Search Results for 'wind'

Belen quickly found out there was something amiss in the usual navigational patterns from her tile guidance system.

Her initial plotted course to jump from Bay of Biscay 1757 to Hawai’i 2222 was almost whale calf’s play. Relying on the tiles beacons, it was easy for her to hone to an intermediate time, at the same location, from where it would be easier to navigate the ghost whaling boat. 2222 customs clearance was always a bother, as soon as human had started to time-travel, they had put unnecessary barriers around some key timezones such as this one.

Her favourite stopover was on the other side of Galicia on the Mediterranean coast del Sol 2020, but then…

Peetee Pois as Peter was affectionately called by Belen was the first to notice the sails of Барк Крузенштерн, the Krusenshtern swollen by the wind, seconds before they came crashing onto it, launching all the birds in a massive flock around the town that the tall ship had just left (coincidentally with Igor on board as one of the newest recruits of the Russian sail training ship).

Lisa was still arguing with Adeline in broken Spanglish when they noticed the flock of birds at the horizon.
— Something’s happening on the beach, Lisa snapped, quick let’s go have a look.

– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

Queen Marie, Our Good Queen, as the little gents liked to call her, had not been as excited at the prospect of the salon since a long time.
She ringed the bell for the servant girl to bring more wood, as drafts of chilly air were coming from outside. Although quite modern and shiny, the palace was not as equipped for the cold season as the old castles from her mother land. Worse, with age and soft weather, she’d grown accustomed to being warm, and couldn’t bear the cold any longer.

The crackling sound of the pine wood inside the small chimney was comforting and brought her back to her thoughts. A salon, full of delightful witty people, with laughters and costumes, entertainment and champagne wine. She’d heard a special batch of barrels from la Maison Ruinart would be brought especially for the Royalties. Of course, she knew most of those were small favors for the King’s mistress, Reinette, but she didn’t care. Oddly enough, she didn’t mind the woman, who had been always very delicate and considerate towards her, almost affectionate. To be honest, she was a blessing, as the inextinguishable appetite of the King for the flesh and woman beauty was now too hard to bear.

But a party like this, ah… She reveled in the thought of seeing again monsieur de St Galle and the mysterious Comte de St Germain who always was the light of the party with his extravagant stories.

The servant had finished to dress her for the night, putting her new powdered wig on the parakeet shaped wig-holder. She’d bought the wig with its lacquered holder in the morning from a small shop in Paris, which was had quite an aura of mystery she’d heard. Naturally she’d wanted to see for herself.
The wigmaker was a gaunt and unassuming young man who notwithstanding made an impression on her. Jean-Baptiste’s wigs were simple and elegant, albeit not terribly inspired. His eyes, on the other hand, had a piercing yet soft gaze about them, and didn’t seem embarrassed to look at her, almost through her, as if she were a person, instead of the Queen surrounded by a retinue of bland people eager to please.
“Let me draw you some fingers” he’d said to her, changing abruptly the topic from his rambling about books he was inspired to write about symbols. He’d forgotten the traditional address of “Your Majesty”, yet wouldn’t be stopped —regardless of the shocked expressions on the people’s faces.
“You see, I love symbols, and when I draw people’s fingers, I can foretell events to come”.
So that was it, she’d thought, the reason why everyone was ranting about him. He’d better be more inspired at that than wigs, as her patience was wearing thin.
She’d had fortune tellers draw her cards a few times, but the fingers drawing part was curious enough to entice her into removing the glove off her eburnated fingers and letting him do his trick.
An eldritch feeling crept though her spine as he was uttering words for each of the fingers he drew on with a slight pull of his hand, just enough not to crack the joints.

In the bed warmed to a delightful temperature by the bouillotte, she began sliding into deep sleep, while a mixture of words half-forgotten or half-remembered danced around in her mind like the swirls of snowflakes dying on the warm window of her chamber: “funny moment, cold diversion, dream parade, house moustache pink, blue wonder carpets, possible king turned, green mirror travel, understand whole large parade”…

X Trim (the new alias of Ed Steam) was pleased to see that as usual, things happened to converge his way especially when he went on to clean his inner old rattled cages caked in bird’s poop — a rather inelegant metaphor for going with the flow.

He’d been pondering going to a new line of business for awhile, had even gone so far as to discuss the matter of a new yearly launchpad, with the core team of old days and a brand new tagline —or drag-line, to be accurate.
All of that because of a rather quaint discovery of time traveling device, and a funny twist.
He had a brief hesitation for the reignited spark left in the draft of wind that would follow, but had figured for some time now, that all things would be alright in the end, and if it were not the case, then it wasn’t the end.

Stonehenge had moved. Standing stone circles don’t usually move, but this one did. For the reason that nothing is cast in stone, I suppose. Not quite sure yet where to reposition it. There are four standing stones, now, and not five. Or you could say there are now six instead of five, but two are quite short now. After the branch pruning days (some pruned by the wind and some pruned by chainsaw) (when is a fig branch not a fig? when it’s a prune), today was a digging and planting day in the less shady garden. A previously unusable area was now liberated from permanent shade, and a particularly good crop of seedlings meant that it was immediately usable. Hence, the unceremonious removal of the ceremonial stones. The stone circle was now a pile of stones, a stone heap without a plan ~ but with endless possibilities.

Ed Steam’s brilliant plan was simple enough. He had dreamt about it a while ago and the idea had grown on him ever since. Now, he had all he needed to make it happen. The land, the materials, and the artefacts and rotes needed to manipulate the bulk of it around.

It was simple, actually and yet every detail had to be perfect. There were matters of perspective and proportions that were delicate to manage.
And of course he had to be careful using the artefacts with finesse, to be undetected by the Surge team’s monitoring systems. He had designed most of them, so he wasn’t too concerned, although Cornella’s upgrades may be more efficient.
He had calculated the project would probably take him years to complete, but he was fine with it, it was a fun adventure, creating your own palace so to speak.

First, the grounds. That of a glorious castle, with French gardens on a large lightly sloped tumulus. His armoured bears could stay in the surrounding forest where beehives were strategically placed.
On top of the tumulus, instead of a castle, there was a large mill, a cross between a windmill, castle and lighthouse maybe, with walls white and round, many entrances, rooms and stairs leading to the upper levels. That was where most of the work was to be organized. The whole roof was actually like a city, with narrow streets even.
Except the buildings where made from entire stacks of full-sized caravans, making living units, each with its own interior and decoration.

He didn’t know why the stacks of caravans were so appealing to him. Frankly, said like this it could seem like a hill of rubbish dump. However, he had visited this dream place when it was full of people, a fellowship of people living in the caravans and enjoying this particular place. He’d figured, this seems so great and I have the means to create it, so if not me, who else?