Search Results for 'underground'

“I’m so booooored” Amar sighed, after his eleventh 5-minute break of the morning was over.
He looked at his polished nails, then at his two companions.
“It’s so clean we could eat on that damn sewer’s floor, you should stop cleaning! Come on!”

Reginald looked at him with pursed lips and a fist firmly planted on his hips “And, you are suggesting somethin’, or are you just going to rub it in some more?”

“Hell yeah, if we’re going to be stuck here, we could redecorate, and make this place a bit more interesting. I’m thinking an underground club, with art deco sculptures and some bit of goth in the back, a stage with fat pole dancers, a disco ball and silver shimmer metallic glowing paint,… Don’t get me started!”

“Sounds like a lot of work…” Reginald replied after a moment, giving no hint he was buying it.
“But then, we ain’t got much to do, and I’ll be dying of boredom if we don’t shake this thing up. Count me in!”

Jean-Pierre Duroy couldn’t get his day going. There was a royally nagging problem of loo clogging that he couldn’t get solved. Apparently there were bugs in the microsoil under the soft underground, or was that the network of pipes he couldn’t tell. No amount of boiling water or any of the extravagant chemical concoctions by the Count of St Germain would seem to have any effect whatsoever this fine morning apart from making the matter worse.
It seemed that the removal and construction over the Grotto had not gone as well as planned when it came to plumbing.

There were more pressing matters however, notwithstanding that the royal defecation could well impact the mood for the day and maybe the whole country, so there was nothing light about it.
Such matter was to oversee the decoration of the main part of the Opera House which was already complete. Construction work had slowed during winter, and cement would take longer to settle, so there were still piles of tiles, gravel and other rubbles left lying around, but Madame de Pompadour was very eager to get a performance tonight, and had been so intent on it that she’d ordered for champagne, fine draperies, and even the newly fashionable toile de Jouy to drape inside the alcoves.
What she had not anticipated however was the inordinate amount of candles which were needed to light all the place brightly enough during the night.

The Royal beehives being unable to provide enough beeswax, they had to source the material from nearby hamlets, and already a throng of carts full of candles driven by some petite gens eager to sell theirs was lining at the entrance of the Palace pending security clearance.

They did only realize they got out of the tunnel when the dimmed blue lights faded completely. It was almost pitch black apart from a few braziers in a narrowing vaulted tunnel paved in the manner of a future metro line.
The passengers had noticed the transition from the smooth gliding gait of the zebras to the clopping of the hooves on the cobblestones. Sadie peaked outside of the carriage
“Have we arrived? Where are we?”
“Rightly so, darling. We’re under the grotto. Technically, it’s a chapel now. I did some adjustments underground.”
“Mmm…” Sadie nodded indecisively. She couldn’t find the least rude way to nod without letting her thinking it was utter rubbish show through. So she kept quiet for a moment and even refrained rolling her eyes. “So, we’re….?”
“We’re at the North Wing of the Palace, darling. It’s just nearby the Royal Opera House of the Palace, where your show will be held tonight, your e-flapper should have told you that. Don’t mind the construction work, it will give a steampunk feel to your show before it’s even invented.”
“Of course.” she said evenly. “The North Wing. Well, we all in need of sleep and refreshing before tonight’s show, so…?” trying to worm out meaningful words from Sanso seemed a futile attempt.
“Fancy that, darling, I have another delicate extraction of time stranders to go to,” checking a greasy paper from his shirt pocket,… “in last century or so, I can’t afford to be late. Let me help you lots out of here, leave it to Chair to take back those zebras to the Royal zoo and deliver that barrel of fine champagne, and you’re on your own.”

Before Sadie could tell the word rude, Sanso had folded the carriage back unto itself, pocketed it and disappeared in a wallmhole —leaving only beside herself, the mute Chair on top of a barrel of vintage champagne, four exhausted and pawing zebras, and three sleep-deprieved disheveled divas.

At least, the secrete cave of a Chapel is not overly conspicuous she said, trying to cheer herself up, remembering her training that light would prevail.

“Glo, ‘tis me or the story site is very very slow to load a new page today?”
“Bugger if I know Sha! I s’pose it ain’t nothing to do with the rodents chewing cables in the cellar, init’?”

In Langley’s most underground basements, the Department of Future Boons Investigations had diverted a significant amount of processing power towards a little known website that they had found held distinctive quantum resonance towards the actualization of future events.
In short, they believed its random nonsense held key to future events. However the level of encryption had baffled even the most expert specialists.
“Major! We had a breakthrough!” Johnny Ingrish passed his head into the smokey office.
The Major didn’t like to be disturbed during his morning nap, but this was important. Indeed, a word too strange to be random had appeared a few times:
Tartessos – Event probability: 103%
103% ! Even the computers couldn’t think straight about it… It had to mean something.

It should be noted that the new continents were not all, at the time this story commences, physically inserted ~ some were for the most part realized, some were in varying stages of manifestation, and some were still potential probabilities. The Iberian peninsula was in the process of cracking apart from mainland Europe (and in the process, revealing an extraordinary underground network containing the remains of an ancient civilization, now visible for the first time in millions of years), and Iceland had started to drift south, creating much speculation about a possible merger occuring somewhere in the region of the Bermuda Triangle.

Everything was white, from the sky to the ground and the limit between them was not even discernible. Despite the lack of visibility, he felt confident that the house was near. His small feet were making crunchy sounds, and at times, between two gushes of wind, he could almost see the fur at the top of his boots.
At a distance, some woolly beast, a yak maybe, was making a muffled sound that resounded in the landscape, and like the beast, he was feeling strong against the elements. On his left were some black shriveled trunks of some small deciduous trees, and it looked like the only life around.
This was far from the truth; even if most of it was frozen in a deep slumber, there still was a lot of life underground.
He had been chasing a few rabbits, and though he had to compete with the lynxes at that game, he had managed to get one. That was why he was feeling so strong and proud. He could feel the still warm little soft creature against his belt, dangling at each of his steps. Soon he will be home…

[link:white]

Bronkel was stern as ever, yet you could feel in his eyes that he was troubled.

— “What? That’s roobish, isn’t it?”
— “No! Elizabeth! Not at all! It’s your best book in years! Poople will want more!”
— “Well, we’ll see… For now, I think my moose needs some rest”

Her detox had done her great. Her beautifool violet eyes weren’t as bloodshot as before, and she could even see some of her hair grow back in places. Elizabeth in some surge of energy had collected all the bits written here and there, loose paper flying at times with some missing (perhaps used during her poohnuts hazes to light fires in the office).
Some of these paper she wasn’t even sure were hers, or writing attempts by Finnley, but she didn’t care; they were all so funny and interesting.

For instance, she wasn’t too soore that she’d have Veranassasss —whatever her bloody name was— go off with the pilot of the plane, but that sounded nice for her. So she’d used that part too.

Of course, the Spanish couple, Paqui and Jose had reemerged at the boulder moving party after a long trip in the underground space-traveling tunnels. Leo and Bea were not so glad they’d reappeared so early, but had found it was time to move on, and continue their quest for more bizarre and entertaining artifacts. And they wanted to go to Morocco anyway, in this gorgeous blue city…
Young Becky decided she wanted to go abroad to travel the world. “And study too” had said Dan who wasn’t as shifty as Dory, a thing for which she thanked heavens profusely every day.

Sharon, Gloria and Mavis after some more bizarre adventures among the Masai tribes finally found their way back home, while Akita continued his explorations of this strange shifting world of the 21st century.

Even the bizarre animals stories in the ZOO she’d kept. They’d even found Arky the Aardvark. He had been accidentally buried under Oligan the Oliphant’s pile of poop. The poor Oliphant had suffered from an excess of mangoes in his diet, and Arky was so eager to collect poop for his garden of flowers that he hadn’t noticed the harbingers of it.
Pawanie the lady Panda and Barry the White Bear had since then decided to take care of the little Aardvark, and provide it with their own poop to fertilize the flower garden. Theirs was a garden to behold, with the most beautiful flowers to be seen in miles. Attracting creatures from all over the place.

There were a few points Elizabeth had left deliberately unanswered; the mad doctor, who was probably still alive somewhere, and most important of all… if, after all this children bearing with Sean, Becky ended up with Sam or not.
One thing was sure though, they were all moving to the City. The sooner the better.

It felt like she’d been projecting for hours —in and out of her body, often brought back by the incomfort of the warm and moistly room, where the rheumatic fan was blowing a measly wind full of humidity.

The rabbit she’d seen a few hours ago was ‘wanishing’, like a gentle feeling of pure joyful happiness holding by a thread that you try to reminisce before lapsing back into the old patterns of self-doubts.

She didn’t have to strain herself so much, she suddenly realized; it never worked well when she tried to push it. She wanted the clarity of the projection to be deeply anchored within herself, and not some stroboscopic view of her grim reality sandwiched in glimpses of blissful clear lightness.

So, she decided to wait for the moment to be back. Time didn’t really matter once you projected, but here in this reality time still mattered, and you had to find the proper exit-way. Not all moment seemed to work well.
There were old books in this room, most of them, her son probably did pile up without even reading them. Some of them evoked the the birth pangs of the new era they were still building, which had started about 30 years ago. Now, in 2038 she was old, but back then she was in her mid-life and fully aware of the good aspects and not so good aspects of this life. She had yearned for the changes, and it had come; she had outlived most of them, and the books probably wouldn’t tell her much that she had not actually lived. Probably her son was keeping them because of his beliefs on wasting his investments.
She, for one, couldn’t care less about them.

She picked a little book, with a few words and mostly drawings and symbols on it, and she smiled. She’d seen some of these symbols in her dreams, she related to them; she didn’t need the words explaining them; words were just the authors’ translations, and she trusted her own before them. But the book was making her feel good.

She leaned back in her bed, maneuvering the rolling bed to be in front of the last beams of light of the day.
She could see the full moon rise, and she felt peaceful.

When she noticed she was in front of the cave, she wondered how long she’d been out of her body without knowing.
She could see the moon higher in the sky than when she was in her room, and she could feel an energy of excitement.

Anita was finally coming out of this underground trip with her parents. Seeing the little girl in the flesh would be such a revelation for her, she was thrilled to the point of even forgetting her doubts about the possibility that she was really becoming insane.
She didn’t know why or how, but she would convince her son to offer them some shelter, so that they could settle before getting home. She had so much to learn from the little one she could feel. She was really wise beyond her age…

Voices where starting to fill the silent space:

“Anu! It’s been hours now we’ve been in these damp corridors, are you sure you know the way?”
“Yes Mum, we’re almost there…”
“Here, I can see the light Lily!”
“Yes, I can see it too Aaron!”
“Wow, the moon is full, it’s so lovely”

After the couple had emerged, Balbina could see Anu wink at her. She was seeing her! Now, she only need show her the way to the house!

Arkandin confirmed a group focus in Kuzhebar. He also confirmed that I’m observing Edward Gorey (the limerick connection). Oh, and the girl IS my brother!

Excavations and underground tunnels in Sri Lanka …….

Points!

I must be talking to an angel Yurick thought, as he was feeling the presence of the lady he had seen in his dreams a few times before. Her presence was remarkably soft, yet, she was unmistakably here, like a loving sisterly figure. Yurick could see at times streaks of a shimmering blue-green halo when he was thinking of her, and this morning, walking in the underground corridors, as he was humming and thinking of this angel, his gaze landed on a movie poster, with beautiful women profiles. None of these profiles had attracted his gaze at first, but a name. Salomé.
Then only, the poster slowly began to unfold itself into focus around that name…
The women were beautiful and seemed to be like beams of a multitude of variations from a single energy essence, like some traditional Avalokiteshvara (Kuan Yin) representations.
The title of that movie was “Les Femmes de l’Ombre” (Women of the Shadow), and that “Salomé” he had seen was the name of the director… How interesting symbolic information…

While she reminded him not of the Salomé of Wilde’s play, but of another biblical figure, the Salomé of the New Testament, follower of the Christ, and likely sister of Mary, Yurick decided he would call that gentle feminine presence “Salomé”…
A woman of the Shadow. For now…

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

The quiet voice of Leörmn, who was not only shaping the cave but also aware of the living creatures in it, upon feeling the trouble of the poor flattened glukenitch, mentally told it not to worry.

Glukenitches were slimy wet creatures fearing light, and thus kept most of their time living underground. They lived in colonies generated from a single individual, and they shared the same mind. It was thus quite easy to communicate with all of them at the same time, and that often proved quite useful, for people not at ease with teleportation, as glukenitches, despite their not very engaging looks, were most helpful creatures.

They especially liked the cave where Malvina had settled down, because there was this moisture and steam coming from the hot springs which allowed them to live a relatively peaceful life. They used to eat almost everything, not too regarding as to the nature of the things they consumed, and were quite useful recyclers of garbage. Their droppings had a bluish halo to them, which made the inside of the tunnels glow with them until they had completely dried up, and coalesced into a glassy substance.

That is, until Leörmn had it all changed again.

So Leörmn was quite fond of these creatures as they were of a great help to keep the natural balance of the cave.

Don’t worry he told the glukenitch mind, gripshawks are not as carefree as they seem; most of them are simply known for their dreadful sense of direction, and also at times for their limited attention span…

Oh yes, answered the mind now I understand, this one buggered off without any notice… Could have asked for directions, but we guess it would have been useless anyway… Perhaps this one thought I would eat it. As if we were such undiscerning creatures…

As the adage goes, “Not even the Elders could know what’s in the mind of a gripshawk”… answered Leörmn enigmatically…

You know, added the mind, without meaning to be disrespectful, it’s twice now we’ve got people falling inside this hole… Perhaps for your next transmugrification you’ll like to block it. At least, the first one, that boy, was much more polite and engaging, but you know, we cannot have all the Worlds move in here as if it were Shaint Lejüs Festival…