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“That’s amazing”
“How wonderful!”
“Wow, so great!” … For a moment, was all they could say, in varying lengths and tones of “ooo’s”.

While they were looking at the show from a distance, Sadie realized they were not alone.

“Madam, if I may disturb, it seems you have dropped your key”
The robot which had suddenly appeared looked vaguely like the one which had dropped them underwater, except for the octopus costume. After all, all robots looked the same.
Sadie took the key a bit suspiciously, and in the second she took to examine it and as she was about to reply it wasn’t hers, noticed the robot had already vanished.

“How strange it looks just like the sister key to the one Maurana got in France, the key from the ferrets… Wonder never ceases…”

“Honey, may I interrupt your voovvvs and borrow your key for a minute” she asked Maurana.

The two keys seemed to match, and when pressed together, clicked and became one, without any visible seam.
Without notice, it suddenly escaped Sadie’s grasp, and darted towards the crystal, as if activated by it.

Sadie covered her ears, thinking it would shatter the crystal, but its vibration absorbed the key, and it started to glow more wildly.

A voice started to echo deep under.

“My name is Adamus St Germain, please ask your three questions.”

“Isn’t that the greatest thing about those underwater goggles”
After the shark threat had vanished, Sadie had contemplated for quite some time her new-found underwater abilities, and how to shift the weight of her body gracefully underwater. And then, she realized she could roll her eyes in the most peculiar way, with the membrane of the transparent skin massaging her eyeballs in the most relaxing manner. She’d never felt so good about rolling her eyes, and that was saying something.

“BrllllSssadiieeee” came the urging sound in bubbles and gurgles, with a hint of despair dragging her out of the lovely eyeball massage session. The underwater acoustics needed some fine-tuning, so she had her wits to thank for understanding quickly the situation.
Despite what might have looked like her sending messages on her ezapper, at the same time she was having in-her-body experiences, she was merely testing experimental echo-localization to pinpoint the spot where the pod of whales would be most likely found. The feedback buzzing had prompted her minutes ago that it had found 6 potential spots, and one only which was the most probable and located less than an hour’s diving distance. One thing she knew was that you had to be careful with automatic location instructions, so she’d run a second independent check and was waiting for the results when the alarmed look of Maurana turned and rolled in front of her face, almost giving her a fright.

“Gbbbllood gracious, Maurana, what’s the matter?”
“Gbblbl wooohoooglllbb bbbllrsfffftt plk plk plk skwooobbll!”

“Oh, for fucks sake,” she telepathied “will you stop nattering in French, be more articulate.”
“The others are drowned and I no longer see them, it’s awful, what should we do?!” the thought came back with force and a bit of campiness.

“Well, that would depend what it is you want” straight answers were not Sadie’s forte.
“I want to have our party with costumes and dances, I want to be the black pearl of the Ocean, I want to have more glitter and less molluscs, more chic and less kelp…” she started to sob profusely, half-choking and breathing from her tears. “I want my friends, and to be back hooooome”
“Bloody hell, Reggie, now is not the time to lose your shit, pull yourself together dammit.”

The reaction was immediate, the telepathic swearing was so out-of-the-ordinary that Maurana looked twice at Sadie, with her bob cut surrounding her face like a heavenly halo. Suddenly self-conscious, Maurana started to reapply some waterproof mascara to cover the stains.

“I found them,” said Sadie with infectious calm “the ezapper’s first scan took them for a pod of whales or octopi for some reason. Let’s go get them, then we go visit the whales. But first, you have to try this, it will soothe you…”, as she started to show some more rolling motion of her beautiful blue eyes.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

“And now there’s that cycle of energy that goes into the other realms and comes full circle, cascading down like watermelons crashing down from a fountain back into this reality….”
The random daily quote syncs again ~ Trove had an impulse to get a petunia from the garden centre, and an image popped in her mind of the nice indoor fountain in there with aquatic plants all around it. She took her camera inside, and the fountain had vanished. It had been there for as long as she could remember.

After his failed attempts to gain control over the Land of Peas, and his being thrown out of the Majorburghouse body first and framed head second by an angry mob of infuriated Peaslanders (which was something to be noted, since Peaslanders were usually quite the happy bunch), the Majorburgmester now bereft of anything but his will, was thinking it was high time for a u-turn in his carreer.

His dear blubbits had apparently mostly vanished out of sight, some said trapped in a blinking giant spider’s cobweb blinked out of Peasland, some others said suffocated under shiny duct tape, and even some said baked in ashes and almonds — those last obviously were the maddest of the lot.
It seemed like all the Dimensions had conspired to his defeat.

Now hardly a Majorburgmester, the title having now been offered by the cheerful crowd to the raucous and unexpected hero (after they hesitated for a good hour if it should be given to the herald of the liberation, that stupid Gandfleur whatever its name of a dog), he was now again known as B. Weazeltweezel (the B. standing for Bartabous, his mother having a fondness for names in “-ous” like Precious, his elder sister, and Pulpous his second sister; a chance his father was a man of more common sense, otherwise he surely would have been named Houmous himself).

The newfound venture didn’t wait long to manifest. In the not so distant past, he had already suspected something fishy about Lady Fin Min Hoot and now he knew. She was a high member of the Bridge Tarts Order, and though it was a secretive and feminine order, he had always loved a challenge.
He felt he could muster all the tartiness and bridginess needed to be granted access to their secrets.

Galvanized as he was, were he to successfully infiltrate the order, he knew he didn’t really stand a chance without something else. By nothing short of a synchronistic chance, Fwick, the saucerer had given him the leftovers of a potion he didn’t know what to make of.

In a gulp (and a few gargppls) Batabous was rapidly changed into a rather convincing dame matron, with slight mustache and ample bosom.

Tarty Bridgies, here I come… he said in a falsetto voice that needed work. … soon everybody will know about Lady… Bartaba

Largely concealed by his trenchcoat and his large pinhole glasses, peering through the other pinholes he’d made in his copy of that outdated rag of the Old Reality Times newspaper in front of him, Godfrey was spying on Franlise who he could see trotting on the cobblestone pavement at a fast pace —and rather elegantly for a cleanlady, he should add.
She was wearing a pair of posh fishnet stockings which would on occasion raise a few whistles from the bystanders. All of which was making his staying incognito rather impracticable.

Maybe she had detected something, but suddenly as well as inexplicably, she altered her course to dive into a dark alley on the side of a tall building. From there, she seemed to have vanished. She was certainly inside that building… all of this was getting suspicious and suspiciouser.

Godfrey decided to wait patiently for an hour or so. After all, the autumn breeze of Hoowkes Bay was doing good to his flooh. He ordered a coughee latte at the terrace of a nearby café, throwing occasionally a few side glances in case the mysterious inner-lovely cleanlady would suddenly reappear. He was quite enjoying being here, taking a break from Ann’s often incoherent streams of thoughts his flooh was giving him a hard time to piece together. He’d been better at that than he was now, he was the first to admit.
Now, he wondered, why was he continuously attracting such extravagant authors such as Elizabeth and Ann. Perhaps he loved the thrill posed to him by the labyrinthine tendrils of imagination these two had the curious ability to spread afar and entangle beyond hope… Or perhaps it was simply a curse.

A that point, the screech of a magpie pierced the mid-afternoon sunlight bathed and calm balmy air, interrupting his thoughts. An omen?

Maybe also, and more simply, he was taking a liking to the mysterious cleanlady and was envying her apparent natural ability at streamlining those nuggets of thoughts into seemingly coherent patterns. If such a thing as a Fellowship of Unification and Continuity in Knowledge existed, it couldn’t really be a terrorist organisation… it seemed more like a flovesend relief group to him.

But frankly, he didn’t even know what he was talking about.

When he had been hit by the blow of the watermelbombs and the furious lady he had come to rescue, Akita found himself in a strange peaceful place. He was getting bits of what was happening, but the will to resist and fight seemed vanished in a distant scene he was only distantly aware of.
He was seeing Kay, his spirit dog beside him, beckoning him to another place of white luminous and warm peacefulness.

“Am I dying” he asked, feeling the answer to the question wasn’t very important.
“Don’t be silly” the dog said mentally “Just let go for a moment, it’ll make things easier for you to get out of this place to another one you’d prefer”
“I’m not sure going anywhere is so important, being here reminds me of something long forgotten”
“Yes, you know this place, you’re drawing to you some memories of others of your focuses, explorers from your time and also ancient dwellers, in a very very distant past. These living memories will help you.”
“You were there too, configured differently but I remember you from there”
“Yes” the dog nodded “you had a pack of dogs in one of these explorer focuses. I was the alpha one, see…”

Some scenes moved in the white foam sprinkled with diamond dust like he was seeing through openings in a crystal cave. All was so clear it was elating.

“But we’re never going to get out of this place, not without a boat, a plane, not without a compass… and not without a brain!” he was being drawn back to where his body was, wrapped in the warm snet, jumping on the back of the snow scooter. “These women will lead us to a sure death, and pretty fast!”
“Just relax, even if they don’t give that impression, they know what they are doing. They focus on what they want, and they trust. They can’t see the dead-ends you are seeing. Sometimes you get caught up in those other memories of yours. You’ve read adventures of Antarctica explorers, most of them were drama, but it doesn’t have to be the same broken record now, you’re going to love that time if you choose to…”
“They’re so focused on themselves it’s hard to believe you. They wouldn’t see a leopard seal as a threat even if it was at their throats!”
“But they wouldn’t even draw the predator to them in the first place.” Kay was saying warmly “Have a little faith in them, there is a surprise coming along that’ll show you beyond a shred of doubt that their allowing for miracles is fairly titanic.”
“Titanic, yes… Now tell me I shouldn’t worry with all those icebergs!”
“Indeed” Kay said with a hint of mischief in its ethereal voice “Now, let’s wake up and have some fun!”

All that farting had been quite exhausting, but the mummy felt that she was reincorporating vigor more quickly now, as the old fartesque energy was giving way.
This was a quicker process than birthing, but also more disturbing.

She slowly started to unwrap her bandages.
She smiled as she saw her peach smooth skin on her hands.

Malvina had clapped her hands and made the food and drinks and decorations disappear in the reception hall of the cave, feeling the time was not to big parties right now. The guest had moved again, and she had not been in the mood for party either.
She had not yet managed to reestablish contact with her sisters and that was a more pressing matter.

Leörmn had been retreating into his seasonal slumber, and would not be of great help at the moment, so she knew it was also time for her to get back to simple things and not worry about what was not yet here. Probabilities had simply moved, they would come back.

The silgreen tree had bloomed, and she wanted to brew some potions with its flowers. She would then go with Irtak to the village sell some vials of potion, and perhaps they would take the opportunity to see Huÿgens too, as he sometimes needed such potions for his langoats.

For Illi the cat, that cave filled with slimey scaly beasts was now out of her way.
Good riddance.

This dead Illi experience had been so intense she had almost believed there indeed was a pink indigo dragon right were she was at the entrance of the cave. But the impression had vanished all of a sudden, and she had found herself with her mind again her own only, without the echoing thoughts of that deranged other.
She had found a tree nearby, and comfortably seated on some high branches had been mediating with the help of trance inducing betel catkins that she carried with her as she traveled.

She had seen some weird stuff, like farting bandage wrapped people putting cobblestones to make a way to the sky, but that was enjoyable. As nothing really could make sense that night, she decided to go to sleep on her tree.

In the morning, a snorting sound made her raise her pointy ears. Just below her tree, a man was eating and singing, looking at some map, obviously planning some interesting adventure…

In the cave, where Vincentius was left with the Ugling boy and Mandrake, the latter finally decided to break the ice.

— How pitiful we left that sabulmantium to the snorting man… Mandrake said, we could have had a peek into Arona’s adventure… Not that I am concerned, she is so brave, but you know, she’ll always be my little… What am I saying? mumbled Mandrake temporarily confused.
— Oh, you mean, Arona had a sabulmantium?
— Mmm, well, of course… We projected hairy cows and stuff… (I’m really saying the stupidest things today, might be that herbal tea, shivered Mandrake, licking his paw and combing with it the unkempt hair on his head)
— Interesting… But you know if you want to have a look, we can do otherwise. Let me see…
— (trying to make yourself important, huh) thought Mandrake

Vincentius took a little blue bag tied to his belt, and threw a pinch of a smelly mossy powder on the smoldering embers.
A thick greenish smoke started to rise making Mandrake retreat carefully (or tactfully he would say) in his favourite place behind the pile of logs to look at the discomfiture of poor Vincentius without having to overwhelm him too much with his own superior sharp intuitive senses.
But to Mandrake’s surprise, the smoke steadied like a moving wall, and images started to foarm.

— Hey, this is my little girl, Arona! Mandrake couldn’t help but say.
— A-lo-na, the slow voice of Yikes/Zacquer said.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…