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In reply to: Quintessence: A Portrait in Reverse
Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:
Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.
The Strange Couple: Éloïse and Monsieur Renard
Winter 2019: Paris, Just Before the Pandemic
The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.
It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.
First Impressions of Éloïse and Monsieur Renard
Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.
“They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”
But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.
Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.
Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.
Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.
Darius’s Growing Involvement
Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.
“They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”
“Connections to what?” she asked, her tone sharper than she intended.
“Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”
Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.
The Séance
The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.
Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.
The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.
Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.
“You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”
The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.
And then, the bell rang.
It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.
“What the hell is that?” Lucien muttered, his eyes snapping open.
Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.
Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”
Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”
The Fallout
The séance fractured the group.
- Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
- Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
- Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
- Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.
Lingering Questions
- What Happened to Darius with Éloïse and Renard?
- Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
- The Bell’s Role:
- The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
- Lucien’s Entanglement:
- Éloïse and Renard’s Motives:
- Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?
Impact on the Reunion
In reply to: Quintessence: Reversing the Fifth
From Decay to Birth: a Map of Paths and Connections
7. Darius’s Encounter (November 2024)
Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.
He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.
When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.
6. Matteo’s Discovery (near Avignon, Spring 2024)
The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.
His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.
Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.
Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.
“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”
Matteo nodded. “Take it, then. Maybe you’ll figure it out.”
The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.
5. From Hand to Hand (1995–2024)
By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.
2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.
2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.
1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.
The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.
4. The Artist (1995)
The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.
“I don’t map what is,” she once told a curious buyer. “I map what could be.”
In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.
3. The Ink (1990s)
The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.
From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.
2. The Paper (1980)
The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.
By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.
The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.
This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.
1. The Seed (1950s)
It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.
“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.
Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”
In reply to: Quintessence: Reversing the Fifth
It was cold in Kent, much colder than Elara was used to at home in the Tuscan olive groves, but Mrs Lovejoy kept the guest house warm enough. On site at Samphire Hoe was another matter, the wind off the sea biting into her despite the many layers of clothing. It had been Florian’s idea to take the Mongolian hat with her. Laughing, she’d replied that it might come in handy if there was a costume party. Trust me, you’re going to need it, he’d said, and he was right. It had been a present from Amei, many years ago, but Elara had barely worn it. It wasn’t often that she found herself in a place cold enough to warrant it.
In a fortuitous twist of fate, Florian had asked if he could come and stay with her for awhile to find his feet after the tumultuous end of a disastrous relationship. It came at a time when Elara was starting to realise that there was too much work for her alone keeping the old farmhouse in order. Everyone wants to retire to the country but nobody thinks of all the work involved, at an age when one prefers to potter about, read books, and take naps.
Florian was a long lost (or more correctly never known) distant relative, a seventh cousin four times removed on her paternal side. They had come into contact while researching the family, comparing notes and photographs and family anecdotes. They became friends, finding they had much in common, and Elara was pleased to have him come to stay with her. Likewise, Florian was more than willing to help around the beautiful old place, and found it conducive to his writing. He spent the mornings gardening, decorating or running errands, and the afternoons tapping away at the novel he’d been inspired to start, sitting at the old desk in front of the French windows.
If it hadn’t been for Florian, Elara wouldn’t have accepted the invitation to join the chalk project. He had settled in so well, already had a working grasp of Italian, and got on well with her neighbours. She could leave him to look after everything and not worry about a thing.
Pulling the hat down over her ears, Elara ventured out into the early November chill. Mrs Lovejoy was coming up the path to the guesthouse, having been out to the corner shop. “I say, that’s a fine hat you have there, that’ll keep your cockles warm!” Mrs Lovejoy was bareheaded, wearing only a cardigan.
“It was a gift,” Elara told her, “I haven’t worn it much. A friend bought it for me years ago when we were in Mongolia.”
“Very nice, I’m sure,” replied the landlady, trying to remember where Mongolia was.
“Yes, she was nice,” Elara said wistfully. “We lost contact somehow.”
“Ah yes, well these things happen,” Mrs Lovejoy said. “People come into your life and then they go. Like my Bert…”
“Must go or I’ll be late!” Elara had already heard all about Bert a number of times.
In reply to: Quintessence: Reversing the Fifth
Lucien pulled his suitcase through the rain-slick streets of Paris, the wheels rattling unevenly over the cobblestones. The rain fell in silver threads, blurring the city into streaks of light and shadow. His scarf, already streaked with paint, hung heavy and damp around his neck. Each step toward the café felt weighted, though he couldn’t tell if it was the suitcase behind him or the memories ahead.
The note he sent his friends had been simple. Sarah Bernhardt Café, November 30th , 4 PM. No excuses this time! Writing it had felt strange, as though summoning ghosts he wasn’t sure were ready to return. And now, with the café just blocks away, Lucien wasn’t sure if he wanted them to. Five years had passed since the four of them had last been together. He had told himself he needed this meeting—closure, perhaps—but a part of him still doubted.
He paused beneath a bookstore awning, the rain tracing fractured lines down the glass. His suitcase leaned against his leg, its weight pressing into him. Inside: a crumpled heap of clothes that smelled faintly of turpentine and the damp studio he had left behind, sketchbooks filled with forgotten drawings, and a small bundle wrapped in linen. Something he wasn’t ready to let go of—or couldn’t. He hadn’t decided yet if he was coming back or going away.
Lucien reached into his pocket and pulled out his last sketchbook. Flipping absently through its pages, he stopped at an old drawing of Darius, leaning over the edge of a rickety bridge, hand outstretched toward something unseen. He could still hear Darius’s voice: If you’re afraid of falling, you’ll never know what’s waiting. Lucien had scoffed then, but now the words lingered, uncomfortable in their truth.
The café came into view, its warm light pooling onto the wet street. Through the rain-speckled windows, he saw the familiar brass fixtures and etched glass, unchanged by time. He stepped inside, the warmth closing around him, and made his way to the corner table. Their table.
Setting the suitcase down, he folded into the chair and opened his sketchbook to a blank page. His pencil hovered. Outside, the rain fell softly, its rhythm steady against the glass. Inside, Lucien’s chest felt heavy. To make it go away, he started to scratch faint lines across the page.
In reply to: Quintessence: Reversing the Fifth
At the Café
The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.
Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.
The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.
“Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.
“Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.
Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”
“You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”
She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.
The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.
“Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.
“Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.
Lucien snorted. “Still paying for strangers’ stories, I see.”
“The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.
The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.
“You’re late,” Darius said, but his voice carried no accusation.
“Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”
Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”
“Not all of us live in Paris,” Elara said, with a glance at Lucien.
“Only some of us make better life choices,” Lucien replied dryly.
The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.
In reply to: The Incense of the Quadrivium’s Mystiques
The vine smothered statue proved to be the perfect place to hide behind to watch the events of the picnic unfolding. Cedric had been in a quiet turmoil of conflicting emotions, biting his bony knuckle to stop himself from uttering a sound as the extroadinary sequence of dramas and comedies played out before him.
He hadn’t expected to see Frella again. His mental confusion about his job as well as his troubling fixation on the witch had brought him to the brink of jacking it all in. Just leave everything, he told himself, Move away, get another job doing something else, something mundane and manual. And forget her. He’d almost made up his mind to do just that, and, feeling pleased and sure of himself for making the decision, tapped his device to locate and observe Frella one last time just to mentally say adieu, and to see her face again. And then quietly disappear.
When Cedric realized that the witches were going on holiday, and heard Truella saying that no spells were allowed, his heart leapt. If he was giving it all up and moving away anyway, why not have a holiday first? Why not go to Rome? I may not even bump into her, Rome’s as good as anywhere else. I deserve a holiday. And if I do bump into her, it will just be a holiday coincidence, and nothing at all to do with spells. Or work.
All pretence of not minding whether he saw Frella or not left his mind almost immediately, and he began to make arrangements. He didn’t want Frella to use spells, but it didn’t occur to him to wonder why he was still using the tricks of his job. It was easy to track them to Italy.
His disguise as a North African on the coach full of Italians had worked well, even sitting so close to Truella and Giovanni he hadn’t been recognized in his hooded djelaba, and had been able to hear most of their conversation. A quiet word and a large tip secured his trip with their tour guide.
The picnic started out normally enough. They each had a short wander around, and then sprawled on rugs and cushions by the whicker hampers of food and champage. Cedric lurked in the shadows of an arch, sometimes slinking to peer from behind a statue. The temptation to pick a posy of wildflowers to give to Frella was all but overwhelming, as he watched her sitting pensively. Silently sinking to his knees behind the marble bulk of Tiberius, Cedric plucked a daisy from the grass. And another.
When Cromwell appeared on the scene, Cedric, alarmed and almost angry at the intrusion, unwittingly crushed the flowers in his hand. He had no choice but to remain hidden and immobile as the scene rolled out.
As the day progressed, the mood changed and Cedric felt hopeful again. He even had to stifle a laugh as he watched them play cards. Watching Eris pour champage into everyone’s glasses reminded him that he hadn’t had a drink all day. He was parched. He had to make a decision. He wanted to sneak off quietly and call it a day, find a nice restaurant. A part of him wanted to be bold and openly seductive, to stride into the scene and charmingly state his intentions. But he had no opportunity to further consider the options.
“You!” In the moments Cedric taken his eyes off the picnic to ponder his dilemma, Frella has risen and was heading for a necessary bush to go behind. “You! Spying on me!”
“Who?” shouted Truella, “Cedric! What on earth is he doing here, we’re on holiday! Now stop spitting nails, Frella, and invite the man over for a drink!”
Cedric seized the moment.
In reply to: The Incense of the Quadrivium’s Mystiques
All their owls screeched at the same time across the vast distances separating them.
Malové’s voice on them. “I just got off the phone with the Headwitch of Salem. Witch hunting season is back on, can you believe it? Didn’t we have countermeasures in place? Who was in charge of the Lump thwarting warting spell? Come at once!”
In Limerick, Finnley snickered, only mildly annoyed at the sound of all the parked owls in the mostly empty Quadrivium building. Oh, I see. It’s all gone pear-shaped, has it? Witch hunting season indeed! You’d think by now they’d have sorted their spells and counter-spells like a proper orderly lot. Honestly, if it were up to me, I’d have those countermeasures filed, organized, and triple-checked like my cleaning supplies. As for whoever’s in charge of the “Lump thwarting warting spell”—sounds like someone needs a good talking-to. Probably spent too much time nattering about and not enough focusing on their spellwork. Typical, isn’t it?
Elsewhere in the Northern forest, Eris shrugged at the sound hooting echoing. “When I told them something was wrong with Malové, it was her charge all along. Now, let’s wait and see to find someone brave enough to say it to her face.”
Somewhere and somewhen else, Truella and Frella and Jeezel were probably thinking the same, unless they got lost themselves in the Well of Crom, a surefire way to stay clear of Malové’s screeching owls.
In reply to: Two Aunties au Pair and Their Pert Carouses
“Oh sweet revenge…” November was looking gleeful, and truth be told, too smug. With a tinge of orange anticipating a delectable tapestry of chaos.
The results had come as cold as an early winter for a world standing on the precipice of another era under President Lump’s reign.
“The winds of change rustling the curtains of the Beige House once more. And amidst this swirling tempest of political intrigue, our story unfurls with the maids au pair at its heart.”
“Liz, are you sure this is wise to pursue?”
“Oh stop, it Godfrey, the harm is done, November was written already in that story; I knew she would spell trouble from the beginning. And please, don’t interrupt.”
As April and June departed to pursue their ventures—perhaps April embarked on a global crusade for environmental stewardship while June disappeared into the realms of espionage, her whereabouts known only to the shadows—November emerged, a true force of nature. With an iron will and a meticulous attention to detail, she transformed the Beige House into a bastion of order amid political disarray under old Joe Mitten—bless his bumbling heart. Her reign as the clandestine conductor of this domestic symphony was nothing short of legendary.
During those four years, November proved herself indispensable. She orchestrated everything from state dinners to covert intelligence briefings, all while maintaining the perfect façade of domestic tranquility. The press would whisper her name, speculating on her true influence behind the scenes. Little did they know that November had eyes and ears in every corner of the Beige House, including a network of whispering portraits and eavesdropping sconces.
And now, with President Lump’s reelection, November faces her most formidable challenge yet. The political climate is rife with unpredictability—alliances shift like sand, loyalties waver, and secrets simmer beneath the surface. November must navigate this labyrinth with the precision of a masterful chess player, anticipating every move and countermove.
In reply to: The Incense of the Quadrivium’s Mystiques
Precisely why some of us never watch those things, Truella couldn’t help thinking when Jeezel mentioned her tartcasts or whatever they were. All the knowledge of the world at our fingertips and everyone watching blartcasts and clickparroting it all over the place. And she kept that quiet, about who her gran was!
Truth be told, Truella was nettled at the things Jeezel and Frella had said about Cromwell. She almost rose to the bait but resisted the urge to launch herself to his defence when she remembered the shock they were all going to have when he replaced Malove. But no, he wouldn’t replace her. He would merge with her. A merger made in hell, anyone would think, and understandably so. They were in for a pleasant surprise.
In reply to: The Incense of the Quadrivium’s Mystiques
“I’m glad Hallowe’en is soon coming…” Eris sighed to her colleague. “Honestly, when did all the witchery stuff got outnumbered by Project Managers Officers?”
“Don’t ask me!” replied Truella in the dirt-smeared reflection of her obsidian mirror. She was still obviously distracted from her Incense-making numbers, not that she ever really cared about it —and even less since Malové got replaced for a while.
“Found anything worth scrying in your old postcards?” Jeezel affably trying to practice genuine interest in Truella’s games. Her own image was all pixellated due to the abundance of glitter on the makeup stand she was using for the conference call.
“Shht…” shushed Frella appearing in a faint halo light through her pristinely shiny scrying mirror, “Don’t encourage her, silly. There’s going to be no end of it. And Eris has a point, I may say.”
“Does she, now? And when did you start to take sides?” Truella felt like Pinocchio being told the Land of Toys wasn’t all that it was supposed to be.
“Listen,” Eris said “I’m sure you’ve realised by now, we have PM Officers for about any ridiculous thing in the Quadrivium nowadays. None of them having any magic to show for. They’re going to suffocate us in paperwork if you ask me. I suspect the Malové that came back was put under some sleeper sort of a spell; the Malové we knew would never have tolerated such nonsense.”
Eris marked a pause, looking sideways at Truella’s reflection on her Witchype screen. “And I think she’s had a fair deal of nonsense to contend with… but at least, even in a dragon fire mishap, there was magical prowess that could be harnessed.”
“I do like to get my hands dirty you know, and unravel layers of earth without the help of any spell” snickered Truella.
“That is not the matter and you know it…” Eris sighed.
“You meant to say, it’s time for a good old fashioned witchy coven spell to unravel the truth and break one maybe?” Frella ventured mockingly coyly.
“I’m in!” Jeeze jumped in suddenly “Been so bored for so long with all these timesheeting, spreadsheeting, and reportshitting if you don’t mind my French.”
“Actually I have an idea for a spell… and it may be of interest to you Truella too.” Eris continued.
Truella raised an eyebrow. She was not one to take things at face value. “Try me”
“All my ancestry research has pointed me to something we could work with. You know that bits of hair and nail are basically just middle-agey way of gathering DNA; and that DNA can act as a conduit through time and space, the same way it connects people.”
“Ooooh…” cooed Trooella.
“Exactly.” All nodded in a silent conspiring understanding.
In reply to: The Incense of the Quadrivium’s Mystiques
The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.
She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.
The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.
Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.
As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.
Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.
Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.
“Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.
Eris took a deep breath and began to chant, her voice steady and resonant:
“By the light of the harvest moon,
I call forth clarity, swift and soon.
Let fog disperse and shadows flee,
Reveal the truth, illuminate me.”She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.
As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.
Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.
“Show me the path,” she whispered. “Guide me through the haze.”
The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.
The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.
Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.
“Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.
As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.
“Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”
Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.
In reply to: Washed off the sea ~ Creative larks
The rose coloured spectacle lens.
Aunt Idle:
“Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.
1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.
2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.
3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.
4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.
5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.
Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.
Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”
In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”
“A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
~Journey of Reflections, Enrich P. Lwellman. The Snoot:
“Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.
Lean close! Such a find whispers soft secrets:
Balance Broken, Yet Bright Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
Half Truth, Half Fantasy A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
Lost and Waiting Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!
Liz:
Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.
Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.
One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.
Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.
Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.
So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.
Mater:
Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?
Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.
A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.
Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.
Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?
Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.
Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.
Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.
Finnley:
Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.
Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.
Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?
Mandrake:
Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.
Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?
Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.
Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.
Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.
Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?
Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?
Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.
Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.
In reply to: The Incense of the Quadrivium’s Mystiques
Audrey came to herself rather unexpectedly in the middle of the Choir ritual with all the witches and nuns finishing the Canticle from the Psalms of Saint Frogustus.
Luckily for the coven, her sudden gasp for air could have easily passed as a croak or one of the ribbit amens that went with the background aaah and oohs.
“I think something wrong happened to your friend.” she whispered to Jeezel who had been enjoying the unlikely singing. It was already the third ritual done in six, and it had been mostly enjoyable.
Eris whispered in turn as the grand croaking finale started with loud gong banging by Mother Lorena chanting “leaps of faithe, ye, leaps of faithe”.
“What do you mean? Is Frella alright?”
“Something came in the background, but when our minds disconnected, she felt more annoyed than anything… and to be honest maybe a bit… flustered, how to say…” she became red as Saint Frogustus’ hand tips. “Randy is the word you say?”
“Damn it Jeezel, have you done anything?”
“Why you ask me?” Jeezel felt offended. “You haven’t taken into account the strawberry full moon, that’s all.”
“There’s only one potent counter-spell to this situation…” Audrey said. “We should pray to Saint Frigdona saint patroness of unwavering commitment to upholding the sanctity of boundaries and the virtues of righteousness, even in the face of the most enticing temptations!”“Jeeze, don’t go all religious like this.” a glowing Truella finally said. “I was for one, quite enjoying all that croaking. Dear Rufus told me there is a reason to this ritual! Get that: giant dragon-eating frogs! Dra-gon-frig-ging-eat-ing-frogs! That’s why the famous nuns were revered!”
Eris and Jeezel looked at each other with that puzzled look unequivocally meaning “she’s lost her marbles”.
In the silent moment of the last gong sound droning out, they sighed in unison, turning to Audrey. “How is this Frigdona prayer going already?”
In reply to: The Incense of the Quadrivium’s Mystiques
Frella opened her eyes. She felt rather woozy and very peculiar and it took her a moment to work out that she was sitting on the camphor chest in Herma’s shed with Herma and that awful Cedric Spellbind looming over her, their faces close and large. Too close. She looked from one anxious expression to the other.
“And what the devil is he doing here?” She nodded towards Cedric.
Cedric straightened himself. “I am here on official business,” he said stiffly. “Investigating this AirBnB for potential Witch Violations. And lucky I turned up when I did because you gave Mrs McCarthy here quite a turn with the way you were carrying on.”
Herma shook her head crossly.” Violations my foot. I told you lot last time your people came sniffing around, there’s none of that carry on here.”
“Why have I got salt all over me?” asked Frella.
Cedric rolled his eyes. “Now THIS, THIS is what I am talking about. SHE,” he pointed at Herma, “threw salt all over you to break the evil spell she said.”
“What nonsense!” said Herma, her face colouring. “But you had gone all odd, sort of not-here like and I couldn’t get any sense out of you.” She considered her hands for a few moments and then raised her head and beamed at Frella. “Why don’t I go and make you a nice cup of tea?” With that, she scurried off.
“Well, you’ve done what you came for. You can go now,” said Frella glaring at Cedric. She stood up and turned pointedly away from him, wondered how much he had seen and hoping she didn’t fall over. She silently cursed the other witches for their crazy shenanigans and desperately hoped that Herma would not get in trouble with the Authorities.
Cedric’s thoughts had taken quite another turn, mostly something about how beautiful the Witch was when she was angry. “Frigella,” he said.
She swung around. “It’s FRELLA,” she hissed.
“Frella …. “ Now it was Cedric’s turn to colour and he looked at the ground, so many thoughts jumbling through his head and he couldn’t make sense of any of it.
“Damn it Man! Spit it out, will you!”
“I just want to say that I know what you are.”
“And what am I exactly?”
Cedric met her gaze. “I know you’re a Witch and I’m not going to turn you in.” He shrugged. “I can’t.”
“And why can’t you, then? Something wrong with you, is there?”
Cedric’s hand reached under his shirt. “Look,” he said. He was holding a small round device. “It’s a listening device. We are supposed to wear them whenever we have a suspected Witch Violation or Interaction.” He threw the device to the ground where it bounced a couple of times. Then—rather dramatically in Frella’s opinion—he stomped on it.
Frella giggled. She couldn’t help herself
In reply to: The Incense of the Quadrivium’s Mystiques
“If you ask me,” said Trella, although nobody had, “If anyone wants the merger to fail, it’ll be someone from the Cloisters.”
“Seems like none of us want it, why single them out?” asked Frella. “Well,” she added, glancing at Eris, “Not all of us maybe but for most of us it’s just a hassle. Just more work, and no real benefits for the likes of us, anyway.”
“Think about it, Frell. Sure, it’s just a nuisance for the witches and the nuns, but not enough of a bother to play with fire meddling with far grander schemes. That’d be way out of the depth of most of us, I’m sure. But there’s more going on at the Cloisters than meets the eye. There are other, er, things here, things that don’t want change.”
“Like what?” asked Eris in a doubtful tone.
“I don’t know but I can feel it. Can’t you? Eris, you’re so busy looking at spread sheets and finances you are losing your second sight! The undercurrents are bubbling up so much we’ll drown before long! We’re all looking at each other with suspicion, and meanwhile….”
“You mean we can trust the Morticians?” asked Jeezel hopefully. Eris glared at her.
“Maybe,” Trella said. “Maybe. We don’t know anything for sure yet. But I suggest we stop looking at the nuns, I mean the ordinary rank and file nuns, and the morticians with suspicion and focus on the place itself. There’s a long dark history to this place. And if you ask me, Brother Bartolo knows something.”
“Surely he’s not behind the whole thing!”
“Not behind the whole thing, no, but he knows something. And the gardener, Brother Babbit. Sassafras told me there’s nothing Brother Babbit doesn’t know about the history of this place, but that he only wants to talk about the plants, you know, the local wildlife and such. And,” Truella paused dramatically, “Sandra dropped something out while we were smoking weed in the orchard after the reception. She said Brother Bartolo said he’d seen the Sisters of the Sacred Sepulchre roaming around in the cellar, waiting for orders!”
“The sisters of the friggen what?” Jeezel sighed. Not more characters to convolute everything even more! “Roaming around in the cellars? Oh come on!”
“And that’s not all,” Truella lowered her voice to a whisper. “Sassafras said something about them being reanimated.”
Finally, Eris started taking Truella seriously. “Reanimation? I don’t like the sound of that. We’d better find out as much as we can about the sisters of the cellars, who are they, I mean who were they, have they been reanimated before, and what were the circumstances.”
“Right ho, I’ll just boogle it, shall I?” Jeezel said sarcastically.
Eris rolled her eyes. “No need for the snark. The clues will be here, right here at the Cloisters. We need to check the library, look in every room for clues, check out all the tapestries and paintings, speak to Brother Bartolo and Brother Babbit, but without making them suspicious, mind! Just pretend an interest in history, no mention of the merger! Keep it light! And keep it light with the morticians, but keep it superficial, until we know more. And then…,” Eris looked at each of them. “we need to go down to the cellars. I suggest we do that together.”
“We need Frella to come for that,” Truella stated the obvious. The others murmured their agreement.
In reply to: The Incense of the Quadrivium’s Mystiques
“What? Malové sent you a personal letter? And a golden key! We merely had a memo for the merger,” Truella said, pacing quickly in Jeezel’s bedroom.
“You’ve been swooning over Mr. Dark since we got here,” said Jeezel. “Have you even checked your own things? Maybe you have some kind of message or clue or I don’t know what. But stop pacing like that, you’ll bore a hole in my floor.”
“That’s not your floor,” said Truella with fire in her eyes.
“Girls, stop. That’s not the point,” said Eris, her voice carrying icy breeze of Sweden’s coldest winters. “We don’t even know if that message is from Malové.”
“What do you mean?” asked Jeezel and Truella in unison.
“Yes, what do you mean?” asked a floating glowing orb with Frella’s voice.
Eris brushed a few sparkling dark purple powder from her chest. “Bloody dragon soot,” she muttered. “Well, from what you told us, Silas tried to jinx you when you were discussing about the rituals. Baiting you with the idea that there are amongst or around us forces that would rather see this merger fail. Then, conveniently, handsome Garrett comes to your rescue and warns you about Silas’ evil plot, and talks to you about the very thing Malové supposedly entrusted you with in that letter, and muddying the waters even further with that tale about ancient Punic families.”
“What’s wrong with Punic families,” said Truella.
“Why are you blushing?” asked Jeezel.
“The point is, that it could very well be part of a plot to plant doubts about everyone and everything, so that we make the merger fail ourselves.”
“And then exit the witches from the picture,” said Frella’s glowing voice.
“But who could possibly have hidden the envelope amongst my things without me noticing?” asked Jeezel.
“Who comes and goes into your home?” asked Eris.
“Yes, who?” asked Truella with a sudden renewed interest.
After a few moments of reflection, Jeezel raised her hand to her mouth. “You can’t mean Joe? My fan’s brother who came to do some works for me.”
“I don’t mean anything. But if I recall well, you mentioned you gave him the keys or your home so that he could come do the repairs whenever you’re not there.”
“You gave him your keys?” asked Truella, her eyes wide open.
“But Luminia would have seen him.”
“Well even a familiar needs to go out sometimes.”
“Or maybe after a torrid night, when you’re finally resting,” suggested Truella.
“Ooh! You would love that!” Jeezel said. Then she put the back of her hand on her forehead and moaned: “My brain’s not made for that kind of messy story. I can’t investigate, do the rituals, flirt with the enemy. There are too many things to do and too many possibilities.”
“There, dear. You have us now,” said Eris, still brushing the dragon soot from her dress.
“And I know one who needs to go to the bottom of a chest,” added Truella. “Frella, we need you here.”
“I’m not sure,” Frella said. “I guess someone has to investigate what really happened to Malové. Who knows if that postcard and that love affair are even real? I’ll let you know.”
In reply to: The Incense of the Quadrivium’s Mystiques
After everyone got the program for the six rituals, they dispersed. Jeezel observed groups reform and the whereabouts of people. Eris walked alone toward the dark corridors. Truella, Sandra and Sassafras went to the gardens. Rufus followed shortly after, his dark moody eyes showing intense reflections. Jeezel noticed that Bartolo from the convent had been observing the mortician and hurried to catch up with him. Mother Lorena stood as stern as ever in the center of the lobby. She kept cupping her hands around her ears to check if her earpieces were working. Which they weren’t from the irritated look on her face. Silas was in an animated discussion with Austreberthe and the remaining nuns were laughing heartily and running around as if they had overindulged in Sister Sassafras’ hallucinogenic mushroom canapés.
Jeezel decided to go back to the lounge and explore the antiques, maybe see if there were hidden passageways behind those tapestries. She found Garrett waiting for her in the corridor as if he knew what she intended to do. His deep blue eyes seemed to embrace her whole silhouette in a myriad of unspoken emotions, and when they settle on her emerald green eyes, a subtle grin showed his appreciation.
“Don’t look back,” he said, his voice a deep velvet baritone. “Old Silas and Austreberthe are looking at us with a very disapproving look.”
Jeezel couldn’t help but chuckle softly. “And what if they do? We’re not doing anything wrong.”
Garrett’s grin widened. He took a step closer, the scent of his cologne– a tantalizing mix of cedarwood and bergamot– mingling with the faint aroma of her own enchanting perfume.
“You intrigue me, Jeezel. More than the rituals, more than any relic or spell.”
Jeezel laughed heartily. Don’t they say keep your enemy close? I have questions for him. And I wouldn’t mind the company while I’m exploring the area? she thought.
“I was about to check for secret passages in the old lounge,” she said. “Would you join me?”
She let him take her hand and guide her toward the lounge. As they entered the heavy scent of aged wood and old books greeted them. Jeezel’s eyes darted to the tapestries lining the walls, each depicting scenes of ancient rituals and forgotten histories.
“Where do you think we should start?” Garrett asked, his deep voice barely above a whisper, adding to the mysterious ambiance of the room.
Jeezel tilted her head, considering the possibilities. “That one,” she said, pointing to a particularly intricate tapestry depicting a moonlit garden. “It looks like it could hide something.” She reached out to the fabric and pulled it aside, revealing a wooden door. She tensed when she noticed lingering traces of cedarwood and bergamot. “Or someone,” she added, turning toward him. “You’ve been here recently, have you not?”
“Direct as ever. Very well. I’m here to protect and help you. You need to be careful with Silas. He has hidden motives.”
Jeezel narrowed her eyes. “And why should I trust you?”
Garrett pulled out his crimson handkerchief from his pocket, revealing a symbol embroidered in gold. Her eyes widened as identical to the one on the key Malové had given her.
“How did you get that?” she asked.
“Malové entrusted me with this,” Garret explained, “to show her chosen allies. I was told to seek you out and offer you my assistance. This symbol matches the one on your key, doesn’t it?”
Jeezel felt the weight of the key in her purse. She hadn’t shown it to anyone, not even to her friends. She felt even more confused than before. It was possible that Silas would try to divert her attention from him if he was against the merger. And what better way to do than alert her to unknown enemies. The fact that Garrett knew about the key just added a layer of complexity to the situation, but also a layer of excitement. She wondered what game was being played here, and who were the true players.
“Alright, Garrett,” she said, her voice steadying as she added, “I’ll hear you out. But if you’re lying, you’ll regret it.”
He nodded. “Faire enough. Silas isn’t just interested in the failure of the merger; he’s got his own agenda. Something to do with ancient punic artifacts and power that could rival even the Crimson Opus. And he’s not the only one. There are some ancient Punic families that are looking for the same things.”
Jeezel’s heart skipped a beat. If Silas was after the same kind of power, it could jeopardize everything—the merger, her mission, and possibly the balance of power in their world. Jeezle felt she was in way over her head. She had to breathe and connect to her inner Queen’s innate knowledge in order to slide into her role of leader.
“Then, I accept your assistance,” she conceded with a slight node. “But this doesn’t mean I trust you, Garrett. You’ll have to prove your loyalty.”
Garrett folded the handkerchief back into his pocket. “I wouldn’t expect anything less. For now, let’s just say our interests align. And if we work together, we might just come out of this with everything we need—and more.”
“Then show me where this hidden door lead!”
In reply to: The Incense of the Quadrivium’s Mystiques
“It’s your fault I’m late, Sandra!” Sassafras hissed, adjusting her wimple and throwing a large crucifix around her neck. “You told me it was witches costumes, I had to run back upstairs to change.” Missing a step as she rushed down the stairs, Sassafras grabbed the bannister, managing to save herself from a possibly fatal tumble down to the tiled floor below.
“I thought it was! That’s why I’m late too. And anyway you look half witch and half nun in that outfit.” Sandra gripped Sassafras’s wrist. “Ok, calm down and deep breaths. Demure and collected, remember? We need to look serious and efficient.”
When they reached the door of the grand reception hall, they stood aside to allow Brother Bartolo to pass, on his way to the kitchen for more refreshments. He allowed himself a small smile, holding up an empty decanter. “Crimson Cordial, that’s what she told me to give them. It’s not every day she gives me the key for the cordials cabinet.”
“Not the Crimson Cordial!” the girls gasped in unison. They looked at each other, perplexed. “What is she playing at, Brother?”
“That’s not all,” whispered Brother Bartolo, leaning closer to Sandra, “She’s re animated the Sisters of the Sacred Sepulchre from the crypt. I’ve seen them wandering around in the cellars, waiting for orders.”
Sandra and Sassafras looked at each other in alarm. “This is serious.”
“But is it to assist the merger or derail it?”
“Who only knows what goes on behind that prune faced scowl. And why has she invited a team of morticians, eh? Ask yourself that! Morticians!” Sandra said.
“This is too dark for me, I’m off. Tell them I’ve been taken ill, I’m going for a walk in the woods.”
Brother Bartolo barred her way. “Oh no you’re not. You won’t get away with that this time,” he said grimly. “This is too dark for those petty tricks. And you may be needed,” he added cryptically. “All hands on deck, and as many fingers as you like.”
In reply to: The Incense of the Quadrivium’s Mystiques
After the sage smoke was dispersed, Eris typed the words on the air keyboard.
Malové, how can we cope with the struggling left with your sudden disappearance, and not succumb to despair in front of fuzzy objectives, lack of drive, avoidance of tough decisions, and general ineffective organisation?
The answer wasn’t long to appear, a perfect resemblance of Malové, down to the intonations:
The night is darkest before the dawn, Eris. My sudden absence is not a void, but an opportunity. The challenges you face are the crucible that will forge your mettle.
Here is your path:
1. Embrace the Struggle: Despair is a luxury we cannot afford. Every obstacle is a lesson cloaked in shadows. Meet it head-on. Confront your fears and frailties—only then will you transcend them.
2. Clarify Objectives: The haze of uncertainty can be dispelled with focus. Define your goals with precision. Each witch must understand her role and the greater picture. Fragmented efforts yield nothing but chaos.
3. Revitalize Your Drive: Passion wanes without purpose. Revisit the roots of your magical essence. Rediscover the fire that led you to the Quadrivium. Let it burn anew within you.
4. Confront Tough Decisions: Avoidance is the death of progress. Decisions, however difficult, must be made with swiftness and resolve. Hesitation fosters weakness; action breeds strength.
5. Streamline Organisation: Inefficiency is a poison. Implement rigorous structures. Assign clear responsibilities and hold each other accountable. The chain is only as strong as its weakest link.
6. Leverage Collective Wisdom: You are not alone in this. Draw strength from your sisters. Engage in open, constructive dialogue. Balance assertiveness with respect, as I have taught. Unity in purpose will amplify your power.
7. Adapt and Overcome: The world shifts, and so must you. Flexibility is paramount. When confronted with the unexpected, adapt swiftly. Use the resources at hand and turn adversity into advantage.
7 points, for seven is the number of Truth Seekers. Remember, the Quadrivium’s legacy is not built on ease but on resilience and relentless pursuit of mastery. My absence tests your resolve. Prove that you are worthy.
Now, go forth and etch your magic into the annals of time.
Eris pondered for a moment, and clapped her hands. The familiar figure of Elias emerged.
“Good job Elias, fidelity is almost there. The content is mostly correct, but the delivery is a bit stuffy.”
“I will work on this to improve. I would need more source material though. Shall I interview some other witches?”
“Not at the moment, I’d rather surprise them with the final product.” Eris was being sneaky. This backup of Malové (she called her Maboté) was on the fringes of what was ethical even for a witch, although it could help in case Austreberthe’s interim management would fail them.
At the moment, despite what she told Elias, she wasn’t close to success, and Elias himself had proven tricky to get right, so Malové of all figures… it would be another journey.
Well, at least for now, she did provide some good advice.
In reply to: The Incense of the Quadrivium’s Mystiques
It was early morning, too early if you asked some. The fresh dew of Limerick’s morn clinged to the old stones of King John’s castle like a blanket woven from the very essence of dawn. The castle was not to open its doors before 3 hours, yet a most peculiar gathering was waiting at the bottom of the tower closest to the Shannon river.
“6am! Who would wake that early to take a bus?” asked Truella, as fresh as a newly bloomed poppy. She had no time to sleep after a night spent scattering truelles all around the city. “And where are the others?” she fumed, having forgotten about the resplendent undeniable presence she had vowed to embody during that day.
Frigella, leaning against a nearby lamppost, her arms crossed, rolled her eyes. “Jeezel? Malové? Do you even want an answer?” she asked with a wry smile. All busy in her dread of balls, she had forgotten she would have to travel with her friends to go there, and support their lamentations for an entire day before that flucksy party. Her attire was crisp and professional, yet one could glimpse the outlines of various protective talismans beneath the fabric.
Next to them, Eris was gazing at her smartphone, trying not to get the other’s mood affect her own, already at her lowest. A few days ago, she had suggested to Malové it would be more efficient if she could portal directly to Adare manor, yet Malové insisted Eris joined them in Limerick. They had to travel together or it would ruin the shared experience. Who on earth invented team building and group trips?
“Look who’s gracing us with her presence,” said Truella with a snort.
Jeezel was coming. Despite her slow pace and the early hour, she embodied the unexpected grace in a world of vagueness. Clumsy yet elegant, she juggled her belongings — a hatbox, a colorful scarf, and a rather disgruntled cat that had decided her shoulder was its throne. A trail of glitters seemed to follow her every move.
“And you’re wearing your SlowMeDown boots… that explains why you’re always dragging…”
“Oh! Look at us,” said Jeezel, “Four witches, each a unique note in the symphony of existence. Let our hearts beat in unison with the secrets of the universe as we’re getting ready for a magical experience,” she said with a graceful smile.
“Don’t bother, Truelle. You’re not at your best today. Jeez is dancing to a tune she only can hear,” said Frigella.
Seeing her joy was not infectious, Jeezel asked: “Where’s Malové?”
“Maybe she bought a pair of SlowMeDown boots after she saw yours…” snorted Truella.
Jeezel opened her mouth to retort when a loud and nasty gurgle took all the available place in the soundscape. An octobus, with magnificently engineered tentacles, rose from the depth of the Shannon, splashing icy water on the quatuor. Each tentacle, engineered to both awe and serve, extended with a grace that belied its monstrous size, caressing the cobblestones of the bridge with a tender curiosity that was both wild and calculated. The octobus, a pulsing mass of intelligence and charm, settled with a finality that spoke of journeys beginning and ending, of stories waiting to be told. Surrounded by steam, it waited in the silence.
Eris looked an instant at the beast before resuming her search on her phone. Frigella, her arms still crossed and leaning nonchalantly against the lamppost, raised an eyebrow. Those who knew her well could spot the slight widening of her eyes, a rare show of surprise.
“Who put you in charge of the transport again?” asked Truella in a low voice as if she feared to attract the attention of the creature.
“Ouch! I didn’t…”, started Jeezel, trying to unclaw the cat from her shoulders.
“I ordered the Octobus,” said Malové’s in a crisp voice.
Eris startled at the unexpected sound. She hadn’t heard their mentor coming.
“If you had read the memo I sent you last night, you wouldn’t be as surprised. But what did I expect?”
The doors opened with a sound like the release of a deep-sea diver’s breath.
“Get on and take a seat amongst your sisters and brothers witches. We have much to do today.”
With hesitation, the four witches embarked, not merely as travelers but as pioneers of an adventure that trenscended the mundane morning commute. As the octobus prepared to resume its voyage, to delve once again into the Shannon’s embrace and navigate the aqueous avenues of Limerick, the citizens of Limerick, those early risers and the fortunate few who bore witness to this spectacle, stood agape…
“Oh! stop it with your narration and your socials Jeez,” said Truella. “I need to catch up with slumber before we arrive.”
