Search Results for 'understanding'

Prune was listening to Maya and Yz, not daring to talk, much less to disagree.
Yz was back to the planet from her maintenance drill on the mothership, and had found their remote outpost overloaded with new clueless settlers.
Now, even Maya, who was always the understanding one was fuming at the vexing situation and couldn’t help but complain about the new Mars settlers’ manners (or lack thereof). The matter was of importance, but somehow Johnny couldn’t help but find it hilarious.

“Johnny! Stop laughing, it’s not at all funny!”
“I’m sorry, it’s the nerves!” he replied “I didn’t want to poke fun at your horror story, Mum.”
“You damn right, it IS a bit of a horror story. Well, I don’t know what kind of a story it is. These new settlers that moved here are disorganized conflict and chaos all the time. And now nobody has a permit for sand scooter but me. So everything I do takes me 6 times as long with everyone else… and its hot!”

She paused a little, smiling at Prune, then turned to Yz, who seemed equally annoyed by the recent mess.

Prune ventured a word “But you really love the idea of cooperative community sharing, don’t you.”
Maya nodded, then continued “but it sucks! IT SUCKS!… and it’s all a bit weird too. It’s a daily juggle with what I’m willing to say yes to, and where I draw the line and say no.”

She sighed. “But some of it is fun, obviously. But much of it isn’t. I think everyone is struggling with finding themselves disconcertingly in a totally new place.
The new place for me is never being alone to do anything, where before I almost always was, and really wanted people to do things with. But they are LATE and I can do things on my own easier.
I prefer being a hermit while preaching about community. And doing things my own way while pushing for cooperation!”

It didn’t help that Maya had agreed to help organize the event for Mother Shirley (though the party had changed the event location to the nearby fancier townlet of Romars without notice, instead of their rugged but peaceful village).

The event had attracted the usual throng of nuts and illuminated sycophants, which would have dissolved just as well, if not for an unusual occurrence: Mother Shirley had claimed to have a divine vision by merging consciousness with the AI of the ship. She had seen floods and rains. Image that! As if water on Mars, was not ludicrous enough, now floods!
All of a sudden, all hell broke loose and the religious nuts managed to create a panic, and had loads of people rush for the higher ground… Well, you guessed, to their previously quiet outpost.

Of course, she had said nothing of the water-rocks she and John had found. Better not to encourage the nutters.

Strange new place, indeed…

“Isn’t that the greatest thing about those underwater goggles”
After the shark threat had vanished, Sadie had contemplated for quite some time her new-found underwater abilities, and how to shift the weight of her body gracefully underwater. And then, she realized she could roll her eyes in the most peculiar way, with the membrane of the transparent skin massaging her eyeballs in the most relaxing manner. She’d never felt so good about rolling her eyes, and that was saying something.

“BrllllSssadiieeee” came the urging sound in bubbles and gurgles, with a hint of despair dragging her out of the lovely eyeball massage session. The underwater acoustics needed some fine-tuning, so she had her wits to thank for understanding quickly the situation.
Despite what might have looked like her sending messages on her ezapper, at the same time she was having in-her-body experiences, she was merely testing experimental echo-localization to pinpoint the spot where the pod of whales would be most likely found. The feedback buzzing had prompted her minutes ago that it had found 6 potential spots, and one only which was the most probable and located less than an hour’s diving distance. One thing she knew was that you had to be careful with automatic location instructions, so she’d run a second independent check and was waiting for the results when the alarmed look of Maurana turned and rolled in front of her face, almost giving her a fright.

“Gbbbllood gracious, Maurana, what’s the matter?”
“Gbblbl wooohoooglllbb bbbllrsfffftt plk plk plk skwooobbll!”

“Oh, for fucks sake,” she telepathied “will you stop nattering in French, be more articulate.”
“The others are drowned and I no longer see them, it’s awful, what should we do?!” the thought came back with force and a bit of campiness.

“Well, that would depend what it is you want” straight answers were not Sadie’s forte.
“I want to have our party with costumes and dances, I want to be the black pearl of the Ocean, I want to have more glitter and less molluscs, more chic and less kelp…” she started to sob profusely, half-choking and breathing from her tears. “I want my friends, and to be back hooooome”
“Bloody hell, Reggie, now is not the time to lose your shit, pull yourself together dammit.”

The reaction was immediate, the telepathic swearing was so out-of-the-ordinary that Maurana looked twice at Sadie, with her bob cut surrounding her face like a heavenly halo. Suddenly self-conscious, Maurana started to reapply some waterproof mascara to cover the stains.

“I found them,” said Sadie with infectious calm “the ezapper’s first scan took them for a pod of whales or octopi for some reason. Let’s go get them, then we go visit the whales. But first, you have to try this, it will soothe you…”, as she started to show some more rolling motion of her beautiful blue eyes.

This one is not a Lemone quote but could have been.
It’s from a series called Perception (S03E05)

Daniel: Think of your life as a story. Actually, you already do.
fMRI studies show us that following a story, a narrative with a beginning, middle, and end causes our brains to release cortisol and oxytocin.
These chemicals give us the uniquely human ability to connect with someone, even a total stranger, and empathize. In other words, stories are what we use to find meaning in our lives.
Now, imagine for a moment that we lived without the understanding that our story must eventually end.
What if our lives were as infinite as the universe, if the ticking clock never stopped?
What would our story be then? Would we… still love? Or care?
Would those tiny, fleeting moments that mean everything… Mean anything at all?

It was said long ago that the role of the parrot is that of opening communication centers. When this totem appears, one should look to see if one needs assistance in understanding views that are different from one’s own.
Huhu didn’t care about any of these human assigned meanings to its existence.

When the grip of Irina’s mind over Huhu the parrot was suddenly released, it found itself out of sight of the floating balloon and struggled to glide over the oceans’ air currents without losing too much altitude as well as precious degrees.

The air was cold and the ocean had no end in sight, and if a parrot knew despair, Huhu would have succumbed to it already. But it was a brave parrot, as though inhabited by some divine spark, and it continued bravely, only guided by his senses.

When it was about to faint from exhaustion, and dive dangerously close to the sea, was the precise moment when it noticed fumes swirling around in strange vortices erupting from the sea.
A strange boat appeared at the surface with a shining light.

Little did Huhu know, but it was the ghost galleon Santa Rosa which had a special thing for birds in distress, and would appear at times of need, a haven of luxuriant foliage and birds cackle, a benediction of safety in the turmoil of the seas.

Nobody knew clearly when the galleon sunk, one of the last of his kinds in the Old Continent, probably around the early 1111s, but one thing was sure, it was a ghost ship long before Huhu was born and brought to Versailles in 1757.

A ghostly form picked his soft body from the ground, delicately removing the key entangled on its foot, then placed the bird with great care on a bed of moss.

We can go now Belen said the man to the whale captain of the ghost ship.
Whale that! came the answer.

– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

Yurick had to laugh when his dear friend Finn told him “welcome back”, not that he didn’t like to be back, or Finn’s lovely comment of course. But rather because Finn being back herself at a time he wasn’t, was a most delightful irony he couldn’t miss. Unlike Finn (whom he had missed in the past, he felt obliged to add, in a manner to dissipate any misunderstanding).

“Well, it’s a fiction, she could be anywhere. That and if you stopped changing the facts and names for a moment, you’d be able to knit them together into new understandings.”

Charmille was knitting while answering to impatient young Becky who for all of the birds’ chatter in the apartment couldn’t really concentrate on her schoolwork, and had only one thought in mind (more insistent than the fleeting thousands other ones that is): she wanted to go outside immerse herself in the helter skelter of New York City.

“And why should I care!” Becky was about to start another tirade of self-righteous indignation at the failure to recognize her brilliance when she stopped herself in her tracks. She was suddenly amazed at the intricacy of the pattern Charmille was creating with two simple sticks and the many colourful threads in her black and white box. That was an art in itself, and Becky wasn’t impervious to art, quite the contrary. She could spot art in the slightest and singlest stroke of graffiti on the walls of the City. She could even see them dancing endless farandoles in front of her eyes. She was perhaps the only one she knew who was able to see that, but what her aunt was doing was very much like it.
Sometimes, she’d had people laugh at her when she was younger. She was telling them about her vivid dreams, that she’d spent hours in one dream looking at a single napkin, how soft it was, how superbly almost real it was —even if that was just a dream napkin— while, according to others, she could have done more “lofty” things instead —like go and see ascended masters.

“But I like movement! I don’t want to be stuck in slimy facts!”
“Well dear, you should know that… wherever you are, there you are. Even if wherever is elsewhere.”

The cryptic statement made by the poised lady somehow struck a cord. She wanted to disguise facts into fictions, or fiction as facts, but any way she was going, she was still struggling with herself, the essence at her core. It didn’t matter if she wanted to have the needle jump to another loop (and get out of that particular loop) because it was all part of the same cloth she was creating. It suddenly gave her much to ponder…

When Franlise reemerged from the building, it was almost dark, and Godfrey was starting to think that after his twenty-seventh drink, he might as well come back home unless he wanted to sleep on the counter.
Curiously he noticed, she wasn’t heading towards home, but she was going to the subway, en route to the red district.

That inner lovely Franlise could compromise herself in such a dreadful place was beyond his understanding… well, probably after the twenty first drink, most of reality was now far beyond understanding anyway.
Perhaps she was doing some research work?

These past few months away from home had been the occasion for a great deal of introspection.
For one, indulging fully into that somewhat frowned upon habit of his, regarding peanuts, had allowed him to gain a great deal of understanding and acceptance as well. Now his daily ration had dramatically decreased and he didn’t fancy as much as he used to the little round things.

Another thing that Godfrey had noticed was the reorganisation that had taken place in all aspects of his life, and to be perfectly honest, his life was still a bit messy in places, but he was slowly getting there. How could a publisher publish anything of common interest without a bit of presentation, henceforth order?

Ann wasn’t too keen on the “O” word —especially when doubled— and surprisingly it always managed to give good results so far. So perhaps now he was settling down, and she was getting her own flamboyant creative juices all ablaze, they would manage to get somewhere. Or anywhere, for that matter.
A Tramway to Elsewhere was Ann’s debut novel, and had made her known to Godfrey. It was a brilliant short story about three tourists lost in a huge hotel in Europe, and trying to get an easy escape to Anywhere. And by some uncanny and hilarious succession of events, they were led nowhere but to Elsewhere.

Now, something else was giving him a strange feeling. He didn’t know if that was because of the lack of peanut oil in his bloodstream (or the accompanying whiskeys for what was worth), but he was starting to get slightly paranoid.
He didn’t know where he’d got the idea, but he started to suspect the cleaning lady to not just be a cleaning lady. She was doing her best to keep a low profile, but somehow she wasn’t that good an actress. A thing that started his suspicion was that name… Franlise, eerily reminiscent of the obnoxious yet efficient Finnley in Noo York. Elizabeth had told him they’d suspected her for a long time to have inserted some paragraphs in Elizabeth’s novels, especially the most torrid parts that would have made a pimp blush like a nun. What had saved the cleaning lady was that in addition to being rather forgiving, Elizabeth suffered from frequent strokes of forgetfulness and bipolarity which made the investigation difficult if not moot altogether.

But there, Godfrey was rather surprised at Ann’s sudden interest in continuity. He’d known of a covert organization known in the milieu as the Fellowship of Unification and Continuity in Knowledge.
Over the years, the hearsay had amounted to just a few deranged people, but recently there had been an increase in mentions of such nature in reports of the Guild of Authors. Strangely, there was less and less books that were published which had not an impeccable sense of continuity.
In a way, it had been perceived at first in literary circles as a blessing for the authors who had not to contend with fans and geeks of all kind who were hunting down each and every detail to prove or disprove unsaid theories. But Godfrey was starting to see some not so perfect points in that. It would be like wanting to string together all the eyelets of your shoes even if they do not belong to the same shoe (or the same pair of shoes). Soon, you’d be embarrassed to find a way to walk without looking like a penguin.

Anyway, though all allegations made as to the existence of such secret organization had been mostly derailed as utter nonsense, he couldn’t help but find some inexplicable appeal to them as sound explanations for all the glitches he kept noticing.
He would carefooly spy on Franlise.

I think Aspooh is too busy mourning her cat which she had embalmed and mummified to pay any attention to the piglet (it be).

“Did you know that ancient Egyptians shaved their eyebrows in sign of mourn when the family cat died?”

What do you think of “Cellar door” as a name? Some eminent linguist has proposed it was the most beautiful association of nouns in the whole English language…

Now, Lavender was puzzled; why in the name of all the angels’ choir, Harvey was speaking of nun associations? Soon he’ll be talking of peanuts at that rate…

This whole Shifting business was definitely taking its toll on uncanny understandings…

Harvey was thinking if anything had escaped his friend’s keen eye for details…
She was so good at it that his attempt was only futile and hopeless.

He gave a distracted look at the menu of the restaurant.
He’d kept getting the strangest reads recently by “mis-understanding” other people’s words, in an entirely bizarre yet funny and enlightening way. Like when his friend talked about Bifrost, he first thought she was talking about getting roasted beef.

Speaking of which, the menu was saying (so he first read)

“pig bed wonder
hairy expect reason liked universe
behind certain Tina doctor busy light individual”

“Oh, egg Benedict for starters” she said, “sounds just great”
“What? Why did I read ‘pig bed something?’” he muttered to himself.
“Pig?… Did you just say ‘pig’? I am sure that is a synch… can’t remember what though… Piggy I have to remember”

Harvey noticed that he had seen pigs recently as well. The first occurrence was after a crappy condition, about recycling pigs’ waste to make gas; and the other was about a pig feeding piglets on the road.

That was it. She had enough for the time being. Ever since the management had agreed to hire him for the new show, the Freakus was not as Fabulously Great as it once was.

Not that he was a bad guy, but he was all so closeted, he was imprinting it to the circus, and she wanted to breathe some different kind of air. Of course, never been a freak himself, Morgan the Mentalist wouldn’t ever come close as to understand what having been closeted your all life would mean. Being the Lobster girl of the show, she knew quite a bit about that.
It had took her awhile to know that there wasn’t anything wrong with her expression, so no one would told her how to express. Not the Mentalist of all others.

Damo, the guy who was setting up the tents had seen her leave the Freakus without a word, her little piece of luggage on her “normal” hand, while her claw-like one was tucked in a glove under her bosom. Sweet-hearted as he was, he had tried to convince her to stay, that surely there was some misunderstanding.
“Lyla, don’t be stoopid, ain’t got nothin’ fur you out there” he’d said to her.

She didn’t know how to tell him that all was good. She didn’t want to tell too much either, for Fama, his teen daughter wasn’t really loving the life at the circus either, and would easily have taken the bait to get out of there too. So she had moved saying that she would come back, “when it’s safe for kids” she’d added mysteriously.

Strange at it seemed, it was like taking a breathe of air, and yet, she couldn’t help but think over and over at how she could have changed anything in what had happened. Perhaps it was just a pretext for her to do her next step.
When Morgan first came to the show, he wasn’t in a good shape, and had begged Pat Elson to hire him. As he was kind of smart guy, he didn’t stay long in Damo’s team of workers. Pat saw his potential as a sort of empathic guy, and devised the Mentalist act with him.

He was good at cold-reading, mostly guessing at people problems; in the beginning, some of the freakus’ people would play a part with him, to amaze the audience, but it became less and less necessary, and he would do a nice job buy himself, with lots of “it wouldn’t happen to be that your mother gave the watch to you? No… not your mother… but someone close… I can feel blah blah” and then picking on the subtle hints the guy was giving off unwittingly.

Lately, he had started to kind of feel stuff for real. And he started to freak out. After all this time, not many people remembered Morgan as he first came to the circus, and for most he was the Outstandingly Great Mentalist. Yeah, he had been pimping up a bit his name too… Those things happen in the milieu.
But Lyla remembered. She was a girl at this time, but your work at the circus starts very early when you’re a freak.
She had seen how he gained a little confidence in himself, as long as it stayed within closed tents and half-lit veils. He was truly a master of illusion games, and he didn’t want people to see him differently than the way he was presenting himself. He’d first tried his little games of séances with some close trusty friends, and Lyla had been quite encouraging; he deserved to blossom his potential; no one deserved to be maintained at a place where you can’t reach your highest.

A few days before, Lyla had had the pleasure of seeing Jenny, who’d been snake charmer many years ago, and had quit to become a singer in a bar: “tired me to travel so much, ya see” she’d said to Lyla “Now my life ain’t so complicated”.
Then Jenny had then asked about the guys she’d known in the freakus, first of all was Morgan the Mentalist. “How’s that old fart of Morgy?” she’d asked with a giggle “still scamming around?”

Lyla had said innocently that he’d been practicing doing it more genuinely, even to some success with local peasants in a few séances. Jenny had greeted the news with a cheer. “Wonderful, hey!”

The next day, Lyla had had the Mentalist erupt in the caravan she shared with Zarafina and Venus, since Twi had gone to sing too. He was looking furious and once they were out of earshot (how could there be any need of making secrets with the others, Lyla had wondered, they shared everything, even the tiny bar of soap) told her with his sweetest voice how he appreciated Jenny. Of course she wasn’t a Mentalist, but she knew when someone was beating around the bush; and she needn’t be Moses to know the bush was smelling of burning.

“I greatly appreciate Jenny, but I’d love to choose when I disclose my information to her” that’s what he said. At first, she’d thought, well, why the theatrics? Cool for you guy, peace off now. Then she slowly understood that he wanted to tell her to shut her mouth. How could she know what part to shut and which to tell? She hadn’t done anything wrong did she? Why was he having the same tone than the frigging priests with their sermons telling that you’re sinful, and when you’ve got a crooked arm, it’s because you’re born evil and such guilt shit.”

Well, she didn’t want to stay in a position where she had to figure out which of his sharing was a real sharing or was not. So she better bugger off, take some fresh air.

She thought how she loved to hear the radio, and her lifelong dream was to work there, in a place where people would hear her before judging from her appearance… Maybe she would thank Morgy in the future for giving her the last excuse to do what she wanted.