, or simply just plain rubbish, is better than no thing at all. The time has come, dear freinds, to resume random impulsive meaningless nonsense, for it has far greater continuity than anything that might actually mean something however so much as it might be deemed continuous ~ for, and I express the blindingly obvious, there is no continuity thread to be found in nothing-at-all-ness.

[Tracy]

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

[Tracy]

Eyes previous threads ~

Nobody!

Finnley free rather real string writing;
Strings tell attempt;
Lack experience.

Dragons, whatever…

Stop!

Wondered…
Attention certainly taking,
Mused write somewhat ~
Seem face thinking…
Taken, wrote silly, shouted dancing!
Enjoyed!
Exclaimed comments ~
Voice life thread!

[Tracy]

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

[Tracy]

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

[Éric]

— “I’m sure some weaving of threads can be done at a later date if necessary, if it doesn’t weave itself. Did you see the weaving quotes?”
— “Well, it would be like asking shaven sheep to have their mops of hair on the floor weave themselves on their own…”
— “Text/textile ~ weaving a story, which was where mother goose came in!”
— “And how would she know the first thing about weaving, she’s only got feathers on her back!”
— “Ah but she weaves a good story”
— “She doesn’t,… she pens… That’s what I call weaving… We need more giant spiders! Are you still … game?”

[Tracy]

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete

“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.

“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”

LizAnn chose to ignore her old freind Pig Littleton and continued to read.

And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.

LizAnn snorted.

She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;

“Aha Ha Ha Ha”

she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations

“Yes, where the devil IS Becky, Gordfry? or is it Godon?”

[Éric]

New Venice, October 2117

Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.

Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.

So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.

Let me see… there were a few threads going on there, and all we need is untangle some of them…

She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.

Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.

So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.

She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?

[Tracy]

Madison posted about a cloud of du:face-grin:st today, sync with the new thread

[Éric]

This is a new game: choose from the current random comment, and its following comments, and only deleting some words, sentences, letters, bits here and there… let a different story be written. You have to incorporate at least a few words from each comment you’re passing through. Only one daily entry per writer (reusing another writer’s current random thread is allowed though taking turns is encouraged), so that it keeps weaving a new story. Of course, if you don’t like the rules, you can play in other threads instead. Don’t forget this is the Del’Eight thread, where DEL is key.

#1664 Elizabeth was beginning to realize that there WAS no road.
Whenever she found herself following another, she didn’t want it.
Perhaps it was rough and coarse, plain and functional. Some were together somehow.

It really was the most fabulously absorbing babbling,…

“How long now?”

Yann couldn’t help but laugh. She would choose… some of them are so slippery…

SPLASH! warmly as Flove was.

[Éric]

whatever characters
thanks bloody
somewhat hit thread
everyone school
girl continuity
dead facts
start details
glor mad
give professor
wondering moment

[Éric]

“Dear Lavender, there is something awkwardly odd to the World Clooh’d. It looks like it’s stuck to this one sentence, a thing never seen before.
I wonder what’s the special meaning of it, as there surely is a special meaning for it wouldn’t be the same otherwise: ”

“attempt movements inner communications
arona less escape later
nobody dream dancing god
side needed work
shar sort beauty strings thread reality”

But Lavender was oddly silent to Harvey’s pleading intonation. A long silence during which Harvey seemed to notice that she had changed her hair… She looked nice in mauve.

[Éric]

attempt movements inner communications
arona less escape later nobody dream
dancing god side needed work shar
sort beauty strings thread word

[F Love]

Franlise was unusually despondent. She flicked half heartedly through the last pages of Ann’s novel, looking for some sort of common thread which she could cleverly take hold of and expand upon, in order to provide the necessary continuity.

Daunted by the formidable proportions of her task, her thoughts turned instead to the strange man who had followed her that afternoon. Her attempts to lose him had failed, and, in the end, she had thought it best to delay her appointment with the Fellowship. Perhaps the man was just lured by her beauty, but she knew she could not risk exposure.

[Tracy]

interesting thread ~
direction deep!
tina sound, seeing otherwise…
once yoland thought,
room wish ~ usual odd dogs
beginning order knew dear
already

[Tracy]

The word flounder popped into Yolands head, and for want of the inspiration to do anything meaningful, or even useful, she googled flounder. She was astonished to find so many varieties of flounder, and recognized that she was counterparting with quite a number of them.

There was the Crosseyed flounder that she felt an affinity for, at the end of an evening of trying to sort out her photos; Alcock’s narrow-body righteye flounder, which was what she felt like in a bed full of male dogs every night, and she could relate to the Antarctic armless flounder when she couldn’t keep track of the Antarctic thread. Barfin flounder reminded her of the green icon and her friend Finn; Bigmouth flounder ~ Yoland sighed, she definitely felt a connection to that often enough. Blotched flounder, well that sounded a bit like botched ~ there were many occasions when Yoland felt that everything she did was botched, half done and messy. Chain-mail wide-eyed flounder when she dabbled a bit in past lives, and the Disc flounder when she got her music in a muddle. The Dark flounders were the worst, when everything seemed to take on the tone of a horror movie, but they were often followed by a Deep flounder, which sometimes contained a few insights, more often than not promptly forgotten.

Yoland sighed. Imagine counterparting with just about every flounder known to man! She decided she wasn’t the only one counterparting the European flounder, which was a releif, nor was she the only one counterparting the Fantail flounder, although at least it could be said that she wasn’t a complete fan of anyone in particular, dead or alive, she was a fantail of quite a number. There were long spells of resonating with the Finless flounder; Finn was always disappearing, or so it seemed to Yoland. Very rarely she felt an alignment with God’s flounder, thankfuly she wasn’t often prone to dwelling on God things.

Ah, the Gray flounder, yes she’d had a bit of a flounder when Gray sent all those photos of the Beltane Dance, she’d had a flounder for sure in amongst all those. Looking back though, she’d had fun with the mummy and Ella Tindale in the Gulf flounder…

Yoland had to laugh when she came across the Intermediate flounder. Yoland wondered if the majority of her foundering was counterparting with the Intermediate flounder and decided she was probably too intermediate to work it out objectively anyway. She often had a tussle with the Large tooth flounder, lordy, she was always floundering with dental issues. And the Largescale flounder, that really was the biggest ongoing flounder of them all, the sheer vastness of everything.

Every now and again, less than previously though, Yoland had a Melbourne flounder on Saturday nights, and rather enjoyed it, but not as much as she enjoyed a good old New Zealand flounder.

Another flounder Yoland always enjoyed was an Olive wide-eyed flounder, roaming around the ancient olive trees of Andalucia, wide eyed and awestruck with the beauty and history of the place. She also enjoyed a Peruvian flounder on occasion, too ~ she’d even had a dream recently about floundering around by the mysterious doorway of Amaru Muru. The next night she’d had a River flounder, dreaming of the river in the Grand Canyon.

Sand flounders were the best of all though, Yoland recalled many happy flounderings in the world of sand and all its Subulmantium configurations. The trouble with the sand flounder was that it often morphed into the largescale flounder, and got quite out of hand.

Yoland sighed, it had been ages since she’d felt connected to the Seven pelvic ray flounder, what with Dan working nights. She was beginning to feel like a Shelf flounder. However, at least thanks to her new diet of replacing meals with flans, chocolate mousses and ice cream, she was closely aligning now with the Slender flounder.

The ongoing slug issue with the cat food was obviously because she was still strongly aligned with the Slime flounder. Notwithstanding, Yoland was rather pleased to note that despite her morose and petulant mood this morning, it had to be said that she often counterparted with the Smooth flounder; although that was easy to forget in moments of quiet desperation when the floundering got out of proportion.

Smiling, Yoland remembered the dream of feet touching when she noticed there was a Sole flounder too. And how often the Spotted flounder popped up, she was always spotting clues. Well spotted! she would tell herself. Oh, and the Stone flounder, wasn’t that the truth! Yoland was aligning strongly with that lately, smoking more than ever, somehow striving for either inspiration, or perhaps oblivion.

Oh well, I guess this is just a Summer flounder, it will pass, Yoland decided (who was secretly glad that she was nearing the end of the list of flounder names). And sure enough, the next on the list was the Three spotted flounder, surely a good sign! A probability change perhaps! As if to validate Yolands impression, she noticed the Tile-colored righteye flounder. There was even a Warthog flounder, which seemed to ring a bell with a recent entry to the Reality Play.

Best of all was the Windowpane flounder, Yoland felt she would even go so far as to say that this was her new focus animal. Well, she thought, if I am making this all up, I can make that up too!

Thankfully Yoland reached the end of the flounder list, rather pleased that it had ended on such an amusing and encouraging note.

Being closely aligned with flounders wasn’t such a bad thing after all.

[Tracy]

Ann opened the letter from Morgana and read:

“The Fellowship congratulates and thanks you for your continuity work on the script. We acknowledge the extreme difficulties you contend with as you face erratic forces resistant to any form of continuity and seeking only to create meaningless threads. The Fellowship also advises the script will be even further improved if you could sexy it up a bit.”

“Good God” said Ann, momentarily nonplussed.

[Tracy]

Despite doing so well in Continuity Class, Ann had wandered off again. By the time she returned, she had forgotten what the thread was. I must sign up for that Thread Refresher Course, she told herself. I wonder if dear old Frantic can squeeze me in?

[Éric]

“Well, it’s a fiction, she could be anywhere. That and if you stopped changing the facts and names for a moment, you’d be able to knit them together into new understandings.”

Charmille was knitting while answering to impatient young Becky who for all of the birds’ chatter in the apartment couldn’t really concentrate on her schoolwork, and had only one thought in mind (more insistent than the fleeting thousands other ones that is): she wanted to go outside immerse herself in the helter skelter of New York City.

“And why should I care!” Becky was about to start another tirade of self-righteous indignation at the failure to recognize her brilliance when she stopped herself in her tracks. She was suddenly amazed at the intricacy of the pattern Charmille was creating with two simple sticks and the many colourful threads in her black and white box. That was an art in itself, and Becky wasn’t impervious to art, quite the contrary. She could spot art in the slightest and singlest stroke of graffiti on the walls of the City. She could even see them dancing endless farandoles in front of her eyes. She was perhaps the only one she knew who was able to see that, but what her aunt was doing was very much like it.
Sometimes, she’d had people laugh at her when she was younger. She was telling them about her vivid dreams, that she’d spent hours in one dream looking at a single napkin, how soft it was, how superbly almost real it was —even if that was just a dream napkin— while, according to others, she could have done more “lofty” things instead —like go and see ascended masters.

“But I like movement! I don’t want to be stuck in slimy facts!”
“Well dear, you should know that… wherever you are, there you are. Even if wherever is elsewhere.”

The cryptic statement made by the poised lady somehow struck a cord. She wanted to disguise facts into fictions, or fiction as facts, but any way she was going, she was still struggling with herself, the essence at her core. It didn’t matter if she wanted to have the needle jump to another loop (and get out of that particular loop) because it was all part of the same cloth she was creating. It suddenly gave her much to ponder…