Search Results for 'within'

Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.

So what shall we make now Mandrake? Something we both like maybe?

A fish perhaps? suggested Mandrake

Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.

Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!

Some milk for me, said Mandrake

Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.

Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.

Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.

The glass ball was now filled with a miniature world of sand objects.

Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.

Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.

Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.

She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on

India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

India Louise looked up from her drawing.

What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

It is beautiful India Louise.

What did the letter say Grandpa. Why is it making you so sad?

It is just an old letter, India Louise.

Yes it looks very old. Was it bad news?

Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.

She found this quite irritating. They are really bit rude around here, she muttered.

Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.

It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.

(Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)

All I have done is wander around dark passageways really.

And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?

AND if one more person tells me to use my magic I will probably scream or something!

Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.

And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.

Oh cute, said Arona, a talking cat.

Cute yourself, responded Mandrake, love your cape by the way.

(Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)

Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.

Mandrake sighed in an impatiently eggsagerated sort of a way.

Heavens to murgatroyd^¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?

All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.

of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!

—

[¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
Anyway, here is some complement on that ‘Murgatroyd’ .